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Izabella Scott

IZABELLA SCOTT is an editor at The White Review.



Articles Available Online


Shola von Reinhold’s ‘LOTE’

Book Review

September 2020

Izabella Scott

Book Review

September 2020

To read Shola von Reinhold’s ornate, multi-layered novel LOTE (2020) is to encounter a baroque mind. It tells the story of a queer Black...

Art Review

November 2019

Actually, the Dead are Not Dead

Izabella Scott

Art Review

November 2019

During Bergen Assembly’s opening days, I am asked to attend a number of mock funerals, including one for a...

I’ve never been ghosted by a work of art before, but I guess there is a first time for everything On entering Martine Syms’s new solo exhibition at Sadie Coles, I am confronted by Mythiccbeing (2018), an enormous video installation comprised of hundreds of miniscule LEDs Intermittently, a phone number comes up on a screen with the words ‘text me’ and I’m promised that if I interact, this work will respond When people refer to a piece of art communicating with the audience it isn’t usually meant in the most literal sense, and in my case at least, I’m left clutching my phone anxiously waiting for a text back to: ‘Hi bbz… How are you? What are you thinking about RN? Hellooooooo’ As the message bubbles gently shift from blue to green I feel an involuntary sense of dread – it appears even a chat bot can crush your self-esteem   This could easily be a Machiavellian trick designed to compound the overarching sense of social anxiety that fills the gallery Mythiccbeing is undoubtedly the focus, featuring a complex three-dimensional rendering of Syms’s face which appears to be imbued with her own physical characteristics: a brief sigh, a gentle move of the lips or a slight turn of the head This vision is interspersed with a montage of mundane video clips, random blocks of text and found imagery, all of which coincide with Syms’s enigmatic voiceover She reels off seemingly inconsequential and classically millennial thoughts around sex, money and everyday drama, all conveyed in the kind of language you would share with your friends in a group chat, as well as trance-like sexual interrogations: ‘Girl you like that? Girl you like that?’   These rapid switchbacks between hyper-erotic speech and trivial chat perfectly mimic the splintered communication most of us engage with every day through an onslaught of texts, DMs, emails and phone calls Combined with Syms’s own image, it’s as if you are getting inside her head at that exact moment when it feels like the brain can’t take it anymore, and the notion of a ‘digital detox’ promises sweet relief   Mythiccbeing, is

Contributor

September 2015

Izabella Scott

Contributor

September 2015

IZABELLA SCOTT is an editor at The White Review.

Book Review

August 2019

Jordy Rosenberg’s ‘Confessions of the Fox’

Izabella Scott

Book Review

August 2019

It’s hot as fuck, said the friend who handed me Confessions of the Fox, a faux-memoir set in eighteenth-century...

Navine G. Khan-Dossos, Echo Chamber

Art Review

November 2017

Izabella Scott

Art Review

November 2017

A lattice of diamonds and crosses, painted onto a 21-metre long wall at the Van Abbemuseum in Eindhoven, scatters my gaze. Artist Navine G....
Hot Rocks

feature

November 2016

Izabella Scott

feature

November 2016

‘We have received around 150 of them,’ Massimo Osanna tells me, as we peer into four small crates stuffed full of dusty freezer bags....
False shadows

Art

August 2016

Izabella Scott

Art

August 2016

The ‘beautiful disorder’ of the Forbidden City and the Yuanmingyuan (Garden of Perfection and Light) was first noted by the Jesuit painter Jean Denis...

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Interview

Issue No. 1

Interview with Will Self

Jacques Testard

Interview

Issue No. 1

Standing on the doorstep of Will Self’s London home ahead of this interview, last August, I was quite terrified....

poetry

May 2016

Two Poems

Sam Buchan-Watts

poetry

May 2016

The Dentist’s Chair       I dreamt of the dentist’s chair, that it wore a smart pair of...

feature

Issue No. 14

Editorial

The Editors

feature

Issue No. 14

Having several issues ago announced that we would no longer be writing our own editorials, the editors’ (ultimately inevitable)...

 

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