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Nicole Flattery

Nicole Flattery's criticism has appeared in the GuardianThe Irish Times and the LRB. Her story collection Show Them A Good Time was published in 2019. Her favourite Chantal Akeman film is News From Home.



Articles Available Online


Chantal Akerman’s ‘My Mother Laughs’

Book Review

October 2019

Nicole Flattery

Book Review

October 2019

There’s a scene in the documentary I Don’t Belong Anywhere, about the Belgian filmmaker’s Chantal Akerman’s life and work, where she discusses her only...

Book Review

August 2018

Lorrie Moore's ‘See What Can Be Done’

Nicole Flattery

Book Review

August 2018

Lorrie Moore writes in her introduction to See What Can Be Done that, at the start of her career,...

GADAPA (THRESHOLD)   Pedavva cried her last words, ‘Gadapa duram, khaadee deggera’   Gadapa is the site of our experience – always nearing almost touching like a wish It is where you will find our land, which we neither own, nor belong in   Women slapped against walls nailed with frames of ancestors and blessing gods, sit at the gadapa talking with the neighbouring women Hanumavva with more than tobacco-packet in her bosom waits at the gate for more than a bus to the next village Nagaraju traded his body for some touch at the bank where the stillborn are let in the river that Mogulappa cried   The women who raised me accuse me of appropriating and violating their carework of loving I love like it’s the only skill needed to survive in this country   I can’t love like your men Body full of violence, fascist to the teeth, logically invalid by bones A blind bull tricked, shot and sold in the crowded Monday bazaar   Pedavva cried like the waves of the flood that transgressed our thresholds with all its laborious force on 26th July, 2005 She entered life like the waves to collapse a home built to bury her body   Like gutter flood she broke in through the roof, occupied from the cracks, claimed from the toilet drain just to belong   Now squatting across the line, skilfully sifting the city sludge in sieves, we strained no gold Only a wasteful amount of soil, soggy cooked rice and plastic   Just like our dreams of breaking the world and the Mithi River streaming with flamingos     BORN AND RAISED IN BAMBAI 17 for Nishant   At the mouth of the world I ache for nothing but the feeling of being swallowed In the slow, changing colours of the twilight I saw God from the local train passing over the bridge They were tailoring curtains No third eye or big hands Just crow wings & burnt skin spread across the sky I prayed to them for their seeping light in my veins and my pericardium They sang to the drumbeats Come find me at jaatara where pioneers meet their death where you last confided in Begum’s eyes where all your brothers descend where the hearts turn as soft as entrails under the knife Through

Contributor

January 2018

Nicole Flattery

Contributor

January 2018

Nicole Flattery’s criticism has appeared in the Guardian, The Irish Times and the LRB. Her story collection Show Them A Good...

Carmen Maria Machado’s ‘Her Body and Other Parties’

Book Review

January 2018

Nicole Flattery

Book Review

January 2018

I’m reluctant to admit this but it’s often easier for me to write about a book I hated rather than a book I loved....

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Interview

Issue No. 13

Interview with Michel Faber

Anna Aslanyan

Interview

Issue No. 13

MICHEL FABER’S RANGE OF SUBJECTS – from child abuse to drug abuse, from avant-garde music to leaking houses – is as...

feature

September 2013

To Sing the Love of Danger

Adnan Sarwar

feature

September 2013

The Gulf War made my first year at Towneley High School uncomfortable. White lads taunted us Pakistanis with pictures...

poetry

February 2011

Mainly about Roth

Aidan Cottrell Boyce

poetry

February 2011

From the start he was thrown in at the deep-end when the head keeper just handed him a pail...

 

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