Mailing List


Aaron Peck
Aaron Peck is the author of The Bewilderments of Bernard Willis and Letters to the Pacific.

Articles Available Online


The Abyss Echoes Back: Judith Schalansky’s ‘An Inventory of Losses’

Book Review

January 2021

Aaron Peck

Book Review

January 2021

Early in Judith Schalansky’s An Inventory of Losses, the narrator describes the way an ancient form of writing survived oblivion. The soft clay tablets...

Book Review

May 2018

Harry Mathews’s ‘The Solitary Twin’

Aaron Peck

Book Review

May 2018

Imagine a small fishing village on the edge of the world. Its inhabitants are progressive and content. The surroundings...

Iconoclasts have never known quite what to do with the ruined fragments that they leave behind If we imagine the first English iconoclasts in action as they undertook to rid churches of images and holy objects in the sixteenth century, images of grim-faced fanatics wielding hammers and flaming torches are likely to spring to mind But if iconoclasm is loud and violent in its fury, it is haunted by its quiet aftermath, in which the meanings that it releases prove troublingly difficult to control One response might be to leave nothing behind at all In 1547, as iconoclasm in England assumed new ferocity under Edward VI, a royal injunction urged the clergy to remove and destroy all ‘monuments of feigned miracles, pilgrimages, idolatry and superstition; so that there remain no memory of the same’   This enforced forgetting, however, was a dangerous strategy If superstition were utterly purged and its memory obliterated, there was the risk that it might be repeated The overcoming of error needed to be remembered if its repetition were to be guarded against In many churches broken statues or desecrated images were accordingly left in situ, as salutary reminders of a reviled past This too had its risks, however Even in their broken form, such idols might continue to inspire reverence rather than revulsion After all, if the fragmentation of relics in the Middle Ages in no way reduced their sanctity – a splinter from the True Cross was as holy as the whole – then the sacred remained sacred even in its ruined state Iconoclasm, which seemed to aim at absolute and irrevocable change, turned out to be torn between forms of remembrance and forgetting that it could not fully control   Art Under Attack is the first exhibition devoted to the history of British Iconoclasm, and it is in many ways the realisation of an iconoclast’s nightmares If the iconoclast wants the object to vanish and be forgotten, the exhibition reveals the stubborn tendency of defaced objects to linger and accrue new meanings The first two rooms, devoted to the Reformation of the sixteenth and seventeenth century,

Contributor

May 2017

Aaron Peck

Contributor

May 2017

Aaron Peck is the author of The Bewilderments of Bernard Willis and Letters to the Pacific.

Gloria

fiction

May 2017

Aaron Peck

fiction

May 2017

Bernard, whenever he thought of Geoffrey, would remember his gait on the afternoon of their first meeting. Geoffrey walked with the confidence of a...

READ NEXT

Prize Entry

April 2017

Remain

Ed Lately

Prize Entry

April 2017

The apology had been the most charged and contested gesture between us, the common element in arguments whose subjects...

feature

November 2015

Streets of Contradiction

feature

November 2015

Jerusalem has a remarkably cohesive identity, in architectural terms. Every building, from the Western Wall to the sleek hotels...

Interview

March 2016

Interview with Han Kang

TR. Deborah Smith

Sarah Shin

Interview

March 2016

Han Kang is a disquieting storyteller who leads the reader into the very heart of human experience, where the...

 

Get our newsletter

 

* indicates required