Mailing List


Amber Husain

Amber Husain is a writer, academic and publisher. She is currently a managing editor and research fellow at Afterall, Central Saint Martins. Her essays and criticism appear or are forthcoming in 3AM, The Believer, London Review of Books, LA Review of Books, Radical Philosophy and elsewhere. She is the author of Replace Me, to be published by Peninsula Press in November 2021.



Articles Available Online


Slouching Towards Death

Book Review

July 2021

Amber Husain

Book Review

July 2021

In January, a preview excerpt in The New Yorker of Rachel Kushner’s essay collection The Hard Crowd (2021) warned us that this might turn...

Book Review

August 2020

Natasha Stagg’s ‘Sleeveless’

Amber Husain

Book Review

August 2020

‘The thong is centimetres closer to areas of arousal,’ writes Natasha Stagg in Sleeveless: Fashion, Image, Media, New York,...

And all the circus ponies had to go home   I   In the ticket booth a woman chews gum She’s thin, but in a way I don’t begrudge, which isn’t like me I ask, ‘Where have the performers come from?’ because I know he will ask me this later I know because I know him She chews at me She shrugs and I decide I’ll say Russia, because he has a thing about Russia   II   The acrobat’s hair was yellow, long, and bluntly cut to match the ponies’ tails They would perform for her, only She would dismount from the tightrope like a yoyo, landing at the centre of the ponies’ circle From above their formation might have been an asterisk   III   Her actual plummeting was unscripted, so at odds with the music I felt nauseous Once we got to grips with the idea we were prepared for horror We were ready for her limbs, all akimbo, her neck at an impossible angle I saw a woman cover a child’s eyes with something like foresight She was supposed to plummet She was supposed to drop like a stone like a penny like a raindrop like a well-worn simile on a disillusioned readership We waited for the ripples in the yellow sand; our eyes fixed on the ground   We waited for her body to appear in the crosshairs on the surface of our eyes We couldn’t help our subsequent disappointment I saw the woman uncover the child’s eyes with something like embarrassment We averted our collective gaze upwards and found her We’d been duped She hung like a bird feeder from the safety net; her hair was knotted round her throat and round the mesh Her limbs swayed like hollow tubes on a wind chime   IV   The crowd hourglass’d through the tent entrance The motion made me think of an arrow on a woman’s midriff in an ad for probiotic yoghurt The people murmured with one voice Refunds would be processed as soon as possible   V   She wore her loneliness like a leotard, tight at the upper thighs and under arms She fed the ponies what she fed herself, which isn’t

Contributor

November 2018

Amber Husain

Contributor

November 2018

Amber Husain is a writer, academic and publisher. She is currently a managing editor and research fellow at Afterall,...

On Having No Skin: Nan Goldin’s Sirens

Art Review

January 2020

Amber Husain

Art Review

January 2020

The feeling of drug-induced euphoria could be strips of gauze between beautiful fingers. Or a silver slinky sent down a torso by its own...
In Defence of Dead Women

Essay

November 2018

Amber Husain

Essay

November 2018

The memorial for the artist was as inconclusive as her work, or anybody’s life. Organised haphazardly on Facebook by one of her old friends,...

READ NEXT

fiction

June 2012

Spinning Days of Night

Susana Medina

fiction

June 2012

Day 1 in the Season before Chaos   These were the days before the glitch. The weather was acutely...

Essay

Issue No. 20

Notes on the history of a detention centre

Felix Bazalgette

Essay

Issue No. 20

Looking back at Harmondsworth as he left, after 52 days inside, Amir was struck by how isolated the detention...

poetry

June 2016

from GERMINAL

Chloe Stopa-Hunt

poetry

June 2016

  1. Waste-Gold   These songs are waste-gold a matter of passing time together as we wait for night...

 

Get our newsletter

 

* indicates required