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Izabella Scott

IZABELLA SCOTT is an editor at The White Review.



Articles Available Online


Shola von Reinhold’s ‘LOTE’

Book Review

September 2020

Izabella Scott

Book Review

September 2020

To read Shola von Reinhold’s ornate, multi-layered novel LOTE (2020) is to encounter a baroque mind. It tells the story of a queer Black...

Art Review

November 2019

Actually, the Dead are Not Dead

Izabella Scott

Art Review

November 2019

During Bergen Assembly’s opening days, I am asked to attend a number of mock funerals, including one for a...

GADAPA (THRESHOLD)   Pedavva cried her last words, ‘Gadapa duram, khaadee deggera’   Gadapa is the site of our experience – always nearing almost touching like a wish It is where you will find our land, which we neither own, nor belong in   Women slapped against walls nailed with frames of ancestors and blessing gods, sit at the gadapa talking with the neighbouring women Hanumavva with more than tobacco-packet in her bosom waits at the gate for more than a bus to the next village Nagaraju traded his body for some touch at the bank where the stillborn are let in the river that Mogulappa cried   The women who raised me accuse me of appropriating and violating their carework of loving I love like it’s the only skill needed to survive in this country   I can’t love like your men Body full of violence, fascist to the teeth, logically invalid by bones A blind bull tricked, shot and sold in the crowded Monday bazaar   Pedavva cried like the waves of the flood that transgressed our thresholds with all its laborious force on 26th July, 2005 She entered life like the waves to collapse a home built to bury her body   Like gutter flood she broke in through the roof, occupied from the cracks, claimed from the toilet drain just to belong   Now squatting across the line, skilfully sifting the city sludge in sieves, we strained no gold Only a wasteful amount of soil, soggy cooked rice and plastic   Just like our dreams of breaking the world and the Mithi River streaming with flamingos     BORN AND RAISED IN BAMBAI 17 for Nishant   At the mouth of the world I ache for nothing but the feeling of being swallowed In the slow, changing colours of the twilight I saw God from the local train passing over the bridge They were tailoring curtains No third eye or big hands Just crow wings & burnt skin spread across the sky I prayed to them for their seeping light in my veins and my pericardium They sang to the drumbeats Come find me at jaatara where pioneers meet their death where you last confided in Begum’s eyes where all your brothers descend where the hearts turn as soft as entrails under the knife Through

Contributor

September 2015

Izabella Scott

Contributor

September 2015

IZABELLA SCOTT is an editor at The White Review.

Book Review

August 2019

Jordy Rosenberg’s ‘Confessions of the Fox’

Izabella Scott

Book Review

August 2019

It’s hot as fuck, said the friend who handed me Confessions of the Fox, a faux-memoir set in eighteenth-century...

Navine G. Khan-Dossos, Echo Chamber

Art Review

November 2017

Izabella Scott

Art Review

November 2017

A lattice of diamonds and crosses, painted onto a 21-metre long wall at the Van Abbemuseum in Eindhoven, scatters my gaze. Artist Navine G....
Hot Rocks

feature

November 2016

Izabella Scott

feature

November 2016

‘We have received around 150 of them,’ Massimo Osanna tells me, as we peer into four small crates stuffed full of dusty freezer bags....
False shadows

Art

August 2016

Izabella Scott

Art

August 2016

The ‘beautiful disorder’ of the Forbidden City and the Yuanmingyuan (Garden of Perfection and Light) was first noted by the Jesuit painter Jean Denis...

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poetry

Issue No. 2

The Brothel

Kit Buchan

poetry

Issue No. 2

I unearthed a little brothel in the spring of forty-three, It was captained by a midwife who was ninety...

fiction

January 2014

The Dispossessed

Szilárd Borbély

TR. Ottilie Mulzet

fiction

January 2014

The Dispossessed is Szilárd Borbély’s first novel, although he has been active – and widely acclaimed – as a poet,...

Essay

Issue No. 20

Notes on the history of a detention centre

Felix Bazalgette

Essay

Issue No. 20

Looking back at Harmondsworth as he left, after 52 days inside, Amir was struck by how isolated the detention...

 

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