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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

To Miquel   I possess my death She is in my hands and within the spirals of my inner ears She is in the balls of my eyes because she is my eyes If you are having a bad day, my eyes are also your death My death creeps carefully around the spiral of your inner ear and pushes out buds through the branches of your fingers   He met Misaki Konishi in his living room When he entered Misaki was squatting down, reading The servant barely cleared his throat before announcing the visitor’s name: Itakura no Goro The old man raised his face and made a slight movement of the head in the direction of his guest He responded martially Ask my wife to prepare the tea The servant disappeared behind the sliding door Misaki tried to stand up Aren’t you going to help me? he said The samurai hurried to do so, looking away so as not to humiliate him Now standing, the old man placed a hand on his lower back and gave a bow, possibly ironic, to which Itakura once again responded in earnest The old man smiled: I see that your heart remains in Kyushu; you are from Kyushu, no? From Nagoya You are among friends The old man purposefully looked towards his stick, which had been left on the floor The samurai stepped forward to pick it up, and held it out to him A beautiful city, Nagoya; I’m from a fishing village; they call me Misaki because that’s where I’m from; the name with which I was born is Ogata, Ogata Konishi Itakura nodded, barely closing his eyes, which made the old man smile again I tell you, you’re among friends, he said Leaning on his stick, he indicated the panel which opened to the garden, at the back of the living room   To Itakura it seemed that, more than being old, Misaki represented age itself Did you leave any family behind in Nagoya? he asked A wife, and two male children They’ll have opportunities in the city, they won’t be forced to do as

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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fiction

August 2017

Lengths

Matthew Perkins

fiction

August 2017

1   I sat at the kitchen table while Valentine prepared cups of flowery, smoky loose leaf tea. Antoine...

fiction

October 2012

Girl on a Bridge

Wayne Holloway

fiction

October 2012

Pirajoux… The middle of a hot endless summer, driving on the A39 through an as always empty central France,...

Interview

June 2011

Interview with Jorge Semprun

TR. Jacques Testard

Pierre Testard

Gwénaël Pouliquen

Interview

June 2011

The great Spanish-born writer Jorge Semprún died on Tuesday 8 June 2011 in Paris, aged 87. A Spanish Civil...

 

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