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Izabella Scott

IZABELLA SCOTT is an editor at The White Review.



Articles Available Online


Shola von Reinhold’s ‘LOTE’

Book Review

September 2020

Izabella Scott

Book Review

September 2020

To read Shola von Reinhold’s ornate, multi-layered novel LOTE (2020) is to encounter a baroque mind. It tells the story of a queer Black...

Art Review

November 2019

Actually, the Dead are Not Dead

Izabella Scott

Art Review

November 2019

During Bergen Assembly’s opening days, I am asked to attend a number of mock funerals, including one for a...

 I Two moments in May May 2, 2011 The novelists Siri Hustvedt and Céline Curiol are giving a talk at Shakespeare and Company in Paris The shop is filled to bursting, and the audience spills onto the sidewalk outside The topic of their discussion, they announce, is the ‘strange bias against fiction in general and fiction by women in particular’ Men don’t read books by women, they lament; women’s writing seems only to appeal to other women ‘Would you have written the same book if you were a man?’ Curiol reports having been asked on numerous occasions The question, she implies, has become so banal as hardly to be worth answering: ‘Yes, no, maybe,’ she says Both authors dismiss the idea that men write as men, and women write as women ‘Novels do not have a gender,’ says Curiol One audience member, an emissary from the French feminist group La Barbe (‘The Beard’) berates them, quite aggressively, for turning literature into a battlefield Hustvedt protests: ‘You’ve misunderstood entirely what we were trying to say’ Meanwhile the bookshop’s owner, Sylvia Whitman, shakes her head in bafflement as she’s asked to account for the actual ratio of male to female authors on the shop’s shelves   May 20, 2011 I’m at an academic conference in Paris A graduate student gives a paper on a novel about partition by the Pakistani writer Bapsi Sidhwa, making what seems to me to be an innocuous yet perceptive argument on the vexing ways in which gender and colonialism intersect in the novel During the discussion period, the student is dressed down by the two (female) faculty members chairing the panel ‘Do you really think Sidhwa has anything to say about partition that’s different from Salman Rushdie just because she’s a woman?’ The student is silent ‘Don’t work only on women’s writing,’ one professor, a placid blond with an immobile page boy haircut counsels her ‘That goes for all of you,’ she says ‘It’s been done, and by people much older than you It’s over Find something else to work on’   I’m gobsmacked I’ve just defended my PhD on British women’s

Contributor

September 2015

Izabella Scott

Contributor

September 2015

IZABELLA SCOTT is an editor at The White Review.

Book Review

August 2019

Jordy Rosenberg’s ‘Confessions of the Fox’

Izabella Scott

Book Review

August 2019

It’s hot as fuck, said the friend who handed me Confessions of the Fox, a faux-memoir set in eighteenth-century...

Navine G. Khan-Dossos, Echo Chamber

Art Review

November 2017

Izabella Scott

Art Review

November 2017

A lattice of diamonds and crosses, painted onto a 21-metre long wall at the Van Abbemuseum in Eindhoven, scatters my gaze. Artist Navine G....
Hot Rocks

feature

November 2016

Izabella Scott

feature

November 2016

‘We have received around 150 of them,’ Massimo Osanna tells me, as we peer into four small crates stuffed full of dusty freezer bags....
False shadows

Art

August 2016

Izabella Scott

Art

August 2016

The ‘beautiful disorder’ of the Forbidden City and the Yuanmingyuan (Garden of Perfection and Light) was first noted by the Jesuit painter Jean Denis...

READ NEXT

feature

May 2016

Cinema on the Page

Jonathan Gibbs

feature

May 2016

Film is a bully. It wants to make its viewers feel, and it has the tools to do so....

Interview

Issue No. 11

Interview with Alice Oswald

Max Porter

Interview

Issue No. 11

Alice Oswald is a British poet who lives in Devon with her family. Newspaper profiles will inevitably mention the...

Art

March 2015

The Mask

Roger Caillois

TR. Jeffrey Stuker

Art

March 2015

Here I offer some reflections and several facts potentially useful for a phenomenology of the mask. Needless to say,...

 

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