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Amber Husain

Amber Husain is a writer, academic and publisher. She is currently a managing editor and research fellow at Afterall, Central Saint Martins. Her essays and criticism appear or are forthcoming in 3AM, The Believer, London Review of Books, LA Review of Books, Radical Philosophy and elsewhere. She is the author of Replace Me, to be published by Peninsula Press in November 2021.



Articles Available Online


Slouching Towards Death

Book Review

July 2021

Amber Husain

Book Review

July 2021

In January, a preview excerpt in The New Yorker of Rachel Kushner’s essay collection The Hard Crowd (2021) warned us that this might turn...

Book Review

August 2020

Natasha Stagg’s ‘Sleeveless’

Amber Husain

Book Review

August 2020

‘The thong is centimetres closer to areas of arousal,’ writes Natasha Stagg in Sleeveless: Fashion, Image, Media, New York,...

THE KITE C 1755   One doctor of lightning, floating on his back down a river held his kite high, a sail in the sky of silk (B Franklin once let a kite tow him across a sizeable lake) Sail of wind and rain in diamond-shape at the end of which a child was, too, a kind of lightning sitting on the sill of a window or standing just inside a door will emit a luminous liquid, slightly viscous, which flashed an instant above the gathered crowd honing down into a long string that held a single hand well in place forcing the connected person to quickly learn the rigour that rules over such childish things once mixed with copper, oiled paper, and an impending storm     BENJAMIN FRANKLIN   used books, people, wires, and wax – it was really quite simple –   Franklin wandering lost between it all could nonetheless feel the tiniest sparkling parts alive inside the glass,   and of something given off deep within that somehow let Isaac Newton live Yet Franklin never quite met him and was left to make a meticulous record of the weather, the water, and the stars in the skies ajar from the deck of the ship heading home again, c 1725 It was he who first asserted that all electricity is a single thing and who solved the mystery of the Leyden jar   So, back to the books, the corks, and the wax, while the fresh water from a tea kettle came as a shock or maybe as a memory – a librarian in Latin opening the windows during thunderstorms so that all could read by the lightning     THE ELECTRIC FORTUNE-TELLER   made and marketed by Georg Heinrich Seiferheld, 1757-1818, was just one among a series of ghostly devices made of lights, buttons, boxes, and small Leyden jars all hidden in a miniature temple made of shook-foil shaken and in the hand, a book on which was written in sparks: “This darkness is permissible” So, off went

Contributor

November 2018

Amber Husain

Contributor

November 2018

Amber Husain is a writer, academic and publisher. She is currently a managing editor and research fellow at Afterall,...

On Having No Skin: Nan Goldin’s Sirens

Art Review

January 2020

Amber Husain

Art Review

January 2020

The feeling of drug-induced euphoria could be strips of gauze between beautiful fingers. Or a silver slinky sent down a torso by its own...
In Defence of Dead Women

Essay

November 2018

Amber Husain

Essay

November 2018

The memorial for the artist was as inconclusive as her work, or anybody’s life. Organised haphazardly on Facebook by one of her old friends,...

READ NEXT

feature

December 2016

Wildness of the Day

Orlando Reade

feature

December 2016

One day in late 2011, waiting outside Green Park station, my gaze was drawn to an unexpected sight. Earlier...

poetry

Issue No. 13

Morning, Noon & Night

Claire-Louise Bennett

poetry

Issue No. 13

Sometimes a banana with coffee is nice. It ought not to be too ripe – in fact there should...

Interview

Issue No. 1

Interview with Will Self

Jacques Testard

Interview

Issue No. 1

Standing on the doorstep of Will Self’s London home ahead of this interview, last August, I was quite terrified....

 

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