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Izabella Scott

IZABELLA SCOTT is an editor at The White Review.



Articles Available Online


Shola von Reinhold’s ‘LOTE’

Book Review

September 2020

Izabella Scott

Book Review

September 2020

To read Shola von Reinhold’s ornate, multi-layered novel LOTE (2020) is to encounter a baroque mind. It tells the story of a queer Black...

Art Review

November 2019

Actually, the Dead are Not Dead

Izabella Scott

Art Review

November 2019

During Bergen Assembly’s opening days, I am asked to attend a number of mock funerals, including one for a...

When King Carol II of Romania set foot on the tiny Danubian island of Ada Kaleh on 4 May 1931, it was said among the islanders that his arrival had been foretold in a dream The decisions he made after spending two hours there that summer evening were so momentous that his visit would later be marked with an annual festival   About a year into his reign, the king was touring the area and had decided to drop in on this most unusual corner of his realm The island lay in the region known as the Iron Gates, where the river passes through a series of gorges as it descends through the Carpathian Mountains It was a perilous place for river traffic, and boats travelling upstream had to be towed from the bank in order to overcome the current Just above the first set of rapids, on a bend in the river opposite the town of Orşova, stood Ada Kaleh The island was little more than a narrow strip of sandy soil about a mile long and 400 metres wide at its broadest The people on the river’s northern bank were Romanian and to the south Serbian, but the islanders themselves – who numbered about 680 at the time of the king’s visit – were Turks Framed against the dark flanks of the mountains that rose on each side of the Danube, Ada Kaleh’s poplars and chestnuts, the cypresses of its cemetery and the minaret of its mosque, seemed to float like a mirage on the water’s surface   The king – white military uniform dazzling in the sunshine – stepped from his boat at around five o’clock trailed by an entourage of more soberly clad bureaucrats, soldiers, and politicians At that time, the island’s flowers were in bloom, tumbling over the ramparts of the old fortress from which it took its name (ada kale meaning ‘island castle’ in Turkish) and bursting from the whitewashed petrol tins that stood in its cobbled streets The crumbling battlements glowed in the warm, sharp light of the late afternoon sun that broke through the scattered clouds,

Contributor

September 2015

Izabella Scott

Contributor

September 2015

IZABELLA SCOTT is an editor at The White Review.

Book Review

August 2019

Jordy Rosenberg’s ‘Confessions of the Fox’

Izabella Scott

Book Review

August 2019

It’s hot as fuck, said the friend who handed me Confessions of the Fox, a faux-memoir set in eighteenth-century...

Navine G. Khan-Dossos, Echo Chamber

Art Review

November 2017

Izabella Scott

Art Review

November 2017

A lattice of diamonds and crosses, painted onto a 21-metre long wall at the Van Abbemuseum in Eindhoven, scatters my gaze. Artist Navine G....
Hot Rocks

feature

November 2016

Izabella Scott

feature

November 2016

‘We have received around 150 of them,’ Massimo Osanna tells me, as we peer into four small crates stuffed full of dusty freezer bags....
False shadows

Art

August 2016

Izabella Scott

Art

August 2016

The ‘beautiful disorder’ of the Forbidden City and the Yuanmingyuan (Garden of Perfection and Light) was first noted by the Jesuit painter Jean Denis...

READ NEXT

Art

Issue No. 14

Lenin was a Mushroom

Thomas Dylan Eaton

Art

Issue No. 14

Cast as the ‘savage, ugly’ part in the Popular Mechanics live show, Necrorealists were radical artists in their own...

Interview

May 2015

Interview with Maggie Nelson

Jess Cotton

Interview

May 2015

Nothing, it seems, falls outside Maggie Nelson’s field of inquiry. The author of four books of poetry and five...

Interview

November 2016

Interview with Njideka Akunyili Crosby

Cassie Davies

Interview

November 2016

Njideka Akunyili Crosby first encountered Mary Louise Pratt’s ‘Arts of the Contact Zone’ (1991), which identifies ‘social spaces where cultures meet,...

 

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