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Orit Gat
Orit Gat is a writer living in London. She is a contributing editor of The White Review.


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On Marriage, Netflix, and Other Things I Hate

Book Review

June 2023

Orit Gat

Book Review

June 2023

1. ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband.’   Marriage falls into a...

Book Review

July 2022

It’s Personal: Writing and Reading Through Grief

Orit Gat

Book Review

July 2022

1. A spill  I’m drinking coffee in bed and reading The Reactor. I feel so close to everything Nick...

As I swam in the bathtub, they wondered what they had done to have a fish instead of a daughter My father sat back as I thrashed against the hook of his hands His mouth and eyes: three blank holes, staring at the creature he reeled from his wife’s thighs Mother pressed my thin-lipped grimace to her breast Nipples bloody, pink as worms, she thought I would bite if not suck She wondered if it was the poison she ingested while I was gestating She worked at a plant where beets burned into sugar Smoke drifted in manufactured clouds Air sweet as pure honey Father believed it was punishment for all the fish laid on my grandfather’s butchering block Frantic, golden eyes wide as the screwdriver came for their brains Maybe she’s not a penance, my mother said, but a gift from God So many of Jesus’s miracles were born out of swarms of bass And maybe it was the thought of God loving them so much, he crept between their entwined bodies to deliver a wonder Maybe it was that their trailer home, with its canyons of cracked vinyl, peeling paint needed a little magic Or maybe it was the look in my fugitive eyes when I stared back at my father— so human, so afraid of death— that made him decide to ignore the operas of sirens that sprang in shipwrecks from my lips He cupped me in his palm My scales slipped off Like a sequin cocktail dress, they collected on the floor and revealed skin Vulva ugly and purple, loose like the lips of a many-hooked fish, but human   See, my mother said, it’s a child after all

Contributor

August 2014

Orit Gat

Contributor

August 2014

Orit Gat is a writer living in London. She is a contributing editor of The White Review.

Essay

September 2020

Three Finals

Orit Gat

Essay

September 2020

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a...

Anna Wiener’s ‘Uncanny Valley’

Book Review

February 2020

Orit Gat

Book Review

February 2020

1. SF vs NY   Anna Wiener found herself in the right place at the right time. That is, if that was what she...
James Bridle’s ‘New Dark Age’

Book Review

October 2018

Orit Gat

Book Review

October 2018

Halfway through James Bridle’s foreboding, at times terrifying, but ultimately motivating account of our technological present, he recounts a scene from a magazine article...
Women and Technology: History is a Cautionary Tale

Book Review

April 2018

Orit Gat

Book Review

April 2018

Few book reviews open with amateur rap, but: ‘back in the day when new media was new,’ goes the first line of a song...
Scroll, Skim, Stare

feature

Issue No. 16

Orit Gat

feature

Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its subject – artists’ websites, their...
What Can an Art Magazine Be?

feature

Issue No. 10

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet, the pioneering art magazine Metronome provides...

READ NEXT

feature

Issue No. 10

What Can an Art Magazine Be?

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet,...

poetry

April 2017

Two Poems

Fady Joudah

poetry

April 2017

EUROPA AND THE BULL   The boat was loaded on a truck. The truck took me to the border....

fiction

Issue No. 16

Walking Backwards

Tristan Garcia

TR. Jeffrey Zuckerman

fiction

Issue No. 16

‘Moderne, c’est déjà vieux.’ La Féline   I.   I pretended to remember and I smiled: it was time...

 

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