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FIONA ALISON DUNCAN
FIONA ALISON DUNCAN is a Canadian-American author and artist. Her debut novel Exquisite Mariposa won the 2020 LAMBDA Literary Prize for Bisexual Fiction.

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Interview with Fanny Howe

Interview

Issue No. 29

FIONA ALISON DUNCAN

Interview

Issue No. 29

Fanny Howe’s bibliography is as bewildering as her itinerant biography. Born in 1940 in Buffalo, New York, the poet and author grew up in...

Interview

January 2020

Interview with Jamieson Webster

FIONA ALISON DUNCAN

Interview

January 2020

Jamieson Webster serves as a torchbearer for a field out of popular favour. Her practice, psychoanalysis, was last century’s...

The world is seeing an increase in the use of social media as a tool for mobilisation and protest The so-called ‘Twitter revolution,’ a term used to describe the role of sites like Twitter in effecting change, has come to the forefront of discussion as popular uprisings sweep the Middle East Former US national security advisor Mark Pfeifle even went so far as to call for the social networking site to be nominated for the Nobel Peace Prize   After the recent blackout of all digital communications in Egypt, Twitter saw a surge of thousands of users relying on proxy servers to post live news updates to the world When Tunisian dictator Ben Ali fled government after 23 years in power, Twitter was there to give users a direct insight into events  Such sites, which disseminate information quickly, can be an essential tool in activism – they give the world an up-to-date and uncensored view of opinions and events, particularly those the mainstream media chooses to ignore But can there really be such a thing as a ‘Twitter revolution’?   Malcolm Gladwell in The New Yorker cites the civil rights unrest in America in the Sixties as evidence of the success of a movement without social media With sites like Twitter, he says, we are told that ‘the traditional relationship between political authority and popular will has been upended’, making it easier for people to voice their concerns The majority of people tweeting about movements are not, however, at the focal point of discussions Does this make a difference? In Egypt, for example, only 25% of the population have access to the internet  Does this not make Twitter merely a means through which western commentators can, in an abstract and non-attached way, feel tied to a movement? And does this tie to a cause define ‘activism’, or is it another case of the bourgeoisie thriving on novelty?   For Gladwell, activism is defined by ‘strong ties’ to others involved in a cause, rather than any weak ideological commitment This kind of attachment to a cause through personal relationships is less likely to occur through the impersonal

Contributor

June 2019

FIONA ALISON DUNCAN

Contributor

June 2019

FIONA ALISON DUNCAN is a Canadian-American author and artist. Her debut novel Exquisite Mariposa won the 2020 LAMBDA Literary...

Exquisite Mariposa

Fiction

July 2019

FIONA ALISON DUNCAN

Fiction

July 2019

I broke three contracts in 2016. The first was verbal, a monogamy clause. But he was fucking around too, and I knew, because everybody...

READ NEXT

feature

September 2012

Existere: Documenting Performance Art

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place...

feature

May 2012

Film: Palestine Festival of Literature

Omar Robert Hamilton

feature

May 2012

Resistance needs to be recorded. Resistance needs symbols: ideas that can travel faster than speech, last longer than memory....

feature

May 2011

On the Relative Values of Humility and Arrogance; or the Confusing Complications of Negative Serendipity

Annabel Howard

feature

May 2011

On a distinctly drizzly Wednesday evening in February a friend of mine looked at me and said: ‘Only those who...

 

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