Mailing List


Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

Amidst the drills and concrete, white walls and big names of London’s Cork Street stands a new gallery, Nahmad Projects, hosting a few performers who crawl the floor, softly pawing their faces, on all-fours Dressed in comfortable basics, they’re determinedly imagining that they’re cats And that day, they were cats for six straight hours: emulating cat mannerisms, ignoring visitors, being aloof   I Am A Cat, the title of the piece, is the creation of Finnish artist Tuuli Malla, one of 30 performance pieces over 30 days that herald the opening of Nahmad Gallery, collectively titled ‘I Am Not Tino Sehgal’ It’s a brave move for a commercial gallery founded by two under-30s, Tommaso Calabro, formerly a project coordinator at Sotheby’s in Milan and London, and Joseph Nahmad, younger brother of London-based gallerist and collector Helly   Throughout the month-long exhibition – which, it should be noted, has no official affiliation with Tino Sehgal – there’s little that would be familiar to the old guard on Cork Street, which has for decades played host to the more exclusive of London’s contemporary art galleries in the West End When there aren’t cats, there is a performer scrawling the name ‘Tino Sehgal’ in various animal shapes into notebooks on the floor (Damiano Fina’s But I have him), an artist playing at gallery invigilator, sitting silent and unmoving, reading Ulysses next to a walkie talkie (Beth Fox’s This Work)   For Italian/French art collective VOO’s piece, Coined Situation, the artists placed a single performer in the centre of the room, surrounded by 1p pieces It’s a large mountain of tarnished bronze, but seems diminished when we learn that it amounts to £1,000 – the sum the collective receives for participating in the show The performer sits alone, moving the coins around, piling them into towers I ask what I’m supposed to do and little yellow cards are proffered, reading ‘1 MOVE for 1 COIN’ Eloise Lawson set the rules rather more clearly for her piece, What Is The Meaning of this Gathering? All participants were blindfolded and guided into a closed-off gallery space, where they joined other participants and the

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

Interview

June 2012

Interview with Malcolm McNeill

Patrick Langley

Interview

June 2012

I first met Malcolm McNeill in 2007. He was in London to do some printing for an exhibition, and he showed...

poetry

January 2015

dear angélica

Angélica Freitas

TR. Hilary Kaplan

poetry

January 2015

dear angélica   dear angélica I can’t make it I got stuck in the elevator between the ninth and...

Interview

March 2015

Interview with Jonathan Meades

Jamie Sutcliffe

Interview

March 2015

The television broadcasts of Jonathan Meades are marked by a surreal humour, a polymathic breadth of knowledge, and a...

 

Get our newsletter

 

* indicates required