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Nicole Flattery

Nicole Flattery's criticism has appeared in the GuardianThe Irish Times and the LRB. Her story collection Show Them A Good Time was published in 2019. Her favourite Chantal Akeman film is News From Home.



Articles Available Online


Chantal Akerman’s ‘My Mother Laughs’

Book Review

October 2019

Nicole Flattery

Book Review

October 2019

There’s a scene in the documentary I Don’t Belong Anywhere, about the Belgian filmmaker’s Chantal Akerman’s life and work, where she discusses her only...

Book Review

August 2018

Lorrie Moore's ‘See What Can Be Done’

Nicole Flattery

Book Review

August 2018

Lorrie Moore writes in her introduction to See What Can Be Done that, at the start of her career,...

The Chinese artist Cao Fei documents life in her country’s rapidly changing urban and social landscapes Her eclectic work as an artist – which extends to video, photography, digital animation, and writing – twins the physical and material changes driven by industrialisation with the increasing immersion of China’s youth in digital networks and virtual environments   Her early work explored these preoccupations – the video ‘COSPlayers’ (2004), released when she was 25 years old, follows adolescents as they dress up as animé characters and skirt the edgelands of Guangzhou, the sprawling port city of Fei’s birth; in ‘Whose Utopia?’ (2006, presented at the Tate Modern in 2014/15), workers at a manufacturing plant act out their fantasy lives amid the machines She came to wider international prominence for her construction of a virtual Gotham toontown called RMB City (2006–2011) on Second Life, the online world in which it is possible to buy property, get married, and set up businesses through a digital alias   Fei operated in Second Life through the avatar China Tracey In ‘iMirror’ (2007), Tracey meets Hug Yue, a hunky blonde in white-tie, and together they rove the virtual landscape on a safari romance, musing on the spliced world they encounter RMB City is an island conurbation comprised of a heap of souvenirs and stock images – as if burped out of a factory production line – which Fei describes as a ‘condensed incarnation of contemporary Chinese cities’ complete with chimneystacks, statues of Mao, shipping containers and shopping malls Fei has documented the city in a wide range of mediums, from videos and virtual guides to a theatrical production on Second Life (‘RMB City Opera’, 2009)   Fei has exhibited widely, including at the Venice Biennale (2003, 2007, 2015), Deutsche Guggenheim (2006), and Serpentine Gallery, London (2008) Her work has been shown at, among others, Tate Modern, London; the Guggenheim Museum, the International Center of Photography and MoMA, New York; and at the Centre Pompidou and Palais de Tokyo, Paris Her first museum solo show in the US opened at MoMA PS1 this April (and runs to 31 August)   We meet amidst the palatial

Contributor

January 2018

Nicole Flattery

Contributor

January 2018

Nicole Flattery’s criticism has appeared in the Guardian, The Irish Times and the LRB. Her story collection Show Them A Good...

Carmen Maria Machado’s ‘Her Body and Other Parties’

Book Review

January 2018

Nicole Flattery

Book Review

January 2018

I’m reluctant to admit this but it’s often easier for me to write about a book I hated rather than a book I loved....

READ NEXT

feature

February 2015

A Closer Joan

Shawn Wen

feature

February 2015

Here are a few of the Joans I know. The girl who arrives at Port Authority Bus Terminal in...

Interview

Issue No. 1

Interview with China Miéville

Ben Eastham

Interview

Issue No. 1

It is a cliché to say that a writer’s work resists classification. It is ironic then that China Miéville,...

Prize Entry

April 2017

Two Adventures

Ari Braverman

Prize Entry

April 2017

I. A Cosmopolitan Avenue   …where a girl pretends the whole city is dead. She is too old for...

 

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