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Izabella Scott

IZABELLA SCOTT is an editor at The White Review.



Articles Available Online


Shola von Reinhold’s ‘LOTE’

Book Review

September 2020

Izabella Scott

Book Review

September 2020

To read Shola von Reinhold’s ornate, multi-layered novel LOTE (2020) is to encounter a baroque mind. It tells the story of a queer Black...

Art Review

November 2019

Actually, the Dead are Not Dead

Izabella Scott

Art Review

November 2019

During Bergen Assembly’s opening days, I am asked to attend a number of mock funerals, including one for a...

When I was fifteen I took my two little cousins into town and had them wait outside the tattoo parlour while a woman with blue hair pierced my belly button with a big red ruby that pooled inside like a roving eye They were crying when I emerged I was hardly able to breathe for fear of the pain On the way home on the bus, Amy sang Karma Chameleon and Simone looked out of the window at time passing as though watching life being silently obliterated I remember my belly looked so white and soft lying down with the jewellery like a well of fresh blood collecting I thought it quite beautiful though it often snagged on my jeans My girlfriend had once rooted the ruby out with her tongue; the next morning had stung When we found a baby kicking in there I had to take the jewellery out as my teenage belly stretched Having that metal inside my body had been as good as a wound My girlfriend and I had wounds to nurse, they comforted, they reassured; while they healed there was a warm place inside devoted to new cells and plasma After the birth, my belly was  a waste of space, a forlorn temple with no jewel or way in I couldn’t accept the tender map of pain left imprinted on my belly when my baby was born I would trace the stubborn, soft pulse of a network of trails in my deep skin with my fingers, willing and willing them to recede Nobody touched my belly then, not for a decade My belly was women’s business My belly was the place a baby once lived If I was carrion my belly would be the first flesh to peck and rip– my most vulnerable part– silvery white in sunlight, nobody’s prize The little nick of a piercing scar reminds

Contributor

September 2015

Izabella Scott

Contributor

September 2015

IZABELLA SCOTT is an editor at The White Review.

Book Review

August 2019

Jordy Rosenberg’s ‘Confessions of the Fox’

Izabella Scott

Book Review

August 2019

It’s hot as fuck, said the friend who handed me Confessions of the Fox, a faux-memoir set in eighteenth-century...

Navine G. Khan-Dossos, Echo Chamber

Art Review

November 2017

Izabella Scott

Art Review

November 2017

A lattice of diamonds and crosses, painted onto a 21-metre long wall at the Van Abbemuseum in Eindhoven, scatters my gaze. Artist Navine G....
Hot Rocks

feature

November 2016

Izabella Scott

feature

November 2016

‘We have received around 150 of them,’ Massimo Osanna tells me, as we peer into four small crates stuffed full of dusty freezer bags....
False shadows

Art

August 2016

Izabella Scott

Art

August 2016

The ‘beautiful disorder’ of the Forbidden City and the Yuanmingyuan (Garden of Perfection and Light) was first noted by the Jesuit painter Jean Denis...

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Interview

January 2013

Interview with Kalle Lasn

Huw Lemmey

Interview

January 2013

Reinventing a political culture is a difficult task to set oneself; political aesthetics develop alongside political movements, and tracing...

fiction

September 2011

In the Aisles

Clemens Meyer

fiction

September 2011

Before I became a shelf-stacker and spent my evenings and nights in the aisles of the cash and carry...

Art

August 2016

False shadows

Izabella Scott

Art

August 2016

The ‘beautiful disorder’ of the Forbidden City and the Yuanmingyuan (Garden of Perfection and Light) was first noted by...

 

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