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Amber Husain

Amber Husain is a writer, academic and publisher. She is currently a managing editor and research fellow at Afterall, Central Saint Martins. Her essays and criticism appear or are forthcoming in 3AM, The Believer, London Review of Books, LA Review of Books, Radical Philosophy and elsewhere. She is the author of Replace Me, to be published by Peninsula Press in November 2021.



Articles Available Online


Slouching Towards Death

Book Review

July 2021

Amber Husain

Book Review

July 2021

In January, a preview excerpt in The New Yorker of Rachel Kushner’s essay collection The Hard Crowd (2021) warned us that this might turn...

Book Review

August 2020

Natasha Stagg’s ‘Sleeveless’

Amber Husain

Book Review

August 2020

‘The thong is centimetres closer to areas of arousal,’ writes Natasha Stagg in Sleeveless: Fashion, Image, Media, New York,...

Worthwhile philosophy is like building matchstick galleons When Lewis says that all possible worlds are just as real as this one, or Chalmers says that a thermostat is conscious, or Parfit says that there is no persistent self, or Plantinga says that belief in God is no more unreasonable than belief in other minds, these are assertions of fantastic intellectual audacity – but only because they have been raised up out of close reasoning and incremental advancements   In general, continental philosophers prefer to operate outside these constraints, and are therefore also denied these satisfactions They have sex before marriage, so they don’t get a wedding night The closest thing to audacity that continental philosophy can ever manage now is when, for instance, Žižek says something tasteless about Josef Fritzl, and even then no one is genuinely offended, because they already know and love Žižek   But one exception has recently emerged   ‘What is it that happened 456 billion years ago? Did the accretion of the earth happen, yes or no?’ That shouldn’t be an electrifying question, but it is, at least in the context in which it is posed: a short book by a brilliant new philosopher who is also a practising Frenchman Let’s assume that we respond to it with what Quentin Meillassoux would call an ancestral statement: ‘Yes, the accretion of the earth did happen I wasn’t there myself, but it definitely happened’ As Meillassoux writes in After Finitude, ‘What distinguishes the philosopher from the non-philosopher in this matter is that only the former is capable of being astonished by the straightforwardly literal meaning of the ancestral statement’ If you’re not quite sure how anyone, even a philosopher, could be astonished by ‘The accretion of the earth did happen’, then you obviously haven’t spent much time reading continental philosophy (My warmest congratulations on your good fortune) In continental philosophy, that statement about accretion would be regarded as naïve, obtuse, old-fashioned, meaningless, and/or fascistic For example, here is one writer’s response ‘Let’s pretend it’s the late 19th century and phrenology is accepted as a science And someone like Meillassoux comes along and

Contributor

November 2018

Amber Husain

Contributor

November 2018

Amber Husain is a writer, academic and publisher. She is currently a managing editor and research fellow at Afterall,...

On Having No Skin: Nan Goldin’s Sirens

Art Review

January 2020

Amber Husain

Art Review

January 2020

The feeling of drug-induced euphoria could be strips of gauze between beautiful fingers. Or a silver slinky sent down a torso by its own...
In Defence of Dead Women

Essay

November 2018

Amber Husain

Essay

November 2018

The memorial for the artist was as inconclusive as her work, or anybody’s life. Organised haphazardly on Facebook by one of her old friends,...

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poetry

Issue No. 13

Watermen

Holly Pester

poetry

Issue No. 13

It’s Saturday and two men arrive at the door in the uniform. Thames Water. We’re checking the whole street,...

Art

March 2015

Tropenkoller

Lothar Hempel

Art

March 2015

Taking the title Tropenkoller (Tropical Madness), German artist Lothar Hempel’s latest exhibition at Stuart Shave/Modern Art, London (Feb 27-Mar...

Art

June 2015

Sisterhood

Chelsea Hogue

Art

June 2015

A woman appears onscreen. Her hair is short. While the film is black and white, by the colour gradations...

 

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