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Orit Gat
Orit Gat is a writer living in London. She is a contributing editor of The White Review.


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On Marriage, Netflix, and Other Things I Hate

Book Review

June 2023

Orit Gat

Book Review

June 2023

1. ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband.’   Marriage falls into a...

Book Review

July 2022

It’s Personal: Writing and Reading Through Grief

Orit Gat

Book Review

July 2022

1. A spill  I’m drinking coffee in bed and reading The Reactor. I feel so close to everything Nick...

Nothing, it seems, falls outside Maggie Nelson’s field of inquiry The author of four books of poetry and five books of non-fiction, she extends the possibilities of both forms, refusing to settle for, or into, either Unsettling definitions and reworking categories is not only the modus operandi of her writing, but also its subject matter Bluets (2009) is a whole book of what might be called poetry, about the colour blue, which is also, of course, about other things: desire, heartbreak, loss She has written two books about the murder of her aunt, Jane: A Murder (2005), which thinks through the trauma of the event, and The Red Parts (2007), a more documentary account of criminal and social justice, that accounts for new evidence that emerged while writing the first   The Art of Cruelty (2011) is a study of the avant-garde that rethinks the boundaries between art and life that much of twentieth century art worked so hard to perform By examining her own simultaneous attraction and repulsion to works of art that engage with cruelty, she makes a cogent case for both looking at, and turning away, from violence It is this kind of response – a critical model that locates value not in argument, or in partisan positions, but in receptivity, sensitivity and tenderness, that Nelson gives us a new kind – the right kind – of language through which to think both the messiness of life and the possibilities of art   Her most recent book, The Argonauts, is a love story, which is also a story about motherhood, about queerness and representation It’s a story that exists in transitional space, in the possibilities of love, the inevitable failures of intimacy, the limits of identity, the paradoxes of queer futurity and in paradigms that are constantly undergoing revision as their context shifts It explores not only what kinds of love we have to give, but what family-making (a word she hates) might mean and what good-enough mothering might entail Most of all, it considers what kind of transgressions are worthy of thinking about, what kinds of freedom we need

Contributor

August 2014

Orit Gat

Contributor

August 2014

Orit Gat is a writer living in London. She is a contributing editor of The White Review.

Essay

September 2020

Three Finals

Orit Gat

Essay

September 2020

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a...

Anna Wiener’s ‘Uncanny Valley’

Book Review

February 2020

Orit Gat

Book Review

February 2020

1. SF vs NY   Anna Wiener found herself in the right place at the right time. That is, if that was what she...
James Bridle’s ‘New Dark Age’

Book Review

October 2018

Orit Gat

Book Review

October 2018

Halfway through James Bridle’s foreboding, at times terrifying, but ultimately motivating account of our technological present, he recounts a scene from a magazine article...
Women and Technology: History is a Cautionary Tale

Book Review

April 2018

Orit Gat

Book Review

April 2018

Few book reviews open with amateur rap, but: ‘back in the day when new media was new,’ goes the first line of a song...
Scroll, Skim, Stare

feature

Issue No. 16

Orit Gat

feature

Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its subject – artists’ websites, their...
What Can an Art Magazine Be?

feature

Issue No. 10

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet, the pioneering art magazine Metronome provides...

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poetry

November 2016

Gentle

Harriet Moore

poetry

November 2016

Forgive me Sister for I have sinned it’s been seconds since my last confession. I sit in the dark...

Interview

November 2013

Interview with Javier Marías

Oli Hazzard

Interview

November 2013

Javier Marías is one of Spain’s most acclaimed contemporary novelists. He began writing fiction at an early age –...

Art

November 2013

The Past is a Foreign Country

Natasha Hoare

Art

November 2013

‘The past is a foreign country: they do things differently there.’ The immortal first line to L. P. Hartley’s...

 

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