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Amber Husain

Amber Husain is a writer, academic and publisher. She is currently a managing editor and research fellow at Afterall, Central Saint Martins. Her essays and criticism appear or are forthcoming in 3AM, The Believer, London Review of Books, LA Review of Books, Radical Philosophy and elsewhere. She is the author of Replace Me, to be published by Peninsula Press in November 2021.



Articles Available Online


Slouching Towards Death

Book Review

July 2021

Amber Husain

Book Review

July 2021

In January, a preview excerpt in The New Yorker of Rachel Kushner’s essay collection The Hard Crowd (2021) warned us that this might turn...

Book Review

August 2020

Natasha Stagg’s ‘Sleeveless’

Amber Husain

Book Review

August 2020

‘The thong is centimetres closer to areas of arousal,’ writes Natasha Stagg in Sleeveless: Fashion, Image, Media, New York,...

How well do you know your nose? That organ is the gateway to our least understood sense, a network of more than 400 types of receptor cells (Our retinas, by contrast, have just three) Though most are concentrated in a bulb near our frontal lobe, olfactory receptors have cropped up in skin, livers, kidneys and sperm Smell is a powerful memory recall tool, and it can make us want to fuck, vomit or cry – but why and how all this works remains largely a biological mystery   This enigma drives Sean Raspet, an artist and self-trained food-and-fragrance scientist whose art is microscopic in scale Past shows at Société, Berlin have featured large plastic vats of stuff he’s cooked up in a lab: molecular compounds meant to tease our tongues or trigger our nostrils These concoctions are often clear and near-weightless, and can take the form of a liquid or a gas In his current exhibition ‘Receptor-Binding Variations’ at Bridget Donahue Gallery, New York, Raspet has devised ten ‘primary scent formulations’ that, like primary colours, trigger the range of our olfactory sense Brewed from ‘captive molecules’, or particles patented by the fragrance industry, they are housed in bone-white electric diffusers that spout their scent every 60 seconds Many of their manufactured molecules are designed to deceive the human nose: to us, they can smell more like natural goods than the organic chemicals they imitate, frustrating attempts to sniff out their origins In the gallery, all these compounds blend together to produce the faint aroma of rubber gym flooring, inoffensive but slightly unsettling   Each compound, and thus each work in the show, is labelled with the name of the receptor it’s meant to target (all works 2017) The first diffuser, 52D1, gives off a strong whiff of citronella, with notes of the artificial pineapple aroma of white gummy bears Number two, 3A1, 2AE1: a distinct odour of freshly mown grass At first pass, 2V2, 2V1 smelled like an herbaceous gin; when I returned several minutes later, I detected the sweetness of kiwi 2L5, lemon Pledge; 7G3, 8K3, 1J2, fresh asphalt; 52D1, a sweaty armpit

Contributor

November 2018

Amber Husain

Contributor

November 2018

Amber Husain is a writer, academic and publisher. She is currently a managing editor and research fellow at Afterall,...

On Having No Skin: Nan Goldin’s Sirens

Art Review

January 2020

Amber Husain

Art Review

January 2020

The feeling of drug-induced euphoria could be strips of gauze between beautiful fingers. Or a silver slinky sent down a torso by its own...
In Defence of Dead Women

Essay

November 2018

Amber Husain

Essay

November 2018

The memorial for the artist was as inconclusive as her work, or anybody’s life. Organised haphazardly on Facebook by one of her old friends,...

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fiction

January 2015

Adventures in Immediate...

Max Blecher

TR. Michael Henry Heim

fiction

January 2015

I can picture myself as a small child wearing a nightshirt that comes down to my heels. I am...

poetry

July 2014

Little Pistorius in a Sleevelet of Mirrors

Joyelle McSweeney

poetry

July 2014

INSERT: Little Pistorius in a Sleevelet of Mirrors A ballet performed by the corps du ballet of S——– to...

Art

August 2016

False shadows

Izabella Scott

Art

August 2016

The ‘beautiful disorder’ of the Forbidden City and the Yuanmingyuan (Garden of Perfection and Light) was first noted by...

 

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