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Alice Hattrick
Alice Hattrick is a writer and producer based in London. Their book on unexplained illness, intimacy and mother-daughter relationships, titled Ill Feelings, will be published by Fitzcarraldo Editions in 2021.


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Ill Feelings

Feature

Issue No. 19

Alice Hattrick

Feature

Issue No. 19

My mother recently found some loose diary pages I wrote in my first year of boarding school, aged eleven, whilst she was clearing out...

Art

February 2016

'Look at me, I said to the glass in a whisper, a breath.'

Alice Hattrick

Art

February 2016

Listen to her. She is telling you about her adolescence. She is telling you about one particular ‘bender’ that...

Guiding issue 31 of The White Review are questions of survival How to carry on in the aftermath of catastrophe? How to reckon with the spectres of history? How to transform an ordeal into something liveable – or even something pleasurable?   Within these pages, violence is the subject of scrutiny and polemic, but wounds and weapons are also reimagined The issue begins with Lina Meruane’s darkly erotic short story ‘Deeper’, translated by Megan McDowell, in which a woman refuses to sew up a surgical lesion because she’s found another use for her ‘new opening’ In ‘Seaglass’, a personal essay on displacement and loss in Libya and Lebanon, Moad Musbahi uses washed-up glass as a metaphor for ridding shrapnel of danger Issue 31 also contains two startling works of short fiction by Pip Adam, in which people begin to grow so large that the rich and powerful arrange for their disposal, an essay by Philippa Snow on Anna Nicole Smith, who lived and died in the image of her idol, Marilyn Monroe, and a letter to England by Thomas Glave, in which the author addresses the legacy of the British Empire Elias Rodriques explores the role insomnia, music and kinship play in the lives of a Jamaican family who relocate to the US, and Celia Bell’s anti-fable, ‘The Magic Dollar’, tells the tale of a woman who murders her own conscience There is poetry by Fran Lock, Kimberly Campanello and Shripad Sinnakaar, Fernanda Melchor discusses her love of horror and nota roja (a form of sensationalist journalism popular in Mexico), and Anuk Arudpragasam reflects on writing about the Sri Lankan Civil War and its aftermath   ‘Maybe I could just catch a shaft of light, and something could transform’, the artist Jamie Crewe says in a far-reaching interview, in which they discuss using the myth of Orpheus and Eurydice – the story of a woman consigned to live in darkness – as ‘a way of talking about transness’ Crewe rephotographed a scene from the animated video Pastoral Drama (2018) especially for the cover of The White Review, and a series of stills from

Contributor

August 2014

Alice Hattrick

Contributor

August 2014

Alice Hattrick is a writer and producer based in London. Their book on unexplained illness, intimacy and mother-daughter relationships,...

(holes)

Art

July 2014

Alice Hattrick

Kristina Buch

Art

July 2014

There are many ways to make sense of the world, through language, speech and text, but also the senses and their extensions. In his...

READ NEXT

fiction

June 2016

Beast

Paul Kingsnorth

fiction

June 2016

I stood in the river up to my knees and the river was cold. The water filled my boots...

poetry

October 2012

Bacon’s Friends

Stephen Devereux

poetry

October 2012

Always got caught out by their shadows: Stuck to their soles like monkeys on trapezes, Cellophane fortune tellers curling...

Interview

December 2011

Interview with David Graeber

Ellen Evans & Jon Moses

Interview

December 2011

Six months ago, while preparing to interview David Graeber, I decided to conduct some brief internet research on the...

 

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