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Enrique Vila-Matas
Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to Paris, The Vertical Journey, winner of the Premio Romulo Gallegos, and Dublinesque, which was shortlisted for the 2013 Independent Foreign Fiction Prize. 'February 2008' is an excerpt from his novel Dietario Voluble, published by Anagrama in 2008.

Articles Available Online


Writers from the Old Days

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Issue No. 13

Enrique Vila-Matas

TR. J. S. Tennant

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Issue No. 13

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial.   I met Roberto Bolaño...

poetry

January 2015

Litanies of an Audacious Rosary

Enrique Vila-Matas

TR. Rosalind Harvey

poetry

January 2015

FEBRUARY 2008   * I’m outraged, but I’ve learned a way of reasoning that quickly defuses my exasperation. This...

During the 1990s, Cady Noland earned a reputation for making sculptural assemblages that toy with iconic symbols of Americana Her CV lists numerous prestigious exhibitions – the 1991 Whitney Biennial and documenta IX among them – but in 2001, Noland withdrew from public life Although she rarely shows new work, her name often appears in the context of auction houses She has made headlines for her work’s record-setting prices, but more often, she has hit the news owing to litigation Indeed, Noland’s numerous attempts to prevent the sale of her works, arguing they are too damaged, has been interpreted by some as an attempt to destroy her own market The fact that the artist’s first exhibition in nearly a decade is appearing outside America at the Museum für Moderne Kunst (MMK) in Frankfurt is the latest chapter in a career that seems to rebuke the art world’s conventions at every step   With the entirety of MMK’s main building devoted to the show, Noland’s retrospective has the feel of a triumphant return The vast majority of sculptures on view were made between 1987 and 1994, at the height of her career During that time, she stuck to a narrow set of sculptural strategies, using pipes, brackets, or metal baskets as structures on which to arrange collections of disparate American objects In Deep Social Space (1989), for example, the aftermath of a barbeque is arranged around metallic scaffolding: beer cans, an American flag, upturned grills, a large container emblazoned with ‘Marlboro’   In one of her few published texts, Towards a Metalanguage of Evil (1987), Noland elucidates her cataloguing of American material culture She argues that society functions as a machine-like game, or ‘hero system’, with the figure of the psychopath as the player par excellence Noland analyses various pieces of popular-culture, from Hitchcock films to self-help books, to argue that America’s obsession with individualist success is transforming its citizens into dangerously manipulative subjects devoid of empathy For her, everyone from the ambitious artist to market research groups fall under this umbrella   Over the years, Noland has developed a formalist language that exposes America’s societal

Contributor

August 2014

Enrique Vila-Matas

Contributor

August 2014

Enrique Vila-Matas was born in Barcelona in 1948. His works include Bartleby & Co, Montano, Never Any End to...

Leaving Theories Behind

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Issue No. 9

Enrique Vila-Matas

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Issue No. 9

I. I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship between fiction and reality as...

READ NEXT

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Issue No. 10

Editorial

The Editors

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Issue No. 10

This tenth editorial will be our last. Back in February 2011, on launching the magazine, we grandiosely stated that we...

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October 2014

Blood Out of a Zombie

Laurence A. Rickels

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October 2014

The German filmmaker Ulrike Ottinger has on three different occasions put the camera aside and directed for the theatre, each...

fiction

February 2014

Coral

R. B. Pillay

fiction

February 2014

Early one morning, you wake up with the smell of burnt sheets in your nose, the sheets that you...

 

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