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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

It’s harder to leave your burning home after you’ve spent so much time cleaning its floors Watching those baseboards char should be enough to make any good woman lie back in bed and let it happen The fact that I got up and hauled Angela out with me is proof enough of my selfishness   The years with her father before the fire—when I still had my figure and the energy to walk about, the will and ability to be moved—passed with such seeming ease, but the truth of those days and the trouble they held is lost in the archives of memory’s drunken catalog Its delicate, age-soaked pages stay with me like an old phone book packed and moved out of some sentimental urge   If anyone has found an adequate response to that fiction of chemical and circumstance which is love, it is my Angela Even when she was a girl, she squirmed out of my grasp and kissed the kitchen table instead She was barely toddling and would force me with pleads and screaming to spend hours on the bridge over the county road, tucking flowers between its wooden slats   She shrank into a child’s malaise when they demolished the old post office The workers had dumped the remnants of the structure and covered it with a few buckets of sand, and she wept and reached for it This wasn’t her usual brand of sadness, the kind she had when her blanket was tumbling in the dryer and she could only watch from her crib, a few sweet tears on her cheek At the pile, she was hysterical I let her down and she stumbled toward it, tripping over her feet, grinding dirt into her hands and face, ruining her play clothes She kicked and crawled, wailing, scrabbling at the pile until finally her fingers found purchase She took hold and leaned back with her full weight, wrenching a brick free and inspiring a plume of dirt A man walking down the road stopped and stared She cleared the brick from the pile, covered it with her body, and was asleep

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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Interview

October 2012

Interview with Sjón

Mary Hannity

Interview

October 2012

In Iceland, they eat puffin. The best-tasting puffin is soaked overnight in milk. ‘Then give the milk to the...

fiction

August 2013

Foxy

Siân Melangell Dafydd

fiction

August 2013

If you don’t want to lose your eyes, grab them by the veins sticking out of their behinds and...

poetry

November 2011

Lucifer at Camlann & Amen to Artillery: Two Poems

James Brookes

poetry

November 2011

LUCIFER AT CAMLANN In the drear fen of all scorn like a tooth unsheathed I shone for I too...

 

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