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Orit Gat
Orit Gat is a writer living in London. She is a contributing editor of The White Review.


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On Marriage, Netflix, and Other Things I Hate

Book Review

June 2023

Orit Gat

Book Review

June 2023

1. ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband.’   Marriage falls into a...

Book Review

July 2022

It’s Personal: Writing and Reading Through Grief

Orit Gat

Book Review

July 2022

1. A spill  I’m drinking coffee in bed and reading The Reactor. I feel so close to everything Nick...

My father believed the sea to be covetous: a pleading dog that would lap at you adoringly, sidling up the beach to dawdle hungrily round your ankles He said not to trust its sidelong ways, because when he was out in his fishing boat during a storm, the sea became a hound that could shake the whole world in its teeth Out there, he had heard the entire ocean howl like the bereaved He had seen waves bigger than a church standing atop a church and believed there is nothing you can do in the face of such demands   Father believed the sea to be a jealous god, hungry for sacrifice, but I think it is something blanker and simpler than that I would say that to meet the sea is to look into the face of God and find it faceless But nobody talks to me anymore, so I keep such thoughts to myself   From here at my place by the fire in our small house, I can hear the waves on the beach, and the rhythm of the sea is soothing to me It comforts me like the rub of butter, like the click of my sister Margie’s knitting needles, as she huddles in her black dress making endless tiny clothes for the new baby, unspooling her threads unto infinity   *   It used to be that when the wind roared and the sea boiled like a bubbling pot, snapping at sailing boats, threatening to swallow them whole, we would go to pull the lifeboat out The women of our village would run to the shore and heave on ropes to drag the boat down the beach, hearing the rubble rubble of the wooden hull as we hauled it over pebbles, the men onboard holding up their oars and jeering down at us And the rumbling roll and then the sweet perfect crash as it swung down the shingle and into the ocean blue green grey purple gold and sometimes black and sometimes silver   Usually, when the men went out – my father and brother among them – we would head

Contributor

August 2014

Orit Gat

Contributor

August 2014

Orit Gat is a writer living in London. She is a contributing editor of The White Review.

Essay

September 2020

Three Finals

Orit Gat

Essay

September 2020

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a...

Anna Wiener’s ‘Uncanny Valley’

Book Review

February 2020

Orit Gat

Book Review

February 2020

1. SF vs NY   Anna Wiener found herself in the right place at the right time. That is, if that was what she...
James Bridle’s ‘New Dark Age’

Book Review

October 2018

Orit Gat

Book Review

October 2018

Halfway through James Bridle’s foreboding, at times terrifying, but ultimately motivating account of our technological present, he recounts a scene from a magazine article...
Women and Technology: History is a Cautionary Tale

Book Review

April 2018

Orit Gat

Book Review

April 2018

Few book reviews open with amateur rap, but: ‘back in the day when new media was new,’ goes the first line of a song...
Scroll, Skim, Stare

feature

Issue No. 16

Orit Gat

feature

Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its subject – artists’ websites, their...
What Can an Art Magazine Be?

feature

Issue No. 10

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet, the pioneering art magazine Metronome provides...

READ NEXT

feature

November 2014

Every Night is Like a Disco: Iraq 2003

Paul Currion

feature

November 2014

That day at Kassim’s, there was no music. There was almost no sound at all, not even the echoes...

Interview

October 2014

Interview with Jem Cohen

Steve Macfarlane

Interview

October 2014

Jem Cohen may be one of the quintessential New York filmmakers of our era. Peerless in his knack for...

feature

June 2015

Uneasy Lies the Head

William Watkin

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June 2015

Last October I was standing in my kitchen, waiting for espresso to trickle from the spout of our imposing...

 

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