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Aaron Peck
Aaron Peck is the author of The Bewilderments of Bernard Willis and Letters to the Pacific.

Articles Available Online


The Abyss Echoes Back: Judith Schalansky’s ‘An Inventory of Losses’

Book Review

January 2021

Aaron Peck

Book Review

January 2021

Early in Judith Schalansky’s An Inventory of Losses, the narrator describes the way an ancient form of writing survived oblivion. The soft clay tablets...

Book Review

May 2018

Harry Mathews’s ‘The Solitary Twin’

Aaron Peck

Book Review

May 2018

Imagine a small fishing village on the edge of the world. Its inhabitants are progressive and content. The surroundings...

Notes from a workshop   At first, there is nothing but a yellow curtain at the back of the stage It is not particularly big, perhaps three-by-three metres, but it glows like the sun in the bright heat of the floodlights In front of it the black, bare surface of the stage stretches out towards the audience, leaving a space for possibility, imagination and expectation   There are around sixty people gathered in this theatre in the north of Oxford Most of them are young actors but there are also directors, university students, artists, an IT specialist and an anthropologist among the group While some are from Oxford and London, others have made their way here from Spain, Germany and even Australia, to learn first-hand the methods Ariane Mnouchkine, director of the Parisian theatre collective, the Théâtre du Soleil   Here, in the auditorium, begins our first lesson: you must learn to respect the stage, Ariane tells us, you must respect the yellow curtain  She is standing by the first row of seats in front of the stage, the group gathered around her A tall figure dressed in white linen and a grey vest, her curled silver hair flaming around a watchful face Her expression is mild and her voice calm, but her whole bearing commands attention   Here are the rules of imagination Nothing is allowed on the stage that is not part of a performance, it must remain a pure place The stage can only be entered from behind the yellow curtain, which will be opened for you by specially trained curtain openers When you want to enter the stage again, you have to walk offstage and enter through the yellow curtain These are the boundaries and rituals of performance, crucial to the formation of an imaginative space   ***   The Théâtre du Soleil was founded in 1964 and has been run by Ariane, its co-founder, for the last half-century Ariane, born on 3 March 1939 to a French-Russian film producer and a British actress, has devoted most of her life to the theatre collective After studying at the Sorbonne and Oxford she trained with

Contributor

May 2017

Aaron Peck

Contributor

May 2017

Aaron Peck is the author of The Bewilderments of Bernard Willis and Letters to the Pacific.

Gloria

fiction

May 2017

Aaron Peck

fiction

May 2017

Bernard, whenever he thought of Geoffrey, would remember his gait on the afternoon of their first meeting. Geoffrey walked with the confidence of a...

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Prize Entry

April 2015

How things are falling.

David Isaacs

Prize Entry

April 2015

i.   Oyster cards were first issued to members of the British public in July 2003; by June 2015...

Interview

Issue No. 14

Interview with Hal Foster

Chris Reitz

Interview

Issue No. 14

HAL FOSTER’S WORK FOLLOWS in the tradition of the modernist art critic-historian, a public intellectual whose reflection on, and...

feature

February 2015

A Closer Joan

Shawn Wen

feature

February 2015

Here are a few of the Joans I know. The girl who arrives at Port Authority Bus Terminal in...

 

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