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Izabella Scott

IZABELLA SCOTT is an editor at The White Review.



Articles Available Online


Shola von Reinhold’s ‘LOTE’

Book Review

September 2020

Izabella Scott

Book Review

September 2020

To read Shola von Reinhold’s ornate, multi-layered novel LOTE (2020) is to encounter a baroque mind. It tells the story of a queer Black...

Art Review

November 2019

Actually, the Dead are Not Dead

Izabella Scott

Art Review

November 2019

During Bergen Assembly’s opening days, I am asked to attend a number of mock funerals, including one for a...

This story featured in The White Review 18, published in 2016       On the way to the dental clinic they talk about going home for Christmas It’s November and Marianne is having a wisdom tooth removed Connell is driving her to the clinic because he’s her only friend with a car, and also the only person in whom she confides about distasteful medical conditions like impacted teeth He sometimes drives her to the doctor’s office when she needs antibiotics for urinary tract infections, which is often They are twenty-three   Connell parks up around the corner from the clinic and the radio switches itself off He has taken the morning off work to drive Marianne to the appointment, which he hasn’t told her He’s doing it partly out of guilt A week previously Marianne gave him head in his apartment and complained afterwards that her jaw hurt, and he was like, do you have to complain about everything all the time? Then they argued They were both a little drunk   Marianne remembers the incident differently She remembers giving Connell head for a while on his sofa and then she stopped because her mouth hurt He was pretty nice about it and they had sex on his couch instead Only afterwards, when she started talking about her mouth again, did Connell say: you complain a lot more than other people They were lying side by side on the sofa then Marianne said, you mean your other girlfriends And Connell said no, he meant people, as in everyone He said no one he knew in any capacity complained as much as Marianne   You don’t like hearing people complain because you’re incapable of expressing sympathy, Marianne said   I already told you I was sorry the first time you complained   You like women who don’t complain because you don’t want to see women as fully human   Every time I criticise you, it turns into a thing about me hating women, he said   Marianne started to sit up then She gathered her hair into a roll and felt for a clip to put through it   I find it suspicious, she said That you always

Contributor

September 2015

Izabella Scott

Contributor

September 2015

IZABELLA SCOTT is an editor at The White Review.

Book Review

August 2019

Jordy Rosenberg’s ‘Confessions of the Fox’

Izabella Scott

Book Review

August 2019

It’s hot as fuck, said the friend who handed me Confessions of the Fox, a faux-memoir set in eighteenth-century...

Navine G. Khan-Dossos, Echo Chamber

Art Review

November 2017

Izabella Scott

Art Review

November 2017

A lattice of diamonds and crosses, painted onto a 21-metre long wall at the Van Abbemuseum in Eindhoven, scatters my gaze. Artist Navine G....
Hot Rocks

feature

November 2016

Izabella Scott

feature

November 2016

‘We have received around 150 of them,’ Massimo Osanna tells me, as we peer into four small crates stuffed full of dusty freezer bags....
False shadows

Art

August 2016

Izabella Scott

Art

August 2016

The ‘beautiful disorder’ of the Forbidden City and the Yuanmingyuan (Garden of Perfection and Light) was first noted by the Jesuit painter Jean Denis...

READ NEXT

Art

March 2014

Amy Sillman: The Labour of Painting

Paige K. Bradley

Amy Sillman

Art

March 2014

The heritage of conceptualism and minimalism leaves a tendency to interpret a reduction in form as intellectually rigorous. If...

Art

September 2016

Sitting, scrawling, playing

Emily Gosling

Art

September 2016

Amidst the drills and concrete, white walls and big names of London’s Cork Street stands a new gallery, Nahmad Projects,...

feature

May 2016

Cinema on the Page

Jonathan Gibbs

feature

May 2016

Film is a bully. It wants to make its viewers feel, and it has the tools to do so....

 

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