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Orit Gat
Orit Gat is a writer living in London. She is a contributing editor of The White Review.


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On Marriage, Netflix, and Other Things I Hate

Book Review

June 2023

Orit Gat

Book Review

June 2023

1. ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband.’   Marriage falls into a...

Book Review

July 2022

It’s Personal: Writing and Reading Through Grief

Orit Gat

Book Review

July 2022

1. A spill  I’m drinking coffee in bed and reading The Reactor. I feel so close to everything Nick...

When I arrive in Moscow, I am picked up from the airport by Roman, a patriotic taxi driver sent to collect me courtesy of The Garage Museum of Contemporary Art Before I take my seat in the back of the BMW he is driving, Roman tells me that he loves his country, his wife, and Princess Diana, after whom he named his daughter Having discovered this is my first visit to the city, he decides to take me on an impromptu tour of the centre We drive past ‘Putin’s house’, aka the Kremlin, and St Basil’s Cathedral, where he launches with glee into a retelling of a legend of Ivan the Terrible, in which the original ‘Tsar of all Rus’ pokes out the eyes of the cathedral’s architect in order to ensure he never makes anything so beautiful again Then onwards to the glass-domed shopping centre, GUM, itself a potted history of Russian politics: commissioned by Catherine the Great, nationalised after the revolution, briefly used by Stalin to display the body of his wife Nadezhda after she committed suicide, and today a mall so firmly at the lux end of the spectrum that even the ice cream concession is made by Bulgari Last but not least on the tour is Pushkinskaya Square, to view ‘the first Soviet McDonald’s’, where today Roman buys his morning coffee He opens the glove department and proudly shows me the evidence: full of empty cardboard cups   This particular McDonald’s outlet opened on a January day in 1990 30,000 people turned up, and in a sign of the coming change, employees handed out red flags with yellow logos to the crowds, the hammer and sickle replaced by the golden arches The queue that snaked its way around the square that day would not be a one off Come summer, visitors would still be waiting in line for eight hours, to experience the freedom of blocking their arteries in the US style One year later, the Soviet Union would fall, and in the murky scramble that ensued, a few men would make their fortunes buying up state-owned

Contributor

August 2014

Orit Gat

Contributor

August 2014

Orit Gat is a writer living in London. She is a contributing editor of The White Review.

Essay

September 2020

Three Finals

Orit Gat

Essay

September 2020

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a...

Anna Wiener’s ‘Uncanny Valley’

Book Review

February 2020

Orit Gat

Book Review

February 2020

1. SF vs NY   Anna Wiener found herself in the right place at the right time. That is, if that was what she...
James Bridle’s ‘New Dark Age’

Book Review

October 2018

Orit Gat

Book Review

October 2018

Halfway through James Bridle’s foreboding, at times terrifying, but ultimately motivating account of our technological present, he recounts a scene from a magazine article...
Women and Technology: History is a Cautionary Tale

Book Review

April 2018

Orit Gat

Book Review

April 2018

Few book reviews open with amateur rap, but: ‘back in the day when new media was new,’ goes the first line of a song...
Scroll, Skim, Stare

feature

Issue No. 16

Orit Gat

feature

Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its subject – artists’ websites, their...
What Can an Art Magazine Be?

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Issue No. 10

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet, the pioneering art magazine Metronome provides...

READ NEXT

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June 2015

Uneasy Lies the Head

William Watkin

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June 2015

Last October I was standing in my kitchen, waiting for espresso to trickle from the spout of our imposing...

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October 2014

Noise & Cardboard: Object Collection's Operaticism

Ellery Royston

Object Collection

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October 2014

The set is made of painted cardboard. Four performers grab clothes from a large pile and feedback emanates from...

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September 2013

9/11 Emerging

Joseph McElroy

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September 2013

Others have it worse, have had, will always. ‘We,’ though, own the record now for largest building collapse.  ...

 

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