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Amber Husain

Amber Husain is a writer, academic and publisher. She is currently a managing editor and research fellow at Afterall, Central Saint Martins. Her essays and criticism appear or are forthcoming in 3AM, The Believer, London Review of Books, LA Review of Books, Radical Philosophy and elsewhere. She is the author of Replace Me, to be published by Peninsula Press in November 2021.



Articles Available Online


Slouching Towards Death

Book Review

July 2021

Amber Husain

Book Review

July 2021

In January, a preview excerpt in The New Yorker of Rachel Kushner’s essay collection The Hard Crowd (2021) warned us that this might turn...

Book Review

August 2020

Natasha Stagg’s ‘Sleeveless’

Amber Husain

Book Review

August 2020

‘The thong is centimetres closer to areas of arousal,’ writes Natasha Stagg in Sleeveless: Fashion, Image, Media, New York,...

Good People opens in Berlin in 1938 Thomas Heiselberg has grand plans to make the company he works for the biggest market-research group in Europe Meanwhile, in Leningrad, Sasha Weissberg has plans of her own, inspired by the intellectual conversations in her parents’ literary salon When war breaks out and fate brings Sasha and Thomas together, they will both be brought to account Published to rapturous reviews in more than ten languages, Good People is a tour de force: sparkling, erudite, a glimpse into the abyss Its young author, Nir Baram, has been compared to Dostoyevsky and Grossman, and has won several awards in Israel, including the Prime Minister’s Award for Hebrew Literature   In this extract, we find 22-year-old Sasha working as a literary editor of confessions for the NKVD, Stalin’s secret police, under Stepan Kristoforovich, whom everyone calls Styopa At the end-of-year department celebrations Sasha’s husband, Maxim Podolsky, mimics Styopa in a skit written by political prisoners Sasha wants Styopa to give her details of the whereabouts of her missing younger twin brothers, Vlada and Kolya, who were taken away when their parents were arrested, but Styopa pulls her aside to let her know that he is about to be arrested himself In a last act of devotion to his favourite colleague, Styopa assures Sasha that she will be untouched by the disaster about to befall him – and tells her the location of one of her brothers — J G   *     The band started playing jolly music, and the head of the first department came over the loudspeakers ‘Dear comrades, you are all invited to the dance floor’   ‘My health has improved a lot, and I look forward to getting back to work But soon I’m going to want to speak with you’ She was surprised by her defiant tone   Did he understand the equation that had come clear to her on the train? Enough time has passed Without progress in the matter of the twins, I can’t go on working here, and, for my part, you can execute me She was stricken with anguish: maybe she had wasted too much time,

Contributor

November 2018

Amber Husain

Contributor

November 2018

Amber Husain is a writer, academic and publisher. She is currently a managing editor and research fellow at Afterall,...

On Having No Skin: Nan Goldin’s Sirens

Art Review

January 2020

Amber Husain

Art Review

January 2020

The feeling of drug-induced euphoria could be strips of gauze between beautiful fingers. Or a silver slinky sent down a torso by its own...
In Defence of Dead Women

Essay

November 2018

Amber Husain

Essay

November 2018

The memorial for the artist was as inconclusive as her work, or anybody’s life. Organised haphazardly on Facebook by one of her old friends,...

READ NEXT

fiction

April 2012

They Told the Story from the Lighthouse

Chimene Suleyman

fiction

April 2012

I found Margate watching the sea. And I walked the streets thinking they had left it sometime in the...

fiction

January 2016

Good People

Nir Baram

TR. Jeffrey Green

fiction

January 2016

Good People opens in Berlin in 1938. Thomas Heiselberg has grand plans to make the company he works for the...

feature

August 2013

The Ghosts of Place

Dylan Trigg

feature

August 2013

 ‘So I turned around for an instant to look at what my field of vision onto the sea had...

 

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