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Amber Husain

Amber Husain is a writer, academic and publisher. She is currently a managing editor and research fellow at Afterall, Central Saint Martins. Her essays and criticism appear or are forthcoming in 3AM, The Believer, London Review of Books, LA Review of Books, Radical Philosophy and elsewhere. She is the author of Replace Me, to be published by Peninsula Press in November 2021.



Articles Available Online


Slouching Towards Death

Book Review

July 2021

Amber Husain

Book Review

July 2021

In January, a preview excerpt in The New Yorker of Rachel Kushner’s essay collection The Hard Crowd (2021) warned us that this might turn...

Book Review

August 2020

Natasha Stagg’s ‘Sleeveless’

Amber Husain

Book Review

August 2020

‘The thong is centimetres closer to areas of arousal,’ writes Natasha Stagg in Sleeveless: Fashion, Image, Media, New York,...

I guess it must be the flag of my disposition, out of hopeful green stuff woven Walt Whitman, Leaves of Grass   Aurora chasing is a favourite sport up in Iceland, one of the main draws for visitors Northern Lights come in all sorts of hues, apparently, but more often than not they are a glowing green – the colour of the equally elusive meteorological phenomenon that gives its title to a lesser-known Jules Verne novel and to Eric Rohmer´s 1986 film Le rayon vert The dreamy final sequence of the latter, as I recall, dilates the moment when the green flash briefly appears just as the sun sinks below the horizon, contemplated from afar by the mesmerised heroine Delphine and her newfound love, Jacques Earlier on in the film, the troubled protagonist portrayed by Marie Larivière overhears a conversation at the beach in which Verne´s Le rayon vert is discussed Whoever sees the fleeting green ray, the story goes, gains an insight into their own and other people´s thoughts and feelings A clarity of vision   A week into my month-long retreat in the solitude of Roni Horn‘s VATNASAFN/LIBRARY OF WATER, overlooking the harbour in the fishing village of Stykkishólmur and the many islands of Breiðafjörður Bay, I sighted a green ray from the writer´s studio located beneath the library Minutes before I was up in the library, surrounded by the clear glacier-filled glass columns that have replaced its original holdings The wind-swept sky that evening had the same pellucid quality For once no clouds were obstructing the horizon line at sunset; this in itself felt like a rare occurrence, one that should not go unheeded I was in the midst of preparing supper when the sun started dipping into the sea These rival claims on my attention kept me rushing back and forth across the room, from the kitchen area to the windows looking out to the West Fjords The sun´s disk was all but engulfed Eager to resume my cooking activities, I nearly turned my back on the green ray Yet before I could pull myself away

Contributor

November 2018

Amber Husain

Contributor

November 2018

Amber Husain is a writer, academic and publisher. She is currently a managing editor and research fellow at Afterall,...

On Having No Skin: Nan Goldin’s Sirens

Art Review

January 2020

Amber Husain

Art Review

January 2020

The feeling of drug-induced euphoria could be strips of gauze between beautiful fingers. Or a silver slinky sent down a torso by its own...
In Defence of Dead Women

Essay

November 2018

Amber Husain

Essay

November 2018

The memorial for the artist was as inconclusive as her work, or anybody’s life. Organised haphazardly on Facebook by one of her old friends,...

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poetry

October 2013

Transylvania

Jon Stone

poetry

October 2013

The rabbit darkness just beyond the headlights’ sprawl and parcel darkness stopping up the drivers’ mouths like oaths or...

poetry

February 2014

Promenade & Dinner: Two Poems

Joe Dunthorne

poetry

February 2014

Promenade I was pursued by an immersive theatre troupe two of whom lay on the textured paving and performed...

Art

Issue No. 2

Sri Lankan Contemporary Art

Josephine Breese

Art

Issue No. 2

Sri Lanka has developed a thriving, vital contemporary art scene over the past twenty years. New artists are emerging...

 

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