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Jonathan Gibbs

Jonathan Gibbs was shortlisted for the White Review Short Story Prize 2013. He has since published a novel, Randall or the Painted Grape (Galley Beggar Press).



Articles Available Online


Jessie Greengrass’s ‘Sight’

Book Review

February 2018

Jonathan Gibbs

Book Review

February 2018

Jessie Greengrass’s debut story collection caught my eye with its delightfully extravagant title, An Account of the Decline of the Great Auk, According to...

feature

May 2016

Cinema on the Page

Jonathan Gibbs

feature

May 2016

Film is a bully. It wants to make its viewers feel, and it has the tools to do so....

Growing up in an evangelical church I took communion most weeks To a child’s mind it seemed an excitingly gruesome process: the bread, broken, shared and eaten to represent Christ’s body; the wine drunk to represent his blood This morbid, albeit normalised, ingestion is intensified in Roman Catholic orthodoxy’s concept of transubstantiation, in which the bread and wine are not mere representations, but in the moment of consumption are believed to be Christ’s flesh and blood incarnate   This theological nuance might be described as the difference between simile and metaphor, or being like and being the thing itself In relation to her new work, ECZEMA!, artist and writer Maria Fusco described transubstantiation as ‘the biggest metaphor you can get’ An experimental musical score and script written for one voice, it attempts not so much a visual or aural representation of the skin disease as its embodiment in sound, words and performance Commissioned as part of a festival celebrating the NHS’s 70th birthday, ECZEMA! premiered – importantly, given the NHS’s Welsh origins – at the Wales Millennium Centre in Cardiff, where it was also recorded for future release as a vinyl EP with Matthew Herbert’s label Accidental Records   In the windowless Hoddinott Hall, a big fat metaphor sat front and centre: a pipe organ ‘The skin is an organ An organ is the skin’, read the text in the lime green handouts distributed among the audience, indicating how Fusco intended the instrument to be understood Despite this primer, it was a shock when a churning sound started up from the large pipes mounted on the far wall of the hall The restless, animalistic rhythm formed the sonic and conceptual backbone of the piece, and a direct channelling of eczema’s definitive gesture: the scratch Fusco is a lifelong eczema sufferer, and working with prototyper Yann Seznec, she wore a ‘scratch glove’ fitted with sensors and accelerometers in order to record the movement of her scratching as data The particular scratch that comprises the score of ECZEMA! lasted 30 seconds It was then stretched out to a duration of 30 minutes and ‘fed’ through the organ by the

Contributor

August 2014

Jonathan Gibbs

Contributor

August 2014

Jonathan Gibbs was shortlisted for the White Review Short Story Prize 2013. He has since published a novel, Randall or...

The Story I'm Thinking Of

fiction

April 2013

Jonathan Gibbs

fiction

April 2013

There were seven of us sat around the table. Seven grown adults, sat around the table. It was late. We had eaten, and we had...

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poetry

Issue No. 2

The Brothel

Kit Buchan

poetry

Issue No. 2

I unearthed a little brothel in the spring of forty-three, It was captained by a midwife who was ninety...

poetry

September 2015

She-dog & Wrong

Natalia Litvinova

TR. Daniela Camozzi

poetry

September 2015

She-dog   He wrote to tell me his dog had died. I wanted to be her, I wanted him...

poetry

September 2012

Letter from a New City to an Old Friend

Cutter Streeby

poetry

September 2012

Letter from a New City to an Old Friend     [SEAside          Gra-                         –i.m. Ronny Burhop 1987-2010                                                                      ffiti]...

 

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