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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

1 The Triumph of Capitalism   It was the end of the cold war and capitalism had won Everywhere people were either out of a job or making obscene amounts of money If you didn’t have a plan and a German car you were nobody   Because I could tell you were about to leave me, I had to come up with a grand gesture   We were sitting in the lobby of the American hotel, where the walls are painted gold and the rooms cost three times my annual salary You were wearing your best dress and I was wearing my new suit and sunglasses because I’d spent the day going to job interviews I’d been thrown out of the army along with everyone else   Businessmen were prowling the edges of the room like lions They were looking for sexy gazelles They all noticed the way the light reflected off the gold-painted walls and lit up your face   Spooked, I told you I’d buy you anything you wanted So you asked for a submarine fleet It totally served me right     2 Sergei the Submarine Salesman   I got together with a bunch of likeminded investors We were men of vision who saw the big picture and we were going to remake the world We hired a retired submarine Captain called Yuri who drank too much and told us stories of playing cat and mouse with the Americans for forty years under the arctic sea During a long and distinguished career he’d made more than seventy-two circuits of the globe and been married five times Then the oligarchs had taken over and stolen everything, including his fifth wife   We stood in the conning tower of a reconditioned Victor III class submarine fifty miles out to sea off Archangelsk, smoking brutally strong cigarettes in the grey dawn light   The air was so cold it smelt like iron   ‘She displaces seven thousand tons, and she’ll give you fifty five kilometres an hour at top speed,’ Sergei the submarine salesman was telling us ‘Power source is two pressurized water reactors Safe, but don’t stand too close, you know?’   ‘What about the crew?’ said Captain Yuri   ‘Usual crew complement

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

poetry

Issue No. 4

Mysteries of Music

Michael Horovitz

poetry

Issue No. 4

Having absently, that’s to say dozily switched on BBC Radio 3 down in the kitchen as is my frequent...

feature

January 2013

A Black Hat, Silence and Bombshells : Michael Hofmann at Cambridge & After

Stephen Romer

feature

January 2013

The black hat and the black coat I was familiar with, before I knew their owner. It was Cambridge,...

Interview

November 2016

Interview with Njideka Akunyili Crosby

Cassie Davies

Interview

November 2016

Njideka Akunyili Crosby first encountered Mary Louise Pratt’s ‘Arts of the Contact Zone’ (1991), which identifies ‘social spaces where cultures meet,...

 

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