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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

As they say of politics, I have found essay-writing to be the art of the possible Certain work can only be done in those spooky months when particular trajectories align: what was once opaque becomes transparent, and the story may be told in its complete complexity Try to write such an essay at the wrong moment and your movement will be impeded You will have the rudimentary shape you want, but all the curves and angles and lines will remain coarse – crude, compared to what you might have written had you waited   I only really came to understand these things when I began to imagine an essay that I knew I must write, but equally knew I would fail at For years I waited, and if I try to write it now, it is owing to an intuition that has arrived as a blessing of maturity I have become the writer who might accomplish this task On top of that, something has informed me that for a few ripe months the barriers are down, and I may cross in and out of this longed-for terrain unimpeded   I must get this essay right Each word that I put down becomes a part of my living memory – in a very real sense this is self-creation – and that first cut is always the deepest Yes, it is possible to work around the scar later on – to revise, reformulate, rediscover, redirect – but that first attempt is decisive Everything grows from those initial, indelible words   It was a midsummer’s evening, and through the window looking down on the bay the sky reddened, the sun sank beneath the earth That declining sun brought me fear I reasoned to myself that so long as I could see the light, I was safe from whatever had come unleashed in my mind But as that blackness climbed over the land, so too did some blackness encompass my head This is illogical, I know – magical thinking – but these were my terms that evening I was truly afraid of what the dark of night would bring

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

Interview

June 2017

Interview with Elif Batuman

Yen Pham

Interview

June 2017

Elif Batuman never intended to become a non-fiction writer. She always planned to write novels, and it was only...

Art

September 2016

Sitting, scrawling, playing

Emily Gosling

Art

September 2016

Amidst the drills and concrete, white walls and big names of London’s Cork Street stands a new gallery, Nahmad Projects,...

poetry

November 2011

Lucifer at Camlann & Amen to Artillery: Two Poems

James Brookes

poetry

November 2011

LUCIFER AT CAMLANN In the drear fen of all scorn like a tooth unsheathed I shone for I too...

 

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