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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

How well do you know your nose? That organ is the gateway to our least understood sense, a network of more than 400 types of receptor cells (Our retinas, by contrast, have just three) Though most are concentrated in a bulb near our frontal lobe, olfactory receptors have cropped up in skin, livers, kidneys and sperm Smell is a powerful memory recall tool, and it can make us want to fuck, vomit or cry – but why and how all this works remains largely a biological mystery   This enigma drives Sean Raspet, an artist and self-trained food-and-fragrance scientist whose art is microscopic in scale Past shows at Société, Berlin have featured large plastic vats of stuff he’s cooked up in a lab: molecular compounds meant to tease our tongues or trigger our nostrils These concoctions are often clear and near-weightless, and can take the form of a liquid or a gas In his current exhibition ‘Receptor-Binding Variations’ at Bridget Donahue Gallery, New York, Raspet has devised ten ‘primary scent formulations’ that, like primary colours, trigger the range of our olfactory sense Brewed from ‘captive molecules’, or particles patented by the fragrance industry, they are housed in bone-white electric diffusers that spout their scent every 60 seconds Many of their manufactured molecules are designed to deceive the human nose: to us, they can smell more like natural goods than the organic chemicals they imitate, frustrating attempts to sniff out their origins In the gallery, all these compounds blend together to produce the faint aroma of rubber gym flooring, inoffensive but slightly unsettling   Each compound, and thus each work in the show, is labelled with the name of the receptor it’s meant to target (all works 2017) The first diffuser, 52D1, gives off a strong whiff of citronella, with notes of the artificial pineapple aroma of white gummy bears Number two, 3A1, 2AE1: a distinct odour of freshly mown grass At first pass, 2V2, 2V1 smelled like an herbaceous gin; when I returned several minutes later, I detected the sweetness of kiwi 2L5, lemon Pledge; 7G3, 8K3, 1J2, fresh asphalt; 52D1, a sweaty armpit

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


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fiction

Issue No. 20

Track

Nicole Flattery

fiction

Issue No. 20

My boyfriend, the comedian, took pleasure in telling me about rejection – how it came about, how to cope...

poetry

November 2012

Mr Minotaur

Simon Pomery

poetry

November 2012

Hey Mr Minotaur, so red, so neatly hunchbacked on account of your thick neck, ready to headbutt victims to...

Interview

March 2014

Interview with Antón Arrufat

TR. Jennie Rothwell

J. S. Tennant

Interview

March 2014

Author of the novels La noche del aguafiestas and the experimental Ejercicios para hacer de la esterilidad virtud, Antón...

 

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