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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

I   Look up A woman tumbles from the sky, her dress billowing around her like a parachute as she spins The air caught in her skirt slows her fall, and she wonders what she is doing here as she panics, as she hits the mud on the River Avon, glistening silver in the light at low tide She lives  Clifton Suspension Bridge, Bristol She is Sarah Ann Henley, of 30 Twinnell Road, Bristol The year is 1885, and she has quarrelled with her lover She is one of only four over the next hundred years to fall from Clifton Suspension Bridge and survive Two of that number are children, who plummet over the side, together, a decade later Their picture is in a locket Sarah owns when she dies, in 1948   Cities are full of ghosts They are contained in the things we walk past every day: the roots growing from the plane tree into the pavement, the string wound round a metal fence, the cement traffic barriers lined up to stop cars driving down a lane that doesn’t exist They lurk in cracks in the sidewalk, hinting at histories that have long been ignored   This is a ghost story full of doublings and hauntings I look at Bristol — where I’m a tourist, where I have no past, only a present — and read the past everywhere, like an overlay: two maps, two cities, past and present I grew up in a small suburban town outside Washington, DC, that had been home to the country’s biggest slave traders, but no one ever mentioned that Bristol, too, is built on money from the slave trade, but all you hear about are pirates: Bristol is obsessed with its glorious history All around, Brutalist buildings are being torn down     *   Recovering in hospital, our fallen woman receives proposals, not only of marriage Her father is offered a fortune to turn her into a popular entertainment, a freak show She and her beau, a railway porter, perhaps reconcile; she begs for him He tries to

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


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Interview

June 2013

Interview with Lars Iyer

David Morris

Interview

June 2013

Like so much of the dialogue that marks time across Lars Iyer’s books, this conversation began in the pub....

feature

August 2016

The Place of the Bridge

Jennifer Kabat

feature

August 2016

I.   Look up. A woman tumbles from the sky, her dress billowing around her like a parachute as...

fiction

May 2015

A History of Money

Alan Pauls

TR. Ellie Robins

fiction

May 2015

He hasn’t yet turned fifteen when he sees his first dead person in the flesh. He’s somewhat astonished that...

 

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