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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

A lot of people tell me my voice is similar to that of the actor Christopher Walken I don’t believe them And I would prefer it if you did not imagine him reading this to you now   There’s this guy – an old guy – who lives in the house next door to mine Our homes, from the outside, are the same The same windows, the same driveway and the same lawn The same aluminium front door and the same stylish-ten-years-ago uplighting   I’m not sure how long this neighbour – let’s call him Billy Crystal – has lived next door to me I only got to meet him very recently You might think that this would make one of us – myself or Billy – a recluse or a shut-in Well, you would be wrong We just didn’t cross paths In my corner of Richmond, Virginia this is not unusual   The series of events which led to my neighbour and I meeting were as follows It was a Tuesday It was late Let’s say eleven If I can swing it, I like to be in bed by ten as it takes me around two-and-a-half hours to fall asleep I had just got back from shooting a rock and roll concert and needed to take out the trash I opened up my pedal-activated chrome trash-can and lifted out the bag, placing it inside another bag After spraying the inside of the can with disinfectant I looped the inner bag’s handles under the outer-bag’s and secured the whole thing with a knot Tight   At the front of my drive there’s a sort-of-box in which trash is put I was on my way to this box when I noticed I was walking step-for-step in time with another man, also taking out his garbage, over the fence to my left He looked a little like me A bit older and looser I stopped and, feeling chipper, yelled a greeting of ‘Hello neighbour!’   This startled the other guy and he dropped his garbage bag It hit the ground and split open, red chunks of meat and liquid sliding out across

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


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Interview

March 2016

Interview with Franco 'Bifo' Berardi

Seth Wheeler

Interview

March 2016

Franco ‘Bifo’ Berardi is a renowned theorist of contemporary media, culture and society. He has lectured at the Academia...

poetry

June 2012

At Night the Wife Makes Her Point: Two Poems

Gioconda Belli

TR. Charles Castaldi

poetry

June 2012

AT NIGHT, THE WIFE MAKES HER POINT   No. I don’t have Cindy Crawford’s legs. I haven’t spent my...

fiction

June 2015

Hollow Heart

Viola Di Grado

TR. Antony Shugaar

fiction

June 2015

2011   I. In 2011 the world ended: I killed myself.   On July 23, at 3:29 in the...

 

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