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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

‘without memory, the present becomes sick, mutilated, a torso with amputated organs’ — EEG by Daša Drndić, translated by Celia Hawkesworth   Those who knew Daša Drndić loved her for her relentless pursuit of the truth, her rage against injustice, and her passion for writing about difficult subjects, in particular the complicity of the fascists in her native Croatia during the Holocaust and the ethnically-driven conflicts of the 1990s Her novels are about the necessity of bearing witness, of refusing to forget, and their contemporary resonances are obvious: her books offer salutary warnings against allowing radical nationalism and ethnic hatred to raise their ugly heads in Europe once again Drndić, who died of lung cancer on 5 June 2018, aged 71, leaves behind an extraordinary array of work, with five of her thirteen novels translated into English All expose the collusion of those who have either remained silent or attempted to deny past horrors and war crimes   Drndić was born in Zagreb in 1946, when Croatia was part of the Socialist Federal Republic of Yugoslavia, into a middle-class family of intellectuals Her psychiatrist mother, Timea, died of cancer aged just 50; her beloved father Ljubo, a journalist and wartime partisan, served as ambassador to Sweden and Sudan, and lived to 93 Drndić was raised in both Serbia and Croatia, studying philology at the University of Belgrade, before winning a Fulbright scholarship to the US Later she travelled, and worked as a journalist and translator, a professor of English, an editor, playwright and producer for Radio Belgrade’s drama department She was forced to leave Belgrade in the early 1990s because of growing nationalism – she was dismissed negatively as a ‘Croat’ In 1995 she moved to Canada with her daughter, where they remained as refugees until 1997 Later, she studied for a PhD at the University of Rijeka, where she lived for the rest of her life   Drndić’s work had been published in Hungarian, Macedonian, Slovenian, Serbian and Dutch before MacLehose Press became the first to translate and publish her books in English, with her 2007 novel Trieste,

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

feature

November 2011

Nude in your hot tub...

Lars Iyer

feature

November 2011

I. Down from the Mountain   Once upon a time, writers were like gods, and lived in the mountains....

fiction

Issue No. 20

Track

Nicole Flattery

fiction

Issue No. 20

My boyfriend, the comedian, took pleasure in telling me about rejection – how it came about, how to cope...

poetry

August 2013

To the Woman

Adam Seelig

poetry

August 2013

 

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