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Rebecca Tamás
REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and was a LRB Bookshop pamphlet of the year, and a Poetry School book of the year. Rebecca’s first full-length poetry collection, WITCH, was published by Penned in the Margins in March 2019. She is editor, together with Sarah Shin, of Spells: 21st Century Occult Poetry, published by Ignota Books. Her collection Strangers: Essays on the Human and Nonhuman was published by Makina Books in October 2020.  

Articles Available Online


Interview with Ariana Reines

Interview

July 2019

Rebecca Tamás

Interview

July 2019

I first became aware of Ariana Reines’s work through her early poetry collection The Cow (2006), which went on to win the prestigious Alberta Prize. I...

Essay

Issue No. 24

The Songs of Hecate: Poetry and the Language of the Occult

Rebecca Tamás

Essay

Issue No. 24

  I have gone out, a possessed witch, haunting the black air, braver at night; dreaming evil, I have...

Jerusalem has a remarkably cohesive identity, in architectural terms Every building, from the Western Wall to the sleek hotels and high-rises in the newer parts of town, is constructed of the same sandy-coloured limestone, a measure put in place by British authorities who governed between 1917 and 1947 This surface uniformity connects Jerusalem with the wider Jewish landscape, across time and space: ‘Jerusalem stone’ has been a feature of the city’s architecture since ancient times, when residents collected blocks from the local quarry (now a bustling station) to build their homes, and it is used in buildings worldwide to symbolise connection with the holy city In 2010, a Brazilian Pentecostal church signed a reported £8 million contract with Israel, enabling them to import enough Jerusalem stone to build a $300 million, 55-metre-high replica of Solomon’s Temple – complete with olive groves, Ark of the Covenant and helicopter landing pad – in São Paulo   But the lights and sounds of Jerusalem’s streets tell a different story, one of conflict and contradictions At night, the tips of mosque minarets glow green against the neon lights of the city’s modern hubs, while muezzins compete not only with church bells but with busy traffic At the Western Wall, the plaza of prayer is split by a dividing wall which segregates the sexes, though tourists and worshippers are left to mingle On the women’s side, a bored sweeper patrols while tourists take selfies beside a woman in a headscarf, who mutters devoutly and touches the wall in reverence; nearby stands an incongruous lectern, hosting prayer books in all languages and a discarded plastic glass, half full of warm Coke Jerusalem’s Old City – just one square kilometre, with over 400 surveillance cameras crammed into crevices in the stone – is divided into Jewish, Muslim, Christian and Armenian quarters, pockets which define themselves both within and against the rest of the city   The differences between sectors are barely perceptible to outsiders: across the Old City, streets are flanked with marketstalls selling ubiquitous slogan T-shirts and babygros, where ‘Free Palestine’ hangs next to ‘SuperJew’, ‘Hello Jerusalem’ next to

Contributor

July 2015

Rebecca Tamás

Contributor

July 2015

REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and...

Interrogations

poetry

Issue No. 14

Rebecca Tamás

poetry

Issue No. 14

INTERROGATION (1)     Are you a witch?   Are you   Have you had relations with the devil?   Have you   Have...

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poetry

November 2013

Rescue Me

George Szirtes

poetry

November 2013

Pain comes like this: packaged in a moment of hubris with a backing band too big for its own...

feature

May 2014

How Imagination Remembers

Maria Fusco

feature

May 2014

How imagination remembers is twofold, an enfolded act of greed and ingenuity. I believe these impulses to be linked...

feature

February 2014

Another Way of Thinking

Scott Esposito

feature

February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

 

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