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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

Your right hand is the first to go One Sunday afternoon as you’re sitting on the sofa reading the papers, it detaches itself at the wrist and walks on the tips of its thumb and fingers across the rug in the centre of the room It strides up the arm of the leather chair he’s sitting in, pushes its fingers between those of his left hand and curls them down, interlocking your palm with his   He continues working on his laptop You try to call your hand back, mouthing and gesturing so you don’t disturb him It ignores you, clutches him tighter He doesn’t seem to notice   You try everything you can think of to lure it back: cooing, threatening, ignoring It remains interlaced with his hand He continues to type   How are you going to eat? Write? Dress? Can you manage with your left hand? You can’t remember the last time you tried   You imagine him feeding you, wonder if you can convince him to do so You despise yourself for considering it   The following morning, after you’ve negotiated dressing (you acted coy, he helped), eating breakfast (toast, one handed; buttering was a challenge), getting the bus (you tipped the change from your purse onto the driver’s tray; he wasn’t impressed) and getting into your office (a balancing act), you sit at your desk and wish you could call your mother   Sometimes you hear her voice in your head, saying the things you know she’d say to you, advising, guiding, reassuring This time there’s silence   You examine the stump of wrist where your hand used to be It’s sharp, pristine No sign of a struggle, no blood   You teach your third-year students The module is Women in Post-War Britain and today’s seminar is on the 1960s You discuss the pill, the Abortion Act, Soho, the sewing machinists’ strike in Dagenham   One of the young women has a ring finger missing Is that recent? You’ve never noticed before Another, like you, is devoid of a right hand She takes notes competently with her left You wonder what her story is   Afterwards, you attempt to continue with the article you’re

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

fiction

February 2013

The Currency of Paper

Alex Kovacs

fiction

February 2013

‘Labour is external to the worker, i.e. it does not belong to his essential being; that in his work,...

feature

Issue No. 1

(Un)timely considerations on old and current issues

Donatien Grau

feature

Issue No. 1

Criticism has not been doing well lately. The London Review of Books, Europe’s biggest-selling literary publication, would no longer...

feature

October 2013

Enjoy His Symptoms?

Michael Sayeau

feature

October 2013

We lack the philosophers that we require for an era marked by agitation and occupation. From the UK student...

 

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