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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

Ruth held out her gloved hands to Clarisse, wiggled her latex-coated fingers ‘No risk,’ she said, pointing to the paper mask she’d found at a hardware store She felt like an astronaut She waved a hand in the air as entreaty to the standoff, but Clarisse stood still behind her screen door, a certain determination glowing in her eyes   ‘You’re my one friend on the planet,’ Clarisse said ‘But social distancing means social distancing’   Ruth might have expected as much Clarisse was the kind of germ freak who never allowed shoes in her house, who tucked hand sanitiser in her bra at bars It was on all the news channels now, the way they were all supposed to shelter in place, and Ruth should have known She felt corrected, as a small child might have She heard a noise from her stomach that sounded like a plunger being forced down a clog   And the truth she’d keep in her own body: her throat tickled in a way she hoped was simply the manifestation of seasonal allergies, and she was holding a cough that so desperately wanted out She envisioned her bronchial tubes as tiny balloons, tied by clowns into the shapes of bulbous dogs She breathed deeply, willing them into good behaviour ‘Just one last Saturday coffee?’   Clarisse stepped aside from the door and back into her house, then reappeared holding the kind of folding chair she might have taken to a tailgate party ‘How ’bout we do this,’ she said, handing it through the door, and as Ruth unfolded the chair onto the porch, Clarisse sat down in her own hardwood foyer, criss-cross applesauce Ruth tried hard, so hard, not to look at Clarisse’s legs, because they were orange Ruth couldn’t decide whether it was a mistake – the wrong shade of pantyhose clashing with Clarisse’s natural skin colour, or a sudden inability on Clarisse’s part to match her stockings to any other element of clothing Either way, it was an indicator of some sort of slippage, which might be a problem, since Clarisse was just coming off a two-week stint of

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


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fiction

April 2014

Biophile

Ruby Cowling

fiction

April 2014

– I’m down maybe five feet. I take a moment to thank the leaf-filled rectangle of sky, and with...

fiction

June 2013

The Cherry Tree

Sheila Heti

fiction

June 2013

That winter, all the plums froze. All the peaches froze and all the cherries froze, and everything froze so...

poetry

Issue No. 8

The Cloud of Knowing

John Ashbery

poetry

Issue No. 8

There are those who would have paid that. The amount your eyes bonded with (O spangled home) will have...

 

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