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Izabella Scott

IZABELLA SCOTT is an editor at The White Review.



Articles Available Online


Shola von Reinhold’s ‘LOTE’

Book Review

September 2020

Izabella Scott

Book Review

September 2020

To read Shola von Reinhold’s ornate, multi-layered novel LOTE (2020) is to encounter a baroque mind. It tells the story of a queer Black...

Art Review

November 2019

Actually, the Dead are Not Dead

Izabella Scott

Art Review

November 2019

During Bergen Assembly’s opening days, I am asked to attend a number of mock funerals, including one for a...

  Earthenware model of a horse, unglazed   I, too, am a survivor My eroded coat dappled with lichen and stars My spirited tail has long  snapped off    One millennium and then another  has wheeled on by  since the potter squatting on his dusty stool thumbed my jowls   to the perfect roundness – a gesture  tender despite his production line – and nicked  my nostrils in this haughty flare ‘Stocky’  they called me    in the catalogue I admit,   though hollow, my belly’s a swollen gourd, buddha-full  Ears pricked, mane brush-stiff,  my grin is quizzical, sometimes   even a grimace behind the smudgy glass  My hooves were long  buffed by clay ranks of imperial grooms    Reserved for only the finest tombs my kind maps out the trade  between civilisations –  one squat stallion for fifty bales of silk    They rolled out the Silk Road before us  all the way to the walled city of Chang’an The Han emperor sent for us to fill  his echoing stables He called us his Tian ma,    ‘celestial horses’, expecting our hardy stock  when the time came  at last to carry him up the narrow passes  into heaven Some nights    I dream  of galloping across scrubby plains, the herd’s sweat  tart as highland apricots around me – far blue peaks retreating into memory              Porcelain tea caddy painted in underglaze blue   Far blue peaks retreating into memory as wizened cedars twist against a glaze    of sky A pagoda perched on a lonely outcrop where a scholar might withdraw to think –    or dream, perhaps, of cicadas thrumming  through misty branches, singing of past lives   as long-sleeved concubines, or frustrated literati  These painted scenes of oriental whimsy I reveal   might snatch the gaze of a well-heeled visiting gent but are studiously ignored by these lily-fingered    daughters of the prosperous Liverpool merchant – a man of great taste, my owner, he spotted me    half-buried on a stall of flighty fans and girdles   His girls will learn to pour this steaming, still-exotic    brew that measures everything from Empire’s  horizon to the charms of fashionable girlhood   while glancing coyly – spout poised – from the corner  of an eye I watch it all from

Contributor

September 2015

Izabella Scott

Contributor

September 2015

IZABELLA SCOTT is an editor at The White Review.

Book Review

August 2019

Jordy Rosenberg’s ‘Confessions of the Fox’

Izabella Scott

Book Review

August 2019

It’s hot as fuck, said the friend who handed me Confessions of the Fox, a faux-memoir set in eighteenth-century...

Navine G. Khan-Dossos, Echo Chamber

Art Review

November 2017

Izabella Scott

Art Review

November 2017

A lattice of diamonds and crosses, painted onto a 21-metre long wall at the Van Abbemuseum in Eindhoven, scatters my gaze. Artist Navine G....
Hot Rocks

feature

November 2016

Izabella Scott

feature

November 2016

‘We have received around 150 of them,’ Massimo Osanna tells me, as we peer into four small crates stuffed full of dusty freezer bags....
False shadows

Art

August 2016

Izabella Scott

Art

August 2016

The ‘beautiful disorder’ of the Forbidden City and the Yuanmingyuan (Garden of Perfection and Light) was first noted by the Jesuit painter Jean Denis...

READ NEXT

poetry

November 2016

Gentle

Harriet Moore

poetry

November 2016

Forgive me Sister for I have sinned it’s been seconds since my last confession. I sit in the dark...

Prize Entry

Issue No. 20

The Refugee

Kristen Gleason

Prize Entry

Issue No. 20

Brian Ed waited outside the ration house. Merlijn took his time coming to the door, and opened it slowly....

feature

March 2013

Heroines

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking...

 

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