For the first time this year, The White Review Poet’s Prize was open to poets based anywhere in the world. Last month we announced a shortlist of eight poets. ...
Early in Judith Schalansky’s An Inventory of Losses, the narrator describes the way an ancient form of writing survived oblivion. The soft clay tablets...
Having several issues ago announced that we would no longer be writing our own editorials, the editors’ (ultimately inevitable) failure to organise a replacement,...