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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

Pirajoux The middle of a hot endless summer, driving on the A39 through an as always empty central France, which exudes as always a certain Seventies timelessness The anxiety of being in a Ballard novel, the feeling of a certain narrative disconnectedness, that anything could happen or not, at the stroke of a pen And that whether something happens or not is somehow equally as disastrous an outcome But not knowing who or what the subject of this disaster would be, if anyone or anything This is what shrinks call free floating anxiety, I guess Poulet De Bresse Passing unseen towns, picnic areas, petrol stations and auto-grills, crawling along at 100 miles an hour, the faster you go the slower it all gets, chastened by the knowledge that a slight jerk to the right or left would speed everything up again and end your life in a chaos of twisted steel, spilled petrol and screaming children The promise of  an almost sci-fi shift in motion, a quantum leap, an ion drive surge tugs at the edges of this mundane driving reality Wildly fraying threads spastically unspooling at the edges of perception The death defying habits of the open road Hands alternately sweating, slipping on the wheel, followed by air-con clamminess, never finding the right balance of temperature to stop this yawing between discomforts; eyes lingering too long on the climate controls, fiddling with them, changing the flow, exasperated turning the A/C off and cracking the window open Sweating feet in Birkenstocks; damn their eyes a more prosaic way to die I couldn’t think of than this continual loss on concentration on the road due to adjusting dials and vents More dialling through French radio stations, one French song one American song, the bipolarity of taste and rhythm leaving you in the purgatory of always changing stations:Melodie, Nostalgie, Virgin, Classique, Energie Cuiseaux Pulling in to a Croq’Malin forecourt concession for lunch, leaving the car behind, clicking to itself in the heat Feet squelching towards the services, as we swamp the self service restaurant, devouring the ersatz gastronomy from whatever

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

fiction

March 2012

Swimming Home

Deborah Levy

fiction

March 2012

‘Each morning in every family, men, women and children, if they have nothing better to do, tell each other their...

fiction

November 2014

The Lighted Way

Jeremy Chambers

fiction

November 2014

Dad used to believe that the souls of the dead rise up into the air and become one with...

Essay

March 2019

Dreaming Reasonably: on Jenny George

Rachael Allen

Essay

March 2019

In Neil Marshall’s 2005 horror film The Descent, a group of women go spelunking and become trapped deep underground...

 

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