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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

                                 When I pronounce silence I destroy it —Wislawa Szymborska   Every morning the sun slides open and the people in the Village are watchful For some reason no one can quite remember all the pianos have been abandoned and instead the harmonium is the only instrument that’s truly mastered The Mayor has a professorial air though he has no education to speak of as there are no schools, universities or libraries The waters (they say) have never been navigable and swimming is strictly prohibited   The Villagers occupy themselves with digging Most families will own a set of spades forged by the country smiths, children are shown the local digging methods as soon as they are able to walk The Villagers pride themselves on inventing The Baron — it has an extra wide mouth and a side-wing, which can cut out the skin of the earth in one clean stroke The people are adherents of the Old Faith; they recite passages of the ancient texts whilst they dig and on certain high holidays it is a sight to behold   A part-blind woman who lives in the North is the oldest citizen She is a witch  (of sorts) but is a highly cultured woman If you visit more often than not they will bring her to you The Village has its own coat of arms with a picture of a spade leaning on a simmal tree The tree has lovely small red flowers and is considered holy, though it produces fruit which is inedible even to the bats   *   Citizens of Everywhere is a project by the Centre for New and International Writing at the University of Liverpool @CitizensofWhere #CitizensofEverywhere

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


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feature

Issue No. 12

Foreword: A Pound of Flesh

George Szirtes

feature

Issue No. 12

1.   ANALOGIES FOR TRANSLATION ARE MANY, most of them assuming a definable something on one side of the...

poetry

April 2017

Two Poems

Fady Joudah

poetry

April 2017

EUROPA AND THE BULL   The boat was loaded on a truck. The truck took me to the border....

poetry

January 2016

Two New Poems

Elena Fanailova

TR. Eugene Ostashevsky

poetry

January 2016

(POEM FOR ZHADAN)   This (my) country will be the death of you Its military mathematics Its secret services...

 

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