Mailing List


Nicole Flattery

Nicole Flattery's criticism has appeared in the GuardianThe Irish Times and the LRB. Her story collection Show Them A Good Time was published in 2019. Her favourite Chantal Akeman film is News From Home.



Articles Available Online


Chantal Akerman’s ‘My Mother Laughs’

Book Review

October 2019

Nicole Flattery

Book Review

October 2019

There’s a scene in the documentary I Don’t Belong Anywhere, about the Belgian filmmaker’s Chantal Akerman’s life and work, where she discusses her only...

Book Review

August 2018

Lorrie Moore's ‘See What Can Be Done’

Nicole Flattery

Book Review

August 2018

Lorrie Moore writes in her introduction to See What Can Be Done that, at the start of her career,...

As you enter Raqs Media Collective’s exhibition ‘Twilight Language’ at the Whitworth in Manchester, the gallery lights are dimmed: as the title suggests, this show is set at nightfall A sculptural lighthouse, Unusually Adrift from the Shoreline (2008/2017) sends out an intermittent beacon, illuminating a collection of disparate installations    Among them is a set of new works that inquire into Manchester’s past In Prostheses for the History of Insurgent Crowds (2017), wax body parts run, walk, kick and fly over wall panels decorated with geometric prints These are replicas of the prosthetic limbs which proliferated during the city’s industrial revolution, due to a rise in accidents in the workplace According to Raqs’s co-founder, Jeebesh Bagchi, the piece was inspired by the contrasting stories of injury and collective action that emerged while the group was undertaking archival research – stories of the loss of limbs in the workplace, and the many bodies that came together in protest during the city’s labour movement   In collaboration with architects Palak Jhunjhunwala and Efstratios Georgiou, Raqs also developed a crystal structure using 3D-printed plastic, resin, and plywood, that will grow for the duration of the exhibition The installation, Alive, with Cerussite and Peppered Moth (2017), is enhanced by what Bagchi refers to as the ‘biological time’ of the peppered moth, a white insect with a few brown dots that became rarer in Manchester during the industrial revolution As the city grew dirtier, the moth is said to have stood out against the dark surfaces of buildings and trees, making it vulnerable to birds – until, through a process of natural selection, darker moths became more prevalent The moth is represented by sound and two videos projected onto the crystal structure, at moments identifiable by the fluttering of its wings, at others as a fractured and elusive shadow   Raqs Media Collective was founded by Monica Narula, Shuddhabrata Sengupta, and Jeebesh Bagchi in 1992, after they studied documentary film together at Jamia Millia Islamia university in Delhi The

Contributor

January 2018

Nicole Flattery

Contributor

January 2018

Nicole Flattery’s criticism has appeared in the Guardian, The Irish Times and the LRB. Her story collection Show Them A Good...

Carmen Maria Machado’s ‘Her Body and Other Parties’

Book Review

January 2018

Nicole Flattery

Book Review

January 2018

I’m reluctant to admit this but it’s often easier for me to write about a book I hated rather than a book I loved....

READ NEXT

Art

February 2014

Starting with a Bang: Hannah Höch and The First International Dada Fair

Daniel F. Herrmann

Art

February 2014

A spectre haunted the Lützow-Ufer – the spectre of Dadaism. It hung from the ceiling and peered down from the...

Art

October 2012

Mitra Tabrizian's Another Country

Matt Mahon

Mitra Tabrizian

Art

October 2012

Mitra Tabrizian’s Another Country (2010), a collection of nine large-scale photographs taken between 2009-2010, present to the viewer an...

Interview

October 2014

Interview with Jem Cohen

Steve Macfarlane

Interview

October 2014

Jem Cohen may be one of the quintessential New York filmmakers of our era. Peerless in his knack for...

 

Get our newsletter

 

* indicates required