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Orit Gat
Orit Gat is a writer living in London. She is a contributing editor of The White Review.


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On Marriage, Netflix, and Other Things I Hate

Book Review

June 2023

Orit Gat

Book Review

June 2023

1. ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband.’   Marriage falls into a...

Book Review

July 2022

It’s Personal: Writing and Reading Through Grief

Orit Gat

Book Review

July 2022

1. A spill  I’m drinking coffee in bed and reading The Reactor. I feel so close to everything Nick...

At around midday on 19 July, Koray Türkay boarded a bus in Istanbul and set off for the Syrian border He was among a group of about 200 people going to help rebuild the devastated town of Kobani, whose Kurdish defenders had defied a four-month siege by the so-called ‘Islamic State’   The volunteers had been drawn together through a media campaign ‘Together we supported it, together we’ll rebuild it,’ was the slogan of the Federation of Socialist Youth Associations Those who signed up were mainly young, and almost all leftists; most were strangers meeting for the first time Despite the sixteen-hour overnight journey, there was a buzz of excitement when the group arrived for breakfast at a cultural centre in the border town of Suruç the following morning They had brought books, clothing, toys for children, all paid for out of their own pockets Their plan was to plant trees, start a library, and build a playground Türkay, a bespectacled gymnastics teacher with close-cropped hair and a goatee, was to conduct gym sessions with Kobani’s children At 40, he was older than most of the others and had come alone, but felt in good company The group prepared breakfast with food they provided themselves – cheese, bread, melons, olives – sharing and clearing the meal in an atmosphere of quiet industriousness and anticipation   After breakfast, he and the other volunteers posed for a group photo behind a large banner, waving the socialist youth group’s red-starred flag, and listening to speeches by the organisers Türkay went to the front to take pictures on his phone Somewhere on the right in the background of his images is the blurry figure of a young man who was carrying a pack of explosives Another video shows the moment he detonated his device: a snap of light like the sudden striking of a match, and the packed crowd simply evaporates   Two weeks later, speaking in a hoarse whisper from his hospital bed, a white sheet covering his shattered limbs, Türkay told me what set him on the road towards Suruç It was something that had begun years

Contributor

August 2014

Orit Gat

Contributor

August 2014

Orit Gat is a writer living in London. She is a contributing editor of The White Review.

Essay

September 2020

Three Finals

Orit Gat

Essay

September 2020

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a...

Anna Wiener’s ‘Uncanny Valley’

Book Review

February 2020

Orit Gat

Book Review

February 2020

1. SF vs NY   Anna Wiener found herself in the right place at the right time. That is, if that was what she...
James Bridle’s ‘New Dark Age’

Book Review

October 2018

Orit Gat

Book Review

October 2018

Halfway through James Bridle’s foreboding, at times terrifying, but ultimately motivating account of our technological present, he recounts a scene from a magazine article...
Women and Technology: History is a Cautionary Tale

Book Review

April 2018

Orit Gat

Book Review

April 2018

Few book reviews open with amateur rap, but: ‘back in the day when new media was new,’ goes the first line of a song...
Scroll, Skim, Stare

feature

Issue No. 16

Orit Gat

feature

Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its subject – artists’ websites, their...
What Can an Art Magazine Be?

feature

Issue No. 10

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet, the pioneering art magazine Metronome provides...

READ NEXT

feature

September 2012

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

Scott Esposito

feature

September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do...

poetry

February 2017

In Case of Death

David Nash

poetry

February 2017

1. Cessation of Breath: Is He Breathing?   He’s not breathing, and he cannot go on like this. He...

fiction

May 2012

Reflux

José Saramago

TR. Giovanni Pontiero

fiction

May 2012

First of all, since everything must have a beginning, even if that beginning is the final point from which...

 

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