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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

I awoke bathed in perspiration, my teeth clenched Once again, as on countless previous nights, I had been hunted from pillar to post in a dream – shot at, tortured, scalped But on this night, of all nights, the thought occurred to me that I might not be the only one among thousands upon thousands to be condemned to such dreams by the dictatorship   Charlotte Beradt, ‘Dreams under Dictatorship’, Free World (1943)   Born in Berlin in 1907 into a Jewish merchant family, Charlotte Beradt was working as a journalist when the Nazis took power in Germany in 1933 Around this time, she began collecting dreams, slowly compiling a record of the ramifications of Nazi ideology on the unconscious minds of her local community, from doctors and civil servants to students and homemakers Over the course of 6 years, Beradt collected accounts of around 300 individuals’ dreams, a project which ended in 1939 when she fled Germany for the USA   I was reminded of Beradt’s extraordinary project whilst exploring Daria Martin’s Tonight the World, a multi-media installation made in response to a dream diary kept by Martin’s grandmother Susi Stiassni, currently on view at the Barbican Curve Gallery The family, prominent Jewish textile manufacturers, fled their home in Brno in 1938, when Czechoslovakia was on the brink of Nazi occupation Aged only 16 when they left the country, Stiassni went on to keep a dream diary for around 35 years, accumulating some 20,000 pages of material Hers is an acutely personal project: almost too private to engage with as an outsider, and impossibly monumental to comprehend as a whole   Martin’s Tonight the World opens with a videogame that simulates the Stiassni family home in Brno, a modernist villa which still stands today Watching the prerecorded play-through, we are granted a first-person perspective on a faithfully recreated 3D model of the house and garden In the course of the game, the player discovers several artefacts from Martin’s grandmother’s childhood, among them a toy soldier, a locket and a model robot As the player interacts with these objects, specific pages from the

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

Art

November 2014

Conversations About a Play

Louise Stern

Art

November 2014

Editor’s note: The images in the slideshow document a conversation on paper between the writer and artist Louise Stern...

Art

Issue No. 12

After After

Johanna Drucker

Art

Issue No. 12

So many things are ‘over’ now that all the post- and neo- prefixes are themselves suffering from fatigue. Even...

Interview

Issue No. 16

Interview with Gary Indiana

Michael Barron

Interview

Issue No. 16

In July 2015, T: The New York Times Style Magazine gathered twenty-eight ‘artists, writers, performers, musicians and intellectuals who...

 

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