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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

Nine years ago, after thirteen years of living in the Rohini neighbourhood of north Delhi, I moved, and came here, to Judge Colony in Vaishali, just outside the capital Vaishali is considered a ‘posh’ neighbourhood, where the provincial government of Uttar Pradesh had set aside plots of land here reserved for judicial magistrates And it’s in one of the houses built on one of those plots where I now live   The street where my apartment was built is called ‘Justice Way’, though potholes are everywhere and every few feet the road is torn up and littered with pits Builders have strewn piles of bricks, construction sand, asphalt, rebar, and PVC pipes all over the road, and it’s one-way for several stretches Accidents happen daily because of its having become a one-way street The street’s never fixed because the builders and contractors have plenty of cash, and connections that go all the way to the top   The grandson of a retired magistrate, living right here in Judge Colony, was hit by a dump truck and spent three months in the hospital before he died   But the buildings are still going up, and the dump trucks and lorries still come and go ‘Justice Way’ in Vaishali is still full of potholes, rife with accidents, and still one-way   Development in this Judge Colony for VIPs is happening incredibly fast When I first moved here nine years ago, there were only two shopping malls within a two-kilometre radius Now there are twenty-one gigantic, multi-storey shopping malls, two five-star international hotels, car showrooms, shiny and grand, selling every car from Chevrolet to Hyundai to Suzuki, a Haldiram sweet shop, McDonalds, Domino’s Pizza, KFC, Bikanerwala, and hundreds of other fast food and snack joints There’s a restaurant or bar every two feet   In my sixty years, I’ve never seen so many who are more well-drunk than well-fed   There was only forest and farmland when I moved here nine years ago: mustard fields, fields of wheat, and basmati rice paddies Sometimes the whole area would be filled with the fragrance of yellow mustard blossoms or the scent of basmati Around the neighbourhood

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


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Interview

March 2017

Interview with Lidija Dimkovska

Sara Nović

Interview

March 2017

I met Lidija Dimkovska at the Twin Cities Book Festival in October, fleetingly, and completely by accident. I had...

Interview

October 2013

Interview with Nick Goss

James Cahill

Interview

October 2013

Nick Goss has emerged in recent years as one of the UK’s most feted young painters. Evoking indistinct places...

Essay

March 2019

Dreaming Reasonably: on Jenny George

Rachael Allen

Essay

March 2019

In Neil Marshall’s 2005 horror film The Descent, a group of women go spelunking and become trapped deep underground...

 

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