Mailing List


Amber Husain

Amber Husain is a writer, academic and publisher. She is currently a managing editor and research fellow at Afterall, Central Saint Martins. Her essays and criticism appear or are forthcoming in 3AM, The Believer, London Review of Books, LA Review of Books, Radical Philosophy and elsewhere. She is the author of Replace Me, to be published by Peninsula Press in November 2021.



Articles Available Online


Slouching Towards Death

Book Review

July 2021

Amber Husain

Book Review

July 2021

In January, a preview excerpt in The New Yorker of Rachel Kushner’s essay collection The Hard Crowd (2021) warned us that this might turn...

Book Review

August 2020

Natasha Stagg’s ‘Sleeveless’

Amber Husain

Book Review

August 2020

‘The thong is centimetres closer to areas of arousal,’ writes Natasha Stagg in Sleeveless: Fashion, Image, Media, New York,...

When King Carol II of Romania set foot on the tiny Danubian island of Ada Kaleh on 4 May 1931, it was said among the islanders that his arrival had been foretold in a dream The decisions he made after spending two hours there that summer evening were so momentous that his visit would later be marked with an annual festival   About a year into his reign, the king was touring the area and had decided to drop in on this most unusual corner of his realm The island lay in the region known as the Iron Gates, where the river passes through a series of gorges as it descends through the Carpathian Mountains It was a perilous place for river traffic, and boats travelling upstream had to be towed from the bank in order to overcome the current Just above the first set of rapids, on a bend in the river opposite the town of Orşova, stood Ada Kaleh The island was little more than a narrow strip of sandy soil about a mile long and 400 metres wide at its broadest The people on the river’s northern bank were Romanian and to the south Serbian, but the islanders themselves – who numbered about 680 at the time of the king’s visit – were Turks Framed against the dark flanks of the mountains that rose on each side of the Danube, Ada Kaleh’s poplars and chestnuts, the cypresses of its cemetery and the minaret of its mosque, seemed to float like a mirage on the water’s surface   The king – white military uniform dazzling in the sunshine – stepped from his boat at around five o’clock trailed by an entourage of more soberly clad bureaucrats, soldiers, and politicians At that time, the island’s flowers were in bloom, tumbling over the ramparts of the old fortress from which it took its name (ada kale meaning ‘island castle’ in Turkish) and bursting from the whitewashed petrol tins that stood in its cobbled streets The crumbling battlements glowed in the warm, sharp light of the late afternoon sun that broke through the scattered clouds,

Contributor

November 2018

Amber Husain

Contributor

November 2018

Amber Husain is a writer, academic and publisher. She is currently a managing editor and research fellow at Afterall,...

On Having No Skin: Nan Goldin’s Sirens

Art Review

January 2020

Amber Husain

Art Review

January 2020

The feeling of drug-induced euphoria could be strips of gauze between beautiful fingers. Or a silver slinky sent down a torso by its own...
In Defence of Dead Women

Essay

November 2018

Amber Husain

Essay

November 2018

The memorial for the artist was as inconclusive as her work, or anybody’s life. Organised haphazardly on Facebook by one of her old friends,...

READ NEXT

Interview

May 2015

Interview with Catherine Lacey

Will Chancellor

Interview

May 2015

Catherine Lacey is a writer who came to New York by way of Tupelo, Mississippi. She is a New...

poetry

September 2015

She-dog & Wrong

Natalia Litvinova

TR. Daniela Camozzi

poetry

September 2015

She-dog   He wrote to tell me his dog had died. I wanted to be her, I wanted him...

Art

Issue No. 9

Dr Gaz

Jeff Keen

Art

Issue No. 9

Jeff Keen was among the most influential of a pioneering generation of experimental film-makers to emerge from the United...

 

Get our newsletter

 

* indicates required