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Jonathan Gibbs

Jonathan Gibbs was shortlisted for the White Review Short Story Prize 2013. He has since published a novel, Randall or the Painted Grape (Galley Beggar Press).



Articles Available Online


Jessie Greengrass’s ‘Sight’

Book Review

February 2018

Jonathan Gibbs

Book Review

February 2018

Jessie Greengrass’s debut story collection caught my eye with its delightfully extravagant title, An Account of the Decline of the Great Auk, According to...

feature

May 2016

Cinema on the Page

Jonathan Gibbs

feature

May 2016

Film is a bully. It wants to make its viewers feel, and it has the tools to do so....

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I might have to say is unsaid because it is unsayable (the unsayable is not buried inside writing, it is what prompted it in the first place); I know that what I say is blank, is neutral, is a sign, once and for all, of a once-and-for-all annihilation —Georges Perec, W, or the Memory of Childhood     If Reality Hunger by David Shields represents one strand of literary prognostication to which Perec’s writing offers a fruitful response, there is another strand that Perec answers just as well: those gleeful prophets of the novel’s death   In order to tell this story we need to take a step back Perec’s writing was in sync with its times in the sense that it partook in the epic process of cultural commodification occurring over the second half of the twentieth century Products, beliefs and fashions that once existed on the boundaries of society were resolutely transformed into mass consumable versions that were bought up by the middle classes Things, Perec’s best-selling popularisation of the bohemian lifestyle, is one example of how he was part of this process Another would be Life A User’s Manual, which transmutes into literary gold hundreds of things that one would have never thought to put in a literary novel beforehand   One important thing Perec helped commodify was negation Negation was a huge thing in the 1960s, when Perec began to write It informed and empowered the groups then fighting against capitalistic culture In his essay ‘E Unibus Pluram,’ David Foster Wallace put forth the argument that the second half of the twentieth century was a time of two great changes: first, the development of this ‘no’ of resistance against capitalistic culture, and second, the co-opting of this ‘no’ of resistance into a catchy sales pitch Wallace identified the ‘no’ of resistance with irony—long a potent weapon of the oppressed—and then he went on to argue that the appeal of this irony had been taken

Contributor

August 2014

Jonathan Gibbs

Contributor

August 2014

Jonathan Gibbs was shortlisted for the White Review Short Story Prize 2013. He has since published a novel, Randall or...

The Story I'm Thinking Of

fiction

April 2013

Jonathan Gibbs

fiction

April 2013

There were seven of us sat around the table. Seven grown adults, sat around the table. It was late. We had eaten, and we had...

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Interview

August 2016

Interview with Brian Evenson

J. W. McCormack

Interview

August 2016

There are at least three Brian Evensons, all of them EXCEEDINGLY IMPROBABLE. First, there’s Brian Evenson, the prolific author of...

fiction

June 2013

The Cherry Tree

Sheila Heti

fiction

June 2013

That winter, all the plums froze. All the peaches froze and all the cherries froze, and everything froze so...

poetry

April 2014

MUEUM

SJ Fowler

poetry

April 2014

Since I have worked at the mueum I have published, and I have written 486 pems. I have seen...

 

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