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Orit Gat
Orit Gat is a writer living in London. She is a contributing editor of The White Review.


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On Marriage, Netflix, and Other Things I Hate

Book Review

June 2023

Orit Gat

Book Review

June 2023

1. ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband.’   Marriage falls into a...

Book Review

July 2022

It’s Personal: Writing and Reading Through Grief

Orit Gat

Book Review

July 2022

1. A spill  I’m drinking coffee in bed and reading The Reactor. I feel so close to everything Nick...

Don’t you ever want the kind of family where you’re just allowed to be…   My brother trails off, his sad blue eyes etched with lines There are 13 years between us, and it’s been 5 since we last met We’re having brunch opposite the Henry Moore Institute The empty restaurant is decorated with imitation sweet peas, a garish canopy of purple and white plastic droops above our heads He’s insistent I eat and determined to pay   He took care of us, my sister and me He took care of everyone, even our other brother, the eldest, loudest, favourite We never called them our half-brothers, because why describe the family you saw the most as anything less than whole   He gave me my first Hooch First listen to Jagged Little Pill, hedgerows clawing at our headlights, driving fast down dark country lanes He taught me how to shape the visor on a baseball cap, how to banter I learned about my desire by observing his Furtive looking from the back seat or barstool Standing in the bathroom at a house party, trying not to watch as his girlfriend has a wee Her glossy brown hair smelt of coconuts, stone-wash denim bunched around her thighs Heartbroken when they ended   My brothers They had done everything and got away with it My mother: terrified   Approaching the barrier at Leeds station, an image of him materialises Twenty-three   years ago, a young man waiting for us on the other side That’s what physical places can do: time travel Today, I’ve arranged to meet him because he’s been absent The proper term is estranged No blowout or cross words, just a slow disappearance, like a newspaper clipping gently fading in the sun   From our brothers my sister and I learnt the art of keeping secrets We did not speak of our experiences, of difficulty or pain We disconnected Silence was easier Which is to say, our mother couldn’t cope with who we wanted to be   It would crush her   Our combined longing fills the

Contributor

August 2014

Orit Gat

Contributor

August 2014

Orit Gat is a writer living in London. She is a contributing editor of The White Review.

Essay

September 2020

Three Finals

Orit Gat

Essay

September 2020

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a...

Anna Wiener’s ‘Uncanny Valley’

Book Review

February 2020

Orit Gat

Book Review

February 2020

1. SF vs NY   Anna Wiener found herself in the right place at the right time. That is, if that was what she...
James Bridle’s ‘New Dark Age’

Book Review

October 2018

Orit Gat

Book Review

October 2018

Halfway through James Bridle’s foreboding, at times terrifying, but ultimately motivating account of our technological present, he recounts a scene from a magazine article...
Women and Technology: History is a Cautionary Tale

Book Review

April 2018

Orit Gat

Book Review

April 2018

Few book reviews open with amateur rap, but: ‘back in the day when new media was new,’ goes the first line of a song...
Scroll, Skim, Stare

feature

Issue No. 16

Orit Gat

feature

Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its subject – artists’ websites, their...
What Can an Art Magazine Be?

feature

Issue No. 10

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet, the pioneering art magazine Metronome provides...

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poetry

May 2012

FINALLY RICH

Sam Riviere

poetry

May 2012

I got a job I got a job writing poems oh hi I never met you before going to...

feature

Issue No. 12

Foreword: A Pound of Flesh

George Szirtes

feature

Issue No. 12

1.   ANALOGIES FOR TRANSLATION ARE MANY, most of them assuming a definable something on one side of the...

Interview

February 2014

Interview with Patrick Keiller

David Anderson

Interview

February 2014

Patrick Keiller, an architect ‘diverted’ into making films, is principally known for his Robinson series, which began with  London (1994)...

 

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