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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

We live in interesting times A few years ago, with little warning and for reasons obscure to all but a few, an economic system trumpeted as infallible broke down Since then, while we acquainted ourselves with such apocalyptically dull concepts as collateralised debt and sovereign credit ratings, it has become increasingly clear that our future has, almost literally, been mortgaged away The result, for the vast majority, is a feeling of individual and collective embattlement exacerbated by an overwhelming sense of disempowerment   Such gloomy circumstances inevitably engender anxiety We worry for our jobs, we worry for our families and we worry in the most general terms about what is to come We have been reminded that the future is contingent, as commodities traders have learned to our cost But we have learned again that change is possible and inevitable, that the status quo is more fragile than we were led to understand and that received wisdom is best ignored   As we allowed ourselves for too long to believe those who reassured us that all shall be well and all shall be well, so we must take issue with those who are now all too eager to extrapolate endless and inevitable decline We must not allow ourselves the indulgence of timidity, we must shake off any listlessness, and we must refuse to be austere Instead we must make, write, argue, dream, paint and act in the faith that creativity is commensurate with progress, and that we are responsible for our own futures The future is there to be forged   The White Review believes that it is more important now than ever to provide a forum for expression and debate We are indebted to the support of the many people who are similarly committed to the idea that a healthy and varied culture is integral to a society’s well-being We hope that you find something in this issue to provoke or inspire you to pick up a pen, a paintbrush, or a placard

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

Prize Entry

April 2016

Oh Whistle and

Uschi Gatward

Prize Entry

April 2016

God has very particular political opinions – John le Carré     M is whizzing round the Cheltenham Waitrose,...

poetry

August 2013

To the Woman

Adam Seelig

poetry

August 2013

poetry

Issue No. 19

Two Poems

Sophie Robinson

poetry

Issue No. 19

sweet sweet agency   the candy here is hard & filled & there is nothing i love more than...

 

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