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Rebecca Tamás
REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and was a LRB Bookshop pamphlet of the year, and a Poetry School book of the year. Rebecca’s first full-length poetry collection, WITCH, was published by Penned in the Margins in March 2019. She is editor, together with Sarah Shin, of Spells: 21st Century Occult Poetry, published by Ignota Books. Her collection Strangers: Essays on the Human and Nonhuman was published by Makina Books in October 2020.  

Articles Available Online


Interview with Ariana Reines

Interview

July 2019

Rebecca Tamás

Interview

July 2019

I first became aware of Ariana Reines’s work through her early poetry collection The Cow (2006), which went on to win the prestigious Alberta Prize. I...

Essay

Issue No. 24

The Songs of Hecate: Poetry and the Language of the Occult

Rebecca Tamás

Essay

Issue No. 24

  I have gone out, a possessed witch, haunting the black air, braver at night; dreaming evil, I have...

LowerGreen is situated in the unlikely surroundings of a near-dead mall in Norwich It is not just any mall, but Anglia Square Shopping Centre: a decaying quondam monument to Modernism circa-1970, in which the architecture calls to mind a cross between a spaceship and an office building from the science fiction film Brazil (1985) – severe, oppressive, featureless at first glance, and possessed of certain smooth, seductive lines at second stare There is a bargain store that sells tote bags pitched unintentionally in the key of Barbara Kruger, with the brilliantly apropos slogan WHEN I DON’T SHOP I FEEL EMPTY, and a cinema called, with some irony, The Hollywood ‘In July, 2013,’ boasts Wikipedia, ‘the cinema hosted the world premiere of Alan Partridge: Alpha Papa’   It is difficult to say why Anglia Square Shopping Centre is appealing, in the same way it is difficult to pinpoint the appeal of certain human faces (The French, in coining jolie laide to describe women who are ugly but incredibly alluring, may have come the closest to elucidating this specific feeling, even if they did not necessarily intend it to describe a building) It is Brutalist, but not in the more elegant mode that tends to be salivated over by the kind of people who WhatsApp each other listings from The Modern House, or regularly eat bone marrow at St John’s, or give their children names like ‘Clementine’ It is extravagant and stately in its ugliness It is unfortunately very, very doomed LowerGreen’s final show will be this spring, thanks to a planned destruction of the shopping centre by the City Council; the area’s redevelopment is slated to cost £271 million, roughly equivalent to 54,308,617 tickets to see Alan Partridge: Alpha Papa at The Hollywood, or 184,000,000 oddly-existential tote bags Weston Homes – the developer whose aim is to replace it with ‘1,234 new homes, a leisure quarter with a cinema, car parks, a 200-bed hotel, [and] a tower block’ – have described the proposed plan as being like ‘Marmite’, which is an especially euphemistic way to say that of the 939 comments submitted to

Contributor

July 2015

Rebecca Tamás

Contributor

July 2015

REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and...

Interrogations

poetry

Issue No. 14

Rebecca Tamás

poetry

Issue No. 14

INTERROGATION (1)     Are you a witch?   Are you   Have you had relations with the devil?   Have you   Have...

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feature

June 2014

Hoarseness: A Legend of Contemporary Cairo

Youssef Rakha

feature

June 2014

U. Mubarak It kind of grows out of traffic. The staccato hiss of an exhaust pipe begins to sound like...

feature

April 2013

Félix Fénéon, Bomb-Thrower

Tom McCarthy

feature

April 2013

Editors’ Note: On 25 April 2013, novelist Tom McCarthy announced the winner of the first annual White Review Short...

Art

May 2014

The Interzone and Dexter Dalwood

Sarah Hegenbart

Dexter Dalwood

Art

May 2014

‘Burroughs in Tangier’ (2005) has captivated me ever since its display in the 2010 Turner Prize Exhibition. The work...

 

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