Mailing List


Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

≠Late spring is when Hangzhou is prettiest, but it is also when the air turns hot, wet and sticky, so that, all of a sudden, going for my daily lunchtime stroll along the West Lake is as exhilaratingly horrible an experience as eating my girlfriend’s pussy Both are long, drawn-out affairs that leave me with sweat in my ears and between my toes, that give me pleasure precisely because they make my mind blank so that, instead of worrying about the work I have not completed for my graduation show, I know only the dryness of my mouth and the sting at the back of my eyes It is a sense of peace I have worked hard to find    On the day that the rain begins, a Monday, my classmate Xiao-Li finds me sitting on the ground alone near the back of the West Lake scenic park, some hundred metres away from the school gate, where I am watching the waters, smoking a cigarette, and thinking about sex He stands in front of me, blocking my view, and ruins my pleasant daze by beginning to ramble about school matters Were it not for Xiao-Li, I might have noticed the little shiver of thunder that everyone else, later, will say occurs around this time   Xiao-Li is the second shortest student in the oil painting department and towers over me When he arrives, I stand up and brush the dirt off my trousers so that at least I can face him when we speak instead of craning my neck to look up at him like a dog I take my time getting up and am rewarded with Xiao-Li waving a photograph in my face that he has apparently been clutching in his hand the whole time   Look, he says, so I do    It is a snapshot of an egg-shaped object balanced on what seems to be a tall table The egg takes up the whole of the frame, warping the space around it so that the table looks frail under its weight The photograph smells like it’s just come out of the developer

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

Prize Entry

April 2015

Posman

Nick Mulgrew

Prize Entry

April 2015

After a while you memorise the steps. You read the addresses and your calves just know, hey. They just...

poetry

March 2015

Coup & Bell Curve

Elizabeth Willis

poetry

March 2015

COUP   Mallarmé’s gambling astonished everyone even the poets   An acre of paper sold down a river whose...

Prize Entry

April 2017

Pylons

David Isaacs

Prize Entry

April 2017

Once upon a time, Dad would begin, I think, focusing on the road, there was a man called Watt....

 

Get our newsletter

 

* indicates required