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Amber Husain

Amber Husain is a writer, academic and publisher. She is currently a managing editor and research fellow at Afterall, Central Saint Martins. Her essays and criticism appear or are forthcoming in 3AM, The Believer, London Review of Books, LA Review of Books, Radical Philosophy and elsewhere. She is the author of Replace Me, to be published by Peninsula Press in November 2021.



Articles Available Online


Slouching Towards Death

Book Review

July 2021

Amber Husain

Book Review

July 2021

In January, a preview excerpt in The New Yorker of Rachel Kushner’s essay collection The Hard Crowd (2021) warned us that this might turn...

Book Review

August 2020

Natasha Stagg’s ‘Sleeveless’

Amber Husain

Book Review

August 2020

‘The thong is centimetres closer to areas of arousal,’ writes Natasha Stagg in Sleeveless: Fashion, Image, Media, New York,...

If you look into infinity what do you see? Your backside!  –Tristan Tzara   The drug-addict, drunk, wife-shooter and writer William Burroughs used to tell a story about a man who teaches his anus to talk The orifice eventually takes over his life and kills him Wildlife can be as least as weird as the imagination of Burroughs Consider the Crown of Thorns starfish Instead of a head it has an anus on the top of its body, while its mouth – a round hole equipped with inward-pointing teeth at the centre of the radiating arms – is in the middle of its underside   This positioning is less unusual than you might think Having a mouth underneath and an anus on top is ideal if you want to eat crud on the seafloor, and this is how the ancestors of the Crown of Thorns started out Many of its distant cousins, among them starfish and sea cucumbers, still pursue that lifestyle (On the abyssal plains, the so-called desert of the deep sea floor, large herds of sea cucumbers are constantly grazing on the detritus that has fallen from above They are the night-soil men of the deep in a holothurian heaven) Unlike these animals, however, the Crown of Thorns is no longer a scavenger, having acquired a taste for living flesh Dressed in brilliant shades of purple, blue, orange red, white and grey and with anything from seven to twenty-three (but usually about fifteen) rays around a central dome, it bristles with poisonous spikes – a submarine version of Pinhead, the extradimensional being in the horror film Hellraiser   Many creatures in the garden of earthly delights that is a tropical coral reef have more charm than the Crown of Thorns (Pfeffer’s Flamboyant Cuttlefish, which turn itself startling hues of purple and pink at will while posturing like an actor in Noh theatre, is one of my favourites) But few are more compulsively unsettling than the Crown of Thorns, and few are as like us in their power to consume and destroy once they set to work   The claim

Contributor

November 2018

Amber Husain

Contributor

November 2018

Amber Husain is a writer, academic and publisher. She is currently a managing editor and research fellow at Afterall,...

On Having No Skin: Nan Goldin’s Sirens

Art Review

January 2020

Amber Husain

Art Review

January 2020

The feeling of drug-induced euphoria could be strips of gauze between beautiful fingers. Or a silver slinky sent down a torso by its own...
In Defence of Dead Women

Essay

November 2018

Amber Husain

Essay

November 2018

The memorial for the artist was as inconclusive as her work, or anybody’s life. Organised haphazardly on Facebook by one of her old friends,...

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Interview

February 2013

Interview with Wayne Koestenbaum

Charlie Fox

Interview

February 2013

Perhaps what’s gathered here is not an interview at all. Precisely what it is, we’ll think about in a...

feature

March 2015

Plastic Words

Tom Overton

feature

March 2015

Plastic Words was a six-week series of thirteen events which described itself as ‘mining the contested space between contemporary...

feature

July 2012

Theatre's Arab Turn

Tanjil Rashid

feature

July 2012

Apart from the odd Shakespearean exception, from Othello the Moor of Venice to the Merchant of Venice’s marginal Moroccan...

 

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