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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

Leo had stopped the car and sat talking at the dash He talked like he didn’t want to say any of it, but at the same time he seemed in a hurry to get it out, to reach the end of what he was telling her He was wired with excitement and shame, perched at the brink of a new life now, Jolanta understood as much   She sat in the back seat with her handbag Leo wouldn’t look at her, he kept his eyes straight on the street, the skip outside the neighbours’ house Jolanta looked at him in the rearview, looked hard at the black of his sunglasses   ‘I’ll help you,’ he said, finally   Where the mirror cut off his jaw hung the prayer beads that he had kept after his father died, smooth and dry like his voice, like cockroaches in the sun   Help her? she thought; a sock for the dismembered, and his help for her   She keeps her job at the campsite, beats dawn without an alarm clock now When the motion detector spots her, fluorescent lights suck the dark from the room The white tiles are glossed like wet teeth The floor is littered with paper towels and dragged in leaves The stalls smell of urine She opens the cupboard marked Private, plastic bottles rattling as she hoicks the cleaning cart over the threshold   There are different kinds of shit stains The darker the stain, the longer and harder she must rub with the toilet brush to get the porcelain shining like crockery again A drop flies up in her face, a cold mouche on her lip She wipes it off on the shoulder of her t-shirt and works her way down the stalls Sweat tickles her spine   She continues going into reception to sign off her shifts At the check-in desk, Eva is sitting with her head in her hand She is wearing a blouse with First Camp stitched on the back and a name tag pinned on the front A round office lamp hangs like an unlit gloria above her head   Behind Eva’s swivel chair is the shelf with the

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


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poetry

December 2016

Three Poems

Adelaide Docx

poetry

December 2016

ADVICE FROM BENJO CORTEZ GALLERY OWNER, CHELSEA THE RED CAT, NEW YORK, 2AM    When I feel something It...

poetry

February 2017

In Case of Death

David Nash

poetry

February 2017

1. Cessation of Breath: Is He Breathing?   He’s not breathing, and he cannot go on like this. He...

Interview

September 2012

Interview with Michael Hansmeyer

Lawrence Lek

Interview

September 2012

Every project made with a computer expresses a relationship between aesthetics and technology. The historical progress of technology works...

 

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