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Izabella Scott

IZABELLA SCOTT is an editor at The White Review.



Articles Available Online


Shola von Reinhold’s ‘LOTE’

Book Review

September 2020

Izabella Scott

Book Review

September 2020

To read Shola von Reinhold’s ornate, multi-layered novel LOTE (2020) is to encounter a baroque mind. It tells the story of a queer Black...

Art Review

November 2019

Actually, the Dead are Not Dead

Izabella Scott

Art Review

November 2019

During Bergen Assembly’s opening days, I am asked to attend a number of mock funerals, including one for a...

Painter, performer, poet, writer and mystic Brion Gysin (1916-86) was an early prophet of our age He was a pioneer of the cut-up method, a technique that in many ways anticipated the internet’s impact on the way that we break down information and ascribe meaning to symbols and words   His innovations include early sound poetry and a scientifically-researched device known as the Dreamachine Despite forging a creative practice that would influence some of the twentieth century’s most important artists, from the Beat Generation to Bowie, Gysin has slipped into relative obscurity His anonymity is in stark contrast to his lifelong friend and collaborator William S Burroughs, whose Naked Lunch became a countercultural bible and must-read for any teenage recluse Gysin was born in England to Canadian parents in 1916 He was introduced into Surrealist circles while studying at the Sorbonne, and after the war accompanied Paul Bowles to Morocco It was there that Gysin met Burroughs The two ended up back in Paris together in 1958 at the infamous Beat Hotel Their experiments with the cut-up technique, in which words and phrases are literally cut up into pieces and rearranged to disassociate them from their received meanings and reveal new ones, culminated in Burroughs and Gysin’s The Third Mind, a book-length collage manifesto on the possibilities of the practice From the late 1950s to the early 1960s, Gysin’s style manifested itself in a series of calligraphic paintings and drawings that he produced in Morocco Fluent in written Japanese and Arabic, Gysin’s script-like canvases represent an attempt to fuse writing and painting into a single complex system of mark-making He used a grid formation, making marks from top to bottom as well as right to left, to create a dense pattern of abstract language Circa 1960, Gysin collaborated with Ian Sommerville, a mathematician and budding computer scientist studying at Oxford He and Sommerville were attempting to computerise the shift and change of words and sounds, naming these experiments with printed words and magnetic tape Permutations Works like ‘Pistol Poem’, comprised solely

Contributor

September 2015

Izabella Scott

Contributor

September 2015

IZABELLA SCOTT is an editor at The White Review.

Book Review

August 2019

Jordy Rosenberg’s ‘Confessions of the Fox’

Izabella Scott

Book Review

August 2019

It’s hot as fuck, said the friend who handed me Confessions of the Fox, a faux-memoir set in eighteenth-century...

Navine G. Khan-Dossos, Echo Chamber

Art Review

November 2017

Izabella Scott

Art Review

November 2017

A lattice of diamonds and crosses, painted onto a 21-metre long wall at the Van Abbemuseum in Eindhoven, scatters my gaze. Artist Navine G....
Hot Rocks

feature

November 2016

Izabella Scott

feature

November 2016

‘We have received around 150 of them,’ Massimo Osanna tells me, as we peer into four small crates stuffed full of dusty freezer bags....
False shadows

Art

August 2016

Izabella Scott

Art

August 2016

The ‘beautiful disorder’ of the Forbidden City and the Yuanmingyuan (Garden of Perfection and Light) was first noted by the Jesuit painter Jean Denis...

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Interview

November 2016

Interview with Njideka Akunyili Crosby

Cassie Davies

Interview

November 2016

Njideka Akunyili Crosby first encountered Mary Louise Pratt’s ‘Arts of the Contact Zone’ (1991), which identifies ‘social spaces where cultures meet,...

fiction

January 2015

Shishosetsu...

Minae Mizumura

TR. Juliet Winters Carpenter

fiction

January 2015

This is an excerpt from the novel published in Japanese as Shishosetsu from left to right (私小説 from left...

Interview

September 2015

Interview with Katrina Palmer

Jamie Sutcliffe

Interview

September 2015

G.W.F. Hegel isn’t looking too good. With an afternoon of student tutorials to attend at the School of Sculpture...

 

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