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Orit Gat
Orit Gat is a writer living in London. She is a contributing editor of The White Review.


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On Marriage, Netflix, and Other Things I Hate

Book Review

June 2023

Orit Gat

Book Review

June 2023

1. ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband.’   Marriage falls into a...

Book Review

July 2022

It’s Personal: Writing and Reading Through Grief

Orit Gat

Book Review

July 2022

1. A spill  I’m drinking coffee in bed and reading The Reactor. I feel so close to everything Nick...

Benson’s Syndrome   Grapefruit I have lost the word for it Popillo? Popello? No, no It escapes her, the word, she tries to dig into the layers of memory, a time when she used to know only this language, only this rhythm, this inflection, when she used to know the small of your back, or the ribs that sometimes pushed through your skin, but it fails her, it is always out of reach, hiding behind her second language that is now her first, a senseless language with silent letters: apostle, knot, doubt     Assignation   An appointment to meet someone in secret, typically one made by lovers We were never lovers, but no one will ever as easily cover me in goosebumps     Cavities   It was in Paris where I broke my tooth, the lower left second molar, while chewing the bread with the engraved cursive P upon its breast, brought at Poilâne on rue Debelleyme in Le Marais It was our first trip together as adults The lines in my face were settling in, laugh lines, I used to laugh then We had woken up early to walk there in the rain, a slight drizzle, and I was excited by the unevenness of the cobblestone, how I tripped at almost every step, how loud the automobiles sounded when they approached   The woman at the counter of the boulangerie asked if I wanted the whole loaf or the half, she directed the question to me as if she knew I would pay, as I often do I was surprised by her immediate knowledge of us, and by the smell of the dough rising just out of sight, which reminded me of my father’s calloused hands, how they could be violent but also subtle He used them to make gnocchi in our small kitchen   I did not understand her French, so she made wide shapes with her large palm, and then I understood but could not decide between the two choices, whole, half, you did not make eye contact to help me, so I told her yes, oui, the whole loaf, and made the

Contributor

August 2014

Orit Gat

Contributor

August 2014

Orit Gat is a writer living in London. She is a contributing editor of The White Review.

Essay

September 2020

Three Finals

Orit Gat

Essay

September 2020

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a...

Anna Wiener’s ‘Uncanny Valley’

Book Review

February 2020

Orit Gat

Book Review

February 2020

1. SF vs NY   Anna Wiener found herself in the right place at the right time. That is, if that was what she...
James Bridle’s ‘New Dark Age’

Book Review

October 2018

Orit Gat

Book Review

October 2018

Halfway through James Bridle’s foreboding, at times terrifying, but ultimately motivating account of our technological present, he recounts a scene from a magazine article...
Women and Technology: History is a Cautionary Tale

Book Review

April 2018

Orit Gat

Book Review

April 2018

Few book reviews open with amateur rap, but: ‘back in the day when new media was new,’ goes the first line of a song...
Scroll, Skim, Stare

feature

Issue No. 16

Orit Gat

feature

Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its subject – artists’ websites, their...
What Can an Art Magazine Be?

feature

Issue No. 10

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet, the pioneering art magazine Metronome provides...

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fiction

September 2016

STILL MOVING

Lynne Tillman

fiction

September 2016

 I am bound more to my sentences the more you batter at me to follow you. – William Carlos...

feature

November 2016

Hot Rocks

Izabella Scott

feature

November 2016

‘We have received around 150 of them,’ Massimo Osanna tells me, as we peer into four small crates stuffed...

Interview

March 2017

Interview with Ondjaki

Stephen Henighan

Interview

March 2017

Ondjaki is the most prominent African writer of Portuguese from the generations born after Portugal’s five former colonies on...

 

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