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Amber Husain

Amber Husain is a writer, academic and publisher. She is currently a managing editor and research fellow at Afterall, Central Saint Martins. Her essays and criticism appear or are forthcoming in 3AM, The Believer, London Review of Books, LA Review of Books, Radical Philosophy and elsewhere. She is the author of Replace Me, to be published by Peninsula Press in November 2021.



Articles Available Online


Slouching Towards Death

Book Review

July 2021

Amber Husain

Book Review

July 2021

In January, a preview excerpt in The New Yorker of Rachel Kushner’s essay collection The Hard Crowd (2021) warned us that this might turn...

Book Review

August 2020

Natasha Stagg’s ‘Sleeveless’

Amber Husain

Book Review

August 2020

‘The thong is centimetres closer to areas of arousal,’ writes Natasha Stagg in Sleeveless: Fashion, Image, Media, New York,...

Beneath the rain, beneath the smell, beneath all that is a reality a people makes and unmakes itself leaving testimonies Virgilio Piñera         It is always raining when I land in Havana This time, as we taxied across the sleek, empty runway towards the tarmac I watched the serrated tops of royal palms materialise through the mist, felt humidity rising from the dank red soil We trundled past a row of hangars: an elephant’s graveyard for a decommissioned Cubana fleet, a Soviet MiG and a passenger plane with a coat of pale moss enveloping its flank I recalled my surprise when, arriving from Bogotá in 2013, we’d pulled in next to a tiny private jet glistening in the rain, an emissary from another world There was a Venezuelan flag on the tailfin which made me think of President Hugo Chávez, then undergoing cancer treatment in Cuba: later I heard it had brought his daughters to the island, come to take him home, where he was to die a couple of weeks later     ¶ In 2010, while living in Havana, I visited my friend Silvio who’d gone to Caracas on a ‘mission’ for six months as part of a bilateral deal between the Cuban and Venezuelan governments Missions were integral to the generous internationalism of the Cuban revolutionary project, but some betokened necessity In exchange for cheap oil, Cuba would provide doctors and military personnel to train their Venezuelan counterparts As a representative of the smaller, cultural, cadre, Silvio’s duty was to play music up in the cerros – the hillside slums surrounding the capital – for which he’d earn 700 dollars a month (the Cuban government retained the rest of his wages) Silvio had little desire to be there – his first trip abroad, he’d left his wife and children in Havana – but as the average monthly wage in Cuba was 25 dollars, this was a chance to earn serious money All the Cubans were put up downtown at the Hotel Alba – once the Caracas Hilton, until Chávez nationalised it Silvio’s roommate was away, in the provinces on a literacy campaign,

Contributor

November 2018

Amber Husain

Contributor

November 2018

Amber Husain is a writer, academic and publisher. She is currently a managing editor and research fellow at Afterall,...

On Having No Skin: Nan Goldin’s Sirens

Art Review

January 2020

Amber Husain

Art Review

January 2020

The feeling of drug-induced euphoria could be strips of gauze between beautiful fingers. Or a silver slinky sent down a torso by its own...
In Defence of Dead Women

Essay

November 2018

Amber Husain

Essay

November 2018

The memorial for the artist was as inconclusive as her work, or anybody’s life. Organised haphazardly on Facebook by one of her old friends,...

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poetry

September 2012

Crossing Over

Eleanor Rees

poetry

September 2012

As he sails the coracle of willow and skins his bird eyes mirror the moon behind cloud. Spring tide...

feature

February 2014

Another Way of Thinking

Scott Esposito

feature

February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

poetry

Issue No. 2

Portraits of Pierre Reverdy and Three Poems

Sam Gordon

poetry

Issue No. 2

ANDRÉ BRETON The most memorable thing about our meetings [around 1919-1920] was the almost complete bareness of the room in...

 

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