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Amber Husain

Amber Husain is a writer, academic and publisher. She is currently a managing editor and research fellow at Afterall, Central Saint Martins. Her essays and criticism appear or are forthcoming in 3AM, The Believer, London Review of Books, LA Review of Books, Radical Philosophy and elsewhere. She is the author of Replace Me, to be published by Peninsula Press in November 2021.



Articles Available Online


Slouching Towards Death

Book Review

July 2021

Amber Husain

Book Review

July 2021

In January, a preview excerpt in The New Yorker of Rachel Kushner’s essay collection The Hard Crowd (2021) warned us that this might turn...

Book Review

August 2020

Natasha Stagg’s ‘Sleeveless’

Amber Husain

Book Review

August 2020

‘The thong is centimetres closer to areas of arousal,’ writes Natasha Stagg in Sleeveless: Fashion, Image, Media, New York,...

Please click on the links below to download, print and assemble (instructions in slideshow above) Vanessa Hodgkinson’s For the Motherboard: The Rubáiyát of Omar Khayyám, typeset by James Bridle    LXIX   But obsolete Pieces of the Game He plays Upon this Transparency-grid of Nights and Days; Hither and thither tweets, and posts, and slays, And one by one back in the Hard Drive lays   **   But helpless Pieces of the Game He plays  Upon this Chequer-board of Nights and Days;    Hither and thither moves, and checks, and slays,  And one by one back in the Closet lays   Rubáiyát Layout 1 Rubáiyát Layout 2     A Note on the Text by Vanessa Hodgkinson   The Rubáiyát that I own is one given to me over a decade ago when I lived in Kuwait A modest copy bound in plasticised leather, it is cheap but speaks of the sumptuousness of its genealogy Of ‘travelling size’, it is like a bloated cheap postcard Every verse is surrounded by a repeated border of flowers that have long since been abstracted beyond recognition of anything natural The paper is sleek; a biro slides over it without leaving much more than an oily smudge   This Rubáiyát is special to me because it is a dual translation of the original Persian verse into French and English While I couldn’t appreciate the Persian, I was being given a double window of opportunity in both French and English, my maternal and paternal tongues It acted as a playful reminder of my inability to master Arabic, let alone Persian, despite moving to Kuwait to do so   I often compare my pidgin Arabic to my pidgin HTML These languages intrigue me but I am locked out of their possibility Despite my best intentions I am never going to master them I recognise forms, sequences, ways in which they coagulate to have meaning They both contain a fundamental logic that I admire and wish I could possess What kind of person might I be if I did read and write in Arabic and was proficient in computer programming! We can only shudder at the thought But the reality is that despite these languages being constantly

Contributor

November 2018

Amber Husain

Contributor

November 2018

Amber Husain is a writer, academic and publisher. She is currently a managing editor and research fellow at Afterall,...

On Having No Skin: Nan Goldin’s Sirens

Art Review

January 2020

Amber Husain

Art Review

January 2020

The feeling of drug-induced euphoria could be strips of gauze between beautiful fingers. Or a silver slinky sent down a torso by its own...
In Defence of Dead Women

Essay

November 2018

Amber Husain

Essay

November 2018

The memorial for the artist was as inconclusive as her work, or anybody’s life. Organised haphazardly on Facebook by one of her old friends,...

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Essay

Issue No. 18

The Disquieting Muses

Leslie Jamison

Essay

Issue No. 18

I.   In Within Heaven and Hell (1996), Ellen Cantor’s voice-over tells the story of a doomed love affair...

poetry

Issue No. 20

Two Poems

Nisha Ramayya

poetry

Issue No. 20

JOY OF THE EYES   The future is not the beginning, but the forerunner, of a new intense-formation.  ...

feature

Issue No. 10

Editorial

The Editors

feature

Issue No. 10

This tenth editorial will be our last. Back in February 2011, on launching the magazine, we grandiosely stated that we...

 

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