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FIONA ALISON DUNCAN
FIONA ALISON DUNCAN is a Canadian-American author and artist. Her debut novel Exquisite Mariposa won the 2020 LAMBDA Literary Prize for Bisexual Fiction.

Articles Available Online


Interview with Fanny Howe

Interview

Issue No. 29

FIONA ALISON DUNCAN

Interview

Issue No. 29

Fanny Howe’s bibliography is as bewildering as her itinerant biography. Born in 1940 in Buffalo, New York, the poet and author grew up in...

Interview

January 2020

Interview with Jamieson Webster

FIONA ALISON DUNCAN

Interview

January 2020

Jamieson Webster serves as a torchbearer for a field out of popular favour. Her practice, psychoanalysis, was last century’s...

And all the circus ponies had to go home   I   In the ticket booth a woman chews gum She’s thin, but in a way I don’t begrudge, which isn’t like me I ask, ‘Where have the performers come from?’ because I know he will ask me this later I know because I know him She chews at me She shrugs and I decide I’ll say Russia, because he has a thing about Russia   II   The acrobat’s hair was yellow, long, and bluntly cut to match the ponies’ tails They would perform for her, only She would dismount from the tightrope like a yoyo, landing at the centre of the ponies’ circle From above their formation might have been an asterisk   III   Her actual plummeting was unscripted, so at odds with the music I felt nauseous Once we got to grips with the idea we were prepared for horror We were ready for her limbs, all akimbo, her neck at an impossible angle I saw a woman cover a child’s eyes with something like foresight She was supposed to plummet She was supposed to drop like a stone like a penny like a raindrop like a well-worn simile on a disillusioned readership We waited for the ripples in the yellow sand; our eyes fixed on the ground   We waited for her body to appear in the crosshairs on the surface of our eyes We couldn’t help our subsequent disappointment I saw the woman uncover the child’s eyes with something like embarrassment We averted our collective gaze upwards and found her We’d been duped She hung like a bird feeder from the safety net; her hair was knotted round her throat and round the mesh Her limbs swayed like hollow tubes on a wind chime   IV   The crowd hourglass’d through the tent entrance The motion made me think of an arrow on a woman’s midriff in an ad for probiotic yoghurt The people murmured with one voice Refunds would be processed as soon as possible   V   She wore her loneliness like a leotard, tight at the upper thighs and under arms She fed the ponies what she fed herself, which isn’t

Contributor

June 2019

FIONA ALISON DUNCAN

Contributor

June 2019

FIONA ALISON DUNCAN is a Canadian-American author and artist. Her debut novel Exquisite Mariposa won the 2020 LAMBDA Literary...

Exquisite Mariposa

Fiction

July 2019

FIONA ALISON DUNCAN

Fiction

July 2019

I broke three contracts in 2016. The first was verbal, a monogamy clause. But he was fucking around too, and I knew, because everybody...

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Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

Art

Issue No. 7

Pyramid Schemes: Reading the Shard

Lawrence Lek

Art

Issue No. 7

These sketches were created to illustrate an essay by Lawrence Lek in The White Review No. 7, ‘Pyramid Schemes:...

fiction

January 2016

By the River

Esther Kinsky

TR. Martin Chalmers

fiction

January 2016

  For Aljoscha   ST LAWRENCE SEAWAY   Under my finger the map, this quiet pale blue of the...

 

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