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Rebecca Tamás
REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and was a LRB Bookshop pamphlet of the year, and a Poetry School book of the year. Rebecca’s first full-length poetry collection, WITCH, was published by Penned in the Margins in March 2019. She is editor, together with Sarah Shin, of Spells: 21st Century Occult Poetry, published by Ignota Books. Her collection Strangers: Essays on the Human and Nonhuman was published by Makina Books in October 2020.  

Articles Available Online


Interview with Ariana Reines

Interview

July 2019

Rebecca Tamás

Interview

July 2019

I first became aware of Ariana Reines’s work through her early poetry collection The Cow (2006), which went on to win the prestigious Alberta Prize. I...

Essay

Issue No. 24

The Songs of Hecate: Poetry and the Language of the Occult

Rebecca Tamás

Essay

Issue No. 24

  I have gone out, a possessed witch, haunting the black air, braver at night; dreaming evil, I have...

A Few Words on Maria Sudayeva   Slogans is a strange, extraordinary book: it describes a universe of total war where humanity no longer exists, or rather only in traces, and where the actors — actresses, rather, since these are almost always feminine creatures who appear and utter cries of rage — seem to belong to a dominant species other than homo sapiens It’s also extraordinary in its form: a series of instructions and slogans that describe, with the only narrative techniques being their alignment and their brutality, the chaos and suffering, the distant hopes, the apocalyptic whirlwind, the suicidal unrest of an entire planet No explanatory prose smoothes over the collision between writers and this terrifying war; no external voice slips into the text to guide the visitor and tell him the story No narrator, no characters, and yet a story transpires, filled with grandiose events and barely-felt emotions: an epic It’s a magnificent fiction wholly distanced from the ordinary traditions of the novel and, if poetry didn’t have such a poor reputation nowadays, it might even be said to evoke a sort of long poem   But this book becomes even stranger once we realise that Maria Sudayeva wrote it in two languages, French and Russian, accumulating neologisms and inextricably entwining the two idioms, with a conscious intent to refuse her images any tidy cultural anchor, and undoubtedly to affirm her disgust toward all manners of nationalism, even linguistic Because this woman, who took her life before she could be recognized for who she was — one of the most original artists of the new, post-Soviet generation, if not the most original — was also a partisan She was wary of a rebirth — she was certain of it — of Great Russian nationalism which would arise from the new Russia’s commercial and Mafia roots, and in opposition she maintained the principles of internationalism and radical cosmopolitan behaviour I met her once, in a place where the Russian world was shown in an unflattering light, and it was clear that her ability to speak Russian discomfited her She struggled to differentiate

Contributor

July 2015

Rebecca Tamás

Contributor

July 2015

REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and...

Interrogations

poetry

Issue No. 14

Rebecca Tamás

poetry

Issue No. 14

INTERROGATION (1)     Are you a witch?   Are you   Have you had relations with the devil?   Have you   Have...

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Interview

March 2016

Interview with Han Kang

TR. Deborah Smith

Sarah Shin

Interview

March 2016

Han Kang is a disquieting storyteller who leads the reader into the very heart of human experience, where the...

Interview

January 2017

Interview with David Thomson

Leo Robson

Interview

January 2017

David Thomson — the author of dozens of books, including an account of Scott’s expedition to the Antarctic and...

Interview

March 2017

Interview with Lidija Dimkovska

Sara Nović

Interview

March 2017

I met Lidija Dimkovska at the Twin Cities Book Festival in October, fleetingly, and completely by accident. I had...

 

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