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Orit Gat
Orit Gat is a writer living in London. She is a contributing editor of The White Review.


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On Marriage, Netflix, and Other Things I Hate

Book Review

June 2023

Orit Gat

Book Review

June 2023

1. ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband.’   Marriage falls into a...

Book Review

July 2022

It’s Personal: Writing and Reading Through Grief

Orit Gat

Book Review

July 2022

1. A spill  I’m drinking coffee in bed and reading The Reactor. I feel so close to everything Nick...

I awoke bathed in perspiration, my teeth clenched Once again, as on countless previous nights, I had been hunted from pillar to post in a dream – shot at, tortured, scalped But on this night, of all nights, the thought occurred to me that I might not be the only one among thousands upon thousands to be condemned to such dreams by the dictatorship   Charlotte Beradt, ‘Dreams under Dictatorship’, Free World (1943)   Born in Berlin in 1907 into a Jewish merchant family, Charlotte Beradt was working as a journalist when the Nazis took power in Germany in 1933 Around this time, she began collecting dreams, slowly compiling a record of the ramifications of Nazi ideology on the unconscious minds of her local community, from doctors and civil servants to students and homemakers Over the course of 6 years, Beradt collected accounts of around 300 individuals’ dreams, a project which ended in 1939 when she fled Germany for the USA   I was reminded of Beradt’s extraordinary project whilst exploring Daria Martin’s Tonight the World, a multi-media installation made in response to a dream diary kept by Martin’s grandmother Susi Stiassni, currently on view at the Barbican Curve Gallery The family, prominent Jewish textile manufacturers, fled their home in Brno in 1938, when Czechoslovakia was on the brink of Nazi occupation Aged only 16 when they left the country, Stiassni went on to keep a dream diary for around 35 years, accumulating some 20,000 pages of material Hers is an acutely personal project: almost too private to engage with as an outsider, and impossibly monumental to comprehend as a whole   Martin’s Tonight the World opens with a videogame that simulates the Stiassni family home in Brno, a modernist villa which still stands today Watching the prerecorded play-through, we are granted a first-person perspective on a faithfully recreated 3D model of the house and garden In the course of the game, the player discovers several artefacts from Martin’s grandmother’s childhood, among them a toy soldier, a locket and a model robot As the player interacts with these objects, specific pages from the

Contributor

August 2014

Orit Gat

Contributor

August 2014

Orit Gat is a writer living in London. She is a contributing editor of The White Review.

Essay

September 2020

Three Finals

Orit Gat

Essay

September 2020

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a...

Anna Wiener’s ‘Uncanny Valley’

Book Review

February 2020

Orit Gat

Book Review

February 2020

1. SF vs NY   Anna Wiener found herself in the right place at the right time. That is, if that was what she...
James Bridle’s ‘New Dark Age’

Book Review

October 2018

Orit Gat

Book Review

October 2018

Halfway through James Bridle’s foreboding, at times terrifying, but ultimately motivating account of our technological present, he recounts a scene from a magazine article...
Women and Technology: History is a Cautionary Tale

Book Review

April 2018

Orit Gat

Book Review

April 2018

Few book reviews open with amateur rap, but: ‘back in the day when new media was new,’ goes the first line of a song...
Scroll, Skim, Stare

feature

Issue No. 16

Orit Gat

feature

Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its subject – artists’ websites, their...
What Can an Art Magazine Be?

feature

Issue No. 10

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet, the pioneering art magazine Metronome provides...

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Interview

September 2015

Interview with Katrina Palmer

Jamie Sutcliffe

Interview

September 2015

G.W.F. Hegel isn’t looking too good. With an afternoon of student tutorials to attend at the School of Sculpture...

Interview

February 2015

Interview with Eddie Peake

Lily Le Brun

Interview

February 2015

Like many people, I had seen Eddie Peake’s penis long before I met the artist himself. For several years...

feature

May 2012

Film: Palestine Festival of Literature

Omar Robert Hamilton

feature

May 2012

Resistance needs to be recorded. Resistance needs symbols: ideas that can travel faster than speech, last longer than memory....

 

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