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Rebecca Tamás
REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and was a LRB Bookshop pamphlet of the year, and a Poetry School book of the year. Rebecca’s first full-length poetry collection, WITCH, was published by Penned in the Margins in March 2019. She is editor, together with Sarah Shin, of Spells: 21st Century Occult Poetry, published by Ignota Books. Her collection Strangers: Essays on the Human and Nonhuman was published by Makina Books in October 2020.  

Articles Available Online


Interview with Ariana Reines

Interview

July 2019

Rebecca Tamás

Interview

July 2019

I first became aware of Ariana Reines’s work through her early poetry collection The Cow (2006), which went on to win the prestigious Alberta Prize. I...

Essay

Issue No. 24

The Songs of Hecate: Poetry and the Language of the Occult

Rebecca Tamás

Essay

Issue No. 24

  I have gone out, a possessed witch, haunting the black air, braver at night; dreaming evil, I have...

‘My great fear is that we are suffering from amnesia I wrote to recover the memory of the human rainbow, which is in danger of being mutilated… We are much more than we are told We are much more beautiful’   Eduardo Galeano, 2013     February 2023: ‘A magisterial survey’ of the British Empire by Oxford ethics professor Nigel Biggar is lauded in the right-wing press In Colonialism: A Moral Reckoning, Biggar seeks to defend the Empire from its most egregious accusations – greed, racism, land theft, genocide and economic exploitation Cover blurbs from supporters hail the study as: ‘A timely riposte to the ethically flawed and unhistorical campaign by Black Lives Matter [which] conflate[s] benevolent empire with slavery and, worse still, Nazism’ and ‘Any objective reader not blinded by woke prejudice will recognise that this [is] one of the great debates of our times: whether we should be ashamed by our forefathers’    The study has riven academia and ignited the ever-glowing embers of the so-called culture wars Our history has become ever more politicised, with the biggest casualty of such debates the public’s understanding of it    The 2015 campaign Rhodes Must Fall, to remove the statue of Cecil Rhodes from Oxford High Street, which gained impetus again in 2020 following George Floyd’s murder and the Black Lives Matter protests, receives special attention from Biggar Rhodes was a ‘moral mixture’, Biggar states, and not a racist, decrying the ‘shouty zealotry of small group of students’ and their academic supporters, and using selective facts to prop up his argument The case of Rhodes Must Fall – that his policies of racial segregation led in later years to apartheid; that he promoted slavery in his diamond mines; that he stole African lands in nefarious ways – can all be explained within the context of time and place, explains Biggar The anti-colonialists have distorted history for their own ends, he argues: their retrospective morality is essentially as flawed as a rough diamond’s surface, applying today’s ethics and morals to our ancestors’ deeds will of course cast them in a fractured light    The truth

Contributor

July 2015

Rebecca Tamás

Contributor

July 2015

REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and...

Interrogations

poetry

Issue No. 14

Rebecca Tamás

poetry

Issue No. 14

INTERROGATION (1)     Are you a witch?   Are you   Have you had relations with the devil?   Have you   Have...

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poetry

February 2012

Sunday

Rachael Allen

poetry

February 2012

Supermarket Warehouse This is the ornate layer: in the supermarket warehouse, boxed children’s gardens rocking on a fork-lift truck,...

poetry

May 2014

Rain on the Roof (to James Schuyler)

David Andrew

poetry

May 2014

Degrees of distance Who all died at different dates, known to each other: not just in the human race...

Art

June 2013

Ghosts and Relics: The Haunting Avant-Garde

John Douglas Millar

Art

June 2013

‘The avant-garde can’t be ignored, so to ignore it – as most humanist British novelists do – is the...

 

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