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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

I found Margate watching the sea And I walked the streets thinking they had left it sometime in the 70s, like an old street sign hanging pleadingly over shut cafes It was an old stand-up comedian who had been successful; lived a rock and roll lifestyle; pissed away his money on hookers and gambling; become an alcoholic; and performed the same routine from ’79 in the backs of pubs to old men who all wished they could disappear   It was a wonderful place My bag was small, not enough clothes for the time there, and a playlist of Stevie Nicks in my ears that soundtracked the walk up the seafront Out of place Fleetwood Mac posters, too small for the cases they were in, too old to be hanging along the railings The B&Bs shouldered each other, grey cream grey again A pretty town – full of fish and chip shops that didn’t open, and Mayfair packets chased down the road by wind Spring hadn’t come, which was fair enough, given that the fat woman with the red dyed hair was stood outside Dreamland in a red vest top, shrugging off the grey sky   The pub served whiskey and cokes that I took my time with, watched one eye on the football score on the screen across from my head It felt like a holiday No real worry for my things, which I left across my seat when I stood out front of the pub smoking, listening to people who knew each other, talk When the pub shut, drunker than I wanted to be, I walked towards the seafront to the line of B&Bs that stood mostly empty I rang the doorbell, and the Lebanese man turned the key on the other side of the glass door, opening it Just him and his wife, and a small child that smelt of shit who turned circles in what should have been their living room A brown desk and an old computer in the corner as their reception area

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

poetry

September 2011

First Blimp

Joshua Trotter

poetry

September 2011

Removing colour from my thoughts, I formed a winter ball. I threw it. The dead were uncounted. There was...

fiction

March 2015

House Proud

Amelia Gray

fiction

March 2015

It’s harder to leave your burning home after you’ve spent so much time cleaning its floors. Watching those baseboards...

fiction

September 2011

Celesteville's Burning

Andrew Gallix

fiction

September 2011

            Zut, zut, zut, zut.             – Marcel Proust, A la recherche du temps...

 

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