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Rebecca Tamás
REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and was a LRB Bookshop pamphlet of the year, and a Poetry School book of the year. Rebecca’s first full-length poetry collection, WITCH, was published by Penned in the Margins in March 2019. She is editor, together with Sarah Shin, of Spells: 21st Century Occult Poetry, published by Ignota Books. Her collection Strangers: Essays on the Human and Nonhuman was published by Makina Books in October 2020.  

Articles Available Online


Interview with Ariana Reines

Interview

July 2019

Rebecca Tamás

Interview

July 2019

I first became aware of Ariana Reines’s work through her early poetry collection The Cow (2006), which went on to win the prestigious Alberta Prize. I...

Essay

Issue No. 24

The Songs of Hecate: Poetry and the Language of the Occult

Rebecca Tamás

Essay

Issue No. 24

  I have gone out, a possessed witch, haunting the black air, braver at night; dreaming evil, I have...

Standing on the doorstep of Will Self’s London home ahead of this interview, last August, I was quite terrified I had spent the previous ten days immersed in his hallucinatory fictional worlds, composed of seven novels, three novellas and countless short stories   Through these parallel and often overlapping fictions, Self has constructed a relentless critique of our institutional failings, hypocritical cultural mores and political inadequacies My fears, notwithstanding being intellectually dwarfed, were largely to do with the bridled madness of many of his writings Here was the writer who, over the years, had invented:   a man who wakes up with a vagina behind his left knee and has an affair with his (male) GP (Bull: A Farce); a parallel Earth, populated by hypersexual and exhibitionist apes, seen through the eyes of its most prominent experimental psychiatrists (Great Apes); the afterlife taking place in the purgatorial London district of ‘Dulston’, a suburb populated uniquely by senseless, chain-smoking dead people, haunted by their aborted foetuses and old neuroses, and living out the rest of infinity in dire office jobs (How the Dead Live); a post-apocalyptic London governed by a religion based on a cab driver named Dave’s rage-filled writings to his estranged son in the 2000s (The Book of Dave) And then there was the public figure – an acerbic satirist of towering intellect, a giant man of letters with famously little tolerance for fools By the time I rang on the doorbell, Will Self had, to my mind, transmogrified into The Fat Controller – the Mephistophelian anti-hero in My Idea of Fun – ready to tear me limb from limb for my idiotic questions and inadequate readings   My fears were unwarranted, of course Upon arrival, he made me a cup of tea and ushered me past Manglorian – a yap-happy Jack Russell – up the stairs into a study filled top to bottom with books, hundreds of post-it notes affixed to the walls in grid formation and a prominently placed photograph of Francis Bacon Languorously smoking a single roll-up in a cigarette holder, my host answered the questions put

Contributor

July 2015

Rebecca Tamás

Contributor

July 2015

REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and...

Interrogations

poetry

Issue No. 14

Rebecca Tamás

poetry

Issue No. 14

INTERROGATION (1)     Are you a witch?   Are you   Have you had relations with the devil?   Have you   Have...

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Art

December 2016

Bonnie Camplin: Is it a Crime to Love a Prawn

Bonnie Camplin

Art

December 2016

  The title of Bonnie Camplin’s exhibition at 3236RLS Gallery, ‘Is it a Crime to Love a Prawn’, brings...

Art

May 2014

The Interzone and Dexter Dalwood

Sarah Hegenbart

Dexter Dalwood

Art

May 2014

‘Burroughs in Tangier’ (2005) has captivated me ever since its display in the 2010 Turner Prize Exhibition. The work...

feature

November 2014

Every Night is Like a Disco: Iraq 2003

Paul Currion

feature

November 2014

That day at Kassim’s, there was no music. There was almost no sound at all, not even the echoes...

 

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