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Orit Gat
Orit Gat is a writer living in London. She is a contributing editor of The White Review.


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On Marriage, Netflix, and Other Things I Hate

Book Review

June 2023

Orit Gat

Book Review

June 2023

1. ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband.’   Marriage falls into a...

Book Review

July 2022

It’s Personal: Writing and Reading Through Grief

Orit Gat

Book Review

July 2022

1. A spill  I’m drinking coffee in bed and reading The Reactor. I feel so close to everything Nick...

ANDRÉ BRETON The most memorable thing about our meetings [around 1919-1920] was the almost complete bareness of the room in which Reverdy received us, usually on Sundays He lived at the top of Montmartre, rue Cortot, a stone’s throw from the rue des Saules Of the astonishing ‘climate’ that prevailed there, nothing could give a clearer picture than this remarkable description by Reverdy himself, at the opening of La Lucarne Ovale [1]:   At that time coal had become as precious and as rare as nuggets of gold, and I was writing in an attic where the snow, falling in through cracks in the ceiling, would turn blue Such force of expression has for me lost none of its beguiling charm It takes me back, instantly, to the heart of that verbal wizardry which, for us, was the preserve of Reverdy Only Aloysius Bertrand and Rimbaud had previously ventured so far down that path For my part, I loved and I love still – yes, love – this poetry that takes as its subject the vast swathes that halo everyday life, that haze of anxieties and intimations that flutter around our thoughts and actions From these he pruned as if at random, the rhythm he created appearing to be his sole tool, albeit one that never betrayed him; he was a marvel Reverdy was much more of a theorist than Apollinaire: he would even have been a master in our eyes had he been less impassioned in debate, more aware of the arguments with which we opposed him, though it is true that this passion made up a great part of his charm No one has reflected better, nor has known how to make others reflect, on the profound effects of poetry Nothing could hold greater importance later on than his ideas on poetic imagery Nor is there anybody who has shown such exemplary indifference to the ingratitude of fate   (Interviews with André Parinaud, ‘Le Point du Jour’, Gallimard, 1952)     LOUIS ARAGON A black sun has set in Solesmes When we were 20 (Soupault, Breton, Eluard and I), he embodied for us all that was pure in the world Our immediate elder, and the exemplary poet Life may well have ebbed between us, but it

Contributor

August 2014

Orit Gat

Contributor

August 2014

Orit Gat is a writer living in London. She is a contributing editor of The White Review.

Essay

September 2020

Three Finals

Orit Gat

Essay

September 2020

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a...

Anna Wiener’s ‘Uncanny Valley’

Book Review

February 2020

Orit Gat

Book Review

February 2020

1. SF vs NY   Anna Wiener found herself in the right place at the right time. That is, if that was what she...
James Bridle’s ‘New Dark Age’

Book Review

October 2018

Orit Gat

Book Review

October 2018

Halfway through James Bridle’s foreboding, at times terrifying, but ultimately motivating account of our technological present, he recounts a scene from a magazine article...
Women and Technology: History is a Cautionary Tale

Book Review

April 2018

Orit Gat

Book Review

April 2018

Few book reviews open with amateur rap, but: ‘back in the day when new media was new,’ goes the first line of a song...
Scroll, Skim, Stare

feature

Issue No. 16

Orit Gat

feature

Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its subject – artists’ websites, their...
What Can an Art Magazine Be?

feature

Issue No. 10

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet, the pioneering art magazine Metronome provides...

READ NEXT

feature

July 2011

Herat

Sam Duerden

feature

July 2011

At Kabul airport, a man I mistook for a foreigner.   A security guard, red-haired with blue eyes and...

Art

Issue No. 6

Interview with Edmund de Waal

Emmeline Francis

Art

Issue No. 6

As we speak, Edmund de Waal, ceramicist and writer, moves his palms continually over the surface of the trestle...

feature

October 2012

Crown of Thorns Starfish

Caspar Henderson

feature

October 2012

If you look into infinity what do you see? Your backside!  –Tristan Tzara   The drug-addict, drunk, wife-shooter and...

 

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