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Aaron Peck
Aaron Peck is the author of The Bewilderments of Bernard Willis and Letters to the Pacific.

Articles Available Online


The Abyss Echoes Back: Judith Schalansky’s ‘An Inventory of Losses’

Book Review

January 2021

Aaron Peck

Book Review

January 2021

Early in Judith Schalansky’s An Inventory of Losses, the narrator describes the way an ancient form of writing survived oblivion. The soft clay tablets...

Book Review

May 2018

Harry Mathews’s ‘The Solitary Twin’

Aaron Peck

Book Review

May 2018

Imagine a small fishing village on the edge of the world. Its inhabitants are progressive and content. The surroundings...

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network Its forty million members contribute to a collection of ‘over 336 million original works of art’[1] at the site’s last count, with two million visiting the site to upload an average of 80,000 works of art each day By contrast, the Smithsonian, the world’s largest museum and research complex, holds in its archives 156 million artifacts, works of art and specimens To invoke instances of the numerical sublime is as much a cliché of art writing about the internet as it is one of popular science programmes about the universe, but the comparison between the holdings of these online and IRL institutions allows us to consider how their different infrastructures of access and exchange are revolutionising the way images are read DeviantArt is, furthermore, the realm of the popular image Largely the preserve of illustrators, computer programmers and digital image-makers producing flash animations, character designs, digital renderings, and adjusted photographs, the site’s predominant style is ‘fantasy art’ —imaginary landscapes, fantastical creatures — while fan art, character design, illustration and manga are also much in evidence Its contents offer more direct access to the twenty-first-century global imagination than any contemporary museum or gallery, no matter how devoted to blurring the division between high and low art   The site is organised along lines familiar to any member of a social network After being asked whether you are primarily interested in ‘discovering’, ‘selling’ or ‘improving’ your art, and putting together a crude social profile, you are redirected to a homepage with a seemingly infinite scroll of thumbnail images These are the latest uploads by other members of the community, and clicking on one takes you to a screen where you can see more work by that particular ‘Deviant’ Clicking on ‘more work like this’ is the entrance to a labyrinth of endlessly ramifying pathways, selected either by following categories or by clicking on successive images, to lead you into the international pictorial unconscious   Illustrations of impossibly busty prepubescent girls, waiflike elves and extravagantly muscled cartoon characters are popular, and it’s hard not

Contributor

May 2017

Aaron Peck

Contributor

May 2017

Aaron Peck is the author of The Bewilderments of Bernard Willis and Letters to the Pacific.

Gloria

fiction

May 2017

Aaron Peck

fiction

May 2017

Bernard, whenever he thought of Geoffrey, would remember his gait on the afternoon of their first meeting. Geoffrey walked with the confidence of a...

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Interview

Issue No. 10

Interview with Jacques Rancière

Rye Dag Holmboe

Interview

Issue No. 10

Jacques Rancière came into prominence in 1968 when, under the auspices of his teacher Louis Althusser, he contributed to...

Interview

Issue No. 2

Interview with Richard Wentworth

Ben Eastham

Interview

Issue No. 2

Richard Wentworth is among the most influential artists alive in Britain. He emerged in the 1970s as part of...

feature

February 2011

Novelty and revolt: why there is no such thing as a Twitter revolution

Nadia Khomami

feature

February 2011

The world is seeing an increase in the use of social media as a tool for mobilisation and protest....

 

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