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an image of Issue 33 of The White Review, featuring three film stills of swimmers in goggles and caps in dark water

The White Review
No. 33

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The White Review No. 33 features interviews with writer Siri Hustvedt and feminist scholar Sara Ahmed. The issue includes new fiction by Gina Apostol,...

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Prize Entry

The White Review Poet’s Prize 2023
For the first time this year, The White Review Poet’s Prize was open to poets based anywhere in the world. Last month we announced a shortlist of eight poets. ...

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Jennifer Hodgson
Jennifer Hodgson is a writer from Hull. Most recently, she edited The Unmapped Country (And Other Stories), a collection of the 'lost' stories of Ann Quin.

Articles Available Online
Chris Kraus’s ‘After Kathy Acker’

Book Review

October 2017

Jennifer Hodgson

Book Review

October 2017

Acker by Kraus is a tantalising prospect. How do you go about writing a biography of an inveterate self-mythologiser, who made over fiction into...
On a Decline in British Fiction

feature

Issue No. 7

Jennifer Hodgson

Patricia Waugh

feature

Issue No. 7

‘The special fate of the novel,’ Frank Kermode has written, ‘is always to be dying.’ In Britain, the terminal state seems indigenous to the...

READ NEXT
Vertical Motion

fiction

January 2014

Can Xue

TR. Karen Gernant and Chen Zeping

fiction

January 2014

We are little critters who live in the black earth beneath the desert. The people on Mother Earth can’t imagine such a large expanse...

feature

October 2011

This is not the place: Perec, the Situationists and Belleville

Karl Whitney

feature

October 2011

I stood near the columbarium at Père Lachaise cemetery. I was there to see the locker-like vault containing the...

Interview

August 2017

Interview with Ottessa Moshfegh

Yen Pham

Interview

August 2017

Ottessa Moshfegh’s first two books are, as she tells me, very different from one another. But despite the contrast...

Interview

May 2014

Interview with Conrad Shawcross

Patrick Sykes

Interview

May 2014

Though an intimidating sixteen feet tall, the industrial robot in Conrad Shawcross’s flat doesn’t look at all out of...

 

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