Mailing List


Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

Renato Cisneros couldn’t remember the day his sister Valentina turned four; at the time, he’d been only fifteen months old But recently, on an old 8 mm film, he found some footage of her birthday party, held at a country club in Lima during the spring of 1977 As Cisneros writes in his memoir, The Distance Between Us, he was enthralled by the discovery:   Grainy as they are, the images show around a hundred grown-ups mingling in the gardens of the Real Club de San Isidro, watching their children as they enjoy a clown show, dance to a band and take turns whacking a piñata with a plastic stick Everything is decorated with balloons and streamers with the colours and textures of the period A banner reads ¡Que viva la fiesta!   The camera captures their father, Luis Federico Cisneros Vizquerra, in a natty blue suit, cigar and whisky in his hand Despite his commanding air, Cisneros senior quickly gets stuck in He plays with the clowns; he sings Feliz cumpleaños a ti to his daughter; he ‘smiles and does the limbo and guzzles a fizzy drink from a baby’s bottle’, that baby being little Renato himself, now in his forties, staring back at this bygone age   Cisneros senior would have thought he deserved to relax He was not only a Lieutenant General of the Peruvian Army, but – it being one of Peru’s intermittent periods of military rule – the Minister of the Interior, and right-hand man to the President, General Francisco Morales-Bermúdez Five days before Valentina’s birthday, it was therefore Cisneros who had arranged for Carlos Alberto Maguid, an Argentinian left-wing activist, to ‘disappear’ from Lima’s streets This was a personal favour to the new military junta in Buenos Aires; the dictator Jorge Rafael Videla had paid a visit to Lima and expressed, over ‘liquor, cigarettes and chocolates’, what he thought of political gadflies who tried to hide abroad Maguid’s fate is a mystery today; Videla’s junta would sometimes drop its desaparecidos into the ocean, sometimes incinerate them alive And yet, despite knowing General Cisneros’s complicity, Renato can only

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

Interview

September 2015

Interview with Katrina Palmer

Jamie Sutcliffe

Interview

September 2015

G.W.F. Hegel isn’t looking too good. With an afternoon of student tutorials to attend at the School of Sculpture...

Art

June 2016

Art and its Functions: Recent Work by Luke Hart

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a...

Art

May 2014

The Interzone and Dexter Dalwood

Sarah Hegenbart

Dexter Dalwood

Art

May 2014

‘Burroughs in Tangier’ (2005) has captivated me ever since its display in the 2010 Turner Prize Exhibition. The work...

 

Get our newsletter

 

* indicates required