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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

The scent of osmanthus blossoms still lingered in her neighbourhood when a handful of men entered her home Yet when they stepped through her bedroom door, they were blindsided by an overpowering stench that drove each one to put a hand over his nose    She wasn’t dead yet, merely lying on a bed that was very likely the source of the odour The clutter and filth in the room were easily imaginable; one might describe her own appearance the same way Perhaps the only comforting aspect to the scene were two hedgehog cacti that stood motionless out on the balcony, glowing green under the angled gaze of the afternoon sun As they grew very slowly and wanted nothing besides sunlight, it was basically impossible to tell whether they were alive or dead    She kept on sleeping, or was unwilling to deal with other people, so the men only stood by her bedside for a moment before hurrying back to the living room, taking care to leave her bedroom door open    Although the living room was also covered in ancient grime, and its furniture and accessories blanketed by dust, the drier air made it more tolerable The visitors stood and talked to the young woman who had let them in – the daughter of the old woman on the bed, around 30 years old, with a freckle near the bridge of her nose She wore a pair of jeans adorned on one leg with embroidered flowers that ran from knee to hip The pattern was so gaudy that her visitors looked down at her leg every few sentences Were those peonies? Or something else, it was hard to tell    One couldn’t resist saying: ‘Look at your mother What kind of a daughter are you?’   ‘I’m not in Nanjing, I live out of town’    ‘Out of town? Where?’ asked the youngest of the group    ‘Zhenjiang’    ‘That’s still not far You married out there?’   ‘Yeah’   ‘Well then, you should be “Coming Home Regularly to Visit”’, the young one replied, sharing a smile with the other two over his reference to the song    ‘I – ’

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

Art

March 2011

Trafalgar Square Street Protests

Cosmo Hildyard

Joseph de Lacey

Art

March 2011

The following photographs were taken during the third day of student protests in London on 1 December 2010, a...

Interview

February 2014

Interview with Lisa Dwan

Rosie Clarke

Interview

February 2014

In a city where even the night sky is a dull, starless grey, immersion in absolute darkness is a...

poetry

May 2014

Two Poems from Grun-tu-molani

Vidyan Ravinthiran

poetry

May 2014

The Sky there was a uniform inactive grey, except when stared at through a chainlink fence; those who could...

 

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