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Nicole Flattery

Nicole Flattery's criticism has appeared in the GuardianThe Irish Times and the LRB. Her story collection Show Them A Good Time was published in 2019. Her favourite Chantal Akeman film is News From Home.



Articles Available Online


Chantal Akerman’s ‘My Mother Laughs’

Book Review

October 2019

Nicole Flattery

Book Review

October 2019

There’s a scene in the documentary I Don’t Belong Anywhere, about the Belgian filmmaker’s Chantal Akerman’s life and work, where she discusses her only...

Book Review

August 2018

Lorrie Moore's ‘See What Can Be Done’

Nicole Flattery

Book Review

August 2018

Lorrie Moore writes in her introduction to See What Can Be Done that, at the start of her career,...

Amidst the drills and concrete, white walls and big names of London’s Cork Street stands a new gallery, Nahmad Projects, hosting a few performers who crawl the floor, softly pawing their faces, on all-fours Dressed in comfortable basics, they’re determinedly imagining that they’re cats And that day, they were cats for six straight hours: emulating cat mannerisms, ignoring visitors, being aloof   I Am A Cat, the title of the piece, is the creation of Finnish artist Tuuli Malla, one of 30 performance pieces over 30 days that herald the opening of Nahmad Gallery, collectively titled ‘I Am Not Tino Sehgal’ It’s a brave move for a commercial gallery founded by two under-30s, Tommaso Calabro, formerly a project coordinator at Sotheby’s in Milan and London, and Joseph Nahmad, younger brother of London-based gallerist and collector Helly   Throughout the month-long exhibition – which, it should be noted, has no official affiliation with Tino Sehgal – there’s little that would be familiar to the old guard on Cork Street, which has for decades played host to the more exclusive of London’s contemporary art galleries in the West End When there aren’t cats, there is a performer scrawling the name ‘Tino Sehgal’ in various animal shapes into notebooks on the floor (Damiano Fina’s But I have him), an artist playing at gallery invigilator, sitting silent and unmoving, reading Ulysses next to a walkie talkie (Beth Fox’s This Work)   For Italian/French art collective VOO’s piece, Coined Situation, the artists placed a single performer in the centre of the room, surrounded by 1p pieces It’s a large mountain of tarnished bronze, but seems diminished when we learn that it amounts to £1,000 – the sum the collective receives for participating in the show The performer sits alone, moving the coins around, piling them into towers I ask what I’m supposed to do and little yellow cards are proffered, reading ‘1 MOVE for 1 COIN’ Eloise Lawson set the rules rather more clearly for her piece, What Is The Meaning of this Gathering? All participants were blindfolded and guided into a closed-off gallery space, where they joined other participants and the

Contributor

January 2018

Nicole Flattery

Contributor

January 2018

Nicole Flattery’s criticism has appeared in the Guardian, The Irish Times and the LRB. Her story collection Show Them A Good...

Carmen Maria Machado’s ‘Her Body and Other Parties’

Book Review

January 2018

Nicole Flattery

Book Review

January 2018

I’m reluctant to admit this but it’s often easier for me to write about a book I hated rather than a book I loved....

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Interview

March 2013

Interview with Amit Chaudhuri

Anita Sethi

Interview

March 2013

Think of the long trip home.  Should we have stayed at home and thought of here?  Where should we...

poetry

Issue No. 13

Morning, Noon & Night

Claire-Louise Bennett

poetry

Issue No. 13

Sometimes a banana with coffee is nice. It ought not to be too ripe – in fact there should...

Interview

Issue No. 1

Interview with Manfred Mohr

Alice Hattrick

Interview

Issue No. 1

Lines of varying thickness rotate on black. On the screen beside, tilted away from the first, is a slide...

 

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