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Orit Gat
Orit Gat is a writer living in London. She is a contributing editor of The White Review.


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On Marriage, Netflix, and Other Things I Hate

Book Review

June 2023

Orit Gat

Book Review

June 2023

1. ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband.’   Marriage falls into a...

Book Review

July 2022

It’s Personal: Writing and Reading Through Grief

Orit Gat

Book Review

July 2022

1. A spill  I’m drinking coffee in bed and reading The Reactor. I feel so close to everything Nick...

& we say to her what have you done with our kin that you swallowed? & she says that was ages ago, you’ve drunk them by now — Danez Smith, ‘dream where every black person is standing by the ocean’   The atoms of those people who were thrown overboard are out there in the ocean even today — Christina Sharpe, In The Wake: On Blackness and Being   of / water / rains & / dead — M NourbeSe Philip, Zong! #5   The beaches of Benin are empty From Cotonou to Ouidah I have never seen beaches so empty before From the windows of our minivan, the coastline is a wide expanse of sand beginning just beyond the road, on and on, and then water Palm trees here and there, but emptiness, mostly Nobody, no livestock, just sand As for us, we are eight women and we have just arrived Three of us – myself included – flew in from London, with the five others coming in from the States All of us have flown in from winter It is January, and on our first full day together, our bare skin re-colouring in the light, we ask the driver to take us to a restaurant for lunch We are seeking the kind of seafood of which we are all so starved, and when our dishes arrive they don’t disappoint Each platter careens with fried plantain, grilled fish, yam, rice, and prawns so large they’re not prawns any more but gambas, instead Gambas or langoustines or crayfish or crawfish, depending on which of us is speaking, or who cares to know the difference Whatever any of it is called, we resolve that we would like to return to eat it again, here, at this terraced balcony from which we watch the sea The restaurant sits on a beach that is vacant as far as our sight can reach There is a mutedness to the expanse of the sand, and though it looks no different now than it would at any other time, the staff tell us that yesterday a boy drowned nearby   The beaches of Benin

Contributor

August 2014

Orit Gat

Contributor

August 2014

Orit Gat is a writer living in London. She is a contributing editor of The White Review.

Essay

September 2020

Three Finals

Orit Gat

Essay

September 2020

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a...

Anna Wiener’s ‘Uncanny Valley’

Book Review

February 2020

Orit Gat

Book Review

February 2020

1. SF vs NY   Anna Wiener found herself in the right place at the right time. That is, if that was what she...
James Bridle’s ‘New Dark Age’

Book Review

October 2018

Orit Gat

Book Review

October 2018

Halfway through James Bridle’s foreboding, at times terrifying, but ultimately motivating account of our technological present, he recounts a scene from a magazine article...
Women and Technology: History is a Cautionary Tale

Book Review

April 2018

Orit Gat

Book Review

April 2018

Few book reviews open with amateur rap, but: ‘back in the day when new media was new,’ goes the first line of a song...
Scroll, Skim, Stare

feature

Issue No. 16

Orit Gat

feature

Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its subject – artists’ websites, their...
What Can an Art Magazine Be?

feature

Issue No. 10

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet, the pioneering art magazine Metronome provides...

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Interview

Issue No. 9

Interview with Rebecca Solnit

Tess Thackara

Interview

Issue No. 9

Rebecca Solnit’s The Faraway Nearby, like many of her books and essays, is a tapestry of autobiographical narrative, environmental and...

Prize Entry

April 2017

The Critic of Tombs

Ethan Davison

Prize Entry

April 2017

Emilia came to Tombs [1] in the twelfth year of the interregnum. It was the first time in history...

feature

May 2016

Postcard from Istanbul

Sydney Ribot

feature

May 2016

    Saturday       On March 19, at 1 p.m. in a café off Turnacibaşı St., an...

 

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