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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

Pirajoux The middle of a hot endless summer, driving on the A39 through an as always empty central France, which exudes as always a certain Seventies timelessness The anxiety of being in a Ballard novel, the feeling of a certain narrative disconnectedness, that anything could happen or not, at the stroke of a pen And that whether something happens or not is somehow equally as disastrous an outcome But not knowing who or what the subject of this disaster would be, if anyone or anything This is what shrinks call free floating anxiety, I guess Poulet De Bresse Passing unseen towns, picnic areas, petrol stations and auto-grills, crawling along at 100 miles an hour, the faster you go the slower it all gets, chastened by the knowledge that a slight jerk to the right or left would speed everything up again and end your life in a chaos of twisted steel, spilled petrol and screaming children The promise of  an almost sci-fi shift in motion, a quantum leap, an ion drive surge tugs at the edges of this mundane driving reality Wildly fraying threads spastically unspooling at the edges of perception The death defying habits of the open road Hands alternately sweating, slipping on the wheel, followed by air-con clamminess, never finding the right balance of temperature to stop this yawing between discomforts; eyes lingering too long on the climate controls, fiddling with them, changing the flow, exasperated turning the A/C off and cracking the window open Sweating feet in Birkenstocks; damn their eyes a more prosaic way to die I couldn’t think of than this continual loss on concentration on the road due to adjusting dials and vents More dialling through French radio stations, one French song one American song, the bipolarity of taste and rhythm leaving you in the purgatory of always changing stations:Melodie, Nostalgie, Virgin, Classique, Energie Cuiseaux Pulling in to a Croq’Malin forecourt concession for lunch, leaving the car behind, clicking to itself in the heat Feet squelching towards the services, as we swamp the self service restaurant, devouring the ersatz gastronomy from whatever

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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fiction

June 2013

The Cherry Tree

Sheila Heti

fiction

June 2013

That winter, all the plums froze. All the peaches froze and all the cherries froze, and everything froze so...

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July 2013

The New Writing

César Aira

TR. Rahul Bery

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July 2013

The way I see it, the avant-garde emerged at a point when the professionalisation of artists had consumed itself...

Interview

Issue No. 12

Interview with Douglas Coupland

Tom Overton

Interview

Issue No. 12

Douglas Coupland likes crowdsourcing. I should know, because he crowdsourced me shortly after the first part of this interview....

 

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