Mailing List


Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

This all happened in Barcelona, in the spring of 2017 I haven’t spoken to him ever since, we never got back in touch for some reason, and plus after I went back to Buenos Aires I met Agustín and soon we got together and I believe we were happy for a while, so I forgot about him and my brother and Barcelona and all of that And yet sometimes I still think about him, I don’t know why I remember I used to look at him, my head on the pillow, trying to make out his body moving through the semidarkness of the room, picking some clothes and then gradually coming into view at the foot of the bed, where he would sit and get dressed I remember I used to watch him walking out onto the balcony for the first cigarette of the day (stiza or stizza, that’s how he used to call it in Italian) and then stepping back in and leaving the windows and the white shutters ajar so that the sounds and the smells and the light of the city might pour into the room once the sun rose, once the city rose, because before that, as I quietly, almost secretly watched him getting ready for work, I would often find myself under the impression that he was the only human being alive in the whole of Barcelona, that I was spying on him, that I shouldn’t have been there, in his flat, in the flat of a man I barely knew, and in fact I never got used to that impression, to Cesare’s silent figure groping his way through the obscurity in the early minutes of the day, go on yes please don’t stop and this is the more surprising the more I consider that on the other hand I did get used, during those twelve days we spent together in Barcelona, in the spring of 2017, to the basic rhythms and patterns of his routine I

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

feature

February 2011

Red Shirts in Thailand

Sam Brown

feature

February 2011

The closest I had ever come to a protest was in 2003, in Bangkok, when I tried and failed...

Interview

March 2017

Interview with Bae Suah

Deborah Smith

Bae Suah

Interview

March 2017

The Essayist’s Desk, published in 2003 and written when its author Bae Suah had just returned from an 11-month...

feature

May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

feature

May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

 

Get our newsletter

 

* indicates required