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Rebecca Tamás
REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and was a LRB Bookshop pamphlet of the year, and a Poetry School book of the year. Rebecca’s first full-length poetry collection, WITCH, was published by Penned in the Margins in March 2019. She is editor, together with Sarah Shin, of Spells: 21st Century Occult Poetry, published by Ignota Books. Her collection Strangers: Essays on the Human and Nonhuman was published by Makina Books in October 2020.  

Articles Available Online


Interview with Ariana Reines

Interview

July 2019

Rebecca Tamás

Interview

July 2019

I first became aware of Ariana Reines’s work through her early poetry collection The Cow (2006), which went on to win the prestigious Alberta Prize. I...

Essay

Issue No. 24

The Songs of Hecate: Poetry and the Language of the Occult

Rebecca Tamás

Essay

Issue No. 24

  I have gone out, a possessed witch, haunting the black air, braver at night; dreaming evil, I have...

11 22 2011 – LOVE DOG     For months Hamlet has been floating around Its book covers popping up everywhere Non sequitur references during my classes with Avital Ronell In other texts In my letters to Elaine and in her letters to me The other night, in my laundry room, someone left a copy on a shelf of donated books On tables at work I even stole one copy and took it home with me as a token, as proof   Ronell says, ‘In Hamlet readiness is all’ and ‘All of Hamlet happened in the ear’ A few weeks later, Žižek came to Ronell’s class and said that Hamlet is about the way the beginning of ethics is trying to decide something and decision always involves indecision and procrastination How an act always comes both too early and too late, so there is never really a ‘right’ moment for an act One begins with the wrong moment because it is always the wrong moment A few days ago, Elaine sent me a quote by John Berger: ‘In the minute that’s still left we have to do everything’ The day X came to class Ronell brought up Hamlet, again, and suddenly all the ghosts had a name, making them real I couldn’t believe my ears Yet even though we were finally in the same room together, how can you know what someone hears – (what X heard) – when we never really know this about anyone? When I asked a female acquaintance at the bar we were at if she thought X had heard what I said under my breath the night we were together, she answered: ‘He doesn’t need to hear you He knows’ The question is, how did she know? When I mumbled something cutting to him as he went outside to smoke a cigarette, taking a risk by saying anything at all, he asked me to repeat what I’d said I pretended I hadn’t said anything and he pretended he didn’t hear anything Denial is one of the ways cognition works You’re just hearing things and You’re just seeing things are

Contributor

July 2015

Rebecca Tamás

Contributor

July 2015

REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and...

Interrogations

poetry

Issue No. 14

Rebecca Tamás

poetry

Issue No. 14

INTERROGATION (1)     Are you a witch?   Are you   Have you had relations with the devil?   Have you   Have...

READ NEXT

feature

March 2014

Burroughs in London

Heathcote Williams

feature

March 2014

I first met William Burroughs in 1963. I was working for a now defunct literary magazine called Transatlantic Review...

fiction

March 2014

The Garden of Credit Analyst Filton

Martin Monahan

fiction

March 2014

Ivan Filton had retired early. ‘I have been working a lot on my garden,’ declared Ivan Filton. ‘This is...

fiction

November 2011

Sheepskin

Olivia Heal

fiction

November 2011

The first I noticed was your thumbnails, large, round and flat, like two plates. They were marked with yellowed...

 

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