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Amber Husain

Amber Husain is a writer, academic and publisher. She is currently a managing editor and research fellow at Afterall, Central Saint Martins. Her essays and criticism appear or are forthcoming in 3AM, The Believer, London Review of Books, LA Review of Books, Radical Philosophy and elsewhere. She is the author of Replace Me, to be published by Peninsula Press in November 2021.



Articles Available Online


Slouching Towards Death

Book Review

July 2021

Amber Husain

Book Review

July 2021

In January, a preview excerpt in The New Yorker of Rachel Kushner’s essay collection The Hard Crowd (2021) warned us that this might turn...

Book Review

August 2020

Natasha Stagg’s ‘Sleeveless’

Amber Husain

Book Review

August 2020

‘The thong is centimetres closer to areas of arousal,’ writes Natasha Stagg in Sleeveless: Fashion, Image, Media, New York,...

On the final evening of the conference, Clara leaned against the railing of her fifth floor balcony and watched mist gather over the slow, brown river A dirty sunset tinted scattered clouds and backlit the bare trees on the promenade In the grounds of the hotel, a white plastic marquee had been erected and the first guests were making their way along lamp-lit paths for the conference’s closing party   Within the sliding doors, her phone shuddered on a squat glass table Tilly’s smile glowed on the screen, the only light in the dim room – Tom calling to see how her paper had gone and so she could kiss Tilly goodnight before heading down to the party She flicked on the bedside lamp, slipped in her earbuds Tilly was on Tom’s lap, facing the camera In her hair, she wore a little mauve ribbon that he must have tied especially for the call Look, Tilly, here’s mummy, he chirped, flapping a hand at the laptop camera, encouraging her to do the same Tilly wasn’t waving though She stared from the phone as if she had no idea who the strange woman smiling at her from the strange room was Look, it’s mummy, here she is, say hi mummy, Tom urged, and winked his hand She’s just tired, he said, she’s been constantly asking where’s mama But by now, Tilly was completely absorbed with her own image in the upper corner of the screen, pulling faces, chatting away in a private language of saliva and surprise    Even though it was only three nights, Clara had dreaded the idea of being apart from Tilly for the first time She’d been set on declining the invitation, but Tom assured her it was a perfect opportunity for her to ease back into work He’d be fine, as long as she left them enough tittie juice She hated when he called it that, but laughed obligingly and expressed milk into a dozen labelled and dated plastic bags Despite their efforts to wean her, Tilly was still breastfeeding at 15 months and Clara fretted over how

Contributor

November 2018

Amber Husain

Contributor

November 2018

Amber Husain is a writer, academic and publisher. She is currently a managing editor and research fellow at Afterall,...

On Having No Skin: Nan Goldin’s Sirens

Art Review

January 2020

Amber Husain

Art Review

January 2020

The feeling of drug-induced euphoria could be strips of gauze between beautiful fingers. Or a silver slinky sent down a torso by its own...
In Defence of Dead Women

Essay

November 2018

Amber Husain

Essay

November 2018

The memorial for the artist was as inconclusive as her work, or anybody’s life. Organised haphazardly on Facebook by one of her old friends,...

READ NEXT

fiction

February 2016

The Reactive

Masande Ntshanga

fiction

February 2016

My back cramps on the toilet bowl. I stretch it. Then I take two more painkillers and look down...

Interview

August 2013

Interview with Marvin Gaye Chetwynd

Ben Eastham

Interview

August 2013

Four or so years ago, at what was then the single Peckham establishment to serve a selection of sandwiches...

poetry

May 2013

Flatlands

Saskia Hamilton

poetry

May 2013

Horses and geese in a sodden field. Solitaries with luggage on a wet platform. Postage-stamp house on a bit...

 

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