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Amber Husain

Amber Husain is a writer, academic and publisher. She is currently a managing editor and research fellow at Afterall, Central Saint Martins. Her essays and criticism appear or are forthcoming in 3AM, The Believer, London Review of Books, LA Review of Books, Radical Philosophy and elsewhere. She is the author of Replace Me, to be published by Peninsula Press in November 2021.



Articles Available Online


Slouching Towards Death

Book Review

July 2021

Amber Husain

Book Review

July 2021

In January, a preview excerpt in The New Yorker of Rachel Kushner’s essay collection The Hard Crowd (2021) warned us that this might turn...

Book Review

August 2020

Natasha Stagg’s ‘Sleeveless’

Amber Husain

Book Review

August 2020

‘The thong is centimetres closer to areas of arousal,’ writes Natasha Stagg in Sleeveless: Fashion, Image, Media, New York,...

Suicide without a cause, or silent sacrifice for an apparent cause which, in our age, is usually political: a woman can carry off such things without tragedy, without even drama — Julia Kristeva   I   I return to a former self, ghost or shadow self emerging from a glimmering light;   Woolf’s ‘luminous halo, a semi-transparent envelope surrounding us from the beginning of consciousness to the end’   Life as circularity, inevitable return to a womb-like space, a space of the maternal?   Where do the dead go after they die? What nether region do they inhabit?   Where did the Hakka people come from? Peripatetic tribe from north-east China   She comes from people without a home, or fixed position She is condemned and doomed to wander looking for her place in history   I conjure up the past, delving into the recesses of unknown memory and time   I am returning to the source The original source The point of all our origin But these origins go further back beyond Western tradition, beyond the story of holy innocence fabricated in the myths of Adam and Eve, and the notion of a God the father And it does not reside in the maternal womb either, that place of warmth and nurturance, which begins with love   I invite mystery I return to our innate energy, excavating deeply layer upon layer of our consciousness   I breathe in the light; I inhale deeply and exhale   Where is the point of our origin?   I am digging deep I have to go further than the surface of things, back through space and time   I uncover hidden treasure buried for centuries, and carefully retrieve it for future purposes   Filtering through the coloured papers of memory, those delicate, fragile and carefully processed pieces of our past and history felt in my bones and body   In the beginning there was the Word And the Word is me My words become me, and I become the word, a flurry of mixed phrases, half-spoken sentences, articulate in their gibberish   I try to find the language that defines me, become a whirling dervish, caught up in a veil of spinning letters They fly around me, and I try to catch them   In the beginning there was

Contributor

November 2018

Amber Husain

Contributor

November 2018

Amber Husain is a writer, academic and publisher. She is currently a managing editor and research fellow at Afterall,...

On Having No Skin: Nan Goldin’s Sirens

Art Review

January 2020

Amber Husain

Art Review

January 2020

The feeling of drug-induced euphoria could be strips of gauze between beautiful fingers. Or a silver slinky sent down a torso by its own...
In Defence of Dead Women

Essay

November 2018

Amber Husain

Essay

November 2018

The memorial for the artist was as inconclusive as her work, or anybody’s life. Organised haphazardly on Facebook by one of her old friends,...

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poetry

February 2014

Two Poems from A Finger in the Fishes Mouth

Derek Jarman

poetry

February 2014

To mark the 20th anniversary of Derek Jarman’s death, Test Centre has produced a facsimile edition of his sole,...

feature

Issue No. 7

Bracketing the World: Reading Poetry through Neuroscience

James Wilkes

feature

Issue No. 7

The anechoic chamber at University College London has the clutter of a space shared by many people: styrofoam cups,...

Art

December 2011

James Richards: Not Blacking Out...

Chris Newlove Horton

Art

December 2011

Artist James Richards appropriates audio-visual material gathered from a range of sources, which he then edits into elaborate, fragmented...

 

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