Mailing List


Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

  Earthenware model of a horse, unglazed   I, too, am a survivor My eroded coat dappled with lichen and stars My spirited tail has long  snapped off    One millennium and then another  has wheeled on by  since the potter squatting on his dusty stool thumbed my jowls   to the perfect roundness – a gesture  tender despite his production line – and nicked  my nostrils in this haughty flare ‘Stocky’  they called me    in the catalogue I admit,   though hollow, my belly’s a swollen gourd, buddha-full  Ears pricked, mane brush-stiff,  my grin is quizzical, sometimes   even a grimace behind the smudgy glass  My hooves were long  buffed by clay ranks of imperial grooms    Reserved for only the finest tombs my kind maps out the trade  between civilisations –  one squat stallion for fifty bales of silk    They rolled out the Silk Road before us  all the way to the walled city of Chang’an The Han emperor sent for us to fill  his echoing stables He called us his Tian ma,    ‘celestial horses’, expecting our hardy stock  when the time came  at last to carry him up the narrow passes  into heaven Some nights    I dream  of galloping across scrubby plains, the herd’s sweat  tart as highland apricots around me – far blue peaks retreating into memory              Porcelain tea caddy painted in underglaze blue   Far blue peaks retreating into memory as wizened cedars twist against a glaze    of sky A pagoda perched on a lonely outcrop where a scholar might withdraw to think –    or dream, perhaps, of cicadas thrumming  through misty branches, singing of past lives   as long-sleeved concubines, or frustrated literati  These painted scenes of oriental whimsy I reveal   might snatch the gaze of a well-heeled visiting gent but are studiously ignored by these lily-fingered    daughters of the prosperous Liverpool merchant – a man of great taste, my owner, he spotted me    half-buried on a stall of flighty fans and girdles   His girls will learn to pour this steaming, still-exotic    brew that measures everything from Empire’s  horizon to the charms of fashionable girlhood   while glancing coyly – spout poised – from the corner  of an eye I watch it all from

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

feature

March 2014

Burroughs in London

Heathcote Williams

feature

March 2014

I first met William Burroughs in 1963. I was working for a now defunct literary magazine called Transatlantic Review...

feature

Issue No. 17

Ada Kaleh

Alexander Christie-Miller

feature

Issue No. 17

When King Carol II of Romania set foot on the tiny Danubian island of Ada Kaleh on 4 May...

Art

July 2014

Operation Paperclip

Naomi Pearce

Patrick Goddard

Art

July 2014

‘I began at this point to feel that politics was not something “out there” but something “in here” and of...

 

Get our newsletter

 

* indicates required