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Orit Gat
Orit Gat is a writer living in London. She is a contributing editor of The White Review.


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On Marriage, Netflix, and Other Things I Hate

Book Review

June 2023

Orit Gat

Book Review

June 2023

1. ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband.’   Marriage falls into a...

Book Review

July 2022

It’s Personal: Writing and Reading Through Grief

Orit Gat

Book Review

July 2022

1. A spill  I’m drinking coffee in bed and reading The Reactor. I feel so close to everything Nick...

What they’ll know of us in future years: the large interiors of our suburban homes were designed by others & lacking in the slightest trace of individual taste Were cavernous & costly & sterile, mausoleums to the fashion of the moment Lives were lived in them, but not so they’d disturb the silk cushions on the crushed velvet settees The air in them was still & muted & old, as if marked by a recent death Outside, away from the cul-de-sacs, the highways would buzz with traffic, particularly during the morning rush hour & the tired evening commute Whizzing along, motion is a green forest bordering the sharp bends in the road To fly, they’d take themselves to airports, with even more cavernous spaces and roofs that were wavy with no feeling in them, but were said to imitate the topography of the land When not running panicked, people would saunter in them, tourists of their own lives Indifference & consumption like musack, everywhere Once in the air, mall-life was brought to them, tranquillised at 25,000 feet with sunlight scintillating off polished airplane wings Night was chain hotels with fake everything Looking through a hotel window at a mass-produced, urban morning, you could see the way highways would wind in and out of gas stations and signage, like some long, slow-dying hope But thanks for giving us another Lolita, concupiscent in the buff, hot for her Humbert Humbert And for all the road-trip emotions, the different shadings of feeling as the car nosed through the countryside (or was it the past?), under tree-limbs dappled with sunlight or into stricken suburban streets Thanks for showing the poignancy of airport parking-lots The poignancy of missing people; arrivals; departures    

Contributor

August 2014

Orit Gat

Contributor

August 2014

Orit Gat is a writer living in London. She is a contributing editor of The White Review.

Essay

September 2020

Three Finals

Orit Gat

Essay

September 2020

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a...

Anna Wiener’s ‘Uncanny Valley’

Book Review

February 2020

Orit Gat

Book Review

February 2020

1. SF vs NY   Anna Wiener found herself in the right place at the right time. That is, if that was what she...
James Bridle’s ‘New Dark Age’

Book Review

October 2018

Orit Gat

Book Review

October 2018

Halfway through James Bridle’s foreboding, at times terrifying, but ultimately motivating account of our technological present, he recounts a scene from a magazine article...
Women and Technology: History is a Cautionary Tale

Book Review

April 2018

Orit Gat

Book Review

April 2018

Few book reviews open with amateur rap, but: ‘back in the day when new media was new,’ goes the first line of a song...
Scroll, Skim, Stare

feature

Issue No. 16

Orit Gat

feature

Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its subject – artists’ websites, their...
What Can an Art Magazine Be?

feature

Issue No. 10

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet, the pioneering art magazine Metronome provides...

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Art

December 2016

Bonnie Camplin: Is it a Crime to Love a Prawn

Bonnie Camplin

Art

December 2016

  The title of Bonnie Camplin’s exhibition at 3236RLS Gallery, ‘Is it a Crime to Love a Prawn’, brings...

poetry

January 2015

Why I'm Not a Great Lover

Clemens J. Setz

TR. Ross Benjamin

poetry

January 2015

Why I’m Not A Great Lover   The circumstances. The zeitgeist.   The inner uncertainty. The lack of belief...

poetry

August 2016

Three New Poems

Sarah V. Schweig

poetry

August 2016

‘The Audit’ and ‘Red Bank’ are excerpts from Schweig’s forthcoming book, Take Nothing With You (University of Iowa Press, 2016).  ...

 

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