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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

El Polaco appears brandishing his Stanley, as he lovingly calls his pocket knife Five young hooligans huddle round him like classroom students He leaves them gobsmacked with a dazzling display of knife skills: in under a minute, he unscrews the four bolts in the reading light and air-vent panel over seats 31 and 32 Much to the consternation (or cowardice, according to El Polaco) of those travelling with the barra for the first time, he then removes the casing from the roof, leaving everything exposed, everything being the jumble of wires and cables that are usually hidden from public view Hidden and forgotten about, which is how the barra feel they’re treated by society ‘Before we hide it, we have to wrap it up in something… We need a hat,’ El Polaco says, and one of his disciples snatches a cap off a younger barra’s head   ‘Everyone has to muck in here, compadre,’ the timid young lad is told, as he watches his blue cap, red ‘U’ embroidered on the front, disappear into a sea of twenty-year-old hands   El Polaco carefully wraps the grenade up in the cap That’s right, the grenade A weapon of war We have a miniature bomb on the bus with us A genuine piece of munition that someone stole, we’re told, from the army when doing military service   ‘They’re amazingly easy to launch You just pull this pin, release the safety catch with your teeth and chuck it,’ one of the more experienced barra adds calmly Fear paralyses the rest of us: football fans who’ve left behind parents and girlfriends, neighbourhood friends, younger brothers, team posters on bedroom walls, a flag commemorating last year’s league title, a collection of match tickets in the bedside drawer All left behind, at home, a place that seems increasingly far away All to go on an away trip abroad for the first time All for the team   With the speed and dexterity of a practised pickpocket, El Polaco tucks the hat-explosive in among the cables and screws the panel back in place He leaves not a trace Nothing to suggest that above

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


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fiction

Issue No. 3

Fifteen Flowers

Federico Falco

TR. Janet Hendrickson

fiction

Issue No. 3

To Lilia Lardone Summer was ending. The air already smelled like smoke, but it still looked clear, sunny. The...

Interview

Issue No. 3

Interview with Elmgreen & Dragset

Ben Hunter

Nicholas Shorvon

Interview

Issue No. 3

Michael Elmgreen and Ingar Dragset are among the most innovative, subversive and wickedly funny contemporary artists at work, or...

fiction

Issue No. 2

Cafédämmerung

Joshua Cohen

fiction

Issue No. 2

It was even worse in Prague [than in Cuba]. The only reason they got upset with me — I was...

 

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