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Orit Gat
Orit Gat is a writer living in London. She is a contributing editor of The White Review.


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On Marriage, Netflix, and Other Things I Hate

Book Review

June 2023

Orit Gat

Book Review

June 2023

1. ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband.’   Marriage falls into a...

Book Review

July 2022

It’s Personal: Writing and Reading Through Grief

Orit Gat

Book Review

July 2022

1. A spill  I’m drinking coffee in bed and reading The Reactor. I feel so close to everything Nick...

To kiss you should not involve such fear of imprecision I shouldn’t mind about the gallery attendant He is not staring That’s not what his torch and lanyard is for   I have seen at least four people holding hands already and I’m only just out of the revolving doors They weren’t unpeeling to the root To kiss you should not feel like anything other than embellishment They, people, loads of people, have staged kiss-ins at Sainsbury’s and in Southbank cafés precisely in solidarity with my freedom to kiss you They kissed en masse on Valentine’s Day with a hashtag and everything When that historian shot himself in Notre Dame two years ago, when Larousse dictionary mooted changing the definition of marriage, he was not thinking of me tarrying in this gallery gift shop, flicking postcards and studiously not-looking at you Larousse dictionary’s colophon is a woman blowing at a dandelion clock Have I used colophon correctly? Where are you   Dandelion comes from the French dent-de-lion, lion’s teeth   I am not biding my time   A lion would not baulk at kissing you, toothily   The French for dandelion is pissenlit This translates, broadly, as wet the bed I will wait   I could kiss you lightly, the side of your face, as if putting out a fire The gallery attendant is not looking at us I have spotted another couple kissing, a boy and a girl, like it was nothing, like they didn’t have to think about lions   When you puff at a dandelion clock, puff at its puff, it looks like you’re blowing a kiss   To kiss you would be plotlessness, and nothing like falling   The gallery attendant is not sizing up our haircuts In fact he’s looking the other way   The move was mine to make,   all gallery-hushed and happy as I reached for you   and   RIGHT   LET’S                                                                                

Contributor

August 2014

Orit Gat

Contributor

August 2014

Orit Gat is a writer living in London. She is a contributing editor of The White Review.

Essay

September 2020

Three Finals

Orit Gat

Essay

September 2020

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a...

Anna Wiener’s ‘Uncanny Valley’

Book Review

February 2020

Orit Gat

Book Review

February 2020

1. SF vs NY   Anna Wiener found herself in the right place at the right time. That is, if that was what she...
James Bridle’s ‘New Dark Age’

Book Review

October 2018

Orit Gat

Book Review

October 2018

Halfway through James Bridle’s foreboding, at times terrifying, but ultimately motivating account of our technological present, he recounts a scene from a magazine article...
Women and Technology: History is a Cautionary Tale

Book Review

April 2018

Orit Gat

Book Review

April 2018

Few book reviews open with amateur rap, but: ‘back in the day when new media was new,’ goes the first line of a song...
Scroll, Skim, Stare

feature

Issue No. 16

Orit Gat

feature

Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its subject – artists’ websites, their...
What Can an Art Magazine Be?

feature

Issue No. 10

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet, the pioneering art magazine Metronome provides...

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poetry

June 2013

Belly

Melissa Lee-Houghton

poetry

June 2013

When I was fifteen I took my two little cousins into town and had them wait outside the tattoo...

feature

Issue No. 7

On a Decline in British Fiction

Jennifer Hodgson

Patricia Waugh

feature

Issue No. 7

‘The special fate of the novel,’ Frank Kermode has written, ‘is always to be dying.’ In Britain, the terminal...

fiction

June 2011

Arthur Miller

Michael Amherst

fiction

June 2011

The last time I saw Vin and Jackie we were killing slugs. The three of us had been smoking...

 

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