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Izabella Scott

IZABELLA SCOTT is an editor at The White Review.



Articles Available Online


Shola von Reinhold’s ‘LOTE’

Book Review

September 2020

Izabella Scott

Book Review

September 2020

To read Shola von Reinhold’s ornate, multi-layered novel LOTE (2020) is to encounter a baroque mind. It tells the story of a queer Black...

Art Review

November 2019

Actually, the Dead are Not Dead

Izabella Scott

Art Review

November 2019

During Bergen Assembly’s opening days, I am asked to attend a number of mock funerals, including one for a...

  Hydnellum Peckii   I used to own the sweetest, smallest compact mirror It was barely bigger than my thumbnail, which meant you could digest your face in pieces: an iris, a nostril, one freckle alone in a sea of skin, the corner of your mouth I found it in an antique shop, buried in a cardboard box full of old rings, chipped enamel, lockets with their mouths firmly shut, battered gold plate spoons, and semi-precious gems clouded with age My hands came away smelling of metal It was silver, round, and on the top sat a tiny solid silver rose The compact mirror was the only thing I owned that I truly cherished My sister-in-law broke it She said she was just looking for something, a brush or whatever, even though my hair is too thick for brushing and therefore I do not own one Seven years bad luck to break a mirror, especially if the mirror was mine I took the glass pieces and ground them up using the pestle and mortar we had in the kitchen until the glass was quite fine and then I sprinkled it in my sister-in-law’s tuna sandwich that lunchtime I liked to picture the insides of her all cut up and bleeding with a hundred tiny incisions     Agaricus Bohusii   The trees look as if they are growing small pale green shrivelled hands There’s a bite on my arm: the soft part just up from my wrist, when I turn my hands so that my palms face the sky A red bud, pink blossoming outwards I scratch it until I bleed I like the sound bites and spots make when you pop their pus-filled heads Yesterday I helped cook chili con carne, which was always my husband’s favourite meal, although here the chili isn’t real Neither is the carne The meat, in fact, comes in metal containers with thick foil lids You peel them back like opening tins of cat food It is a weird hybrid of actual animal and meat substitute It tastes like nothing at all, for which we are all truly thankful If they were

Contributor

September 2015

Izabella Scott

Contributor

September 2015

IZABELLA SCOTT is an editor at The White Review.

Book Review

August 2019

Jordy Rosenberg’s ‘Confessions of the Fox’

Izabella Scott

Book Review

August 2019

It’s hot as fuck, said the friend who handed me Confessions of the Fox, a faux-memoir set in eighteenth-century...

Navine G. Khan-Dossos, Echo Chamber

Art Review

November 2017

Izabella Scott

Art Review

November 2017

A lattice of diamonds and crosses, painted onto a 21-metre long wall at the Van Abbemuseum in Eindhoven, scatters my gaze. Artist Navine G....
Hot Rocks

feature

November 2016

Izabella Scott

feature

November 2016

‘We have received around 150 of them,’ Massimo Osanna tells me, as we peer into four small crates stuffed full of dusty freezer bags....
False shadows

Art

August 2016

Izabella Scott

Art

August 2016

The ‘beautiful disorder’ of the Forbidden City and the Yuanmingyuan (Garden of Perfection and Light) was first noted by the Jesuit painter Jean Denis...

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poetry

January 2015

Diana's Tree

Alejandra Pizarnik

TR. Yvette Siegert

poetry

January 2015

Diana’s Tree, Alejandra Pizarnik’s fourth collection, was published in 1962, when the poet was barely 26 years old. Named after...

Interview

Issue No. 1

Interview with Paula Rego

Ben Eastham

Helen Graham

Interview

Issue No. 1

Dame Paula Rego introduces me into her North London home with a crooked smile and a plate of biscuits....

feature

October 2012

Film: Palestinian Airlines

Eddie Wrey

feature

October 2012

    Palestinian Airlines Produced and Directed by Eddie Wrey Co-produced and translated by Max Wrey Co-edited by Rye...

 

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