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Nicole Flattery

Nicole Flattery's criticism has appeared in the GuardianThe Irish Times and the LRB. Her story collection Show Them A Good Time was published in 2019. Her favourite Chantal Akeman film is News From Home.



Articles Available Online


Chantal Akerman’s ‘My Mother Laughs’

Book Review

October 2019

Nicole Flattery

Book Review

October 2019

There’s a scene in the documentary I Don’t Belong Anywhere, about the Belgian filmmaker’s Chantal Akerman’s life and work, where she discusses her only...

Book Review

August 2018

Lorrie Moore's ‘See What Can Be Done’

Nicole Flattery

Book Review

August 2018

Lorrie Moore writes in her introduction to See What Can Be Done that, at the start of her career,...

Everyone who asks questions, asks in some way about love The question is one half, the answer the other If you separate the Lovers you don’t end up with two distinct people Instead you’re left with two halves of a self, incapable of doing much on their own Imagine a coin with one side, or a story with one side Imagine peeling the skin off your arm Imagine the worst thing that could ever happen to you, happening to you When one Lover’s gone, the other doesn’t know what to do When a Lover was a waitress she dropped all the plates she carried When a Lover was a cashier he could never count out the right change When they worked opposite hours they lost entire days They looked at the moon more than they looked at themselves They’d rifle through medicine cabinets in other people’s houses and read the magazines other people subscribed to They went to the places where others decided to go When they’re apart they forget their names; when they’re together they don’t respond to them   ‘We can tell you your future, if you tell us your dreams,’ is what the Lovers say upon being found They listen to one of your dreams if you buy each a Moscow Mule, and after will tell a part of the coming days It can be insignificant, like a bee ‘Watch for bees,’ a Lover says to you ‘Are you allergic?’ You’re not ‘That’s good’ Their smiles are sleepy; they ruffle each other’s hair   The next Tuesday you step on a bee You see the Lovers later that week at the Mercantile You ask how they’d extracted bees from your dream, in which there weren’t any bees ‘There’s no future in dreams,’ one Lover says, the girl ‘None that would be worth telling, anyway’ You expect the Lovers to evade but they don’t ‘It’s about faces,’ the boy goes on ‘Seeing what’s there The past is in your teeth The future’s in your eyes’   You wonder why they asked about

Contributor

January 2018

Nicole Flattery

Contributor

January 2018

Nicole Flattery’s criticism has appeared in the Guardian, The Irish Times and the LRB. Her story collection Show Them A Good...

Carmen Maria Machado’s ‘Her Body and Other Parties’

Book Review

January 2018

Nicole Flattery

Book Review

January 2018

I’m reluctant to admit this but it’s often easier for me to write about a book I hated rather than a book I loved....

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Art

March 2014

Amy Sillman: The Labour of Painting

Paige K. Bradley

Amy Sillman

Art

March 2014

The heritage of conceptualism and minimalism leaves a tendency to interpret a reduction in form as intellectually rigorous. If...

Interview

March 2017

Interview with Rodrigo Hasbún

Enea Zaramella

Rodrigo Hasbún

TR. Sophie Hughes

Interview

March 2017

Rodrigo Hasbún (born Cochabamba, Bolivia, 1981) has published two novels and a collection of short stories; he was selected...

poetry

January 2014

Letters from a Seducer

Hilda Hilst

TR. John Keene

poetry

January 2014

At her death in 2004, Brazilian author Hilda Hilst had received a number of her country’s important literary prizes...

 

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