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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

I met Ryan on Tinder He only had one photograph of himself on his profile, edited with a grainy filter I thought he looked alright I didn’t have much in the way of standards My own picture wasn’t even really me; it was another lanky brunette that I’d found online, her face turned away from the camera My bio was Tinderloin, after my favourite cut We met in The Crown and Sceptre I ordered two wild boar sausages with mash and caramelised onion gravy Ryan was older than me by eleven years He worked for a cab service, picking up the phone His hands were nice and thick, a good ratio of muscle to fat, and he’d crack his knuckles when there was a lull in conversation, or smooth out a napkin with his palms When I told him about Papa’s shop he joked that he was a vegetarian I raised my eyebrows and smiled; I’d already overheard him order the roast chicken at the bar   I went back to his after He lived in his grandparents’ garage There was an electric heater groaning in the corner, and the corrugated iron door gave the place an industrial look I felt at home in there; it reminded me of the shop in a way A few carcasses wouldn’t have looked so out of place, hung up next to his book shelf   When I slept with Ryan that first time I bled through the sheets I was sixteen and I’d done my waiting   A virgin then, are you? he’d said   I’d just looked at him There wasn’t much point in lying The blood had dried fast between my thighs and matted up my pubic hair, so the skin there pulled tight when I shuffled off the bed The whole garage smelt of copper, like after opening a fresh pig     I spent the next evening in the back of the shop with Papa, sawing a few lambs down into primals We had Radio 4 on in the background Papa likes The Archers so much he has the theme tune as his ring tone If I speak during it

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

poetry

May 2017

Two Poems

Vala Thorodds

poetry

May 2017

THROUGH FLIGHT   For a moment we are borne into the air and then down.   It is there, behind...

poetry

August 2017

From The Dolphin House

Richard O’Brien

poetry

August 2017

Note for the following three poems: In 1965, a bottlenose dolphin christened Peter was the subject of a scientific...

feature

October 2015

War is Easy, Peace is Hard

Alexander Christie-Miller

feature

October 2015

At around midday on 19 July, Koray Türkay boarded a bus in Istanbul and set off for the Syrian...

 

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