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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

It’s harder to leave your burning home after you’ve spent so much time cleaning its floors Watching those baseboards char should be enough to make any good woman lie back in bed and let it happen The fact that I got up and hauled Angela out with me is proof enough of my selfishness   The years with her father before the fire—when I still had my figure and the energy to walk about, the will and ability to be moved—passed with such seeming ease, but the truth of those days and the trouble they held is lost in the archives of memory’s drunken catalog Its delicate, age-soaked pages stay with me like an old phone book packed and moved out of some sentimental urge   If anyone has found an adequate response to that fiction of chemical and circumstance which is love, it is my Angela Even when she was a girl, she squirmed out of my grasp and kissed the kitchen table instead She was barely toddling and would force me with pleads and screaming to spend hours on the bridge over the county road, tucking flowers between its wooden slats   She shrank into a child’s malaise when they demolished the old post office The workers had dumped the remnants of the structure and covered it with a few buckets of sand, and she wept and reached for it This wasn’t her usual brand of sadness, the kind she had when her blanket was tumbling in the dryer and she could only watch from her crib, a few sweet tears on her cheek At the pile, she was hysterical I let her down and she stumbled toward it, tripping over her feet, grinding dirt into her hands and face, ruining her play clothes She kicked and crawled, wailing, scrabbling at the pile until finally her fingers found purchase She took hold and leaned back with her full weight, wrenching a brick free and inspiring a plume of dirt A man walking down the road stopped and stared She cleared the brick from the pile, covered it with her body, and was asleep

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


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poetry

December 2016

Three Poems

Adelaide Docx

poetry

December 2016

ADVICE FROM BENJO CORTEZ GALLERY OWNER, CHELSEA THE RED CAT, NEW YORK, 2AM    When I feel something It...

Interview

Issue No. 11

Interview with Alice Oswald

Max Porter

Interview

Issue No. 11

Alice Oswald is a British poet who lives in Devon with her family. Newspaper profiles will inevitably mention the...

fiction

January 2013

Car Wash

Patrick Langley

fiction

January 2013

He is sitting on the back seat of a car, somewhere in France. It’s a bright blue day, absurdly...

 

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