Mailing List


Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

Every morning as I walk to school through the dark blue decrepit world, I feel like I’m coming down with the flu By the time I reach the school, my entire body is depleted as if I have spent the night in chills, reabsorbing the damp excreting from my own pores I am always excreting something My ex-boyfriend noticed it He would ask why I was always cold and sweating, why I was always at war with myself When he licked the excretions off my body, I would ask myself, Is this a life? He used to say dirty things to me like, Desubjectify me, bitch The way he fucked was senseless and crazy I don’t get fucked like that anymore As a teacher I am not getting fucked and the children can tell Some of the children are teenagers and menstruating and ejaculating They have no control over their excretions and, in that way, perhaps we’re all alike Sometimes they talk to me as if I’m a nun No, little children, I’m not a nun I never was There are people where I am standing, outside the school’s entrance I am waiting to open the door I encounter someone’s father He has a cord of wood strapped to his back   How are you, Maya’s teacher?   No, how are you?   Then a different father holds the door open for me   Go on in, he says   I have always hated people’s families and fathers The school is inside what used to be an American legion hall It’s an open space the size of a gymnasium with hundreds of chairs organised in circles and two offices and practice rooms and closets Some of the children are huddled in clumps on the floor like mounds of peanut shells The peanut shells are listening to the Notorious BIG I touch the handle of the teachers’ bathroom There is one adult bathroom for thirty adults The sweat on my skin dries and leaves a thin film The door is locked A phone is ringing somewhere I wait patiently I am filled with peace as I imagine my day’s reasonable

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

Interview

September 2014

Interview with Laure Prouvost

Alice Hattrick

Interview

September 2014

Laure Prouvost begins to tell us about something that happened this morning. She woke up with four vegetables on...

fiction

May 2014

Preparation for Trial

Ben Hinshaw

fiction

May 2014

Establish remorse from outset. Express bewilderment at sequence of events so unlikely, so absurd and catastrophic. Assure all present...

Interview

January 2017

Interview with Barbara T. Smith

Ciara Moloney

Interview

January 2017

Californian artist Barbara T. Smith (b. 1931) is something of a performance art legend. It was in the 1960s...

 

Get our newsletter

 

* indicates required