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Orit Gat
Orit Gat is a writer living in London. She is a contributing editor of The White Review.


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On Marriage, Netflix, and Other Things I Hate

Book Review

June 2023

Orit Gat

Book Review

June 2023

1. ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband.’   Marriage falls into a...

Book Review

July 2022

It’s Personal: Writing and Reading Through Grief

Orit Gat

Book Review

July 2022

1. A spill  I’m drinking coffee in bed and reading The Reactor. I feel so close to everything Nick...

It is a two lane road somewhere in North America The car is pulled onto the shoulder with the brake lights on A grey midrange sedan from twenty years ago The road is edged on both sides by thin half bare trees It is winter, autumn, or spring The day is blank, covered in high cloud Now and then another vehicle goes by A police officer walks forward, gun drawn, towards the driverside door of the midrange sedan He is state police and wears the felt hat and the uniform with the thick dark stripe on the outside trouser leg, the hat pinched at the top with the wide flat brim The shirt is tucked and tight round his paunch He is heavyset, thick-bodied He takes small steps, in a strong shooting stance There is someone inside the midrange sedan Through the back window there is a head, unclear, in silhouette They have not deserted the vehicle or fled the scene At least one person sat in the front Black dot birds scatter from the tops of the trees, and now and then another vehicle goes by The trooper is pointing with his right hand the gun through the window at the driver, and with his left hand he his reaching for the handle, going for the arrest He is shouting, has been shouting the whole time He pulls open the door and shouts at the driver He is pointing the gun and shouting at the driver He tells them get out of the car now He says get out of the fucking car He holsters the gun and pulls the driver from the sedan to the road The driver is female, Caucasian, middle-aged, and overweight She is facedown on the asphalt in her black slacks and baggy jumper, with the trooper on top of her, his knee on her back He hits her on the back of the head and unclips the handcuffs from his belt He is shouting, has been shouting the whole time He says get on the floor, get on the floor, I’ll cut your

Contributor

August 2014

Orit Gat

Contributor

August 2014

Orit Gat is a writer living in London. She is a contributing editor of The White Review.

Essay

September 2020

Three Finals

Orit Gat

Essay

September 2020

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a...

Anna Wiener’s ‘Uncanny Valley’

Book Review

February 2020

Orit Gat

Book Review

February 2020

1. SF vs NY   Anna Wiener found herself in the right place at the right time. That is, if that was what she...
James Bridle’s ‘New Dark Age’

Book Review

October 2018

Orit Gat

Book Review

October 2018

Halfway through James Bridle’s foreboding, at times terrifying, but ultimately motivating account of our technological present, he recounts a scene from a magazine article...
Women and Technology: History is a Cautionary Tale

Book Review

April 2018

Orit Gat

Book Review

April 2018

Few book reviews open with amateur rap, but: ‘back in the day when new media was new,’ goes the first line of a song...
Scroll, Skim, Stare

feature

Issue No. 16

Orit Gat

feature

Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its subject – artists’ websites, their...
What Can an Art Magazine Be?

feature

Issue No. 10

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet, the pioneering art magazine Metronome provides...

READ NEXT

feature

February 2011

The dole, and other bailouts

Chris Browne

feature

February 2011

One of my first actions as a Londoner was to sign on for as many benefits as I could...

Interview

Issue No. 7

Interview with Keston Sutherland

Natalie Ferris

Interview

Issue No. 7

Said by the New Statesman to be ‘at the forefront of the experimental movement in contemporary British poetry’, Keston...

feature

February 2012

Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

Rose McLaren

feature

February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer...

 

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