Mailing List


Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

As they say of politics, I have found essay-writing to be the art of the possible Certain work can only be done in those spooky months when particular trajectories align: what was once opaque becomes transparent, and the story may be told in its complete complexity Try to write such an essay at the wrong moment and your movement will be impeded You will have the rudimentary shape you want, but all the curves and angles and lines will remain coarse – crude, compared to what you might have written had you waited   I only really came to understand these things when I began to imagine an essay that I knew I must write, but equally knew I would fail at For years I waited, and if I try to write it now, it is owing to an intuition that has arrived as a blessing of maturity I have become the writer who might accomplish this task On top of that, something has informed me that for a few ripe months the barriers are down, and I may cross in and out of this longed-for terrain unimpeded   I must get this essay right Each word that I put down becomes a part of my living memory – in a very real sense this is self-creation – and that first cut is always the deepest Yes, it is possible to work around the scar later on – to revise, reformulate, rediscover, redirect – but that first attempt is decisive Everything grows from those initial, indelible words   It was a midsummer’s evening, and through the window looking down on the bay the sky reddened, the sun sank beneath the earth That declining sun brought me fear I reasoned to myself that so long as I could see the light, I was safe from whatever had come unleashed in my mind But as that blackness climbed over the land, so too did some blackness encompass my head This is illogical, I know – magical thinking – but these were my terms that evening I was truly afraid of what the dark of night would bring

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

feature

June 2014

Writing What You Know

Simon Hammond

feature

June 2014

In the summer of 1959, a headstrong but lovesick English graduate took a trip to the hometown of his...

feature

November 2015

Streets of Contradiction

feature

November 2015

Jerusalem has a remarkably cohesive identity, in architectural terms. Every building, from the Western Wall to the sleek hotels...

poetry

October 2013

Steam

Jon Stone

poetry

October 2013

Steam in the changing rooms, stripping off after the race, breathes like an engine. The air is filled up...

 

Get our newsletter

 

* indicates required