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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

Author’s Note   I began writing about the war five years after it was over; a war the world witnessed from afar but for which I was very much present In this memoir I set about chronicling the collapse of that unhappy nation Throughout my life I have always been the most diligent keeper of diaries I think it’s that it never seemed sensible to me for a person to trust solely in his own memory Whatever the reason, when I finally sat down to writing, with the help of those notebooks I was able to recall not just the headlines and the chapter headings (the day the rebels broke the city limits, for example, or the tragic burning of Happy Days Church), but also the minutia – the observations which to others might have seemed inconsequential in the midst of all that was going on (the ill-judged red of one negotiator’s nails as she co-signed the first, doomed peace accord) But it was in these small details that I later found the blueprint for reconstructing that ravaged country that I once so loved   In the writing of this memoir I have replaced some people’s names with pseudonyms or used their nicknames in order to protect their true identities Others remain unchanged On a few occasions I have reproduced key conversations and scenes for which I was not present However, each of those instances is indicated by a footnote, and in every case I was informed in great detail about what happened or what was said very soon after the event took place Without exception, the second-hand information I received was from friends and colleagues whom I trust implicitly That being said, this is a memoir, not a history For readers in search of a more comprehensive account, there are at least three impeccably researched books that explain those awful years with far more objectivity than I could ever hope to achieve They are: Anne Lynn Jones’ Red is the River, Michael Mwandishi’s The War the World Ignored, and Jacob Neilson’s The Smaller Half – books which unravel the labyrinthine

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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Interview

Issue No. 2

Interview with Michael Hardt

Chris Catanese

Karim Wissa

Interview

Issue No. 2

Michael Hardt is a philosopher and theorist best known for his collaboration with Antonio Negri on a trilogy of...

fiction

January 2014

The Black Lake

Hella S. Haasse

TR. Ina Rilke

fiction

January 2014

Oeroeg was my friend. When I think back on my childhood and adolescence, an image of Oeroeg invariably rises...

feature

Issue No. 8

The White Review No. 8 Editorial

The Editors

feature

Issue No. 8

The manifesto of art collective Bruce High Quality foundation, the subject of an essay by Legacy Russell in this...

 

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