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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

I disowned my real pain & engaged with its subordinates:   despicable neediness, heroic guilt and undeterrable envy Each day I woke trussed up with this hernia of failure, bleat bleat There was inevitable blood; I slept on a pyre of bottles Stalked by motherhood, unable to summon my latent powers Leaves blew into the hallway and did their ageing there, the eager wind fussed with them like the beaded fringe of a shawl at war with itself Powerful identification with the leaves In the garden, splendour made its entrance while I wasn’t looking I was quaking all this time, my whole body a throat stoppered by tears I tried to will dreams of romantic redemption, but my brain swatted them away, like flies gunning for something you really want to eat     No one should be frightened of pleats (Coco Chanel)   My life has been merely a prolonged childhood Bored, with a squalid boredness that idleness and riches bring about (I would make a very bad dead person) Money is not attractive, it’s convenient The only thing I really like spending is my strength Every time I’ve done something reasonable, it’s brought me bad luck: that sweet smile of gratitude, tinged with a longing to kill me I am ready to start all over again The first people to whom I opened my heart were the dead I hate people touching me, rather as cats do I merely observe that I have grown up, lived, and am growing old alone I loathe people putting order into my disorder Let them skip the pages Sometimes I lose myself in the maze of my legendary fame What an abomination, a ghastly disease! That handsome parasite that is the imagination, lapped up in secret, in the so-called attic I imposed black; it’s still going strong today I don’t have to explain my creations; they have explained themselves I knew how to express my times I used to tolerate colour Changing one’s mind appalls me Do you see what a foul temper I have? I cannot take orders from anyone, except in love, madly, with a man who loathes me Everything is lovely and empty I only care for trivial things, else nothing at all If I built aeroplanes, I would begin by making one that was

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


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Interview

Issue No. 11

Interview with Alice Oswald

Max Porter

Interview

Issue No. 11

Alice Oswald is a British poet who lives in Devon with her family. Newspaper profiles will inevitably mention the...

poetry

January 2014

Three New Poems

Antjie Krog

poetry

January 2014

Antjie Krog was born and grew up in the Free State province of South Africa. She became editor of...

feature

Issue No. 18

Editorial

The Editors

feature

Issue No. 18

This is the editorial from the eighteenth print issue of The White Review, available to buy here.    In 1991...

 

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