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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

The White Review · Cecilia Knapp – ‘All My Ex Boyfriends Are Having A Dinner Party’ all my ex boyfriends are having a dinner party   comparing their tight obliques how red their meat hattricks for their grassroots teams saying they once had me in a car how I can never keep my mouth shut I always wanted to stay the night I’m dieting again burning my hands sipping low cal miso on a moving train I smile at other joggers like I’m enjoying this the dentist says I have yellow teeth his hands holding my tongue mum said there is nothing you can’t do so long as you’re wearing washing up gloves a purple leaflet in the waiting room asks me if life has worked out a) better b) worse or c) the same for one thousand pounds I can fix my teeth mum used to ballroom dance a wooden spoon weeping with the radio I’ve been keeping my fallen eye lashes in a bag I spit pink foam into the sink decide this week I will eat only eggs until the days smudge do the fat burn challenge pain is a man in a blue suit I see people eating crisps in public on Mondays like they have no guilt     The White Review · Cecilia Knapp – ‘We Girls Our Names’ We girls our names   on pink keyrings, him gargling a shadow outside dad’s house He can’t come in At the petrol station he buys a bottle, a cigarette between us Christmas stink swings from the rear-view, I lean to kiss the blond grit on his chin, my neck sliced by the seatbelt Our scents quickening, the Lynx hiding faith, tongues bleached mint At 14 I’m all worship, small knowing, a seal pup in waiting legs newly slick from dad’s razor Later

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

Art

July 2014

(holes)

Alice Hattrick

Kristina Buch

Art

July 2014

There are many ways to make sense of the world, through language, speech and text, but also the senses...

fiction

Issue No. 16

Walking Backwards

Tristan Garcia

TR. Jeffrey Zuckerman

fiction

Issue No. 16

‘Moderne, c’est déjà vieux.’ La Féline   I.   I pretended to remember and I smiled: it was time...

Interview

Issue No. 13

Interview with Michel Faber

Anna Aslanyan

Interview

Issue No. 13

MICHEL FABER’S RANGE OF SUBJECTS – from child abuse to drug abuse, from avant-garde music to leaking houses – is as...

 

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