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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

‘All of our myths come out of looking at the stars and finding a metaphor for them’, says Ocean Vuong, interviewed in The White Review No32 Speaking about Asian American literature, Vuong explains how the oral tradition has shaped his writing, and discusses myth-making as a powerful tool to help imagine, and build, alternate futures   New legends, and the reinvigoration of the old, appear throughout this issue as a means of countering stereotype, critiquing the present and passing knowledge on   Rebecca Liu’s essay ‘So You Have an Asian Mother’ contends with the representation of the Asian mother in fiction by examining the ‘tiger mom’ trope Familial myth underpins Shane Jones’s story ‘Young Forest’, which immerses the reader in a brother’s psychological quest to rescue a sibling who has escaped into the woods In ‘The Understory’, an extract from a forthcoming novel by Saneh Sangsuk, translated from Thai by Mui Poopoksakul, a monk relays legends to villagers around a fire His stories are ornamented and crafted through retellings; they alter with each repetition, haunted by the decline of the forest and changes inflicted on rural communities, reaching for a new moral each time   For their experimental translation project ‘Ovid Void’, Maria Stepanova and Eugene Ostashevsky return to Ovid’s poetry of exile, written after the Roman poet was banished to modern-day Romania Stepanova began ‘paraphrasing’ Ovid’s melancholy verses in Russian while snowed-in at a winter cabin Ostashevsky continued the process, adapting Stepanova’s translations into English As the material passes through hands and languages, it speaks to many of the concerns of the day: isolation, censorship, climatic change   ‘The Chicken’ by RZ Baschir, winner of The White Review Short Story Prize 2021, sponsored by RCW, is a dark folktale in which women are treated as sexual livestock Irenosen Okojie’s surreal fiction also twists and shifts the world as we know it; in an interview she discusses migration, memory and her determination to seek new literary forms Replete with time-travelling monks and women who transform into liquorice, Okojie’s stories, like Baschir’s, are unsettling folktales about modern life   Issue 32 also includes poetry by Raymond de Borja, James Giddings and Kandace Siobhan Walker, the

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

poetry

November 2011

Lucifer at Camlann & Amen to Artillery: Two Poems

James Brookes

poetry

November 2011

LUCIFER AT CAMLANN In the drear fen of all scorn like a tooth unsheathed I shone for I too...

poetry

January 2012

Mount Avila

W. N. Herbert

poetry

January 2012

‘el techo de la ballena’   Time to be climbing out of time as the wild city rates it,...

Art

February 2016

'Look at me, I said to the glass in a whisper, a breath.'

Alice Hattrick

Art

February 2016

Listen to her. She is telling you about her adolescence. She is telling you about one particular ‘bender’ that...

 

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