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Rebecca Tamás
REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and was a LRB Bookshop pamphlet of the year, and a Poetry School book of the year. Rebecca’s first full-length poetry collection, WITCH, was published by Penned in the Margins in March 2019. She is editor, together with Sarah Shin, of Spells: 21st Century Occult Poetry, published by Ignota Books. Her collection Strangers: Essays on the Human and Nonhuman was published by Makina Books in October 2020.  

Articles Available Online


Interview with Ariana Reines

Interview

July 2019

Rebecca Tamás

Interview

July 2019

I first became aware of Ariana Reines’s work through her early poetry collection The Cow (2006), which went on to win the prestigious Alberta Prize. I...

Essay

Issue No. 24

The Songs of Hecate: Poetry and the Language of the Occult

Rebecca Tamás

Essay

Issue No. 24

  I have gone out, a possessed witch, haunting the black air, braver at night; dreaming evil, I have...

Editor’s note: The images in the slideshow document a conversation on paper between the writer and artist Louise Stern and theatre director Omar Elerian, although they contain other voices Louise has edited the conversation by tearing it into fragments and recomposing it as a collage, the method she employs in much of her artistic practice She also contributes the below text:   Observations on communication and language have long bitten at my heels, demanding that I find some form or other to convey their urgency I have tried to obey them in different ways: through art, performance, literature When, a few years ago, it occurred to me that theatre might bring together the strands that I had been working along, a series of generous coincidences led me to the theatre director Omar Elerian   Omar split his childhood between Italy and Palestine, where his father was born The rich presence of his Palestinian grandmother, with whom he shared no common language, stood large in his childhood Because they had no words for one another, they turned to eye contact, to food, to touch, gesture, and the potency of sharing the same spaceThe mystery and magic of the other’s life was allowed to collect between them without compression into words and ideas   This is something that I feel deeply through my deafness, which pushes me up against visceral experience, and this is one of the reasons that the collaboration with Omar has become so meaningful for me The play we have developed together is about how words so often mask physical, sensual reality In The Ugly Birds, each of the three characters struggles in their different ways with life in a world that is saturated with language For each of them, a point arrives where their physical reality can no longer be reconciled with that world It incorporates choreographed physical gesture and projected written conversations as well as spoken dialogue   In my native sign language, there is the potential for distilled physical expression The closest thing that I have to compare this to is painting or dance – mediums that allow for boundless sensation While

Contributor

July 2015

Rebecca Tamás

Contributor

July 2015

REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and...

Interrogations

poetry

Issue No. 14

Rebecca Tamás

poetry

Issue No. 14

INTERROGATION (1)     Are you a witch?   Are you   Have you had relations with the devil?   Have you   Have...

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fiction

August 2017

Lengths

Matthew Perkins

fiction

August 2017

1   I sat at the kitchen table while Valentine prepared cups of flowery, smoky loose leaf tea. Antoine...

Interview

Issue No. 16

Interview with Gary Indiana

Michael Barron

Interview

Issue No. 16

In July 2015, T: The New York Times Style Magazine gathered twenty-eight ‘artists, writers, performers, musicians and intellectuals who...

Art

October 2013

At the Tate Britain: Art Under Attack

Joe Moshenska

Art

October 2013

Iconoclasts have never known quite what to do with the ruined fragments that they leave behind. If we imagine...

 

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