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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

Will you take the garbage when you go out? My wife said this without turning from the sink where she was washing the dishes from breakfast It’s in the hall You’ll see it as you go Of course, I said Don’t I always? Her back remained impassive and she did not reply Her hair was still matted from sleep and she was in her bathrobe I leaned forward to kiss her on the cheek She jerked away and muttered something about not having brushed her teeth, about splashing the hot water   I withdrew and went into the hall The children were playing on the floor in the living room The youngest was in his diaper It was already October and he should have been in a romper, he should have been wearing some kind of clothing Instead, he sat nearly naked on the dirty carpet, his diaper heavy with urine, while his sister wore nothing more than thin pajamas   They looked up when I passed and I raised my hand in greeting They were conspiratorial in a way that gave them an air of unlikely dignity After scrutinising me for a long moment, they resumed their playing The baby was beginning to crawl He lay sprawled out on his stomach, waving his arms and legs ineffectually Behind me, I could hear my wife scouring the pots and pans, the gush of hot water from the tap I picked up the garbage bag and walked down the hall Bye, I called out, as the door closed   The bag was heavy, its contents soft and shifting, as though it contained liquid I caught a whiff of cooking oil and I worried that the bag might burst as I carried it down the stairs, already the plastic was stretching thin at the neck I picked it up and carried it in my arms in order to avoid an accident It was awkward carrying it down like this, I could not see past its bulk, and several times I almost stumbled as I descended the first flight of stairs   We lived on

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

fiction

March 2012

Swimming Home

Deborah Levy

fiction

March 2012

‘Each morning in every family, men, women and children, if they have nothing better to do, tell each other their...

poetry

Issue No. 14

Interrogations

Rebecca Tamás

poetry

Issue No. 14

INTERROGATION (1)     Are you a witch?   Are you   Have you had relations with the devil?...

Prize Entry

April 2017

Remain

Ed Lately

Prize Entry

April 2017

The apology had been the most charged and contested gesture between us, the common element in arguments whose subjects...

 

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