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Orit Gat
Orit Gat is a writer living in London. She is a contributing editor of The White Review.


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On Marriage, Netflix, and Other Things I Hate

Book Review

June 2023

Orit Gat

Book Review

June 2023

1. ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband.’   Marriage falls into a...

Book Review

July 2022

It’s Personal: Writing and Reading Through Grief

Orit Gat

Book Review

July 2022

1. A spill  I’m drinking coffee in bed and reading The Reactor. I feel so close to everything Nick...

On the evening flight on my way to the 2016 annual gastroenterology conference, I am the only one with the reading light on Everyone else sleeps limp-necked, heads drooping, bobbing in the occasional turbulence of the late-winter skies, stabilised by the seat back or a neck pillow The person next to me – a pale young woman with long brown hair, perhaps a medical student attending the conference or a Georgian returning home – puts her head on the seat-back table and her Sherpa-lined khaki jacket over her head to cover her eyes from my yellow light   I am travelling to Atlanta, the city where the cousins that I grew up with have lived since George W Bush’s election, having moved there with their father in search of larger homes and a cheaper life than the one they found in New York On the recommendation of one of my few remaining friends who are not doctors, and out of the desire to learn about the city, I read Toni Cade Bambara’s posthumous novel about the epidemic of child murders in the city Between 1979 and 1981, over 28 Black young people – 24 of them under 18 – went missing and were eventually found dead The violence became a mainstay of regional newspaper headlines, but I get the impression that the child murders never reached national news I certainly did not read about them in my high school history textbook   Bambara titled her novel Those Bones Are Not My Child The phrase conjures images of a police officer presenting a mother an evidence bag – bones linked by decaying sinews, pockmarked with fraying grey muscle fibres, splotches of dark brown, dried blood – and asking her if this is her missing young one Tests – dental records, DNA examinations, and the other forensic assessments of the late twentieth century – could not convince parents the children were who officers claimed they were This uncertainty drives Bambara’s protagonist to insomnia, unable to find rest in her bed, on her couch, in the passenger seat of her car

Contributor

August 2014

Orit Gat

Contributor

August 2014

Orit Gat is a writer living in London. She is a contributing editor of The White Review.

Essay

September 2020

Three Finals

Orit Gat

Essay

September 2020

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a...

Anna Wiener’s ‘Uncanny Valley’

Book Review

February 2020

Orit Gat

Book Review

February 2020

1. SF vs NY   Anna Wiener found herself in the right place at the right time. That is, if that was what she...
James Bridle’s ‘New Dark Age’

Book Review

October 2018

Orit Gat

Book Review

October 2018

Halfway through James Bridle’s foreboding, at times terrifying, but ultimately motivating account of our technological present, he recounts a scene from a magazine article...
Women and Technology: History is a Cautionary Tale

Book Review

April 2018

Orit Gat

Book Review

April 2018

Few book reviews open with amateur rap, but: ‘back in the day when new media was new,’ goes the first line of a song...
Scroll, Skim, Stare

feature

Issue No. 16

Orit Gat

feature

Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its subject – artists’ websites, their...
What Can an Art Magazine Be?

feature

Issue No. 10

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet, the pioneering art magazine Metronome provides...

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Interview

January 2015

Interview with Magdalena Tulli

TR. Bill Johnston

Grzegorz Jankowicz

Interview

January 2015

This interview appeared in Po co jest sztuka? (What Is Art For?), a 2013 collection of interviews with Polish...

poetry

September 2012

Moscow - Petrozavodsk

Maxim Osipov

Anne Marie Jackson

poetry

September 2012

  Mark well, O Job, hold thy peace, and I will speak. Job 33:31     To deliver man...

fiction

November 2013

Special School

Iphgenia Baal

fiction

November 2013

 

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