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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

Elif Batuman never intended to become a non-fiction writer She always planned to write novels, and it was only when she was told that nobody wanted to read a retelling of Dostoevsky’s Demons set in a Stanford-like Comp Lit PhD program that she ended up with The Possessed: Adventures with Russian Books and the People Who Read Them (2010) An essay collection containing work previously published in n1, Harper’s, and The New Yorker, where Batuman is a staff writer, The Possessed pioneered the ‘bibliomemoir’ Its tremendous success set off an obscure chain of events that would lead to such things as the discovery that Jonathan Franzen keeps weed in his freezer, and magazine photo shoots ‘clutching a Russian-language volume of Dostoevsky’ to her bosom   Batuman has, however, returned to her first love: having recently completed one novel, The Idiot, she is working on two more (one a sequel, another about Turkey) The story behind Batuman’s newest book is like the dream of a writer on deadline crossed with a television cooking show: stymied by the novel she was under contract to write, she turned to an abandoned draft of a different novel she had written sixteen years prior, during a year off from her PhD Intending simply to borrow some choice period touches, Batuman found the real beginning of the story she had been hoping to tell — ‘here’s one I prepared earlier!’ — even if the manuscript itself, with its Y2K postmodern trappings, was painful to behold She set out to edit and rewrite what became The Idiot, the autobiographically inspired story of Selin, an 18-year-old Turkish-American girl, during her first year at Harvard in 1995 Selin goes to work on linguistics, befriends a cultivated Serbian named Svetlana, and falls in love with Ivan, a Hungarian mathematician in her beginning Russian class They write to each other by email, at that time a new technology possessing for Selin a mystery and romance that seems utterly impossible today   Though I was already an admirer of Batuman’s work, The Idiot hit particularly close to home I met Elif in London, in the

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


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poetry

Issue No. 2

Portraits of Pierre Reverdy and Three Poems

Sam Gordon

poetry

Issue No. 2

ANDRÉ BRETON The most memorable thing about our meetings [around 1919-1920] was the almost complete bareness of the room in...

fiction

June 2013

The Cherry Tree

Sheila Heti

fiction

June 2013

That winter, all the plums froze. All the peaches froze and all the cherries froze, and everything froze so...

poetry

September 2014

Breath-Manifester & Drones

Ned Denny

poetry

September 2014

Breath-Manifester   Each bared morning is a swell time to die, Leaving the town’s ornate maze for the level...

 

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