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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

At Kabul airport, a man I mistook for a foreigner   A security guard, red-haired with blue eyes and pale skin, patting me down I couldn’t help but look him directly in the face And he returned the compliment before joking with his colleagues in Dari He looked just like a guy who sells fashion-wear on Lamb’s Conduit When – I wondered – when in the archeologies of all the civilisations that have passed through these mountains and deserts was he deposited here? I thought he was Irish   Waiting at the gate with sun whiting out the hazy mountainous horizon and a beautiful greenhouse of a morning Two helicopters fly across the silhouetted, flattened scene Always in twos Humming like insects – of course – across the sky Then two more And another pair…and another Five pairs in all They pass from left to right in the two-dimensional morning, from east to west was it? I am not sure Perhaps north to south   And then they return, arcing back in a line like a scorpion’s tail, descending one after the other to land like a stairway or a ski-lift Afterwards three aircraft, flashing in like birds, swooping to land almost together, without a second thought   We wind up above Kabul in a corkscrew   *   In Herat we land hard and fast after a steep turn and a roll from side to side, wing to wing A drone under concave shelter Like a toy, in pale grey, or grey white As we pass out it departs, trailing electronically through the sky   The hum of activity   A long, straight road, lined with tall pines For some reason surprised that the Russians (or the British) didn’t raze them   The office like a summerhouse, rose bushes and red carpets, and warm, sky-blue air An elaborate (but probably cheap) golden mirror above a sink on the first-floor central landing, a touch of grand decay   The security situation – like everywhere – is deteriorating in the province For civilians and aid workers, for police and security Threats abound The Taliban and others are rich with poppy harvests, busy gaining influence from a

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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fiction

Issue No. 1

Beyond the Horizon

Patrick Langley

fiction

Issue No. 1

Listen to the silence, let it ring on. (Joy Division, Transmission) I It is not yet dawn. The city...

Art

Issue No. 8

A Fictive Retrospective of the Bruce High Quality Foundation

Legacy Russell

Art

Issue No. 8

Here are some details of art history that may or may not be true:   In 2008 I was...

feature

January 2014

Afterword: The Death of the Translator

George Szirtes

feature

January 2014

1. The translator meets himself emerging from his lover’s bedroom. So much for fidelity, he thinks. 2. Je est...

 

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