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Amber Husain

Amber Husain is a writer, academic and publisher. She is currently a managing editor and research fellow at Afterall, Central Saint Martins. Her essays and criticism appear or are forthcoming in 3AM, The Believer, London Review of Books, LA Review of Books, Radical Philosophy and elsewhere. She is the author of Replace Me, to be published by Peninsula Press in November 2021.



Articles Available Online


Slouching Towards Death

Book Review

July 2021

Amber Husain

Book Review

July 2021

In January, a preview excerpt in The New Yorker of Rachel Kushner’s essay collection The Hard Crowd (2021) warned us that this might turn...

Book Review

August 2020

Natasha Stagg’s ‘Sleeveless’

Amber Husain

Book Review

August 2020

‘The thong is centimetres closer to areas of arousal,’ writes Natasha Stagg in Sleeveless: Fashion, Image, Media, New York,...

In 2021, I collapsed all of my identities onto themselves Previously, I had written under my legal name – essays and reviews – unless I wrote about sex work, in which case I published under one or two pseudonyms I solicited clients and created a public-facing escort persona, social media and all, under an entirely different name, and referred to myself as such with people who hired me I had a whole other name to reveal to them as my real name – also fake – if they pushed too hard    I was never very good at convincingly committing to multiple identities, or maybe it’s more accurate to say that I was lazy about it My efforts at promoting and becoming the me’s without my real name were halfhearted, and it showed Slowly, I thought, why not remain Sophia, full-time? I became myself and I quickly developed a higher retention rate with men who wanted to pay to sleep with me Everyone preferred Sophia, which is to say: what people really want to buy from sex workers is not sex, but a mode of authenticity with fewer imperfections, and it was easier for me to feign this when I was pretending about other things less I will always answer more warmly – more truly – to my own name    The art and sex markets are ripe for scam – for price gouging and asset manipulation – because consumers are purchasing a conduit to a feeling Each buyer is in search of a particular state of being and wants to see that state reflected back to themselves Whether meaningful or shallow, the particular state one desires is priceless, as in: ever fervently and desperately sought, intrinsic to desire itself, commanding at whatever level of the market one is dipping into The buyer is seeking confirmation of who they are, or who they want to be, or who they were, in purchasing a painting or an overnight: a virile man; a widow with taste; a just-promoted banker; a cheating spouse; maybe a failson who wants, violently, success I spoke with Sarah Michelson,

Contributor

November 2018

Amber Husain

Contributor

November 2018

Amber Husain is a writer, academic and publisher. She is currently a managing editor and research fellow at Afterall,...

On Having No Skin: Nan Goldin’s Sirens

Art Review

January 2020

Amber Husain

Art Review

January 2020

The feeling of drug-induced euphoria could be strips of gauze between beautiful fingers. Or a silver slinky sent down a torso by its own...
In Defence of Dead Women

Essay

November 2018

Amber Husain

Essay

November 2018

The memorial for the artist was as inconclusive as her work, or anybody’s life. Organised haphazardly on Facebook by one of her old friends,...

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fiction

April 2014

Spins

Eley Williams

fiction

April 2014

Spider n. (Skinner thinks this word softened from spinder or spinner, from spin; Junius, with his usual felicity, dreams...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Art

March 2015

The Mask

Roger Caillois

TR. Jeffrey Stuker

Art

March 2015

Here I offer some reflections and several facts potentially useful for a phenomenology of the mask. Needless to say,...

 

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