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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

There is no better distillation of the rich history of this sceptred isle than the English country house Foxgrove Hall is one such example In 1732, Edgar Lakeland constructed the estate with a fortune accrued from business dealings in the West Indies Upon his marriage to the daughter of a prominent landowner in Barbados, he returned to England to manage the investments from his newly-acquired landholdings The house itself sits on a 300 hectare estate of pristine parkland on the southern border of Gloucestershire Approaching from the north drive, one cannot help but admire the building’s imposing facade, constructed entirely from locally-quarried stone Large Corinthian pilasters support an elaborately stuccoed portico emblazoned with the family’s coat of arms: typical flourishes of Yorkshire-born architect John Carr The main hall, painstakingly preserved by Lakeland’s descendants, remains one of the finest examples of the architecture of the period Visitors to Foxgrove can expect to enjoy an unparalleled collection of Baroque art, and must be sure to drop by for a spot of tea at the café in the Kitchen Gardens   Extract from The Treasure Houses of England by Jonathan S Bailey, (Oxford: Oxford University Press, 1963)   I am delighted to inform you that your application for the position of Writer in Residence at Foxgrove Hall has been accepted Your proposed exploration of historic connections between the Caribbean and the English countryside was met with much interest by the judging panel We look forward to welcoming you to Foxgrove in the summer   Extract from letter to Ms Cecilia Braithwaite, from the Office of the Director of Public Engagement, English Heritage archives   *   9 June   Everything about this place feels unreal The house, the people, even my view From the window by  my desk, I can see the sweeping slope of lawn that falls onto the southern terrace The grass is the acid green of those sweets I used to love What were they called? They were all sour and made your mouth pucker up – Toxic Waste And the weather is glorious A real Indian summer, Mr

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

Interview

December 2013

Interview with Tess Jaray

Lily Le Brun

Interview

December 2013

In the light-filled rooms of The Piper Gallery is a painting show that features no paint. Brought together by...

Interview

October 2014

Interview with Vanessa Place

Kyoo Lee

Jacob Bromberg

Interview

October 2014

Vanessa Place is widely considered to be one of the figureheads of contemporary conceptual poetry, yet while books such...

feature

May 2011

Why I Write (Rather than Riot)

Gavin James Bower

feature

May 2011

Watching the recent public demonstrations protesting, at times violently, the Coalition government’s budgetary cuts, I was forced to revisit...

 

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