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Orit Gat
Orit Gat is a writer living in London. She is a contributing editor of The White Review.


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On Marriage, Netflix, and Other Things I Hate

Book Review

June 2023

Orit Gat

Book Review

June 2023

1. ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband.’   Marriage falls into a...

Book Review

July 2022

It’s Personal: Writing and Reading Through Grief

Orit Gat

Book Review

July 2022

1. A spill  I’m drinking coffee in bed and reading The Reactor. I feel so close to everything Nick...

‘I’m tending to this dead tree,’ he tells me Last time he was rolling the hard rocks down into the canyon and then back out again   ‘How can you tend to it? It’s dead’   John looks at me for a long time, as if I’ve said something that he needs to try very hard to understand, as if I’ve failed to comprehend something fundamental   ‘Listen man It’s my vocation And I’m trying to keep upbeat about it, alright? So fuck off’ Ÿ ***   It’s about a half-hour’s walk into the desert from my cave to the dead tree that John’s tending There was a time it’d take you half a day, there were so many prophets and holy men leading disciples around, striking rocks and bringing water forth, conversing with the scorpions and snakes, giving sermons on mounts or even boulders if all the mounts were taken Now it’s just me and John doing the whole ascetic privation thing   There’s no one left out here to work miracles for, which is probably for the best, considering I’ve got all of half a miracle to my name and John’s not very good with people Which is not to say that I dislike hanging out with him – he does provide a dry sort of companionship, once you’ve been around him long enough – but he’s an obsessive personality type, so he’ll only really talk to you if you can feign an interest in rolling rocks around or if you can come up with a new strategy for harvesting water to feed his dead tree Otherwise he just ices you out and starts praying It gets old fast   He’s been living in the desert for a few years now I can’t take more than a month or so at a time The desert is hot, your skin chaps and there’s nothing to do But when I get back to my cave on the outskirts of the city, things are better Everyone always appreciates my sacrifice, the

Contributor

August 2014

Orit Gat

Contributor

August 2014

Orit Gat is a writer living in London. She is a contributing editor of The White Review.

Essay

September 2020

Three Finals

Orit Gat

Essay

September 2020

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a...

Anna Wiener’s ‘Uncanny Valley’

Book Review

February 2020

Orit Gat

Book Review

February 2020

1. SF vs NY   Anna Wiener found herself in the right place at the right time. That is, if that was what she...
James Bridle’s ‘New Dark Age’

Book Review

October 2018

Orit Gat

Book Review

October 2018

Halfway through James Bridle’s foreboding, at times terrifying, but ultimately motivating account of our technological present, he recounts a scene from a magazine article...
Women and Technology: History is a Cautionary Tale

Book Review

April 2018

Orit Gat

Book Review

April 2018

Few book reviews open with amateur rap, but: ‘back in the day when new media was new,’ goes the first line of a song...
Scroll, Skim, Stare

feature

Issue No. 16

Orit Gat

feature

Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its subject – artists’ websites, their...
What Can an Art Magazine Be?

feature

Issue No. 10

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet, the pioneering art magazine Metronome provides...

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poetry

September 2015

She-dog & Wrong

Natalia Litvinova

TR. Daniela Camozzi

poetry

September 2015

She-dog   He wrote to tell me his dog had died. I wanted to be her, I wanted him...

feature

April 2013

Félix Fénéon, Bomb-Thrower

Tom McCarthy

feature

April 2013

Editors’ Note: On 25 April 2013, novelist Tom McCarthy announced the winner of the first annual White Review Short...

Art

Issue No. 3

Dead Unicorns: Apocalyptic Anxiety in Canadian Art

Vanessa Nicholas

Art

Issue No. 3

David Altmejd’s installation for the Canada Pavilion at the 2007 Venice Biennale was a complex labyrinth of ferns, nests...

 

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