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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

 La Esmeralda, Mexico   She knocked on the bathroom door   ‘Can I come in to shower?’   ‘En el trono,’ he called out ‘Give me a couple minutes’   He was just reaching for the roll of toilet paper on the floor when something happened A reverberating collision and a seasick feeling at once The toilet quivered under his thighs as the walls rattled and the front door – it must be the front door – cracked, splintering as though a tree had crashed through it, but there were no trees in the yard He began to rise from the toilet into something awful, into a new sound, into the rising decibels of the woman screaming from the living room Bent over still reaching for his pants, he knew there would not be enough time to pull them up He was aware of every facet of the bathroom then, as though he had been studying it for escape routes for months The canary-yellow plastic curtain drawn halfway across the tub The rusted showerhead releasing its slow, incurable drip The colourless bath mat with its frayed, dirty edge folded up The dingy rattan clothes hamper The stale towel hanging from a nail in the door And to his right, above the sink, a red hand towel limp on its clear plastic ring over the soap dish The sink was set in a water-warped cabinet with a louvred door   The frenzy in his ears stopped Her scream was cut off It had risen into a hysterical shriek and now vacated itself with a soft humph Like a chainsaw dropped into a swamp Chairs were falling, or maybe it was the kitchen table that someone smashed into the wall Another tremor went through the house No male voices No commands, no shouting All he had heard was a tumult and the hysterical clipped scream The furniture dragging and feet moving   He wasn’t breathing anymore He turned to his right, taking a step and holding his pants He glanced from the faucet and the toothbrushes blossoming, one orange and one blue, from their dirty glass on the sink, to the

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

feature

February 2013

Famous Tombs: Love in the 90s

Masha Tupitsyn

feature

February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING  ...

poetry

Issue No. 3

Camera & Even After He is Gone, the Cat is Here and I Cast My Suspicions on Him

Toshiko Hirata

TR. Jeffrey Angles

poetry

Issue No. 3

Camera You take my sweet sleeping face You take my innocent smile You take my large breasts Even though...

Interview

March 2016

Interview with Franco 'Bifo' Berardi

Seth Wheeler

Interview

March 2016

Franco ‘Bifo’ Berardi is a renowned theorist of contemporary media, culture and society. He has lectured at the Academia...

 

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