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Jonathan Gibbs

Jonathan Gibbs was shortlisted for the White Review Short Story Prize 2013. He has since published a novel, Randall or the Painted Grape (Galley Beggar Press).



Articles Available Online


Jessie Greengrass’s ‘Sight’

Book Review

February 2018

Jonathan Gibbs

Book Review

February 2018

Jessie Greengrass’s debut story collection caught my eye with its delightfully extravagant title, An Account of the Decline of the Great Auk, According to...

feature

May 2016

Cinema on the Page

Jonathan Gibbs

feature

May 2016

Film is a bully. It wants to make its viewers feel, and it has the tools to do so....

In January, a preview excerpt in The New Yorker of Rachel Kushner’s essay collection The Hard Crowd (2021) warned us that this might turn out to be a boring book This is not to say that the excerpt in question was so boring as to suggest the likely tedium of the whole Rather, the warning came from the author herself ‘I’m talking about my own life’, writes Kushner ‘Which not only can’t matter to you, it might bore you’   The Hard Crowd is indeed a personal collection – not only first-person in vantage but preoccupied with figures specific to the author’s youth: artists, writers, friends, activists, motorcyclists, hustlers ‘I admired a lot of these people I am describing to you’, Kushner writes in the excerpted passage They were workers of strip-club doors between prison stints, charismatic tattooists, dealers who preferred to eat their cocaine, nibbling sliced-off rocks ‘like powdery peanut brittle’ ‘I put them above myself’, she writes, ‘in a hierarchy that is re-established in the fact that I am the one who lived to tell’   I was the weak link, the mind always at some remove: watching myself and other people, absorbing the events of their lives and mine To be hard is to let things roll off you, to live in the present, to not dwell or worry And even though I stayed out late, was committed to the end, some part of me had left early To become a writer is to have left early no matter what time you got home   Kushner, a writer in her fifties, appears to have outlived the fast-living crowd of her youth Those who have typically delighted in her novels, populated by characters so ‘present’ as to have no future, might well anticipate boredom at the personal essays of so watchful a self-preserver The Flamethrowers (2013), perhaps Kushner’s best-known work, is packaged as a Great American ode to rebellion and risk: blurb quotations describe the novel as ‘adrenalin-fuelled’, ‘exhilarating’, ‘fearless’, ‘high-octane’, ‘thrilling’ In 1970s New York, the book’s narrator Reno dreams of becoming the fastest motorcyclist in the world, and falls

Contributor

August 2014

Jonathan Gibbs

Contributor

August 2014

Jonathan Gibbs was shortlisted for the White Review Short Story Prize 2013. He has since published a novel, Randall or...

The Story I'm Thinking Of

fiction

April 2013

Jonathan Gibbs

fiction

April 2013

There were seven of us sat around the table. Seven grown adults, sat around the table. It was late. We had eaten, and we had...

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Prize Entry

April 2017

Abu One-Eye

Rav Grewal-Kök

Prize Entry

April 2017

He left two photographs.   In the first, his eldest brother balances him on a knee. It must be...

feature

November 2015

Streets of Contradiction

feature

November 2015

Jerusalem has a remarkably cohesive identity, in architectural terms. Every building, from the Western Wall to the sleek hotels...

poetry

October 2015

Two Poems

Robert Herbert McClean

poetry

October 2015

Another Autumn Journal Chaos (AKA Do Not Put This to Music Because You’re How Fish Put Up a Fight)...

 

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