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Izabella Scott

IZABELLA SCOTT is an editor at The White Review.



Articles Available Online


Shola von Reinhold’s ‘LOTE’

Book Review

September 2020

Izabella Scott

Book Review

September 2020

To read Shola von Reinhold’s ornate, multi-layered novel LOTE (2020) is to encounter a baroque mind. It tells the story of a queer Black...

Art Review

November 2019

Actually, the Dead are Not Dead

Izabella Scott

Art Review

November 2019

During Bergen Assembly’s opening days, I am asked to attend a number of mock funerals, including one for a...

I want to tell a story about an old man, a man who no longer says a word, has a tired face, too tired to smile and too tired to be angry He lives in a small town, at the end of the street or near the crossroads It is almost not worthwhile describing him, hardly anything distinguishes him from other men He wears a grey hat, grey pants, a grey jacket and in winter a long, grey overcoat, and he has a thin neck with dry, wrinkled skin, his white shirt collars are far too wide for him   His room is on the top floor of the house, maybe he was once married and had children, maybe he used to live in another town Certainly he was once a child, but that was at a time when children were dressed like grownups One can see them this way in the grandmother’s photo album In his room there are two chairs, one table, a rug, a bed, and a cupboard On a small table stands an alarm clock, next to it lie old newspapers and the photo album, on the wall hang a mirror and a picture   The old man would take a walk in the morning and a walk in the afternoon, exchange a few words with his neighbour, and in the evening sit at his table   This never changed, it was the same even on Sundays And when the man sat at the table, he would hear the clock ticking, always the clock ticking   Then there came a special day, a sunny day, not too hot, not too cold, with birds chirping, friendly people, children playing – and the special thing was that suddenly the man liked all this   He smiled   ‘Now everything will change,’ he thought   He undid the top button of his shirt, took his hat in his hand, quickened his pace, even had a spring in his step as he walked, and was happy  He entered his street, nodded to the children, arrived in front of his house,

Contributor

September 2015

Izabella Scott

Contributor

September 2015

IZABELLA SCOTT is an editor at The White Review.

Book Review

August 2019

Jordy Rosenberg’s ‘Confessions of the Fox’

Izabella Scott

Book Review

August 2019

It’s hot as fuck, said the friend who handed me Confessions of the Fox, a faux-memoir set in eighteenth-century...

Navine G. Khan-Dossos, Echo Chamber

Art Review

November 2017

Izabella Scott

Art Review

November 2017

A lattice of diamonds and crosses, painted onto a 21-metre long wall at the Van Abbemuseum in Eindhoven, scatters my gaze. Artist Navine G....
Hot Rocks

feature

November 2016

Izabella Scott

feature

November 2016

‘We have received around 150 of them,’ Massimo Osanna tells me, as we peer into four small crates stuffed full of dusty freezer bags....
False shadows

Art

August 2016

Izabella Scott

Art

August 2016

The ‘beautiful disorder’ of the Forbidden City and the Yuanmingyuan (Garden of Perfection and Light) was first noted by the Jesuit painter Jean Denis...

READ NEXT

feature

April 2017

Everywhere and Nowhere

Vahni Capildeo

feature

April 2017

Part of my reluctance to write on citizenship is that as a poet, a worker in delicate, would-be-truthful language,...

Art

Issue No. 5

A New Idea of Art: Christoph Schlingensief and the Opera Village Africa

Sarah Hegenbart

Art

Issue No. 5

I think the Opera Village. . . will lead to a new idea of art, and what will emerge...

feature

July 2011

Editorial: a thousand witnesses are better than conscience

The Editors

feature

July 2011

The closure of any newspaper is a cause for sadness in any country that prides itself, as Britain does,...

 

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