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Orit Gat
Orit Gat is a writer living in London. She is a contributing editor of The White Review.


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On Marriage, Netflix, and Other Things I Hate

Book Review

June 2023

Orit Gat

Book Review

June 2023

1. ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband.’   Marriage falls into a...

Book Review

July 2022

It’s Personal: Writing and Reading Through Grief

Orit Gat

Book Review

July 2022

1. A spill  I’m drinking coffee in bed and reading The Reactor. I feel so close to everything Nick...

‘The instability of an accent, its borrowed and hybridised phonetic form, is testimony not to someone’s origins but only to an unstable and migratory lifestyle, which is of course common in those fleeing from conflict and seeking asylum Is it not more likely then, than a genuine asylum seeker’s accent would be an irregular and itinerant concoction of voices, a sort biography of a journey, rather than an immediately distinguishable voice, that owes its unshakable roots to a single place?’ –Lawrence Abu-Hamdan ‘The Freedom of Speech Itself’ (2012)     Some artworks reveal something you didn’t know before They cast light on hitherto unknown facts that move you profoundly upon learning This is a particularly successful art experience, one you part with an anxious, perhaps even nervous, sense of awareness And what I learned, on a very cold London morning last January at The Showroom, after listening to Lawrence Abu Hamdan’s ‘The Freedom of Speech Itself’ is that for the past two decades a methodology called forensic speech analysis has been used by several border agencies throughout the West as a means to determine the national identities and geopolitical origins of suspicious prospective immigrants or political refugees On a practical level that means that asylum seekers might be denied access to safer ground on the basis of their accents or pronunciation of certain vowels, according to the field’s expert phonetic atlas   The piece, considered by its author to be a documentary, offers abundant facts A North-American sociolinguist for example, clearly worried about the extent to which this method has been adopted, tells us how forensic speech analysis was developed in the early and mid 1990’s in the Scandinavian countries, particularly Sweden, by linguistic experts working within their asylum and immigration bureaus A few years later, he continues, these experts span off and created independent companies, selling their expertise back to their governments and eventually to other countries These days the border agencies of UK or Australia, for example, might record a ten to fifteen minute interview with their suspicious asylum seekers and send the tape to the companies

Contributor

August 2014

Orit Gat

Contributor

August 2014

Orit Gat is a writer living in London. She is a contributing editor of The White Review.

Essay

September 2020

Three Finals

Orit Gat

Essay

September 2020

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a...

Anna Wiener’s ‘Uncanny Valley’

Book Review

February 2020

Orit Gat

Book Review

February 2020

1. SF vs NY   Anna Wiener found herself in the right place at the right time. That is, if that was what she...
James Bridle’s ‘New Dark Age’

Book Review

October 2018

Orit Gat

Book Review

October 2018

Halfway through James Bridle’s foreboding, at times terrifying, but ultimately motivating account of our technological present, he recounts a scene from a magazine article...
Women and Technology: History is a Cautionary Tale

Book Review

April 2018

Orit Gat

Book Review

April 2018

Few book reviews open with amateur rap, but: ‘back in the day when new media was new,’ goes the first line of a song...
Scroll, Skim, Stare

feature

Issue No. 16

Orit Gat

feature

Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its subject – artists’ websites, their...
What Can an Art Magazine Be?

feature

Issue No. 10

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet, the pioneering art magazine Metronome provides...

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Art

October 2015

Licence to Play

Thirza Wakefield

Art

October 2015

In his 1992 essay ‘In Search of the Centaur’, the writer and critic Phillip Lopate described the essay-film as...

feature

Issue No. 15

Translation in the First Person

Kate Briggs

feature

Issue No. 15

IT IS 1 JUNE 2015 and I am standing outside no. 11 rue Servandoni in Paris’s sixth arrondissement. I...

Interview

Issue No. 5

Interview with Hans Ulrich Obrist

Ben Eastham

Interview

Issue No. 5

Hans Ulrich Obrist is a compulsive note taker. For the duration of our interview one hand twitches a pen...

 

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