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Orit Gat
Orit Gat is a writer living in London. She is a contributing editor of The White Review.


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On Marriage, Netflix, and Other Things I Hate

Book Review

June 2023

Orit Gat

Book Review

June 2023

1. ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband.’   Marriage falls into a...

Book Review

July 2022

It’s Personal: Writing and Reading Through Grief

Orit Gat

Book Review

July 2022

1. A spill  I’m drinking coffee in bed and reading The Reactor. I feel so close to everything Nick...

I decide to drop by Arseny Zhilyaev’s workshop at Garage Museum of Contemporary Art in Moscow last November, only to find that instead of sitting quietly in the corner and listening to presentations, I am expected to assume the role of artist myself Along with my new-found colleagues, I am to make art as part of a role-playing game set in the Russian Cosmic Federation of the near future By this point in human history, all art is created by AI, but man’s input is still required to advance the performance of machines What we produce is to be evaluated by an assistant curator at Garage, and Zhilyaev himself, who will decide which of us is to represent the Russian Cosmic Federation at an Intergalactic Biennale   I am nervous before the game starts, and bubble with excitement as everyone around me transforms into inhabitants of a post-futurist art world But I get prematurely bored after the first two rounds of producing concepts as a member of the collective, Experimental Zombie Formalism Turns out the art world’s grip on creative freedom can feel suffocating, even in the future In response, my comrades and I go on strike, organize an alternative (and highly irreverent) annual biennale, and end up establishing a cult, of which I am the chief goddess Fictional CEO of a fictional cult, with a divine status acknowledged by a board of devoted disciples – not the worst outcome for a struggling artist in a precarious sci-fi future My brief period of art making, however, does not bring me intergalactic institutional recognition, nor does my work make it into planetary collections I shall perish, nameless and forgotten, as my body dissolves into the ether   Zhilyaev’s work – a mixture of installation, fiction, archival research, publishing, and most recently role-play games – combines Russian cosmist philosophy with a vision of a dystopian soon-to-come The philosophy of cosmism – a mind-boggling combination of science, technology, and spirituality – was originally dreamed up by the nineteenth-century Russian thinker Nikolai Fedorov Fedorov advocated for immortality, and the resurrection of all human beings, proposing that our ever-extending

Contributor

August 2014

Orit Gat

Contributor

August 2014

Orit Gat is a writer living in London. She is a contributing editor of The White Review.

Essay

September 2020

Three Finals

Orit Gat

Essay

September 2020

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a...

Anna Wiener’s ‘Uncanny Valley’

Book Review

February 2020

Orit Gat

Book Review

February 2020

1. SF vs NY   Anna Wiener found herself in the right place at the right time. That is, if that was what she...
James Bridle’s ‘New Dark Age’

Book Review

October 2018

Orit Gat

Book Review

October 2018

Halfway through James Bridle’s foreboding, at times terrifying, but ultimately motivating account of our technological present, he recounts a scene from a magazine article...
Women and Technology: History is a Cautionary Tale

Book Review

April 2018

Orit Gat

Book Review

April 2018

Few book reviews open with amateur rap, but: ‘back in the day when new media was new,’ goes the first line of a song...
Scroll, Skim, Stare

feature

Issue No. 16

Orit Gat

feature

Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its subject – artists’ websites, their...
What Can an Art Magazine Be?

feature

Issue No. 10

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet, the pioneering art magazine Metronome provides...

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Interview

May 2017

Interview with Hari Kunzru

Michael Barron

Interview

May 2017

In the summer of 2008, the English novelist Hari Kunzru left London for New York City after accepting a fellowship at...

fiction

July 2015

Scropton, Sudbury...

Jessie Greengrass

fiction

July 2015

My parents were grocers. For twenty-five years they owned a shop with a green awning and crates of vegetables...

poetry

March 2015

Coup & Bell Curve

Elizabeth Willis

poetry

March 2015

COUP   Mallarmé’s gambling astonished everyone even the poets   An acre of paper sold down a river whose...

 

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