Mailing List


Philippa Snow
Philippa Snow is a critic and essayist. Her work has appeared in publications including ArtforumThe Los Angeles Review of BooksArtReviewFriezeVogueThe NationThe New Statesman, and The New Republic. Her first book, Which As You Know Means Violence, is out now with Repeater, and she is currently working on an essay collection about famous women.  

Articles Available Online


You Don’t Think God Is Sexy?

Film Review

January 2023

Philippa Snow

Film Review

January 2023

On the most literal level, Pier Paolo Pasolini’s elliptical, spiritual-cum-sensual movie Teorema (1968) is about an entire family being driven to distraction by their...

Essay

Issue No. 31

It's Terrible The Things I Have To Do To Be Me

Philippa Snow

Essay

Issue No. 31

Here was a woman who had modelled her life so closely on Marilyn Monroe’s that doing so eventually helped...

At the Konditorei   Close, warm, and humming with the relaxed sounds of post- midday Kaffee-Kuchen The  cakes are modestly presented in a glass cabinet: stripes of sponge alternate with chocolate cream; globes of mango gleam on mousse Oblongs of raspberry and banana jelly Older couples sit at round tables, sip kaffee and lift cake-cream inch-by-inch to mouths They’re conscious not to eat too quickly, so as to avoid nausea, and ensure instead continued pure delight A little nothing, pleasant chat; a few read the papers   Our protagonist has the table by the window, hung with a doily curtain There’s a cigarette smoking itself out in his thrown- away left hand; his closed right one rests on the open pages of an empty notepad                             See (1)   Florian was walking with his schnauzer, Bernie, along the far shore of the See He preferred this less trodden, further side because it meant he had a good view of the town, busy and self-important on that nearer side And he liked being closer to the great faces of mountains, which jacked themselves right up hard, grey and granular, above all the people’s things and houses   His head was clear and only had in it air, Bernie running and her fetching the next stick, and the soft-firm earth and grass under their feet   They stopped on the path to look over the See Its surface was soft as a lady’s undergarment You could place your finger in its surface and feel it drop under, without resistance Today’s winter water had black, mirrored surfaces; nothing could be seen beneath them   Then Florian’s eye settles on something, as a fisherman focuses on the red point at the end of his line in the water His eyes are drawing an outline – round the objects he can see They are – this shape – like this – two rectangles bobbing among some dead black stalks The black of the rectangles is greyer than the See’s black Their sheen is harder than the water’s; more moulded, less easy to penetrate                                 At the Pension   The protagonist arrives at the pension This is situated in the village adjoining the town, where slopes are levelled in tiers to make space for the houses There are broad,

Contributor

November 2018

Philippa Snow

Contributor

November 2018

Philippa Snow is a critic and essayist. Her work has appeared in publications including Artforum, The Los Angeles Review of Books, ArtReview, Frieze, Vogue, The...

Essay

January 2021

An Uneasy Girl

Philippa Snow

Essay

January 2021

Even before Lucie arrives holding a shotgun, we know that the perfect family in this huge suburban house are...

Brilliant Muscles

Essay

December 2019

Philippa Snow

Essay

December 2019

‘Lindsay Lohan’s new film,’ I told almost everyone I spoke to for about two months earlier this year, ‘is about werewolf detectives.’ Nobody seemed...
Evita Vasiljeva, POSTCRETE

Art Review

February 2019

Philippa Snow

Art Review

February 2019

Lower.Green is situated in the unlikely surroundings of a near-dead mall in Norwich. It is not just any mall, but Anglia Square Shopping Centre:...
Gabriele Beveridge, Live Dead World

Art Review

November 2018

Philippa Snow

Art Review

November 2018

Several months ago, I went to a salon so small and so identikit that I do not recall the name, and against every sane...

READ NEXT

feature

May 2016

Cinema on the Page

Jonathan Gibbs

feature

May 2016

Film is a bully. It wants to make its viewers feel, and it has the tools to do so....

Art

November 2014

Conversations About a Play

Louise Stern

Art

November 2014

Editor’s note: The images in the slideshow document a conversation on paper between the writer and artist Louise Stern...

poetry

May 2012

REGULAR BLACK

Sam Riviere

poetry

May 2012

Who wouldn’t rather be watching a film about werewolves instead of composing friends’ funeral playlists all day I’ve been...

 

Get our newsletter

 

* indicates required