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Eleanor Rees
Eleanor Rees is the author of four collections of poetry. Her most recent is The Well at Winter Solstice (Salt, 2019) and her fifth collection Tam Lin of the Winter Park, in which these poems will appear, is forthcoming from Guillemot Press in May, 2022. Eleanor is senior lecturer in creative writing at Liverpool Hope University and lives in Liverpool.

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Three Poems

Poetry

April 2022

Eleanor Rees

Poetry

April 2022

ESCAPE AT RED ROCKS   I am the colour of the outside, a stillness moving like a winter tide, a new shoreline in formation,...

poetry

September 2012

Mainline Rail

Eleanor Rees

poetry

September 2012

Back-to-backs, some of the last, and always just below the view   a sunken tide of regular sound west...

‘We possess nothing in this world other than the power to say “I” This is what we must yield up to God’ — Simone Weil   ‘God break down the door You won’t find the answers here Not the ones you came looking for’ — Nine Inch Nails   Photosensitivity warning: Many of the hyperlinks in this essay go to live videos, which feature a strobe light     I was 10 years old when The Downward Spiral by Nine Inch Nails was released in 1994, and I listened to it more than any other record for the next six years, when everything I knew about myself was disintegrating and becoming unknowable It lives in my blood memory, the soundtrack to the most formative part of my life When I think of that time, my memories resonate with those songs, I can’t imagine myself without them, who I would have been Since then, twenty-five years, I regularly go through periods where the only thing I listen to for weeks, months at a time is Nine Inch Nails, and this locates me, returns me to myself When you love a band for more than half your life, something happens as their songs come to live in you, they echo through how you remember the past, and fortify how you are legible to yourself in the present   NIN was the first band that got me in trouble with grown-ups – for this, they have a special place in my heart that no other band will ever touch For Christmas vacation in 1996, when I was 12, I brought the Broken EP with me when I went to stay with my Catholic grandparents Broken was packaged in a cardboard ‘digipak’, so my grandmother, rather than struggle with a plastic jewel case, could open it like a book The lyrics were printed on the inside, though I was singing them aloud all the time too I think Grandma had the biggest problem with my favourite lyric – ‘Gotta listen to your big-time, hard-line, bad-luck, fist fuck’ – but there was enough offensive sentiment on that

Contributor

August 2014

Eleanor Rees

Contributor

August 2014

Eleanor Rees is the author of four collections of poetry. Her most recent is The Well at Winter Solstice...

Crossing Over

poetry

September 2012

Eleanor Rees

poetry

September 2012

As he sails the coracle of willow and skins his bird eyes mirror the moon behind cloud. Spring tide drags west but he paddles...

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feature

March 2013

Celan Reads Japanese

Yoko Tawada

TR. Susan Bernofsky

feature

March 2013

There are some who claim that ‘good’ literature is actually untranslatable.  Before I could read German, I found this...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

feature

Issue No. 8

The White Review No. 8 Editorial

The Editors

feature

Issue No. 8

The manifesto of art collective Bruce High Quality foundation, the subject of an essay by Legacy Russell in this...

 

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