Mailing List


Orit Gat
Orit Gat is a writer living in London. She is a contributing editor of The White Review.


Articles Available Online


On Marriage, Netflix, and Other Things I Hate

Book Review

June 2023

Orit Gat

Book Review

June 2023

1. ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband.’   Marriage falls into a...

Book Review

July 2022

It’s Personal: Writing and Reading Through Grief

Orit Gat

Book Review

July 2022

1. A spill  I’m drinking coffee in bed and reading The Reactor. I feel so close to everything Nick...

Giulio the singing fascist came to pick me up from the little airport in his Jeep He made sure to come round and hold my door open from the outside Giulio was best known in Spura for his powerful bass voice and the persistent rumours that he went out looking for illegal immigrants in the Tuscan hills We made a point of not asking him about his beliefs because he was the only neighbour under sixty with whom my Grandmother had not yet argued He saw it as his duty as a Christian to help her with tasks that required lifting and driving My grandfather had always done such things for her We rattled away from the dusty airstrip, to join the autostrada I had seen it so many times from the vantage of Spura’s walls that I always thought of the roads as rivulets of magma spreading out across the plain We passed half-finished tennis courts and artisanal handbag depots, punctuated by the occasional red-brown jogger Two millennia ago, Hannibal had routed the Romans nearby, hiding his army in the forest and sending out men to light fires that made them look farther away than they really were Many here still felt themselves closer to Etruria than Rome, which explained the numerous local restaurants named after Hannibal’s favourite elephant, Surus As he drove with one hand and gesticulated with the other, Giulio told me about his battle with Communist mayor of Spura, who objected to him taking groups of Finnish hunters up into the hills without all the proper licenses He was still adding to his collection of antique rifles and offered to take me along next time he went to shoot the wild boar He apologised that he could not let me have a try myself, as it had been so long since I last fired a gun The only dangerous boar, if you could follow a trail like Giulio, were the mothers, who tended to be unpredictable and instinctively violent More wolves had been coming into Italy from Slovenia and found this region to

Contributor

August 2014

Orit Gat

Contributor

August 2014

Orit Gat is a writer living in London. She is a contributing editor of The White Review.

Essay

September 2020

Three Finals

Orit Gat

Essay

September 2020

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a...

Anna Wiener’s ‘Uncanny Valley’

Book Review

February 2020

Orit Gat

Book Review

February 2020

1. SF vs NY   Anna Wiener found herself in the right place at the right time. That is, if that was what she...
James Bridle’s ‘New Dark Age’

Book Review

October 2018

Orit Gat

Book Review

October 2018

Halfway through James Bridle’s foreboding, at times terrifying, but ultimately motivating account of our technological present, he recounts a scene from a magazine article...
Women and Technology: History is a Cautionary Tale

Book Review

April 2018

Orit Gat

Book Review

April 2018

Few book reviews open with amateur rap, but: ‘back in the day when new media was new,’ goes the first line of a song...
Scroll, Skim, Stare

feature

Issue No. 16

Orit Gat

feature

Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its subject – artists’ websites, their...
What Can an Art Magazine Be?

feature

Issue No. 10

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet, the pioneering art magazine Metronome provides...

READ NEXT

fiction

March 2011

In the Field

Jesse Loncraine

fiction

March 2011

There were flickers of red in the water, a tint the colour of blood. He stood in the river,...

feature

March 2013

Celan Reads Japanese

Yoko Tawada

TR. Susan Bernofsky

feature

March 2013

There are some who claim that ‘good’ literature is actually untranslatable.  Before I could read German, I found this...

feature

Issue No. 8

The White Review No. 8 Editorial

The Editors

feature

Issue No. 8

The manifesto of art collective Bruce High Quality foundation, the subject of an essay by Legacy Russell in this...

 

Get our newsletter

 

* indicates required