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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

Dear Sir,   I think about that smile you gave me in the sun and I wanted to explain why I had dirt on my face   The night before at 11 pm my husband, sitting on the sofa, had said there was a bird in the chimney and/but/and he wasn’t going to do anything about it   (When I say the chimney we live in a rented house and instead of a fireplace we have a thick piece of board which is painted over and stuck down with gloss paint)   I looked it up on my computer and it gave the two obvious choices: get the bird out or leave it to die The option of leaving it to die was gone into in some detail and how long it would take to decompose and the specifics of the smell I went to bed and immediately fell asleep   In the morning the children woke up and I took them down for breakfast (I should say the house is very small so breakfast is right by the boarded-up fireplace which contained this bird) By this point I could hear sounds like a person’s coat when they stop right outside your front door, before they knock   shwww shwww   Or if they’ve stopped there for another reason and aren’t going to knock   I put on the radio and got the children ready, and then we walked to school   On the way back I did think that if I saw you I might just confess the whole thing But what could I say to make it sound appealing? Watch me smash something then perhaps we could have a little walk   sir   When I got home the bird was moving in the still house, living in the wall, my husband having already left for work In the basement I found a broad flat tool like a metal version of an ice- scraper for a car windscreen and I used this and a hammer to slowly break in the edges of the board   While I was doing this I thought of a book I had read in which the writer remembered her mother rescuing

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

feature

February 2011

Middle East protests give lie to Western orthodoxies

Emanuelle Degli Esposti

feature

February 2011

For thousands of individuals across the Arab world, 2011 has already become the year in which the political and...

poetry

October 2012

Saint Anthony the Hermit Tortured by Devils

Stephen Devereux

poetry

October 2012

  Sassetta has him feeling no pain, comfortable even, Yet stiffly dignified at an odd angle like the statue...

Interview

March 2016

Interview with Franco 'Bifo' Berardi

Seth Wheeler

Interview

March 2016

Franco ‘Bifo’ Berardi is a renowned theorist of contemporary media, culture and society. He has lectured at the Academia...

 

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