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FIONA ALISON DUNCAN
FIONA ALISON DUNCAN is a Canadian-American author and artist. Her debut novel Exquisite Mariposa won the 2020 LAMBDA Literary Prize for Bisexual Fiction.

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Interview with Fanny Howe

Interview

Issue No. 29

FIONA ALISON DUNCAN

Interview

Issue No. 29

Fanny Howe’s bibliography is as bewildering as her itinerant biography. Born in 1940 in Buffalo, New York, the poet and author grew up in...

Interview

January 2020

Interview with Jamieson Webster

FIONA ALISON DUNCAN

Interview

January 2020

Jamieson Webster serves as a torchbearer for a field out of popular favour. Her practice, psychoanalysis, was last century’s...

On the most literal level, Pier Paolo Pasolini’s elliptical, spiritual-cum-sensual movie Teorema (1968) is about an entire family being driven to distraction by their mutual desire to have sex with Terence Stamp Viewed from this angle, it is realistic enough that it might be reclassified as a documentary – theirs is, after all, an understandable insanity, shared by many moviegoers in the sixties and beyond Only 923 words end up being spoken over Teorema’s 90-minute running time, and because Terence Stamp does not, as it turns out, actually speak Italian, the 25 or so allotted to his character are dubbed That Pasolini cast him anyway is testament to both his wattage as an actor, and to Pasolini’s innate understanding of lust as a thing that is removed from language, totally unbound by reason, and as sudden and inexplicable as a miracle What Stamp possesses is an air of glamour, in the most traditional and most supernatural sense – ‘a sort of spell,’ the writer Autumn Whitefield-Madrado wrote in 2015, citing the old Scottish word glamer as its root, ‘that would affect the eyesight of those afflicted, so that objects appear different than they actually are’    The family in Teorema are both rich and unfulfilled, their lives luxurious but stultifying and empty, until one day they receive a mysterious telegram informing them that someone called ‘The Visitor’ will arrive shortly When he does, because he looks the way he does – those bright teal eyes and that absurd, almost feminine cupid’s bow, the whole face somehow simultaneously innocent and evil – it is as if some obvious force of nature, like a hurricane or a Biblical flood, has burst into their bourgeois home and swept away their inhibitions Who are they to deny beauty in all of its terrible strength, its divine power? Who could possibly resist what has been carefully designed, either by nature or by God, to be entirely irresistible? The first to fall prey to his eerie magnetism is the maid, who is so moved and so unsettled that she cries just looking at him and then rushes

Contributor

June 2019

FIONA ALISON DUNCAN

Contributor

June 2019

FIONA ALISON DUNCAN is a Canadian-American author and artist. Her debut novel Exquisite Mariposa won the 2020 LAMBDA Literary...

Exquisite Mariposa

Fiction

July 2019

FIONA ALISON DUNCAN

Fiction

July 2019

I broke three contracts in 2016. The first was verbal, a monogamy clause. But he was fucking around too, and I knew, because everybody...

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poetry

January 2015

My Beloved Uncles

Tove Jansson

TR. Thomas Teal

poetry

January 2015

However tired of each other they must have grown from time to time, there was always great solidarity among...

feature

Issue No. 19

Editorial

The Editors

feature

Issue No. 19

‘A crisis becomes a crisis when the white male body is affected,’ writes the philosopher Rosi Braidotti, interviewed in...

Interview

February 2011

Interview with Manfredi Beninati

Lowenna Waters

Interview

February 2011

Time, memory, the landscape of the mind, manifestation and metamorphosis, resurgence and collapse and the crisp crust of Sicilian...

 

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