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Orit Gat
Orit Gat is a writer living in London. She is a contributing editor of The White Review.


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On Marriage, Netflix, and Other Things I Hate

Book Review

June 2023

Orit Gat

Book Review

June 2023

1. ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband.’   Marriage falls into a...

Book Review

July 2022

It’s Personal: Writing and Reading Through Grief

Orit Gat

Book Review

July 2022

1. A spill  I’m drinking coffee in bed and reading The Reactor. I feel so close to everything Nick...

Myself Mona Ahmed is a photobook and a work of epistolary world-building Published in 2001 by Scalo, it comprises photographs of the life of Mona Ahmed, a woman who lived in the heart of old Delhi, and letters in which Mona tells her life story She addresses the letters to Walter Keller, the publisher, and signs them off ‘With love, Myself, Mona Ahmed’ The images in the book were taken by the artist Dayanita Singh, Mona’s friend, sibling, parent, lover, confidante – Singh struggles to give their relationship a name She met Mona in 1989, while on assignment for The Times UK newspaper She walked down Akbar Milkman’s Lane, in the historic neighbourhood of Turkman Gate, to the house of Sona and Chaman – a famous pair of hijras from old Delhi, known for their high glamour and elegant dances Mona, who was Chaman’s student at the time, opened the door Covered in jewellery and delicate makeup, she posed for Singh’s camera for hours, only to ask for the film roll, because she wasn’t happy with where the images were to be published The exchange of that first roll of film was the start of a decades-long friendship   Mona was raised in middle-class Delhi, separated from family in Pakistan because of Partition As a child, she read the Quran, played with her dolls and dreamt of becoming a performer When Mona was estranged from her family she found a home with the hijra community She danced at weddings, housewarmings and children’s naming ceremonies; she gave blessings, she sang In 1990, she adopted a baby girl, Ayesha, whose birthmother had died during childbirth Ayesha was orphaned, and left in Mona’s care by her grandmother ‘I distributed sweets in the neighbourhood and recited the azaan (Muslim prayer) in her ears,’ Mona writes in a letter to Keller, ‘I wanted to give her all the world’s happiness’ For Ayesha’s first few birthdays, Mona hosted elaborate parties, inviting hijras from India, Pakistan and Bangladesh Singh was the designated photographer, and the images are magnetic, each detail revealing the thoughtful extravagance of Mona’s world: flower bracelets to welcome the guests;

Contributor

August 2014

Orit Gat

Contributor

August 2014

Orit Gat is a writer living in London. She is a contributing editor of The White Review.

Essay

September 2020

Three Finals

Orit Gat

Essay

September 2020

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a...

Anna Wiener’s ‘Uncanny Valley’

Book Review

February 2020

Orit Gat

Book Review

February 2020

1. SF vs NY   Anna Wiener found herself in the right place at the right time. That is, if that was what she...
James Bridle’s ‘New Dark Age’

Book Review

October 2018

Orit Gat

Book Review

October 2018

Halfway through James Bridle’s foreboding, at times terrifying, but ultimately motivating account of our technological present, he recounts a scene from a magazine article...
Women and Technology: History is a Cautionary Tale

Book Review

April 2018

Orit Gat

Book Review

April 2018

Few book reviews open with amateur rap, but: ‘back in the day when new media was new,’ goes the first line of a song...
Scroll, Skim, Stare

feature

Issue No. 16

Orit Gat

feature

Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its subject – artists’ websites, their...
What Can an Art Magazine Be?

feature

Issue No. 10

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet, the pioneering art magazine Metronome provides...

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Art

March 2011

Gabriel Orozco: Cosmic Matter and Other Leftovers

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a...

poetry

March 2015

Coup & Bell Curve

Elizabeth Willis

poetry

March 2015

COUP   Mallarmé’s gambling astonished everyone even the poets   An acre of paper sold down a river whose...

Art

May 2012

Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows,...

 

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