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Orit Gat
Orit Gat is a writer living in London. She is a contributing editor of The White Review.


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On Marriage, Netflix, and Other Things I Hate

Book Review

June 2023

Orit Gat

Book Review

June 2023

1. ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband.’   Marriage falls into a...

Book Review

July 2022

It’s Personal: Writing and Reading Through Grief

Orit Gat

Book Review

July 2022

1. A spill  I’m drinking coffee in bed and reading The Reactor. I feel so close to everything Nick...

for the spirit of Jonathan Harvey   There was a fisherman, who lived in a village on a great bay, into which he and the other fishermen of the village would take their boats out every morning to let fall their nets The bay was so sheltered, so calm, that the fishermen could call to one another over the water, their voices clear in the damp air, especially on a spring morning such as this was, with white mist hanging over the sea and a faint crescent moon still visible on the wide blue-grey sky They had not long been out this morning Not long at all Now was no time to be heading home, but he saw them, all the rest, his friends, turn their prows back towards the village He shouted to them, but received no answer   Soon he was alone   On a whim he decided to aim for the other side of the bay from the village, a place where pinewoods came down to the sand   He landed, pulled his boat up onto the crunching beach and then, when that was done, became aware of music, something between the shimmering chime of small bells and the luminous breath of panpipes There were also flowers floating down, he could not tell from where, flowers of colours he had never seen before And there was a growing fragrance, an infinite sweetness   Then he saw it, iridescent and caught in the branches of one of the trees ahead, undulating in the breeze and turning from gold to ultramarine to purple to deep green As he walked slowly towards it the scent grew, and after he had reached up and taken it out of the tree he placed it against his face, its exquisite softness, how it seemed to be cool and warm at the same time, how colours slowly moved through it, how it smelt of lavender and oranges and anis and walnut leaves and the neck of his beloved   Stop, said the spirit-being That cloak is mine That feather cloak is mine   I found it, said the fisherman   You cannot wear

Contributor

August 2014

Orit Gat

Contributor

August 2014

Orit Gat is a writer living in London. She is a contributing editor of The White Review.

Essay

September 2020

Three Finals

Orit Gat

Essay

September 2020

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a...

Anna Wiener’s ‘Uncanny Valley’

Book Review

February 2020

Orit Gat

Book Review

February 2020

1. SF vs NY   Anna Wiener found herself in the right place at the right time. That is, if that was what she...
James Bridle’s ‘New Dark Age’

Book Review

October 2018

Orit Gat

Book Review

October 2018

Halfway through James Bridle’s foreboding, at times terrifying, but ultimately motivating account of our technological present, he recounts a scene from a magazine article...
Women and Technology: History is a Cautionary Tale

Book Review

April 2018

Orit Gat

Book Review

April 2018

Few book reviews open with amateur rap, but: ‘back in the day when new media was new,’ goes the first line of a song...
Scroll, Skim, Stare

feature

Issue No. 16

Orit Gat

feature

Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its subject – artists’ websites, their...
What Can an Art Magazine Be?

feature

Issue No. 10

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet, the pioneering art magazine Metronome provides...

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Interview

September 2016

Interview with Garth Greenwell

Michael Amherst

Interview

September 2016

Garth Greenwell’s debut novel What Belongs to You has won praise on both sides of the Atlantic. Edmund White...

Interview

Issue No. 8

Interview with Sophie Calle

Timothée Chaillou

Interview

Issue No. 8

Sophie Calle is France’s most celebrated conceptual artist. Her highly autobiographical, multi-disciplinary work combines the confessional and the cerebral,...

fiction

September 2013

Seiobo There Below

László Krasznahorkai

TR. Ottilie Mulzet

fiction

September 2013

1 KAMO-HUNTER Everything around it moves, as if just this one time and one time only, as if the...

 

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