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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

I had been sent back from the city in disgrace, back to my parents’ house in the country It was a traumatic experience Though not as traumatic as what had preceded it   My parents’ house was a squat, sprawling thing painted light pink Elaborate grounds sank into the landscape around it In the garden, a turquoise pool was sludged with leaves and dirt which my father hoovered every other day I listened to the sound of it from my old room on the top floor, spread-eagled on the bed with the white crochet covers, where I thought about P and wept I had been allowed just one small keepsake, and only that after I had really pushed for it A passport photo of his sallow moon face His brows knitted over his eyes He was still the most beautiful man I had ever seen in my life, six foot five and silent as a column I wondered what would happen to him now And yet I already knew – he had become infatuated with someone else She was his childhood sweetheart, invited over to the house by his mother when he had gone back to visit I had not been allowed to visit with him The other girl’s hands, what had been done to them, looked expensive He had shown me photos of her as if to say: look, give up all your hope Which at least saved me the trouble of rooting around in a debased manner to find the pictures myself He was kind like that   P had been the one to ring my parents too Soon they arrived in their roaring car, big enough to seat six My mother cried, and my father wore sunglasses but I’m sure his eyes were watering too, with the shame I told them once I was sat in the car that I could have taken the train, that I wasn’t a fan of all this fuss either I could have packed up my suitcase and come back quietly  But my mother would not think of it   –   My mother implied that when

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


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Interview

March 2013

Interview with Amit Chaudhuri

Anita Sethi

Interview

March 2013

Think of the long trip home.  Should we have stayed at home and thought of here?  Where should we...

fiction

Issue No. 17

Harmless Like You

Rowan Hisayo Buchanan

fiction

Issue No. 17

Interstate 95, September 2016   Celeste sat on the front seat wearing her black turtleneck sweater. She had three...

feature

Issue No. 7

On a Decline in British Fiction

Jennifer Hodgson

Patricia Waugh

feature

Issue No. 7

‘The special fate of the novel,’ Frank Kermode has written, ‘is always to be dying.’ In Britain, the terminal...

 

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