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Orit Gat
Orit Gat is a writer living in London. She is a contributing editor of The White Review.


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On Marriage, Netflix, and Other Things I Hate

Book Review

June 2023

Orit Gat

Book Review

June 2023

1. ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband.’   Marriage falls into a...

Book Review

July 2022

It’s Personal: Writing and Reading Through Grief

Orit Gat

Book Review

July 2022

1. A spill  I’m drinking coffee in bed and reading The Reactor. I feel so close to everything Nick...

Author’s Note   I began writing about the war five years after it was over; a war the world witnessed from afar but for which I was very much present In this memoir I set about chronicling the collapse of that unhappy nation Throughout my life I have always been the most diligent keeper of diaries I think it’s that it never seemed sensible to me for a person to trust solely in his own memory Whatever the reason, when I finally sat down to writing, with the help of those notebooks I was able to recall not just the headlines and the chapter headings (the day the rebels broke the city limits, for example, or the tragic burning of Happy Days Church), but also the minutia – the observations which to others might have seemed inconsequential in the midst of all that was going on (the ill-judged red of one negotiator’s nails as she co-signed the first, doomed peace accord) But it was in these small details that I later found the blueprint for reconstructing that ravaged country that I once so loved   In the writing of this memoir I have replaced some people’s names with pseudonyms or used their nicknames in order to protect their true identities Others remain unchanged On a few occasions I have reproduced key conversations and scenes for which I was not present However, each of those instances is indicated by a footnote, and in every case I was informed in great detail about what happened or what was said very soon after the event took place Without exception, the second-hand information I received was from friends and colleagues whom I trust implicitly That being said, this is a memoir, not a history For readers in search of a more comprehensive account, there are at least three impeccably researched books that explain those awful years with far more objectivity than I could ever hope to achieve They are: Anne Lynn Jones’ Red is the River, Michael Mwandishi’s The War the World Ignored, and Jacob Neilson’s The Smaller Half – books which unravel the labyrinthine

Contributor

August 2014

Orit Gat

Contributor

August 2014

Orit Gat is a writer living in London. She is a contributing editor of The White Review.

Essay

September 2020

Three Finals

Orit Gat

Essay

September 2020

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a...

Anna Wiener’s ‘Uncanny Valley’

Book Review

February 2020

Orit Gat

Book Review

February 2020

1. SF vs NY   Anna Wiener found herself in the right place at the right time. That is, if that was what she...
James Bridle’s ‘New Dark Age’

Book Review

October 2018

Orit Gat

Book Review

October 2018

Halfway through James Bridle’s foreboding, at times terrifying, but ultimately motivating account of our technological present, he recounts a scene from a magazine article...
Women and Technology: History is a Cautionary Tale

Book Review

April 2018

Orit Gat

Book Review

April 2018

Few book reviews open with amateur rap, but: ‘back in the day when new media was new,’ goes the first line of a song...
Scroll, Skim, Stare

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Issue No. 16

Orit Gat

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Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its subject – artists’ websites, their...
What Can an Art Magazine Be?

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Issue No. 10

Orit Gat

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Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet, the pioneering art magazine Metronome provides...

READ NEXT

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June 2016

Heteronormativity and the Single Mother

Jacinda Townsend

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June 2016

I.   This spring, in cities and towns all over the United States, schools, churches and other organisations will...

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March 2015

Plastic Words

Tom Overton

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March 2015

Plastic Words was a six-week series of thirteen events which described itself as ‘mining the contested space between contemporary...

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Issue No. 14

Editorial

The Editors

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Issue No. 14

Having several issues ago announced that we would no longer be writing our own editorials, the editors’ (ultimately inevitable)...

 

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