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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

At the bottom of the garden, my mother and a woman dressed like Barbara Hepworth argue over a sculpture of my birth,   if the bronze plinth should be horizontal or vertical, the right shade of blue for the umbilical cord   Hepworth adds a curl of hair with a toothbrush, pats down the clay like a pony   My mother sticks her chisel in, disappointed in the arrangement of her legs, if she had her way   the sculpture would include a dancing fountain and hum like a refrigerator, full of roses, a sundial and a coat of arms,   her snacks, soft drinks and wine Instead the sculpture stands in the April shadows of overgrown gorse,   one arm in the air like the chimney of the defunct engine house where my father   worked in the summer of ’85, where copper wires crawled in beneath the sea – no messages   But what about the father? Hepworth asks Oh, he wasn’t involved, my mother says   Hepworth rolls her eyes, the whites of her eyeballs like a cliff face, the grey of her overalls   like a gun She begins to sing: Don’t turn your back on me, baby   Blues like the sulky one in a rainbow Blues like your favourite moon   With so many conflicting opinions, a therapist had warned the sculpture of my birth of this moment   and offered some advice: be lucid Talk to the older generations as if talking to the sea   Keep a list of all their errors, like those lists you’ll keep of all the things you eat while falling in love:   roast beef, feta cheese, champagne bon bons, shish taouk, french fries and wild grass   Keep a list of all the places where you’ll no longer have to be a sculpture or a birth: the backseat of a servees on Rue Sursock,   a minibus across the Asian Minor, the heart-shaped swimming pool of Le Club Militaire   Even Hepworth will not be able to capture the light as it falls over your face on a Red Sea bottomless boat —   the fishes kissing the glass, the moon flirting with the sky, only hinting at its evening plans   My mother interrupts: Aren’t the blues a bit obvious? The woman who once refused a pedicure   on her wedding day – who said if she wanted her toenails in a different colour she’d slam them in

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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poetry

October 2012

Saint Anthony the Hermit Tortured by Devils

Stephen Devereux

poetry

October 2012

  Sassetta has him feeling no pain, comfortable even, Yet stiffly dignified at an odd angle like the statue...

fiction

September 2015

The Afternoon

Wolfgang Hilbig

TR. Isabel Fargo Cole

fiction

September 2015

Nothing new on Bahnhofstrasse! — These are the first words to occur to me upon arrival. With the word...

feature

Issue No. 2

Gay Madonnas in Montevergine: The Feast of Mamma Schiavona

Annabel Howard

feature

Issue No. 2

We are crowded into the medium-sized piazza before the sanctuary of Montevergine. There is no town or village; it...

 

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