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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

The four Chinese student activists of Yeng Pway Ngon’s Unrest were revolutionaries only for a moment; in the three decades that the novel spans, they struggle with what it means to become ordinary people Guoliang and Weikang grow up in southern Malaysia amid the brutality of the violent post-war struggle by the Malayan Communist Party against British rule On the outskirts of the new villages where the colonial government has sequestered their families, the boys witness British soldiers leaning the bodies of Communist guerrillas against a fence ‘like suckling pigs ready to be roasted’ They attend a Chinese-language school in Singapore, where they learn the principles of revolution along with literacy, and join a radical student group with their classmates, the beautiful Ziqin and her political mentor and lover, Daming When the police attempt to ban leftist student organisations, they march in the streets, chanting ‘Unity is Strength’, even as the police beat them with truncheons and fire tear gas to disperse them, one girl ‘choking so hard as she sang, she sounded like she was weeping’ But in Malaysia and Singapore, the other side wins The last handful of Communist guerillas, isolated and decimated by a successful counterinsurgency, wandered out of the jungle in 1998 In Singapore, the Cambridge-educated lawyer Lee Kwan Yew came into power on the backs of the student movement, and then, once in full control, subjected his former allies to harassment and imprisonment   For Yeng’s characters, life goes on Daming and Ziqin plan to emigrate to the People’s Republic of China, but once in Hong Kong, they get cold feet Daming becomes a philanderer, a capitalist, and a devoted hypocrite ‘Those students were going too far The government had to deal with them,’ he says of the PLA firing on the 1989 student demonstrations in Tiananmen Square Expelled from university, Guoliang struggles to make ends meet in Singapore Weikang is arrested by the secret police, who stamp his identity card with an indelible mark indicating that he is a radical Unable to find employment in Singapore, he emigrates to China, where his foreign roots make him a

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

fiction

June 2017

Turksib

Lutz Seiler

TR. Alexander Booth

fiction

June 2017

The jolts of the tracks were stronger now and came at irregular intervals. With my arms outstretched, I held...

Art

March 2014

Amy Sillman: The Labour of Painting

Paige K. Bradley

Amy Sillman

Art

March 2014

The heritage of conceptualism and minimalism leaves a tendency to interpret a reduction in form as intellectually rigorous. If...

poetry

September 2015

She-dog & Wrong

Natalia Litvinova

TR. Daniela Camozzi

poetry

September 2015

She-dog   He wrote to tell me his dog had died. I wanted to be her, I wanted him...

 

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