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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

https://soundcloudcom/user-856373367/retrievals   About ‘Retrievals’:   I like to hear writing that is made out loud Words vibrate in the air and you forget them, but you can feel them on your skin I don’t call what I make ‘radio plays’ I just call them ‘audio pieces’ I like to keep it all as open as possible   ‘Retrievals’ is an audio piece, made using an online automated voice generator There are many sites that offer the use of text-to-voice technology (Vocograb, Voxmark, NaturalReader) These websites can manufacture hundreds of different voices – men, women, children, the elderly – from across many different languages and dialects They offer voices that sound sad, or whisper intimately in your ear Some sites are free Many make you pay for a particular voice   Automated voices are produced for specific practical uses They help the visually impaired, or those who have difficulty reading They inform you where your train is going They ask whether you want to pay with cash or card They are calm and well-mannered They are nearly always women We do not listen to them, only overhear what they have to say People who really listen in on them are often disturbed or put off, and programme their self-service checkout to ‘silent’ when they can   Automated voices do not sound uncanny or robotic to me They sound spectral and angelic Each is a voice that once belonged to someone, each a literal remnant of recordings made by a voice actor, who provided all the phonemes, phrases and speech-parts, which are put together later ‘Retrievals’ was made using a character called ‘Will (Sad)’, from acapela-boxcom The website contains no information concerning the real human being who was paid to perform the words for ‘Will (Sad)’ Any chance beauty of accent or inflection this voice might still possess remains only as the echo of something once heard, then lost, now forever misremembered If automated voices sound ‘futuristic’ then it’s a backwards kind of future They are forecasts of what has already been said   I never keep what I’ve written for audio pieces; in this respect, voice-generator websites are ideal You can

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

poetry

May 2015

Europe

Kirill Medvedev

TR. Keith Gessen

poetry

May 2015

I’m riding the bus with a group of athletes from some provincial town they’re going to a competition in...

fiction

October 2015

The Bird Thing

Julianne Pachico

fiction

October 2015

You are worried about the bird thing but that’s the last thing you want to think about right now,...

feature

May 2011

Short Cuts

Charles Boyle

feature

May 2011

1.. Whatever it is that the literature department of Arts Council England (ACE) is for, it can’t be for...

 

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