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Jonathan Gibbs

Jonathan Gibbs was shortlisted for the White Review Short Story Prize 2013. He has since published a novel, Randall or the Painted Grape (Galley Beggar Press).



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Jessie Greengrass’s ‘Sight’

Book Review

February 2018

Jonathan Gibbs

Book Review

February 2018

Jessie Greengrass’s debut story collection caught my eye with its delightfully extravagant title, An Account of the Decline of the Great Auk, According to...

feature

May 2016

Cinema on the Page

Jonathan Gibbs

feature

May 2016

Film is a bully. It wants to make its viewers feel, and it has the tools to do so....

Fire has started in Flat 4 of Paradise Block The young girl in Alice Ash’s story ‘Eggs’ watches with her mother, younger brother, and neighbour Min from outside the building ‘The smoke,’ she tells us, ‘pours out from our downstairs window like a black tongue’ It stains the rooms of Flat 4, and dresses absorb the smell until they are hung outside to ‘shriek around like ghosts on the washing line’ The narrator’s mother had been crying long before the fire started, but in its aftermath she becomes increasingly distressed: she screams ‘head back, mouth open’; a few days later, she muffles her cries ‘with a toy bird stuffed in her mouth’ Left to take care of her brother like a mother might, the narrator’s health begins to deteriorate She is seized by illness, ‘a white spool of pain’ unknotting inside her spine   In Ash’s mesmerising debut collection Paradise Block (2021), everything is susceptible to decay Housing displays symptoms of deterioration through institutional neglect, tenants suffer symptoms of infection and illness, class shame corrodes moments of pleasure There is rot beneath the surface; its exposure is gradual, and darkly compelling ‘I realise that this is something from inside,’ the narrator of ‘Eggs’ tells us, ‘something coming to the surface’ The thirteen stories in the book are intricately interconnected The majority of the characters live, like the narrator of ‘Eggs’, in the dilapidated building of the title, located in a town named Clutter; others live in the wealthier area of Plum Regis in ‘fancy’ semi-detached houses Ash’s fictional landscape closely resembles a number of UK coastal towns, such as Poole, where rich and poor neighbourhoods exist in close proximity, and yet are home to vastly different lifestyles and opportunities In Paradise Block, that landscape is made subtly surreal: a sea god lingers by the beach; residents’ shadows reside in the Lilybank River Many of the recurring locations in Paradise Block are also familiar locales of the deprived coastal town: The Brass Cross pub, the Clutter and Plum Regis department stores, the corner shop   Paradise Block itself is ‘built very cheaply, with windows

Contributor

August 2014

Jonathan Gibbs

Contributor

August 2014

Jonathan Gibbs was shortlisted for the White Review Short Story Prize 2013. He has since published a novel, Randall or...

The Story I'm Thinking Of

fiction

April 2013

Jonathan Gibbs

fiction

April 2013

There were seven of us sat around the table. Seven grown adults, sat around the table. It was late. We had eaten, and we had...

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Art

September 2011

Interview with Marnie Weber

Timothée Chaillou

Art

September 2011

Los Angeles-based artist Marnie Weber has spent her career weaving music, performance, collage, photography and performance together into her...

Interview

February 2016

Interview with Gerard Byrne

Izabella Scott

Interview

February 2016

I first encountered Gerard Byrne’s eerily dislocated films at Tate Britain, where 1984 and Beyond (2005–7) was shown on...

feature

September 2013

For All Mankind: A Brief Cultural History of the Moon

Henry Little

feature

September 2013

For almost the entirety of man’s recorded 50,000-year history the moon has been unattainable. Alternately a heavenly body, the...

 

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