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Orit Gat
Orit Gat is a writer living in London. She is a contributing editor of The White Review.


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On Marriage, Netflix, and Other Things I Hate

Book Review

June 2023

Orit Gat

Book Review

June 2023

1. ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband.’   Marriage falls into a...

Book Review

July 2022

It’s Personal: Writing and Reading Through Grief

Orit Gat

Book Review

July 2022

1. A spill  I’m drinking coffee in bed and reading The Reactor. I feel so close to everything Nick...

The CCTV New Year’s gala broadcast, known in Mandarin as Chunwan, is probably the most massive media event you’ve never heard of: with an audience of 700 million, it has few rivals for sheer reach A China Central Television institution since 1982, the show provides an annual bromide of light-hearted comedy, music, and choreographed patriotism on the eve of the country’s most important festival In a nation reeling from frenetic development and riven by social tensions, it’s a reminder of the cultural ties that bind (most of) China together This year, Chunwan rings in the Year of the Rabbit on the evening of 2 February But even in China, this throwback to a bygone era of modernist spectacle is not immune to larger shifts in the way we consume media The show is losing its younger viewers: according to a recent online poll on Sinacom, 50 percent of respondents who saw the show called it ‘bad,’ while only 13 percent said it was ‘good’ It seems that colourful ethnic minority maidens singing about social harmony just don’t cut it any more for the post-‘80s generation Alarmed over declining ratings, broadcasters have turned to the internet for the first time this year to infuse new life into the old Chunwan beast, planning to draw several musical performers from the online ‘grassroots’ CCTV and other Chinese media have long had a troubled relationship with the 380 million ‘netizens’ who comprise China’s online population Of course, this comes as no surprise to those familiar with the overall status of internet speech in China A small army of censors regularly scrub references to sensitive topics like Falun Gong, Tibet and Liu Xiaobo from bulletin boards Facebook, Twitter and Tumblr, among other social networking platforms, are blocked: in this visualisation of global Facebook connections, there’s a conspicuous hole where China should be Historically, censors have also intervened to halt the careers of apparently harmless internet celebrities, which China produces in spades With a massive online population isolated by the so-called Great

Contributor

August 2014

Orit Gat

Contributor

August 2014

Orit Gat is a writer living in London. She is a contributing editor of The White Review.

Essay

September 2020

Three Finals

Orit Gat

Essay

September 2020

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a...

Anna Wiener’s ‘Uncanny Valley’

Book Review

February 2020

Orit Gat

Book Review

February 2020

1. SF vs NY   Anna Wiener found herself in the right place at the right time. That is, if that was what she...
James Bridle’s ‘New Dark Age’

Book Review

October 2018

Orit Gat

Book Review

October 2018

Halfway through James Bridle’s foreboding, at times terrifying, but ultimately motivating account of our technological present, he recounts a scene from a magazine article...
Women and Technology: History is a Cautionary Tale

Book Review

April 2018

Orit Gat

Book Review

April 2018

Few book reviews open with amateur rap, but: ‘back in the day when new media was new,’ goes the first line of a song...
Scroll, Skim, Stare

feature

Issue No. 16

Orit Gat

feature

Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its subject – artists’ websites, their...
What Can an Art Magazine Be?

feature

Issue No. 10

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet, the pioneering art magazine Metronome provides...

READ NEXT

poetry

August 2016

Three New Poems

Sarah V. Schweig

poetry

August 2016

‘The Audit’ and ‘Red Bank’ are excerpts from Schweig’s forthcoming book, Take Nothing With You (University of Iowa Press, 2016).  ...

fiction

March 2017

A Table is a Table

Peter Bichsel

TR. Lydia Davis

fiction

March 2017

I want to tell a story about an old man, a man who no longer says a word, has...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

 

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