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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

We are little critters who live in the black earth beneath the desert The people on Mother Earth can’t imagine such a large expanse of fertile humus lying dozens of meters beneath the boundless desert Our race has lived here for generations We have neither eyes nor any olfactory sense In this large nursery, such apparatus is useless Our lives are simple, for we merely use our long beaks to dig the earth, eat the nutritious soil, and then excrete it We live in happiness and harmony because we have abundant resources in our home town Thus, we can all eat our fill without a dispute arising At any rate, I’ve never heard of one In our spare time, we congregate to recall anecdotes of our forebears We begin by remembering the oldest of our ancestors and then run through the others The remembrances are pleasurable, filled with outlandish salty and sweet flavours, as well as some crispy amber – the immemorial turpentine In our recollections, there is a blank passage that is difficult to describe Broadly speaking, as one of our elders (the one with the longest beak) was digging the earth, he suddenly crossed the dividing line and vanished in the desert above He never returned to us Whenever we remembered this, we fell silent I sensed that everyone was afraid   Even though people never descended to our underground, we actually gained all kinds of information about the mortals above us I don’t know what sort of channel this information came from It is said that it was very mysterious, and that it had something to do with our builds I’m an average-sized, ordinary individual of my genus Like everyone else, I dig the earth every day and excrete Recalling our ancestors is the greatest pleasure in my life But when I sleep, I have some odd dreams I dream of seeing people; I dream of seeing the sky above Human beings are good at movement They feel bumpy to the touch I’m extremely jealous of their well-developed limbs, because our limbs have atrophied underground We all move

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

poetry

November 2016

Nothing Old, Nothing, New, Nothing, Borrowed, Nothing Blue

Iphgenia Baal

poetry

November 2016

look at your kitchen look at your kitchen oh my god look at your kitchen it’s delightful only wait...

poetry

May 2012

FINALLY RICH

Sam Riviere

poetry

May 2012

I got a job I got a job writing poems oh hi I never met you before going to...

Interview

August 2016

Interview with Daniel Sinsel

Rosanna Mclaughlin

Interview

August 2016

In the decade after leaving Chelsea School of Art in 2002, Daniel Sinsel made a name for himself with...

 

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