Mailing List


Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

CULTURAL STRATUM   remember how once in a past life so long ago you would wake up and casually listen to the news now that seems unbelievable just like thinking about bucha or irpin you can’t picture those parks full of pine trees around sanatoriums and old estates you see only blown-up bridges gutted houses streets densely covered in the shards of people’s lives isn’t that what the archaeologists call a cultural stratum? skin stripped from a living epoch laid out on the earth, a bloody rag before this epoch began we  listened absentmindedly to the news and lived in cities with drama theatres in parks full of pine trees we were naive and beautiful we didn’t have to get excited about the single cabbage we hunted down in the empty supermarket we were like children brushing our teeth in the morning we would learn the names of places aleppo sanaa mekelle  where the epoch, skinned alive, lay in convulsions, its skin cast aside soaking the ground in blood waiting for future archaeologists but we would always forget those names we would finish brushing our teeth we’d put on our new trainers and grab a coffee in the kiosk go down into the metro without having to pick our way through people sleeping on the platforms we were creatures made of a different sort of material softer and pinker we would explain to our children what war is the way you might explain what the south pole or the planet mars are and not like you might explain why you can’t stick your fingers in the electric socket or climb onto the windowsill when the window is open we didn’t even know in that past life so long ago how many steel centimetres of pain can be plunged so easily into our soft, pink bodies     21 March 2022         A BIRD   all day I walk around keeping your name under my tongue   afraid to say it aloud lest   it escape and fly away   over the city in which for twenty days now nobody turns on the lights at night   between the stars and comets and artillery shells whose trajectories, in truth, are unknowable    a small bird with a great red voice   a small bird with a bitter seed of sorrow in its beak   but if it were to drop the seed by accident then even from this mutilated ground   it will grow into a great tree of love     16 March

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

feature

September 2013

Outside the Uniform

Kaya Genç

feature

September 2013

I.   The first time I had to wear a uniform I looked like a madman struggling against a...

Art

November 2012

7 1/2 mile hike to Mohonk Lake via Duck Pond

Patricia Niven

JA Murrin

Art

November 2012

Notes on a Walk Never Taken by JA Murrin   As a writer I like to visit the places...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

 

Get our newsletter

 

* indicates required