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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

‘Being so caught up So mastered’ Yeats     I was too shy to say anything but Your poems are so beautiful What kinds of things, feelings, or ideas inspire you, I mean, outside the raw experiences of your life? He turned a strange crosshatched colour as if he stood in a clouded painting, and said, Thanks, but no other phenomena intrude upon my starlit mind     I see you are wondering what this is all about Don’t mind me, I’m talking to myself again Yes, poetry is nice and often beautiful, yet it doesn’t beget much attention, money, or even a simple thanks for placing the best words in the best order That’s when I forget all about your incessant demands, and the restless subject leaps the stream in Technicolour— until the Remembrancer appears and says, Stop this wasteful life     Doctor, lawyer, thief These fancies of yours could cost a life or worse, two Meanwhile, he perceives my gifted body upholding my mind as I’m explaining my stuff on the Unicorn Tapestries, cheeks starting to colour, feathers ruffling, quiet shudders He shrugs, Your content sounds too beautiful but I’d like to read it sometime Okay He says all the right things, like I love you Hyacinth Girl Things get interesting until the sudden blow: Thanks     For the memories What I’ll think seeing his new work in The New Yorker is Thanks for nothing, asshole, as he drops me for that prolific pastoral life with his wife upstate The more I think about it, it all depends upon your phantom attention Surely a world embroiders itself in one’s mind at any moment, words resounding, ardent present clarifyingly beautiful And beautifully truthful You know? Here I should put in a lapis colour     Or a murky midnight blue Or have the crowd stagger by in a riot of colour pinning down the helpless beast with spears and ritualistic thanks to their gods What one really wants to get at is the real, the eternally beautiful like The White Album or something That’s what makes one perilous life worth living All the brute indifference, humiliation, and failure can put one in the mind to give up, freak out, kill somebody, heart battered, so mastered Oh you     Wherever I go, on the subway, in my cubicle,

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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feature

May 2011

Why I Write (Rather than Riot)

Gavin James Bower

feature

May 2011

Watching the recent public demonstrations protesting, at times violently, the Coalition government’s budgetary cuts, I was forced to revisit...

Interview

Issue No. 12

Interview with Douglas Coupland

Tom Overton

Interview

Issue No. 12

Douglas Coupland likes crowdsourcing. I should know, because he crowdsourced me shortly after the first part of this interview....

poetry

August 2016

No Holds Barred

Rodrigo Rey Rosa

TR. Brian Hagenbuch

poetry

August 2016

Hello. Dr Rivers’ clinic? Thank you. Yes. Yes, doctor, I would like to be your patient. With your permission,...

 

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