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Amber Husain

Amber Husain is a writer, academic and publisher. She is currently a managing editor and research fellow at Afterall, Central Saint Martins. Her essays and criticism appear or are forthcoming in 3AM, The Believer, London Review of Books, LA Review of Books, Radical Philosophy and elsewhere. She is the author of Replace Me, to be published by Peninsula Press in November 2021.



Articles Available Online


Slouching Towards Death

Book Review

July 2021

Amber Husain

Book Review

July 2021

In January, a preview excerpt in The New Yorker of Rachel Kushner’s essay collection The Hard Crowd (2021) warned us that this might turn...

Book Review

August 2020

Natasha Stagg’s ‘Sleeveless’

Amber Husain

Book Review

August 2020

‘The thong is centimetres closer to areas of arousal,’ writes Natasha Stagg in Sleeveless: Fashion, Image, Media, New York,...

The scent of osmanthus blossoms still lingered in her neighbourhood when a handful of men entered her home Yet when they stepped through her bedroom door, they were blindsided by an overpowering stench that drove each one to put a hand over his nose    She wasn’t dead yet, merely lying on a bed that was very likely the source of the odour The clutter and filth in the room were easily imaginable; one might describe her own appearance the same way Perhaps the only comforting aspect to the scene were two hedgehog cacti that stood motionless out on the balcony, glowing green under the angled gaze of the afternoon sun As they grew very slowly and wanted nothing besides sunlight, it was basically impossible to tell whether they were alive or dead    She kept on sleeping, or was unwilling to deal with other people, so the men only stood by her bedside for a moment before hurrying back to the living room, taking care to leave her bedroom door open    Although the living room was also covered in ancient grime, and its furniture and accessories blanketed by dust, the drier air made it more tolerable The visitors stood and talked to the young woman who had let them in – the daughter of the old woman on the bed, around 30 years old, with a freckle near the bridge of her nose She wore a pair of jeans adorned on one leg with embroidered flowers that ran from knee to hip The pattern was so gaudy that her visitors looked down at her leg every few sentences Were those peonies? Or something else, it was hard to tell    One couldn’t resist saying: ‘Look at your mother What kind of a daughter are you?’   ‘I’m not in Nanjing, I live out of town’    ‘Out of town? Where?’ asked the youngest of the group    ‘Zhenjiang’    ‘That’s still not far You married out there?’   ‘Yeah’   ‘Well then, you should be “Coming Home Regularly to Visit”’, the young one replied, sharing a smile with the other two over his reference to the song    ‘I – ’

Contributor

November 2018

Amber Husain

Contributor

November 2018

Amber Husain is a writer, academic and publisher. She is currently a managing editor and research fellow at Afterall,...

On Having No Skin: Nan Goldin’s Sirens

Art Review

January 2020

Amber Husain

Art Review

January 2020

The feeling of drug-induced euphoria could be strips of gauze between beautiful fingers. Or a silver slinky sent down a torso by its own...
In Defence of Dead Women

Essay

November 2018

Amber Husain

Essay

November 2018

The memorial for the artist was as inconclusive as her work, or anybody’s life. Organised haphazardly on Facebook by one of her old friends,...

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Prize Entry

April 2015

Every Woman to the Rope

Joanna Quinn

Prize Entry

April 2015

My father believed the sea to be covetous: a pleading dog that would lap at you adoringly, sidling up...

poetry

January 2015

dear angélica

Angélica Freitas

TR. Hilary Kaplan

poetry

January 2015

dear angélica   dear angélica I can’t make it I got stuck in the elevator between the ninth and...

Art

May 2014

The Interzone and Dexter Dalwood

Sarah Hegenbart

Dexter Dalwood

Art

May 2014

‘Burroughs in Tangier’ (2005) has captivated me ever since its display in the 2010 Turner Prize Exhibition. The work...

 

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