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Orit Gat
Orit Gat is a writer living in London. She is a contributing editor of The White Review.


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On Marriage, Netflix, and Other Things I Hate

Book Review

June 2023

Orit Gat

Book Review

June 2023

1. ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband.’   Marriage falls into a...

Book Review

July 2022

It’s Personal: Writing and Reading Through Grief

Orit Gat

Book Review

July 2022

1. A spill  I’m drinking coffee in bed and reading The Reactor. I feel so close to everything Nick...

When you misplace something in the library here, it stays lost for a very long time The eighteenth-century catalogue that alerted me to the book’s existence was brought up from the vaults by mistake It had a similar order number to another, more exhaustive version written by the same antiquarian twenty years later, after he had acquired more of Simon Cypriano’s library for the university at auction Since the catalogue was in front of me, I thought I might have a look at this early attempt to document the university’s ever-expanding collection of occult medieval manuscripts I expected to find only a shorter list of the same books, but perhaps the antiquarian had been more clear-sighted in his youth and included better descriptions Two thin pages were stuck together, although the numeration skipped over them, concealing this at first I looked around at all the diligent indifferent heads lowered over mahogany lecterns, like buoys bobbing in the sea Very slowly, so as not to attract the attention of those oafs they call librarians, I pried the leaves apart with a fingernail At first I feared that I was simply destroying an irregularly made page for nothing, and then, as I saw there was more writing, thrilled that my suspicion had been correct The hand was cramped and spidery, but from what I could make out, the two hidden pages described an unknown book by the Great Magus Cypriano, which the antiquarian had tucked away in Lord Kenelm’s library on the other side of Oxford He provided details of the binding, but also warned that this book should be handled very carefully, perhaps not at all What a superstitious idiot, to be living in the Enlightenment but still behaving like the men he studied! I hoped this might be the lost book that Cypriano was rumoured to have written before his disappearance If I were to find it, it would be the making of my career – or at least, salvation from early and permanent obscurity   But now the catalogue pages were unstuck, for anyone to see What if Professor Kelly

Contributor

August 2014

Orit Gat

Contributor

August 2014

Orit Gat is a writer living in London. She is a contributing editor of The White Review.

Essay

September 2020

Three Finals

Orit Gat

Essay

September 2020

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a...

Anna Wiener’s ‘Uncanny Valley’

Book Review

February 2020

Orit Gat

Book Review

February 2020

1. SF vs NY   Anna Wiener found herself in the right place at the right time. That is, if that was what she...
James Bridle’s ‘New Dark Age’

Book Review

October 2018

Orit Gat

Book Review

October 2018

Halfway through James Bridle’s foreboding, at times terrifying, but ultimately motivating account of our technological present, he recounts a scene from a magazine article...
Women and Technology: History is a Cautionary Tale

Book Review

April 2018

Orit Gat

Book Review

April 2018

Few book reviews open with amateur rap, but: ‘back in the day when new media was new,’ goes the first line of a song...
Scroll, Skim, Stare

feature

Issue No. 16

Orit Gat

feature

Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its subject – artists’ websites, their...
What Can an Art Magazine Be?

feature

Issue No. 10

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet, the pioneering art magazine Metronome provides...

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Art

December 2011

James Richards: Not Blacking Out...

Chris Newlove Horton

Art

December 2011

Artist James Richards appropriates audio-visual material gathered from a range of sources, which he then edits into elaborate, fragmented...

feature

Issue No. 15

Translation in the First Person

Kate Briggs

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Issue No. 15

IT IS 1 JUNE 2015 and I am standing outside no. 11 rue Servandoni in Paris’s sixth arrondissement. I...

feature

June 2017

Oberhausen Film Festival

Tom Overton

feature

June 2017

Such film festivals – those extraordinary clusters of images, transports of light, of virtual worlds scattered across a real...

 

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