Mailing List


Nicole Flattery

Nicole Flattery's criticism has appeared in the GuardianThe Irish Times and the LRB. Her story collection Show Them A Good Time was published in 2019. Her favourite Chantal Akeman film is News From Home.



Articles Available Online


Chantal Akerman’s ‘My Mother Laughs’

Book Review

October 2019

Nicole Flattery

Book Review

October 2019

There’s a scene in the documentary I Don’t Belong Anywhere, about the Belgian filmmaker’s Chantal Akerman’s life and work, where she discusses her only...

Book Review

August 2018

Lorrie Moore's ‘See What Can Be Done’

Nicole Flattery

Book Review

August 2018

Lorrie Moore writes in her introduction to See What Can Be Done that, at the start of her career,...

Hoda Barakat’s The Kingdom of this Earth turns to the history of Lebanese Maronite Christians, from the Mandate period to shortly before the outbreak of the Lebanese Civil War in the mid-1970s This scene, occurring very early in the novel, precedes a tragedy that will mark the family at the centre of the story, whose history of village pre-eminence puts them at the centre of local rivalries around class, land ownership, water rights, and gender politics The ancestral past remains part of the present, as the children of Muzawwaq struggle to make their future in a society of close ties and deep rifts   — M B         A shower of wet snow The snowflakes were beginning to stick, forming white patches that spread and thickened across the terrain The horizon line between the greyness of the skies and the white ground was blurred now   The bitter edge of the blustery cold softened as the fog dropped over the land, thick as a felt saddle blanket The mountain paths and ravines were no longer distinguishable, making it impossible to guess how much distance remained ahead Features of the landscape known popularly as the Frenchmen’s Chamber, Deaf-mute’s Crevice, St Severin’s Elbow, the Cross of the Sacred Heart, had all vanished After Patriarch’s Point the entire expanse of these heights was submerged in the sour gummy milk Overhead, winds whirling and pounding as though powerful water currents were ravining the skies changed course suddenly, a fierce onrush whipping across the ground to prevent him moving forward   He got off his horse He pulled the saddlebags of lentils off the horse’s back and tossed them to the ground but he kept the sacks of wheat and hay where they were He opened the blade of his penknife and slashed open a sack of hay, bringing it up to the horse’s head But his beloved horse didn’t plunge her snout into the sack She would not eat Mubaraka, eat! For the love of the Virgin, eat – it will give your legs more strength We don’t have a choice, Mubaraka We have to go on   The horse stared

Contributor

January 2018

Nicole Flattery

Contributor

January 2018

Nicole Flattery’s criticism has appeared in the Guardian, The Irish Times and the LRB. Her story collection Show Them A Good...

Carmen Maria Machado’s ‘Her Body and Other Parties’

Book Review

January 2018

Nicole Flattery

Book Review

January 2018

I’m reluctant to admit this but it’s often easier for me to write about a book I hated rather than a book I loved....

READ NEXT

feature

September 2017

On The White Review Anthology

The Editors

feature

September 2017

Valentine’s Day 2010, Brooklyn: an intern at the Paris Review skips his shift as an undocumented worker at an...

Art

Issue No. 17

Water

Batia Suter

Art

Issue No. 17

Sources: Achate, Bilder im Stein / Josef Arnoth, Naturhistorisches Museum Basel Buchverlag, Bild der Wissenschaft 12, Dezember 1971, DVA StuttgartBasler Zeitung, Birkhäuser...

Art

May 2015

(E-E) Evgenij Kozlov

E-E

Art

May 2015

Madder than the World is a series by Russian artist (E-E) Evgenij Kozlov, who came to prominence as a founding member of the...

 

Get our newsletter

 

* indicates required