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Rebecca Tamás
REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and was a LRB Bookshop pamphlet of the year, and a Poetry School book of the year. Rebecca’s first full-length poetry collection, WITCH, was published by Penned in the Margins in March 2019. She is editor, together with Sarah Shin, of Spells: 21st Century Occult Poetry, published by Ignota Books. Her collection Strangers: Essays on the Human and Nonhuman was published by Makina Books in October 2020.  

Articles Available Online


Interview with Ariana Reines

Interview

July 2019

Rebecca Tamás

Interview

July 2019

I first became aware of Ariana Reines’s work through her early poetry collection The Cow (2006), which went on to win the prestigious Alberta Prize. I...

Essay

Issue No. 24

The Songs of Hecate: Poetry and the Language of the Occult

Rebecca Tamás

Essay

Issue No. 24

  I have gone out, a possessed witch, haunting the black air, braver at night; dreaming evil, I have...

Interstate 95, September 2016   Celeste sat on the front seat wearing her black turtleneck sweater She had three sweaters: black, blue, and festive Celeste got carsick if forced to sit in the back seat She liked to sit in the front, upright as an Egyptian, eyes on the road The baby also got carsick but no position helped Eliot seemed to find the entire world abrasive   I glanced in the mirror Mimi sat with one arm around the infant seat, adding an extra fleshy layer of protection One of her eyes was lined in black kohl, the other bare Eliot must’ve interrupted Oddly, I preferred the bare eye, the pink lids curling petal-like Someone honked You’d think I’d have been better at keeping my eyes on the road after my father’s death, but the long traffic-clogged sweep rendered me indolent   ‘Hey, cheer up It might be cathartic Maybe you’ll get over avoiding an entire country’   ‘What?’   ‘Catharsis Meeting your mom Closure Yada Yada’ Mimi was smiling, in her I’m pretending to be an upbeat positive person way Her gestures of comfort were often sincerity masquerading as irony   ‘She’s a bitch, but so what? I said I’ll go I’ll go No big deal’   ‘Every time someone asks about art from Japan you turn them away If it’s a choice between your issues and the Waldorf crèche, I’d rather we wasted money on the crèche’   ‘It’s not just my mother, okay’ There were lots of reasons I didn’t deal Japanese art That market was saturated, and I didn’t like Tokyo You couldn’t eat on the subway, and they used soy substitute in their ice cream   ‘Oh?’ Mimi rubbed her neck, which had been giving her pain since the pregnancy   ‘I mean like you know the legend about how the goddess who gave birth to Japan had another child first’ Mimi cracked her neck, and irritation swooped through my knuckles ‘This baby of theirs, he had no bones Hiruko The name literally means leech child’   ‘Jay’   ‘So what did Japan’s mom do? She pushes this baby out to sea’   ‘Jay, you’ve told me this story already You told me after the first ultrasound’   ‘But you get

Contributor

July 2015

Rebecca Tamás

Contributor

July 2015

REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and...

Interrogations

poetry

Issue No. 14

Rebecca Tamás

poetry

Issue No. 14

INTERROGATION (1)     Are you a witch?   Are you   Have you had relations with the devil?   Have you   Have...

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Interview

November 2013

Interview with Javier Marías

Oli Hazzard

Interview

November 2013

Javier Marías is one of Spain’s most acclaimed contemporary novelists. He began writing fiction at an early age –...

Interview

Issue No. 1

Interview with China Miéville

Ben Eastham

Interview

Issue No. 1

It is a cliché to say that a writer’s work resists classification. It is ironic then that China Miéville,...

Interview

Issue No. 5

Interview with Hans Ulrich Obrist

Ben Eastham

Interview

Issue No. 5

Hans Ulrich Obrist is a compulsive note taker. For the duration of our interview one hand twitches a pen...

 

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