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Jonathan Gibbs

Jonathan Gibbs was shortlisted for the White Review Short Story Prize 2013. He has since published a novel, Randall or the Painted Grape (Galley Beggar Press).



Articles Available Online


Jessie Greengrass’s ‘Sight’

Book Review

February 2018

Jonathan Gibbs

Book Review

February 2018

Jessie Greengrass’s debut story collection caught my eye with its delightfully extravagant title, An Account of the Decline of the Great Auk, According to...

feature

May 2016

Cinema on the Page

Jonathan Gibbs

feature

May 2016

Film is a bully. It wants to make its viewers feel, and it has the tools to do so....

https://soundcloudcom/user-856373367/retrievals   About ‘Retrievals’:   I like to hear writing that is made out loud Words vibrate in the air and you forget them, but you can feel them on your skin I don’t call what I make ‘radio plays’ I just call them ‘audio pieces’ I like to keep it all as open as possible   ‘Retrievals’ is an audio piece, made using an online automated voice generator There are many sites that offer the use of text-to-voice technology (Vocograb, Voxmark, NaturalReader) These websites can manufacture hundreds of different voices – men, women, children, the elderly – from across many different languages and dialects They offer voices that sound sad, or whisper intimately in your ear Some sites are free Many make you pay for a particular voice   Automated voices are produced for specific practical uses They help the visually impaired, or those who have difficulty reading They inform you where your train is going They ask whether you want to pay with cash or card They are calm and well-mannered They are nearly always women We do not listen to them, only overhear what they have to say People who really listen in on them are often disturbed or put off, and programme their self-service checkout to ‘silent’ when they can   Automated voices do not sound uncanny or robotic to me They sound spectral and angelic Each is a voice that once belonged to someone, each a literal remnant of recordings made by a voice actor, who provided all the phonemes, phrases and speech-parts, which are put together later ‘Retrievals’ was made using a character called ‘Will (Sad)’, from acapela-boxcom The website contains no information concerning the real human being who was paid to perform the words for ‘Will (Sad)’ Any chance beauty of accent or inflection this voice might still possess remains only as the echo of something once heard, then lost, now forever misremembered If automated voices sound ‘futuristic’ then it’s a backwards kind of future They are forecasts of what has already been said   I never keep what I’ve written for audio pieces; in this respect, voice-generator websites are ideal You can

Contributor

August 2014

Jonathan Gibbs

Contributor

August 2014

Jonathan Gibbs was shortlisted for the White Review Short Story Prize 2013. He has since published a novel, Randall or...

The Story I'm Thinking Of

fiction

April 2013

Jonathan Gibbs

fiction

April 2013

There were seven of us sat around the table. Seven grown adults, sat around the table. It was late. We had eaten, and we had...

READ NEXT

poetry

Issue No. 2

The Brothel

Kit Buchan

poetry

Issue No. 2

I unearthed a little brothel in the spring of forty-three, It was captained by a midwife who was ninety...

Art

June 2015

Sisterhood

Chelsea Hogue

Art

June 2015

A woman appears onscreen. Her hair is short. While the film is black and white, by the colour gradations...

feature

October 2011

The New Global Literature? Marjane Satrapi and the Depiction of Conflict in Comics

Jessica Copley

feature

October 2011

Over the last ten years graphic novels have undergone a transformation in the collective literary consciousness. Readers, editors and...

 

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