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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

On a pale marble fountain in Dubrovnik, I posed I pretended I too was a stone figure, water gushing from my smooth, full breasts A focal point in a crowded square of coffee drinkers and nuns, radiating from within I couldn’t wait for my vision of a woman to emerge In my grandmother’s wooded garden, I wore my red plaid dress backwards, playing at having a bust, three buttons undone My collarbones would be something beautiful, I knew Like me, my friends rehearsed womanhood One friend would lead me to her mother’s closet and pull out the silks and laces for us to wear Another drew a brassiere, stockings and garters on her Barbie doll Barbie and Ken slept naked I pressed them together and held them still I imagined this cool, dry embrace was the path to ecstasy The hair jarred me out of this fantasy I was dreaming in the dusk of a blanket fort, my arm behind my head Springing from my underarm was crooked, pale brown wire I felt too old for my t-shirt – painted birds in puffed, bright colours If I ignored the strands, would they disappear? My first menstruation came on Easter Sunday And the next at Christmas Then again at Easter, Christmas and in some years at high summer I felt connected to something great, God or otherwise, yet wanted nothing to do with the blood I wanted only to be an effigy Now, I tried to will it away I thought the dry time between bleeding meant I was succeeding ** My father and I hiked up the hill behind our house, past where the fires burned, past the horse stalls, past the fire roads and to the strip mall where I took karate lessons I felt strong, free, free again Free as one can only feel in suburban Los Angeles when one realises it is possible to live without a car I loved my breasts, small, nonetheless there, my strong legs The way the fabric clung to me, the yellow dust and sweat on my skin My

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

poetry

February 2014

Promenade & Dinner: Two Poems

Joe Dunthorne

poetry

February 2014

Promenade I was pursued by an immersive theatre troupe two of whom lay on the textured paving and performed...

poetry

June 2014

Death on Rua Augusta

Tedi López Mills

TR. David Shook

poetry

June 2014

Translator’s Note Death on Rua Augusta is a book I knew I would translate before I had even finished...

Art

April 2012

Ryan Trecartin: The Real Internet is Inside You

Patrick Langley

Art

April 2012

 ‘What’s that buzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzing?’ Marshall McLuhan   1: Your Original Is Having A Complete Human Change Meltdown Makeover   It’s...

 

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