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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

MICHEL FABER’S RANGE OF SUBJECTS – from child abuse to drug abuse, from avant-garde music to leaking houses – is as wide as his gamut of characters: be they Scottish kids, Victorian prostitutes or creatures from other planets, they each speak in an unmistakable, fine-tuned voice His first collection of short stories, Some Rain Must Fall, published in 1998, was followed two years later by Under the Skin, a novel made into a film in 2013 The Crimson Petal and the White, over 800 pages long, became a bestseller soon after it was published in 2002 In the run-up to the book’s publication his publisher, Canongate, suggested he apply for British citizenship so it could be eligible for the Booker Prize An opponent of the imminent war in Iraq, he refused   Faber’s other books include The Fahrenheit Twins, a 2005 short story collection, as well as his latest – and, he claims, last – novel, The Book of Strange New Things In it, a Christian minister called Peter is sent to the planet Oasis to preach to its natives The project is run by USIC, a big corporation whose purposes remain unclear till the end Peter’s beloved wife Bea, not allowed to follow him, stays on the troubled Earth; their correspondence interweaves with a third-person narrative describing Peter’s mission and his earlier life Like all Faber’s books, this one is dedicated to his wife Eva Youren, who died shortly before it came out, in 2014   Faber was born in Holland in 1960, brought to Australia as a child and has lived in Scotland since 1993 We met in London, where he was on the occasion of his book tour last October; our conversation took place in a flat not far away from Chepstow Villas, one of the settings of The Crimson Petal and the White Faber had to call me earlier that day to confirm our meeting as he had no means of checking his emails while on the road When I arrived he showed me his basic mobile phone and said

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


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Prize Entry

April 2017

A JOURNEY THROUGH ☆ FAMOUS ☆ BY ♫ 'KANYE WEST' ♫

Liam Cagney

Prize Entry

April 2017

A twilit bedroom. Silence. Ceiling view of the base of a hyper-extended bed—the length of a catwalk. Slow pan...

Interview

September 2013

Interview with László Krasznahorkai

George Szirtes

Interview

September 2013

László Krasznahorkai was born in Gyula, Hungary, in 1954, and has written five novels and several collections of essays...

poetry

December 2016

Of all those pasts

Will Harris

poetry

December 2016

  In Derrida’s Memoires: For Paul de Man he quotes from ‘Mnemosyne’, a poem by Friedrich Hölderlin which he...

 

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