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Orit Gat
Orit Gat is a writer living in London. She is a contributing editor of The White Review.


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On Marriage, Netflix, and Other Things I Hate

Book Review

June 2023

Orit Gat

Book Review

June 2023

1. ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband.’   Marriage falls into a...

Book Review

July 2022

It’s Personal: Writing and Reading Through Grief

Orit Gat

Book Review

July 2022

1. A spill  I’m drinking coffee in bed and reading The Reactor. I feel so close to everything Nick...

Biography | Cattolicissimo trio composed of mother father beloved son God, why doesn’t the English language have an equivalent for –issimo?   Incidental beginnings: the mother (1951) broke off from her Milanese family in the early Seventies, got married rashly and in absence of her parents, by religious rite, for the sake of controversy, asking a cousin to be her best man She has been living in Rome with her husband ‘in exile’, as if in a colony, as if in Africa Nicola’s father (1948) was raised by a single mother, and lived with her in the council estate where they shot Una Giornata Particolare with Marcello Mastroianni and Sofia Loren   Nico’s first eight years of life: he lives with his father, mother and paternal grandmother   The father had attended seminary Then studied architecture Fatti di Valle Giulia (the Italian equivalent of May 1968 in France): the father does not partake, because of his cousin – who he is not really in touch with – who is a Carabiniere On the matter, Nicola quotes from a Pasolini poem, which is also often quoted by his father (remember to ask which one)   The father leaves university Joins the Navy for his compulsory military service   He goes back to uni with a newfound interest in ships and submarines, which will affect his creative production via the dissemination of portholes everywhere in his projects, even on the dividing walls between two rooms, which is unpalatable to the Berengo family, as well as slanted perspectives and sequences of rooms with no connecting corridors   He is a solitary youth; he spends his life putting The Way of a Pilgrim into practice, repeating to himself over and over (when he is angered by the endless queue at the post office; when his mother’s dinner is yet again tasteless; when he inadvertently tears up the wrong drawing) Lord Jesus Christ have mercy on me   Despite his marriage he keeps his boyish good looks He becomes morbidly enamoured with his son He doesn’t want him to become sophisticated During a catechism lesson when Nico is eight years old, his father taps into his own reference material,

Contributor

August 2014

Orit Gat

Contributor

August 2014

Orit Gat is a writer living in London. She is a contributing editor of The White Review.

Essay

September 2020

Three Finals

Orit Gat

Essay

September 2020

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a...

Anna Wiener’s ‘Uncanny Valley’

Book Review

February 2020

Orit Gat

Book Review

February 2020

1. SF vs NY   Anna Wiener found herself in the right place at the right time. That is, if that was what she...
James Bridle’s ‘New Dark Age’

Book Review

October 2018

Orit Gat

Book Review

October 2018

Halfway through James Bridle’s foreboding, at times terrifying, but ultimately motivating account of our technological present, he recounts a scene from a magazine article...
Women and Technology: History is a Cautionary Tale

Book Review

April 2018

Orit Gat

Book Review

April 2018

Few book reviews open with amateur rap, but: ‘back in the day when new media was new,’ goes the first line of a song...
Scroll, Skim, Stare

feature

Issue No. 16

Orit Gat

feature

Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its subject – artists’ websites, their...
What Can an Art Magazine Be?

feature

Issue No. 10

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet, the pioneering art magazine Metronome provides...

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Art

December 2011

James Richards: Not Blacking Out...

Chris Newlove Horton

Art

December 2011

Artist James Richards appropriates audio-visual material gathered from a range of sources, which he then edits into elaborate, fragmented...

feature

Issue No. 9

The White Review No. 9 Editorial

The Editors

feature

Issue No. 9

This ninth print issue of The White Review is characterised by little more than the continuation of the principles...

fiction

September 2011

Celesteville's Burning

Andrew Gallix

fiction

September 2011

            Zut, zut, zut, zut.             – Marcel Proust, A la recherche du temps...

 

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