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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

Forgive me Sister for I have sinned it’s been seconds since my last confession I sit in the dark accounting compassion Shamefully small change, in these damn tills Recently, I admit, things have dwindled – a tall glass of vermouth, a tin of oysters, a priest that rinses me of wrongness even though I haven’t even the grace to believe It’s not enough, I agree Please understand I am looking for a church where there is no God, there is often holiness within us, needy for its own blessèd house, undo the damage Softly now with your sermon, I am weary Sanctitude, solitude, it’s all language – let them speak so we might overhear them hidden in the vegetation, hostile and hopeful with ancient weapons Let me pay my respects to the gentle-hearted companions If I so desire it Let me pay in faltering litany – ‘O, what did you expect from your life?’ etc Let me set the table with good silver Let me inquire into the navy shoes traipsing through Let me throw open the doors The garden is blooming with news! We must diminish our sap, our sappiness, our sickness, it is ivy, it is stuck to our souls Older, now, I know how pleasure’s finances are a matter of balance How malice can accrue Careless daughter you are you could say I did not pay attention to what I allowed my life, but the truth is, I would allow it, gladly, even now Purposefully, I carried blue tidings (not my own), and when they were taken from me, it was cruel To be so alone with one’s cold papers The shady conservatory The eaves Hard to record this, but why not be faithful in one ledger at least? There are holes in my accounts, and I warned you of this Holes in what I held myself to account for Holes in my red capabilities We women of red We red women Red behind the ears Be still with your redness Please go on Relieving how, years later, I can place an apricot on a scale, and weigh a small blue object against it I can see it is only a tidy fruit of difficulty – manageable! I can divide it, I can lay it on a plate for my sisters, and ask them to eat it on my behalf, and they would do it Just like that Isn’t that the miraculous duty of love? Why must we continue this troubling

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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Interview

October 2014

Interview with Jem Cohen

Steve Macfarlane

Interview

October 2014

Jem Cohen may be one of the quintessential New York filmmakers of our era. Peerless in his knack for...

fiction

Issue No. 20

Track

Nicole Flattery

fiction

Issue No. 20

My boyfriend, the comedian, took pleasure in telling me about rejection – how it came about, how to cope...

Art

July 2015

Michaël Borremans

Ben Eastham

Art

July 2015

Michaël Borremans is among the most important painters at work in the world today. His practice combines a lifetime’s...

 

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