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Nicole Flattery

Nicole Flattery's criticism has appeared in the GuardianThe Irish Times and the LRB. Her story collection Show Them A Good Time was published in 2019. Her favourite Chantal Akeman film is News From Home.



Articles Available Online


Chantal Akerman’s ‘My Mother Laughs’

Book Review

October 2019

Nicole Flattery

Book Review

October 2019

There’s a scene in the documentary I Don’t Belong Anywhere, about the Belgian filmmaker’s Chantal Akerman’s life and work, where she discusses her only...

Book Review

August 2018

Lorrie Moore's ‘See What Can Be Done’

Nicole Flattery

Book Review

August 2018

Lorrie Moore writes in her introduction to See What Can Be Done that, at the start of her career,...

In 1999, living in France for the first time, I picked up a copy of Passion simple by Annie Ernaux at the Fnac My French wasn’t great, but the vocabulary was simple, as was the subject: one woman’s obsession with her Russian lover ‘From September last year,’ she writes, ‘I did nothing else but wait for a man: for him to call me and come round to my place’ Entire days slip by in this heightened state: the cycle of waiting, then finally hearing from him, or seeing him, then the emptiness again, followed by the immediate hunger to repeat the experience It taught me so much about the unfulfilment of fulfilment I loved how spare and almost unemotional the prose was, all while evoking this most emotion-ridden of experiences, and in time, reading her other work, I would come to understand that this écriture plate, or flat writing, was one of its strongest, most unique attributes From books like La place (A Man’s Place, 1983, for which she won France’s prestigious Prix Renaudot) or Une femme (A Woman’s Story, 1988), about the deaths, respectively, of Ernaux’s father and mother, to Les Années (2008), recently published in English, translated by Alison L Strayer, as The Years, Ernaux demonstrates a striking ability to take the most wrenching of experiences and render them unflinchingly, without moral judgment   Ernaux was born in 1940 in Normandy to a working-class family; her parents worked in a factory and later ran a small café and shop This background informs all of Ernaux’s work, from her early anti-novels Les Armoires vides (Cleaned Out, 1974) and Ce qu’ils disent ou rien (1977) to her later masterpieces L’événement (Happening, 2000), about an illegal abortion, or Mémoire de fille (2016), which takes place during the summer of 1958, when she worked as a counsellor at a summer camp in Normandy, and explores the shame she felt following her first sexual experience with another counsellor there [1] Elizabeth Bowen once described herself as a writer ‘for whom places loomed large’; this is also true of Ernaux, for whom the past is a

Contributor

January 2018

Nicole Flattery

Contributor

January 2018

Nicole Flattery’s criticism has appeared in the Guardian, The Irish Times and the LRB. Her story collection Show Them A Good...

Carmen Maria Machado’s ‘Her Body and Other Parties’

Book Review

January 2018

Nicole Flattery

Book Review

January 2018

I’m reluctant to admit this but it’s often easier for me to write about a book I hated rather than a book I loved....

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Prize Entry

April 2017

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Anna Glendenning

Prize Entry

April 2017

 1. PhD   Blue bedroom, Grandma’s house, Aigburth, Liverpool   I gave birth to one hundred thousand words. Tessellated,...

Interview

March 2017

Interview with Lidija Dimkovska

Sara Nović

Interview

March 2017

I met Lidija Dimkovska at the Twin Cities Book Festival in October, fleetingly, and completely by accident. I had...

feature

April 2017

The White Review Short Story Prize 2017 Shortlist (US & Canada)

feature

April 2017

click on the title to read the story   1,040 MPH by Alexander Slotnick   Abu One-Eye by Rav...

 

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