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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

Two hundred names are inscribed in a totemic list that opens Alice Oswald’s Memorial The deaths of the Greek heroes, recounted over 400 pages in the Iliad, are stunningly compressed across four double pages Their deaths are a foregone conclusion; but their capitalised names, framed by the blankness of the page, carry the hefty weight of each man’s life The second part of the poem, which recounts the heroes’ often unheroic traits, lays bare the insanity of war; the blind momentum that turns a man into ‘a terrible numbness / Turned inside-out and taking over everything’ In the Homeric myth, war is second nature, a duty assumed by the warrior, undeterred by the destruction reaped Soldiers ‘hurried to darkness’, race into the arms of death, the noble seal of defending one’s country For Simone Weil, writing on the eve of the Second World War, there was no terrible beauty to be born of combat War, that supposed leveller of class and race, is seen as a systematic machine that levels interiority and petrifies everyone in its midst In Oswald’s poem each forsaken soldier is given their due, which is to say, their doomed leave-taking In the Greek myths death is the unflinching end, the future for the soldier born under its sign The Greeks conducted wars, Weil writes, as ‘geometricians of virtue We are only geometricians of matter,’ or as Marco Roth writes in a recent essay, ‘drone philosophers’   In modern times, peace is seen as the ultimate, if unrealistic, goal; warfare is, if inescapable, an aberration Just as the notion of heroism died a collective death in the wake of that grand misnomer, the Great War, the horror of combat has become such a worn truism that it seems to carry little more traction that the jarring jingoism of Glory, Sacrifice and Patriotism excoriated by the First World War poets who saw that the unknown soldier would reap ‘no dividends from time’s tomorrow’ There had been military catastrophes in the past – the Charge of the Light Brigade – but these were seen as indictments of military strategy, rather than a

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


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Art

March 2014

Amy Sillman: The Labour of Painting

Paige K. Bradley

Amy Sillman

Art

March 2014

The heritage of conceptualism and minimalism leaves a tendency to interpret a reduction in form as intellectually rigorous. If...

feature

Issue No. 11

Forgotten Sea

Alexander Christie-Miller

feature

Issue No. 11

I. As I stood on the flanks of the Kaçkar Mountains where they slope into the Black Sea near...

feature

October 2011

The White Review No.3 Editorial

The Editors

feature

October 2011

In the course of putting three issues of The White Review together, the editors have been presented with the...

 

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