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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

For thousands of individuals across the Arab world, 2011 has already become the year in which the political and social realities of their hitherto corrupt and despotic autocratic systems changed The world has watched with bated breath as populations in Tunisia, Egypt, and now Bahrain, Libya and also Yemen have mobilised against their (predominantly western-backed) rulers But alongside the elation has also been a host of other, less familiar sentiments: surprise, awe, intrigue and self-reflection The uprisings in Egypt and across the Arab world have done more than undermine the authority of geriatric dictatorships in the Middle East; they have called into question the founding principles of western diplomacy and the prevailing counter-Enlightenment ideology of cultural relativism   Much ink has been spilled by commentators debating the reasons for this flaring of the revolutionary spirit in the Middle East, but one view that has gained near complete consensus is that these protests are surprisingly nonpartisan: human rights and ‘dignity’ being called for above the institution of specific doctrine This particularly apolitical aspect of the protests has lent them both power and flexibility, allowing them to draw on a wide support base that transcends traditionally rigid social hierarchies   This has come as a shock for those western powers who have so vehemently justified their support of authoritarian regimes in the Middle East as the only pragmatic means of guarding against the bogeyman of Islamic fundamentalism in the region Because the Arab world, so they claimed, was both wild and uncivilised; a place where bearded men in flowing white robes roamed the streets instilling the fear of God in the hearts and minds of the people, where women were reduced to nothing but shapeless black shadows, where wild-eyed believers sacrificed themselves to the greater cause of Islam, and where the western values of liberalism and democracy were both unfamiliar and unwelcome Without the iron rods of dictators to keep them in check, the argument ran, the uncivilised wretches of these countries would find no other recourse than in Islamic fundamentalism and anti-western sentiment ‘The effect,’ says Gary Younge in an article for the

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

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fiction

April 2013

The Final Journals of Dr Peter Lurneman

Luke Neima

fiction

April 2013

Editors’ note: After several months of debate we have decided to publish the succeeding text, a reproduction of the...

Art

June 2013

Ghosts and Relics: The Haunting Avant-Garde

John Douglas Millar

Art

June 2013

‘The avant-garde can’t be ignored, so to ignore it – as most humanist British novelists do – is the...

fiction

March 2012

Swimming Home

Deborah Levy

fiction

March 2012

‘Each morning in every family, men, women and children, if they have nothing better to do, tell each other their...

 

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