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Rebecca Tamás
REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and was a LRB Bookshop pamphlet of the year, and a Poetry School book of the year. Rebecca’s first full-length poetry collection, WITCH, was published by Penned in the Margins in March 2019. She is editor, together with Sarah Shin, of Spells: 21st Century Occult Poetry, published by Ignota Books. Her collection Strangers: Essays on the Human and Nonhuman was published by Makina Books in October 2020.  

Articles Available Online


Interview with Ariana Reines

Interview

July 2019

Rebecca Tamás

Interview

July 2019

I first became aware of Ariana Reines’s work through her early poetry collection The Cow (2006), which went on to win the prestigious Alberta Prize. I...

Essay

Issue No. 24

The Songs of Hecate: Poetry and the Language of the Occult

Rebecca Tamás

Essay

Issue No. 24

  I have gone out, a possessed witch, haunting the black air, braver at night; dreaming evil, I have...

It seems to me that the 00s ended with the final withdrawal of NATO soldiers from Afghanistan in 2021 Or with the end of Britney’s conservatorship Or with the coming into public knowledge that Paris Hilton had been abused as a child, and that her seemingly unfounded mode of celebrity, the unhinged bling of her stardom, so endemic to that decade, could in fact be reread as the triumph of a victim It is as if the decade before last is only now being tried, its witnesses called to the stand one by one Gilmore Girls: feminist Gossip Girl: not George Bush: apparently moderate, by comparison The contemporary is looping back to its mother, that first decade of the millennium, which for so long left its questions unanswered, ribbons fluttering in the wind     Nothing is ever over when it’s over, only much later This is partly because hours and days and years are arbitrary divisions, and partly because many things are unfathomable in the moment they take place, and so simply don’t take place in that moment, but stretch out for however long it takes for us to be able to grasp them You could say the nineteenth century ended when the Crystal Palace burst into flames and Virginia Woolf finished her novel The Years on November 30, 1936 My college era began two years after I started college, and only ended two years after I left This was because the affects which defined that period took some time to take hold, and would not be so easily superseded by what came after So strong and complex were they, so bold in the questions they brought up, that nothing that happened during that time would help me understand them – the clues were in the aftermath    In childhood and adolescence you are defencelessly immersed in the public sphere and its institutions Without the experience of any precedence at all, everything is truth The arrival of large espresso-based to-go drinks in Northern Europe, of Miss Sixty jeans and reality TV and homes decorated entirely in white with a single

Contributor

July 2015

Rebecca Tamás

Contributor

July 2015

REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and...

Interrogations

poetry

Issue No. 14

Rebecca Tamás

poetry

Issue No. 14

INTERROGATION (1)     Are you a witch?   Are you   Have you had relations with the devil?   Have you   Have...

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fiction

January 2013

Animalinside

László Krasznahorkai

Max Neumann

TR. Ottilie Mulzet

fiction

January 2013

IV     Every space is too tight for me. I move around, I jump, I fling myself and...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

poetry

July 2015

About Blue: Velestovo

Tatiana Daniliyants

TR. Katherine E. Young

poetry

July 2015

About Blue: Velestovo   1   …when I say the name: Velestovo, I think of deep blue. Of blue...

 

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