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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

Giulio the singing fascist came to pick me up from the little airport in his Jeep He made sure to come round and hold my door open from the outside Giulio was best known in Spura for his powerful bass voice and the persistent rumours that he went out looking for illegal immigrants in the Tuscan hills We made a point of not asking him about his beliefs because he was the only neighbour under sixty with whom my Grandmother had not yet argued He saw it as his duty as a Christian to help her with tasks that required lifting and driving My grandfather had always done such things for her We rattled away from the dusty airstrip, to join the autostrada I had seen it so many times from the vantage of Spura’s walls that I always thought of the roads as rivulets of magma spreading out across the plain We passed half-finished tennis courts and artisanal handbag depots, punctuated by the occasional red-brown jogger Two millennia ago, Hannibal had routed the Romans nearby, hiding his army in the forest and sending out men to light fires that made them look farther away than they really were Many here still felt themselves closer to Etruria than Rome, which explained the numerous local restaurants named after Hannibal’s favourite elephant, Surus As he drove with one hand and gesticulated with the other, Giulio told me about his battle with Communist mayor of Spura, who objected to him taking groups of Finnish hunters up into the hills without all the proper licenses He was still adding to his collection of antique rifles and offered to take me along next time he went to shoot the wild boar He apologised that he could not let me have a try myself, as it had been so long since I last fired a gun The only dangerous boar, if you could follow a trail like Giulio, were the mothers, who tended to be unpredictable and instinctively violent More wolves had been coming into Italy from Slovenia and found this region to

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


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poetry

April 2014

Lives of the Saints

Luke Neima

poetry

April 2014

‘I’m tending to this dead tree,’ he tells me. Last time he was rolling the hard rocks down into...

Art

October 2012

Mitra Tabrizian's Another Country

Matt Mahon

Mitra Tabrizian

Art

October 2012

Mitra Tabrizian’s Another Country (2010), a collection of nine large-scale photographs taken between 2009-2010, present to the viewer an...

Interview

Issue No. 15

Interview with Zadie Smith

Jennifer Hodgson

Interview

Issue No. 15

Zadie Smith’s biography is one of contemporary writing’s fondest and most famous yarns of precocious and meteoric literary success....

 

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