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Orit Gat
Orit Gat is a writer living in London. She is a contributing editor of The White Review.


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On Marriage, Netflix, and Other Things I Hate

Book Review

June 2023

Orit Gat

Book Review

June 2023

1. ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband.’   Marriage falls into a...

Book Review

July 2022

It’s Personal: Writing and Reading Through Grief

Orit Gat

Book Review

July 2022

1. A spill  I’m drinking coffee in bed and reading The Reactor. I feel so close to everything Nick...

  Hydnellum Peckii   I used to own the sweetest, smallest compact mirror It was barely bigger than my thumbnail, which meant you could digest your face in pieces: an iris, a nostril, one freckle alone in a sea of skin, the corner of your mouth I found it in an antique shop, buried in a cardboard box full of old rings, chipped enamel, lockets with their mouths firmly shut, battered gold plate spoons, and semi-precious gems clouded with age My hands came away smelling of metal It was silver, round, and on the top sat a tiny solid silver rose The compact mirror was the only thing I owned that I truly cherished My sister-in-law broke it She said she was just looking for something, a brush or whatever, even though my hair is too thick for brushing and therefore I do not own one Seven years bad luck to break a mirror, especially if the mirror was mine I took the glass pieces and ground them up using the pestle and mortar we had in the kitchen until the glass was quite fine and then I sprinkled it in my sister-in-law’s tuna sandwich that lunchtime I liked to picture the insides of her all cut up and bleeding with a hundred tiny incisions     Agaricus Bohusii   The trees look as if they are growing small pale green shrivelled hands There’s a bite on my arm: the soft part just up from my wrist, when I turn my hands so that my palms face the sky A red bud, pink blossoming outwards I scratch it until I bleed I like the sound bites and spots make when you pop their pus-filled heads Yesterday I helped cook chili con carne, which was always my husband’s favourite meal, although here the chili isn’t real Neither is the carne The meat, in fact, comes in metal containers with thick foil lids You peel them back like opening tins of cat food It is a weird hybrid of actual animal and meat substitute It tastes like nothing at all, for which we are all truly thankful If they were

Contributor

August 2014

Orit Gat

Contributor

August 2014

Orit Gat is a writer living in London. She is a contributing editor of The White Review.

Essay

September 2020

Three Finals

Orit Gat

Essay

September 2020

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a...

Anna Wiener’s ‘Uncanny Valley’

Book Review

February 2020

Orit Gat

Book Review

February 2020

1. SF vs NY   Anna Wiener found herself in the right place at the right time. That is, if that was what she...
James Bridle’s ‘New Dark Age’

Book Review

October 2018

Orit Gat

Book Review

October 2018

Halfway through James Bridle’s foreboding, at times terrifying, but ultimately motivating account of our technological present, he recounts a scene from a magazine article...
Women and Technology: History is a Cautionary Tale

Book Review

April 2018

Orit Gat

Book Review

April 2018

Few book reviews open with amateur rap, but: ‘back in the day when new media was new,’ goes the first line of a song...
Scroll, Skim, Stare

feature

Issue No. 16

Orit Gat

feature

Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its subject – artists’ websites, their...
What Can an Art Magazine Be?

feature

Issue No. 10

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet, the pioneering art magazine Metronome provides...

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poetry

July 2015

About Blue: Velestovo

Tatiana Daniliyants

TR. Katherine E. Young

poetry

July 2015

About Blue: Velestovo   1   …when I say the name: Velestovo, I think of deep blue. Of blue...

Interview

Issue No. 1

Interview with China Miéville

Ben Eastham

Interview

Issue No. 1

It is a cliché to say that a writer’s work resists classification. It is ironic then that China Miéville,...

feature

Issue No. 2

The End of Francophonie: The Politics of French Literature

Lauren Elkin

feature

Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed...

 

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