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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

I remember the day Andrija the invincible collapsed for the first time, the warrior of warriors whom we’d never seen without his shell: around Vitez, one morning like all the others in a village like all the others, when tensions were at their height with the Muslims, a warm morning, a little misty, a munitions transport going north, a few kilometres from Travnik the deadly beauty one fine morning with a smell of spring, with Sergeant Mile and Vlaho the crazy driver at the steering wheel, I don’t remember why we stopped near that building, probably because there was a corpse on the threshold, an old man, an entire cartridge clip in his head and chest, machine-gunned from quite close up and his dog too, a Croatian house, the door was open, a smell of incense wafted out as from a church, a dark interior and wood furniture, shutters closed they must have been shot at night, the guy and his mutt, why had he opened his door, why had he gone out, Mile signed to us, a trembling orangey light was coming from a room in the back, a tiny fire, something’s burning, all three of us move towards it, Vlaho remains behind to watch the entrance, a big bedroom with candles everywhere, dozens of candles still lit and on the double bed an old lady stretched out her hands on her chest a black or dark-grey dress her eyes closed and I don’t understand, Andrija takes off his helmet as a sign of respect, he takes off his helmet sighs and mumbles something, Mile and I imitate him without understanding, all three of us are in the process of watching over an old woman who doesn’t know she’s a widow, that her husband who lit all these candles for her was shot with his dog on his doorstep by unknown men or neighbours, she has heard nothing, on her deathbed, not the machine-gun volleys outside, not the footsteps in her house, not the laughter of those who jammed that large crucifix straight upright into the middle

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


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Interview

Issue No. 20

Interview with Anne Carson

Željka Marošević

Interview

Issue No. 20

Throughout her prolific career as a poet and a translator, Anne Carson has been concerned with combatting what she calls...

feature

Issue No. 12

Foreword: A Pound of Flesh

George Szirtes

feature

Issue No. 12

1.   ANALOGIES FOR TRANSLATION ARE MANY, most of them assuming a definable something on one side of the...

fiction

April 2012

They Told the Story from the Lighthouse

Chimene Suleyman

fiction

April 2012

I found Margate watching the sea. And I walked the streets thinking they had left it sometime in the...

 

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