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Orit Gat
Orit Gat is a writer living in London. She is a contributing editor of The White Review.


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On Marriage, Netflix, and Other Things I Hate

Book Review

June 2023

Orit Gat

Book Review

June 2023

1. ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband.’   Marriage falls into a...

Book Review

July 2022

It’s Personal: Writing and Reading Through Grief

Orit Gat

Book Review

July 2022

1. A spill  I’m drinking coffee in bed and reading The Reactor. I feel so close to everything Nick...

Looking back at Harmondsworth as he left, after 52 days inside, Amir was struck by how isolated the detention centre seemed Set back from the A4, it runs along the northern boundary wall of Heathrow, separated from the road by a car park and shielded from view by a line of houses and trees ‘The location is such that nobody can see you,’ he told me, a year after his release ‘This is how they make you feel cut off’   A year and a half ago I was scrolling aimlessly on the internet when I came across a simple website called ‘Detained Voices’, consisting of a series of short quotations from people who were being detained in ‘immigration removal centres’ in the UK Reading these disturbing fragments of testimony started me on a path that eventually put me opposite Amir in a Costa coffee shop in Stratford, as he told me about life in Harmondsworth   As I’ve learnt more about immigration detention I have become increasingly mystified by the place it occupies in our national discourse A set of nine prison-like buildings dotted around the country, these immigration removal centres are a recent phenomenon, yet already feel like part of the national furniture Harmondsworth, the first purpose-built immigration detention centre in the UK, was constructed in 1970 on the fringes of Heathrow, the country’s largest airport It had a capacity of 44 Over the eighties and nineties more and more facilities popped up around the country, until a burst of building under New Labour after the millennium brought the total number of places in these centres to just over 4,000 today   I became obsessed with the history of detention and with the building of Harmondsworth itself Rebuilt and expanded in 2001, it is now the largest detention centre in Europe I know which architectural practice designed the building (HLM Architects), who manufactured the heavy iron security doors (Lloyd Worrel Ironmongery), how much the retrofitted sprinkler system cost (£17 million) and who provided the toilets lacking in ligature points (The Plumb Centre) I learnt what ligature points are I learnt about the seven

Contributor

August 2014

Orit Gat

Contributor

August 2014

Orit Gat is a writer living in London. She is a contributing editor of The White Review.

Essay

September 2020

Three Finals

Orit Gat

Essay

September 2020

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a...

Anna Wiener’s ‘Uncanny Valley’

Book Review

February 2020

Orit Gat

Book Review

February 2020

1. SF vs NY   Anna Wiener found herself in the right place at the right time. That is, if that was what she...
James Bridle’s ‘New Dark Age’

Book Review

October 2018

Orit Gat

Book Review

October 2018

Halfway through James Bridle’s foreboding, at times terrifying, but ultimately motivating account of our technological present, he recounts a scene from a magazine article...
Women and Technology: History is a Cautionary Tale

Book Review

April 2018

Orit Gat

Book Review

April 2018

Few book reviews open with amateur rap, but: ‘back in the day when new media was new,’ goes the first line of a song...
Scroll, Skim, Stare

feature

Issue No. 16

Orit Gat

feature

Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its subject – artists’ websites, their...
What Can an Art Magazine Be?

feature

Issue No. 10

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet, the pioneering art magazine Metronome provides...

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Art

September 2016

Sitting, scrawling, playing

Emily Gosling

Art

September 2016

Amidst the drills and concrete, white walls and big names of London’s Cork Street stands a new gallery, Nahmad Projects,...

poetry

May 2014

Rain on the Roof (to James Schuyler)

David Andrew

poetry

May 2014

Degrees of distance Who all died at different dates, known to each other: not just in the human race...

fiction

September 2012

Sarah Palin Night

Agustín Fernández Mallo

TR. Michael McDevitt

fiction

September 2012

It was a Sunday afternoon, siesta time: my phone buzzed in my pocket. ‘Is this Agustín Fernández Mallo?’ ‘Yes,...

 

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