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Orit Gat
Orit Gat is a writer living in London. She is a contributing editor of The White Review.


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On Marriage, Netflix, and Other Things I Hate

Book Review

June 2023

Orit Gat

Book Review

June 2023

1. ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband.’   Marriage falls into a...

Book Review

July 2022

It’s Personal: Writing and Reading Through Grief

Orit Gat

Book Review

July 2022

1. A spill  I’m drinking coffee in bed and reading The Reactor. I feel so close to everything Nick...

The Dispossessed is Szilárd Borbély’s first novel, although he has been active – and widely acclaimed – as a poet, literary historian and essayist for more than twenty years Its first print run sold out almost immediately To state that the book has touched a raw nerve in today’s Hungary is something of an understatement; nonetheless, Borbély’s portrayal of growing up in the country’s rural northeast during the beginning of the Kádár era (1956-1988) haunts the reader for its unsparing truthfulness and attention to small details The novel’s narrator is a child – possibly Jewish, although he himself is uncertain about it – who registers and remembers colours, scents and sounds from the unchanging brutal microcosm that is impoverished village life A historical note: The Arrow Cross was a fascist political organisation, allied with Nazi Germany, that held power in Hungary from 15 October 1944 to 28 March 1945 Under Ferenc Szálasi’s rule, the Arrow Cross oversaw the murder of approximately 200,000 Budapest Jews, as well as continuing the deportations of rural Jews to Auschwitz which had begun under the previous government of Admiral Miklós Horthy Béla Kun was a Communist revolutionary and leader of the short-lived Hungarian Soviet Republic of 1919 Overthrown by Admiral Horthy, Kun fled to the Soviet Union, where he was killed in Stalin’s purges —OM   —   When Mózsi came back from the forced labour camp, he no longer looked like a Jew He was just like anyone else He came back like the other refugees who were looking for their homes, their belongings, the families left behind here Like everyone else who could not stop living He lugged the burden that was life He was bald, and he wore a threadbare soldier’s uniform His luxuriant hair of old, his curled ear locks, were nowhere to be seen No longer did he wear his black caftan Nor his hat Nor his white shirt Never again the mourning-shirt fringed at the corners, which the men had always worn In the village, nobody talked about what had happened to these clothes Mózsi too did not ask

Contributor

August 2014

Orit Gat

Contributor

August 2014

Orit Gat is a writer living in London. She is a contributing editor of The White Review.

Essay

September 2020

Three Finals

Orit Gat

Essay

September 2020

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a...

Anna Wiener’s ‘Uncanny Valley’

Book Review

February 2020

Orit Gat

Book Review

February 2020

1. SF vs NY   Anna Wiener found herself in the right place at the right time. That is, if that was what she...
James Bridle’s ‘New Dark Age’

Book Review

October 2018

Orit Gat

Book Review

October 2018

Halfway through James Bridle’s foreboding, at times terrifying, but ultimately motivating account of our technological present, he recounts a scene from a magazine article...
Women and Technology: History is a Cautionary Tale

Book Review

April 2018

Orit Gat

Book Review

April 2018

Few book reviews open with amateur rap, but: ‘back in the day when new media was new,’ goes the first line of a song...
Scroll, Skim, Stare

feature

Issue No. 16

Orit Gat

feature

Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its subject – artists’ websites, their...
What Can an Art Magazine Be?

feature

Issue No. 10

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet, the pioneering art magazine Metronome provides...

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Art

Issue No. 12

After After

Johanna Drucker

Art

Issue No. 12

So many things are ‘over’ now that all the post- and neo- prefixes are themselves suffering from fatigue. Even...

poetry

Issue No. 18

Two New Poems

Dorothea Lasky

poetry

Issue No. 18

Do You Want To Dip The Rat   Do you want to dip the rat Completely in oil  ...

Interview

February 2016

Interview with Gerard Byrne

Izabella Scott

Interview

February 2016

I first encountered Gerard Byrne’s eerily dislocated films at Tate Britain, where 1984 and Beyond (2005–7) was shown on...

 

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