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Amber Husain

Amber Husain is a writer, academic and publisher. She is currently a managing editor and research fellow at Afterall, Central Saint Martins. Her essays and criticism appear or are forthcoming in 3AM, The Believer, London Review of Books, LA Review of Books, Radical Philosophy and elsewhere. She is the author of Replace Me, to be published by Peninsula Press in November 2021.



Articles Available Online


Slouching Towards Death

Book Review

July 2021

Amber Husain

Book Review

July 2021

In January, a preview excerpt in The New Yorker of Rachel Kushner’s essay collection The Hard Crowd (2021) warned us that this might turn...

Book Review

August 2020

Natasha Stagg’s ‘Sleeveless’

Amber Husain

Book Review

August 2020

‘The thong is centimetres closer to areas of arousal,’ writes Natasha Stagg in Sleeveless: Fashion, Image, Media, New York,...

Chatsworth, established in 1888 in the northwest corner of the San Fernando Valley, took its name from the family seat of the Duke of Devonshire The developers who subdivided this part of Ex-Mission San Fernando, formerly called Rancho El Escorpión, preferred to associate themselves with England’s landed gentry rather than with the poisonous arachnids native to the place As in Hollywood, another formerly rural tract absorbed into the city of Los Angeles, efforts to elevate the tone of the area were never entirely successful Companies producing mainstream entertainment, including the one responsible for the television programme 24, have maintained offices in Chatsworth, but they have generally been overshadowed by the more enduring presence of the sex industry; besides many porn studios, the trade publication Adult Video News has its headquarters in the neighbourhood, and sex toys are manufactured there Most recently, Chatsworth distinguished itself as the place where the figure of Vern Blosum, a painter whose work achieved notoriety in the early 1960s, started to emerge from obscurity   In February 2006, Jon and Tina Cassar bought a painting that looked like Pop Art, as anyone would say: a realistic depiction of a parking meter captioned with the text ‘Twenty Five Minutes’ (the amount of time left on the meter) in the kind of plain block letters used by professional sign painters Jon Cassar, a producer of 24, which consists of hour-long episodes unfolding in an hour of real time, must have felt almost as though the painting, with its image of a finite period time about to expire, had been made expressly for him The Cassars’ notes describe the circumstances: ‘Purchased, Twenty Five Minutes, Vern Blosum 1962, at a price of $1000 In Chatsworth, CA At a corner storage lot Due to storage container being vacated Unknown reasons why Unknown owner Maybe due to no longer paying rental storage fees or could be it was left unclaimed’ After taking the painting home, the new owners found on the back of it a label reading, ‘L A Co Museum of Art, LOAN CAT 88, MR & MRS L ASHER’

Contributor

November 2018

Amber Husain

Contributor

November 2018

Amber Husain is a writer, academic and publisher. She is currently a managing editor and research fellow at Afterall,...

On Having No Skin: Nan Goldin’s Sirens

Art Review

January 2020

Amber Husain

Art Review

January 2020

The feeling of drug-induced euphoria could be strips of gauze between beautiful fingers. Or a silver slinky sent down a torso by its own...
In Defence of Dead Women

Essay

November 2018

Amber Husain

Essay

November 2018

The memorial for the artist was as inconclusive as her work, or anybody’s life. Organised haphazardly on Facebook by one of her old friends,...

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Interview

August 2016

Interview with Daniel Sinsel

Rosanna Mclaughlin

Interview

August 2016

In the decade after leaving Chelsea School of Art in 2002, Daniel Sinsel made a name for himself with...

feature

April 2012

Oradour-sur-Glane: Reflections on the Culture of Memorial in Europe

Will Stone

feature

April 2012

Que nos caravanes s’avancent Vers ce lieu marqué par le sang Une plaie au coeur de la France Y...

Art

January 2017

New Communities

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty...

 

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