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Izabella Scott

IZABELLA SCOTT is an editor at The White Review.



Articles Available Online


Shola von Reinhold’s ‘LOTE’

Book Review

September 2020

Izabella Scott

Book Review

September 2020

To read Shola von Reinhold’s ornate, multi-layered novel LOTE (2020) is to encounter a baroque mind. It tells the story of a queer Black...

Art Review

November 2019

Actually, the Dead are Not Dead

Izabella Scott

Art Review

November 2019

During Bergen Assembly’s opening days, I am asked to attend a number of mock funerals, including one for a...

Britain has always been a nation capable of telling itself a good story It has rarely mattered whether that story was true The story itself is usually enough: to bring the troops to the beaches, to quiet the servants in the cellar, to quell the coloniser’s unease, to ward off the threat of uprising, to clinch the referendum vote   And on a sunny day in May, the story Britain told itself was one of inclusivity and progress, eked out in gentle doses, in the form of a biracial divorced millionaire American bride for the brother of the future king Revellers camped out on the streets of Windsor, in sleeping bags not unlike those of the homeless who sleep there every night, though the former slept more soundly, without the threat of evacuation And while the nation cheered for the international couple, who had been quietly fast-tracked through Britain’s punishing immigration process, tens of thousands of UK-foreign couples denied spousal visas under the Conservatives’ draconian immigration laws will have watched the wedding on separate continents, if they could bear to watch at all While 2,640 members of the public were invited by the Royals to stand outside of St George’s Chapel, roughly the same number of men and women sat in mostly windowless cells, at Britain’s nine immigration detention centres And across Westminster, Home Office officials likely clinked champagne flutes with relief, as the nation turned its eyes away from the ongoing disgrace of the Windrush scandal to glimpse a television actress’s first wedding dress of the day: a pure white garment of double-bonded silk, held together by minute stitches, invisible, the way the workings of power always hope to be   The Modern Royals! declared fawning international magazine covers in the days and weeks that followed, seemingly unaware of the contradiction in terms For the first time since Brexit or Grenfell, the eyes of the world were on Britain, and the nation delighted in the pretty, self-flattering image the wedding conveyed If you squinted, and didn’t think too hard, Britain appeared on that day to be a nation proud to be inclusive,

Contributor

September 2015

Izabella Scott

Contributor

September 2015

IZABELLA SCOTT is an editor at The White Review.

Book Review

August 2019

Jordy Rosenberg’s ‘Confessions of the Fox’

Izabella Scott

Book Review

August 2019

It’s hot as fuck, said the friend who handed me Confessions of the Fox, a faux-memoir set in eighteenth-century...

Navine G. Khan-Dossos, Echo Chamber

Art Review

November 2017

Izabella Scott

Art Review

November 2017

A lattice of diamonds and crosses, painted onto a 21-metre long wall at the Van Abbemuseum in Eindhoven, scatters my gaze. Artist Navine G....
Hot Rocks

feature

November 2016

Izabella Scott

feature

November 2016

‘We have received around 150 of them,’ Massimo Osanna tells me, as we peer into four small crates stuffed full of dusty freezer bags....
False shadows

Art

August 2016

Izabella Scott

Art

August 2016

The ‘beautiful disorder’ of the Forbidden City and the Yuanmingyuan (Garden of Perfection and Light) was first noted by the Jesuit painter Jean Denis...

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fiction

October 2012

Girl on a Bridge

Wayne Holloway

fiction

October 2012

Pirajoux… The middle of a hot endless summer, driving on the A39 through an as always empty central France,...

poetry

May 2012

REGULAR BLACK

Sam Riviere

poetry

May 2012

Who wouldn’t rather be watching a film about werewolves instead of composing friends’ funeral playlists all day I’ve been...

Interview

November 2016

Interview with Njideka Akunyili Crosby

Cassie Davies

Interview

November 2016

Njideka Akunyili Crosby first encountered Mary Louise Pratt’s ‘Arts of the Contact Zone’ (1991), which identifies ‘social spaces where cultures meet,...

 

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