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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

The mothers check their belongings into lockers and pass through metal detectors They learn the rules of the public gallery and the name of each judge After court adjourns for the day, they walk to the supermarket wearing winter coats over their saris, boots sinking into the snow Some remove their gloves to catch snowflakes, licking their palms to see if it’s true, it’s just water, while others concentrate on their wheelchairs and canes    Under fluorescent lights, the mothers compare different brands of biscuits and squeeze loose tomatoes and onions    One mother is the first to return to the island She is disappointed with the straight-backed chairs, the ‘No food or drink!’ signs and the realisation that the trial is concerned with crimes and humanity, while she herself is consumed by the absence of a single person who was born on the second day of Navaratri His name had to begin with an ‘a’ or ‘aa’, which is why she named him Ahilan    Ahilan Sivapragasam, Pranavan Muthukumar, Keerthana Ravichandran   The mothers have written these names on forms submitted at every administrative level The names are now in a public database, and the list has been filed with the court as evidence    In the gallery, the mothers sit next to diligent undergraduates and doctoral candidates who lean back, unimpressed Many of these students will write research papers about enforced disappearance as defined in the Rome Statute They will use ‘disappear’ as listed in the dictionary (verb, used without object) but, on the island, people are objects who receive the action: they do not disappear, they are disappeared   In the gallery, the mothers sit alongside journalists who write for syndicates, magazines and news outlets, including those from the island One journalist watches the mothers closely and, even when they seem bored and distracted, she writes about their resilience Another is a staunch supporter of the defendant He writes headlines like ‘Crocodile Tears in Kangaroo Court’ for which his editor commissions a cartoon of the mothers as sly reptiles, their eyes peering over the waterline as the defendant dangles at the end of

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

feature

November 2015

Anatomy of a Democracy: Javier Cercas

Duncan Wheeler

feature

November 2015

20 November marks the fortieth anniversary of the death of General Franco. And while the insurrectionist’s victory in the...

poetry

February 2016

[from] What It Means to Be Avant-Garde

Anna Moschovakis

poetry

February 2016

This is an excerpt from the middle of a longer poem. The full poem is in Moschovakis’s forthcoming book,...

feature

January 2015

'Every object must occupy ...'

Herta Müller

TR. Philip Boehm

feature

January 2015

I’d like to introduce you to a book, an impressive book that no one read when it first came...

 

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