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Orit Gat
Orit Gat is a writer living in London. She is a contributing editor of The White Review.


Articles Available Online


On Marriage, Netflix, and Other Things I Hate

Book Review

June 2023

Orit Gat

Book Review

June 2023

1. ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband.’   Marriage falls into a...

Book Review

July 2022

It’s Personal: Writing and Reading Through Grief

Orit Gat

Book Review

July 2022

1. A spill  I’m drinking coffee in bed and reading The Reactor. I feel so close to everything Nick...

The day Mama threw a cooking stick at Kagonya was a November day so hot that the ripened bananas hanging on sisal rope from the kitchen roof were beginning to turn black Mama had been sitting on a low stool staring at the sufuria as the pumpkin leaves boiled off their green, humming along to Cha Kutumaini Sina on the radio Baby, two years old, sucked on Mama’s sagging left breast I was bent over our blue bucket, washing utensils because the duty rota on the wall said it was my turn   Our maid Kagonya had arrived with Mama in the clove of the season, when the heat shimmered on the tarmac road We heard a knock on the front door that we scurried to open because it was about Christmas time and we knew Mama would be carrying a box full of Zesta jam and Tropicana chapati flour and maybe even orange Treetop juice   Kagonya had fit in so neatly, at first Like a slip stitch, she hemmed herself into our lives and patched up our torn She got to work, teaching us to save mango seeds, peeling the skin of nduma tubers so thinly and smoothening out our loose She worked like clockwork, waking at four in the morning, moving noiselessly through every chore But then something changed Her interactions with Mama became eggshell brittle, leading to a moment when everything cracked   *   Because he slept on the sofa in the sitting room, my brother Kuka was the first to overhear our parents’ plans of moving house Baaba, a secondary school teacher, had received a transfer letter from the Teachers Service Commission His new posting was in Kakamega and we were to move into a big blue house in Amalemba with a toilet inside and a bathtub even   ‘I heard Baaba describe it I swear, Bible red!’ Kuka licked the tip of his index finger then raised it to the sky ‘Haki our new house is not small and weepy, like this one It has a veranda, three bedrooms and a small garden’   I nodded excitedly Everything Kuka overheard always came

Contributor

August 2014

Orit Gat

Contributor

August 2014

Orit Gat is a writer living in London. She is a contributing editor of The White Review.

Essay

September 2020

Three Finals

Orit Gat

Essay

September 2020

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a...

Anna Wiener’s ‘Uncanny Valley’

Book Review

February 2020

Orit Gat

Book Review

February 2020

1. SF vs NY   Anna Wiener found herself in the right place at the right time. That is, if that was what she...
James Bridle’s ‘New Dark Age’

Book Review

October 2018

Orit Gat

Book Review

October 2018

Halfway through James Bridle’s foreboding, at times terrifying, but ultimately motivating account of our technological present, he recounts a scene from a magazine article...
Women and Technology: History is a Cautionary Tale

Book Review

April 2018

Orit Gat

Book Review

April 2018

Few book reviews open with amateur rap, but: ‘back in the day when new media was new,’ goes the first line of a song...
Scroll, Skim, Stare

feature

Issue No. 16

Orit Gat

feature

Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its subject – artists’ websites, their...
What Can an Art Magazine Be?

feature

Issue No. 10

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet, the pioneering art magazine Metronome provides...

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Art

September 2016

Sitting, scrawling, playing

Emily Gosling

Art

September 2016

Amidst the drills and concrete, white walls and big names of London’s Cork Street stands a new gallery, Nahmad Projects,...

poetry

August 2016

No Holds Barred

Rodrigo Rey Rosa

TR. Brian Hagenbuch

poetry

August 2016

Hello. Dr Rivers’ clinic? Thank you. Yes. Yes, doctor, I would like to be your patient. With your permission,...

Interview

Issue No. 1

Interview with Mai-Thu Perret

Timothée Chaillou

Interview

Issue No. 1

Swiss artist Mai-Thu Perret’s ongoing, fourteen year-old project The Crystal Frontier is a multi-disciplinary fiction chronicling the lives of...

 

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