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Amber Husain

Amber Husain is a writer, academic and publisher. She is currently a managing editor and research fellow at Afterall, Central Saint Martins. Her essays and criticism appear or are forthcoming in 3AM, The Believer, London Review of Books, LA Review of Books, Radical Philosophy and elsewhere. She is the author of Replace Me, to be published by Peninsula Press in November 2021.



Articles Available Online


Slouching Towards Death

Book Review

July 2021

Amber Husain

Book Review

July 2021

In January, a preview excerpt in The New Yorker of Rachel Kushner’s essay collection The Hard Crowd (2021) warned us that this might turn...

Book Review

August 2020

Natasha Stagg’s ‘Sleeveless’

Amber Husain

Book Review

August 2020

‘The thong is centimetres closer to areas of arousal,’ writes Natasha Stagg in Sleeveless: Fashion, Image, Media, New York,...

1   It must have been around the same time she decided that she really was using all the hot yoga as a substitute for other kinds of self-harm – she always realised these things so late, out of touch with her Innerlichkeit, as the philosopher Georg Simmel would say, the intelligible forms of her understanding outstripping the inchoate flow of her consciousness – that the kid arrived on the scene Indeed his sudden obtrusion must have been around the same she decided she needed to scale back the stretching and instead punish herself for whatever she’d been punishing herself all her life by working on her dissertation and not, say, by pretending to sit in a small non-existent chair while her thighs burned and twitched or by standing for minutes with her leg pulled over her head like some kind of retarded Degas – she’d decided that she’d get to work, anyway, though she certainly hadn’t done anything about it And she wouldn’t for a while   Life was all about timing; she’d learned that from her studies: you have to learn something about plotting if you’re going to study literature So it didn’t quite surprise her that there he was, the kid on the neighbouring mat, a smattering of acne on his shoulders, the kind you get from exercise, not bad genes, wearing nothing but a t-shirt from the university supposedly about to confer her PhD and – heavens, the youth these days – Spandex capris   The kid was very good-looking, or at least young-looking She noticed because recently she’d been nourishing a youth fetish And not just a sad who-can-hope-to-avoid-it-in-a-youth-fetishising-culture kind of thing but a specific, personal jonesing for dewy boyflesh dating back to when she fucked that slab of junior varsity crew team beef, one of her own students, in her second year of graduate school That had been around the same time that she’d first read on a website that women in their early thirties were in their sexual prime   And whether or not she was suddenly hotter for it than ever she looked at this new kid for longer than

Contributor

November 2018

Amber Husain

Contributor

November 2018

Amber Husain is a writer, academic and publisher. She is currently a managing editor and research fellow at Afterall,...

On Having No Skin: Nan Goldin’s Sirens

Art Review

January 2020

Amber Husain

Art Review

January 2020

The feeling of drug-induced euphoria could be strips of gauze between beautiful fingers. Or a silver slinky sent down a torso by its own...
In Defence of Dead Women

Essay

November 2018

Amber Husain

Essay

November 2018

The memorial for the artist was as inconclusive as her work, or anybody’s life. Organised haphazardly on Facebook by one of her old friends,...

READ NEXT

fiction

Issue No. 3

Forkhead Box

Jeremy M. Davies

fiction

Issue No. 3

What interests me most is that Schaumann, the state executioner, bred mice. In his spare time. Sirens, ozone, exhaust...

fiction

January 2016

Eight Minutes and Nineteen Seconds

Georgi Gospodinov

TR. Angela Rodel

fiction

January 2016

The minute you start reading this, the sun may already have gone out, but you won’t know it yet....

Art

December 2011

James Richards: Not Blacking Out...

Chris Newlove Horton

Art

December 2011

Artist James Richards appropriates audio-visual material gathered from a range of sources, which he then edits into elaborate, fragmented...

 

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