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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

Many thanks to those who have allowed me to speak; now I’ll do so   I’m actually not talking here under my own name You should perceive and conceive of Antoine Volodine as a collective author, a name that includes the writings, voices, and poems of many other authors You should think of my physical presence, in front of this microphone, as that of a delegate whose mandate is to represent the others, my colleagues unable to appear in front of you because they’re mentally distant, because they’re imprisoned, or because they’re dead You should accept my presence here as a spokesperson As a spokesperson of post-exoticism, which is to say an imaginary literature from elsewhere and headed elsewhere, a literature that insists upon its status as strange and estranged, that insists upon its singularity and refuses all affiliations to any specific and clearly identifiable national literature I’ll explain all this   First, I’d like to list some of the authors who I’ll be speaking for tonight Some have appeared inside texts under the name of Antoine Volodine; some have been characters therein, they have spoken as novelistic characters in their own name or in others’, under their colleagues’ names, or as bare and anonymous voices, as voices stripped of all non-collective identity Several of these men and women I’ll mention (since, among us, women are numerous and at the forefront), several of them also have a tangible existence as book authors They’ve authored and continue to author books published the usual way, or contributed to magazines that actually exist in the literary world that you know All these texts and all these male and female authors are tied to post-exoticism We constitute a writing community Here, tonight, when I say ‘I,’ that means ‘we,’ regardless of the words uttered So I’d like to list some of these essential authors: Ingrid Vogel, Yasar Tarchalski, Lutz Bassmann, Elli Kronauer, Vassilissa Lukaszczyk, Iakoub Khadjbakiro, Jean Vlassenko, Maria Samarkande, Manuela Draeger, Sonia Velasquez, Maria Schnittke, and Maria Schrag The list could be different and it could be much, much longer When I say ‘I’ in front

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

Interview

April 2017

Interview with Mark Greif

Daniel Cohen

Interview

April 2017

Since 2004, when his work started to appear in n+1, the magazine he co-founded, Mark Greif has taken contemporary...

Essay

March 2019

Dreaming Reasonably: on Jenny George

Rachael Allen

Essay

March 2019

In Neil Marshall’s 2005 horror film The Descent, a group of women go spelunking and become trapped deep underground...

fiction

November 2015

Wolves

Jeon Sungtae

TR. Sora Kim-Russell

fiction

November 2015

The Chief   The sound of the bell for the closing of the temple gate reaches my ears. I...

 

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