Mailing List


Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

The cat’s paws brush through the letterbox, looking for some jellied meat or an opening in the family Cat pushes a letter through the door The letter marked JH Ottessa, dead brother of mine My brother’s bedsheets still warm-sweaty My brother’s paw prints dented into the doormat Rain water falls heavy from the gutter makes me look up, makes me remember what day it is what time it is I call my little girl’s name Annette A        eh Annette A        eh voice through the wall, and the echo of her name, Annette, from the other side Her face screwed up fingers in ears not to have to hear, Annette, all the damn half-hour of the morning of all the days to be playing up the day of the funeral day late for church day   But a child can grieve, let the child be grieving, let the child        be   Eight years old were you brother? And I a bit older I see you running down the street, a sun-blazed strip lined with flowers begging for water, petals blown-out hearts It was a day with corn, heavily spiced and salted Smoke and charcoal Nice Heat beating a path into our bones, our brows wet You had a rug tied round your neck with garden twine, lying out in the sun charge up charge up, before flying off, past the street light, past the telephone wire, past the aeroplane Almost choked yourself to death I stretched out a hand to you, hooked onto a gate latch – the lynch mob’s latest victim, to save you from a strangling You hit my hand away And again Something in your eyes said this isn’t a game But I pulled you up pulled up out of the fire, that time, my hand melting into yours   The church is cold Warmed with bodies, they sitting on they heels        huh        sitting in the dirt        huh        rocking on they legs, mouth open moans we perform the wailing of the milk, divide up the ashes, and return to our        leaking gutters   You were fifteen you were fine, then acting strange

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

feature

November 2016

Hot Rocks

Izabella Scott

feature

November 2016

‘We have received around 150 of them,’ Massimo Osanna tells me, as we peer into four small crates stuffed...

Art

Issue No. 3

Borism

Lee Rourke

Oliver Griffin

Art

Issue No. 3

ES9 is the latest body of work by Oliver Griffin in his archival series The Evaluation of Space. Taken...

fiction

October 2015

The Bird Thing

Julianne Pachico

fiction

October 2015

You are worried about the bird thing but that’s the last thing you want to think about right now,...

 

Get our newsletter

 

* indicates required