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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

My mother recently found some loose diary pages I wrote in my first year of boarding school, aged eleven, whilst she was clearing out her house The pages are titled ‘ME’, ‘Boys’, and ‘School’ Reading them now, it’s clear I was lonely ‘As I have said before,’ I wrote, on the page titled ‘School’, which implies that I wrote more often than I remember, ‘there is no one I can talk to here’ My theory appears to be that no one can take me seriously ‘because I am so small’: ‘People only listen to me when they ask how big my feet are All they can do is measure them up to me’ I recall a time from ‘my old school’, when I was measured by the other pupils in my class to see if I was a metre tall ‘I felt like an object,’ I wrote, ‘being used to play jokes on’ On the page titled ‘Boys’, I seem to have anticipated being ‘left out’ in social situations, seemingly without putting myself into them in the first place, and make excuses for not doing things ‘I am on bed rest any way most of the time’, I wrote, which is also why I am ‘so behind with my work’   I had kept a diary for a short time when I was around nine or ten and already knew better In it, I wrote about my frustration with my mother, along the lines of, ‘Why can’t she be like everyone else?’ She had come out as bisexual My parents were separated She was ill in bed all the time I left the diary at my grandmother’s house She found it, and read it, and then my mother read it I’m sure my childish spite proved something to my grandmother I’m sure my mother was furious I had betrayed her From then on, if I ever wanted to write something down, I wrote on loose sheets of A4 paper, as if they were just notes, or a draft, and could be easily disposed of   The ‘ME’ page of my school diary details

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


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The minute you start reading this, the sun may already have gone out, but you won’t know it yet....

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Good People opens in Berlin in 1938. Thomas Heiselberg has grand plans to make the company he works for the...

poetry

January 2014

Tuesday Will Be War

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January 2014

Jáchym Topol (b. 1962), like most Czech authors of his generation, wrote poetry for years before turning to prose....

 

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