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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

I did not want to walk The day was dull But imperative or impulsion pushed me out, onto the road Whether to turn left, or to turn right, I did not know Left, to the north, had once been a favoured path, but I could hear the weather beating hard on the corner there, and turned then to the right I took the sheltered way In the cold air the shapes of the island, hillshapes, streamsshapes, rockshapes appeared bared to me, undiluted My thoughts that day were clear and hard as those shapes Marred only by a waking dream that had not left me at dawn There were but two bounds to my being One hard, sheeny, as if carved of same landscape The other, the dreamscape At the hilt of the road sheep were being moved along, a collie at their heels The owner was following On seeing him a nervy grin repeated across my face I stood away to the side until the sheep passed and then stepped into the road to join him The boy stopped   Hello How a things? How a things? These your sheep? Half of them They’re some good-looking sheep Ah, they’re alright, surviving, like And you? How are you?   Alright Surviving, like   The conversation rhythmed unperturbed as if written already We had only to mime the words This was the way of provincial greeting, I remembered I bent to the dog, reached close and saw then its manky eye Wary, I jumped back He mumbled to it, a tongue not mine, snapped his fingers and the dog came to him It stretched its neck up close along the length of the boy’s outside leg meeting his index finger there, finger that fell meeting and stroking the short fur on the upperjaw, the muzzle   You’ll be down t’ pub after?     ***     We were sat on low stools at a low table   What’ll you have?    To invite an outsider to drink with him meant only one thing   To then invite another to join in, meant something quite else The latter, blue eyes, sallow skin, (a trait

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Interview

December 2013

Interview with Tess Jaray

Lily Le Brun

Interview

December 2013

In the light-filled rooms of The Piper Gallery is a painting show that features no paint. Brought together by...

fiction

September 2016

STILL MOVING

Lynne Tillman

fiction

September 2016

 I am bound more to my sentences the more you batter at me to follow you. – William Carlos...

poetry

April 2017

The Village

Mona Arshi

poetry

April 2017

                                 When I pronounce...

 

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