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Orit Gat
Orit Gat is a writer living in London. She is a contributing editor of The White Review.


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On Marriage, Netflix, and Other Things I Hate

Book Review

June 2023

Orit Gat

Book Review

June 2023

1. ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband.’   Marriage falls into a...

Book Review

July 2022

It’s Personal: Writing and Reading Through Grief

Orit Gat

Book Review

July 2022

1. A spill  I’m drinking coffee in bed and reading The Reactor. I feel so close to everything Nick...

One day in late 2011, waiting outside Green Park station, my gaze was drawn to an unexpected sight Earlier that year a canopy of Portland stone had been erected over the entrance to the underground, part of London’s preparations for the Olympics, and through a rectangular frame in the structure, at the edge of the park, a tangle of colour appeared A patch of wildflowers was growing there, next to the manicured shopping streets of Mayfair A sign said the meadow had been planted as part of some scheme This sounded like a paradox: I didn’t know that wildflowers could be planted, let alone meadows I was struck by a correspondence between this artificial meadow and the rioting that had taken place in the city that summer, which had been framed as an irruption of wildness   In his Politics Aristotle claims that humans surpass bees in their political nature, and philosophers have often used bees to describe the political nature of humans Meadows, where the social desires of bees are fulfilled – if you can call them desires – have been overlooked as a form for thinking about politics The wildflower meadow, increasingly endangered and artificially produced in the twenty-first century, describes a relationship between individual and environment that is both complex and immediate The appearance of wildness in the city becomes a question of aesthetics, which is to say, a question of how the relationship between an event and its frame produces certain effects, and of politics, when an act of observation decides which events are wild and which are cultivated by human policy   Wildflowers in the British Isles have historically been concentrated in areas of semi-natural grassland, often maintained for the production of hay for livestock, sometimes left uncultivated for other reasons and tramped through by grazing animals whose digestive systems redistribute seeds and produce the special diversity of the meadow In the seventeenth century, the English mystic Thomas Traherne described meadows ‘more Divine than if Covered with Emeralds’ He saw the meadows as a book in which a message had been written: just as God makes water available

Contributor

August 2014

Orit Gat

Contributor

August 2014

Orit Gat is a writer living in London. She is a contributing editor of The White Review.

Essay

September 2020

Three Finals

Orit Gat

Essay

September 2020

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a...

Anna Wiener’s ‘Uncanny Valley’

Book Review

February 2020

Orit Gat

Book Review

February 2020

1. SF vs NY   Anna Wiener found herself in the right place at the right time. That is, if that was what she...
James Bridle’s ‘New Dark Age’

Book Review

October 2018

Orit Gat

Book Review

October 2018

Halfway through James Bridle’s foreboding, at times terrifying, but ultimately motivating account of our technological present, he recounts a scene from a magazine article...
Women and Technology: History is a Cautionary Tale

Book Review

April 2018

Orit Gat

Book Review

April 2018

Few book reviews open with amateur rap, but: ‘back in the day when new media was new,’ goes the first line of a song...
Scroll, Skim, Stare

feature

Issue No. 16

Orit Gat

feature

Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its subject – artists’ websites, their...
What Can an Art Magazine Be?

feature

Issue No. 10

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet, the pioneering art magazine Metronome provides...

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Essay

Issue No. 20

Notes on the history of a detention centre

Felix Bazalgette

Essay

Issue No. 20

Looking back at Harmondsworth as he left, after 52 days inside, Amir was struck by how isolated the detention...

Interview

October 2014

Interview with Jem Cohen

Steve Macfarlane

Interview

October 2014

Jem Cohen may be one of the quintessential New York filmmakers of our era. Peerless in his knack for...

feature

September 2014

Missing Footage

Raphael Rubinstein

feature

September 2014

The discovery of absences (lacks, lacunae) and their definition must in turn lead the filmmaker as composer to the...

 

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