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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

We were told to pay attention to things that were different, and it seemed to me that sex was no longer the same Now, we always wondered if someone was watching It wasn’t clear to us which sections were private, and how the technology worked It was also hard not to picture our real bodies somewhere in the frozen dark, motionless while we moved together here in the seeming warm   I brought it up in my sessions with the Reverend He told me he was surprised it had taken me so long to ask The others had worried about it in Cycle 1   ‘Which Cycle are we in?’ I asked It was difficult to keep track   ‘Cycle 3,’ said the Reverend ‘I understand your concern, but of course nobody watches you It was part of the privacy agreement we signed at the start Don’t you remember?’   I did That is, I hadn’t until the Reverend mentioned it The memory was there, but it felt very far away And maybe it was We hadn’t been told precisely how long the experiment would take We wouldn’t know until we were unfrozen at the end, our bodies still in their thirties and our minds at god-knows-what age   But the money was good Sam and I would be able to afford a nice wedding and a honeymoon to Hawaii, and only one of us would need to work while the other stayed home with the kids we hoped to have That is, if we were still fertile at the end It was one of the risks   Our life together before the VR world was still clear in my mind and I looked back on it often: Sam and me walking together to rehearsals, our first kiss in the snow, our apartment above Shipley Automotive, taking care of each other through winter fevers Our memories made in the VR world were less acute, but we were happy, we had each other, and we never got sick   Only couples were accepted for the experiment – ‘deeply committed couples’, in fact, and there was a test we had

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

fiction

October 2015

The Bird Thing

Julianne Pachico

fiction

October 2015

You are worried about the bird thing but that’s the last thing you want to think about right now,...

feature

Issue No. 10

What Can an Art Magazine Be?

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet,...

poetry

June 2017

Austrian Murder Case

Phoebe Power

poetry

June 2017

At the Konditorei   Close, warm, and humming with the relaxed sounds of post- midday Kaffee-Kuchen. The  cakes are...

 

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