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Robert Assaye
Robert Assaye is a writer and critic living in London.

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Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

During his interview with Claudia Rankine in this issue, Kayo Chingonyi raises the subject of what role the arts might play in a period of ‘national emergency’ Discussing artists’ responses to recent tragedies, the two poets agree that ‘to think of [art] as something that happens in seclusion from lived experience feels wrongheaded in the world we live in’ As we put this issue together, this idea has been greatly on our minds, and it resonates throughout the magazine In her piece exploring the ethical implications of prisoners’ visual representations, Hatty Nestor asks ‘how empathy could materialise as visual art’; we hope that the pieces which follow share a spirit of enquiry, compassion and engagement with our complicated times   The past few months – since our fabled summer party on the rooftop of Bold Tendencies, when hundreds crowded onto hay bales to hear Claire-Louise Bennett’s mesmerising reading – have been a period of transition at The White Review This issue appears in a brand new design by Thomas Swann; it is the first under a new editorial team led by Željka Marošević and Francesca Wade We have launched an anthology, featuring highlights from the magazine’s first twenty issues, and a poet’s prize (the winning portfolio, by Lucy Mercer, will be published in Issue 22) In response to a growing concern at the shrinking number of outlets providing accessible and incisive arts coverage, we’ve begun publishing regular reviews of new books and exhibitions online, alongside poetry, fiction, interviews and essays We’ve hatched plans for events across the UK, established new collaborations, and designed some enviable tote bags, now for sale on our revamped website   In this issue, the personal and the political collide in bold and unexpected ways Speaking in advance of her major Tate Modern retrospective, Joan Jonas reflects on a growing sense of environmental consciousness in her performance and installation work Alev Scott reports from the Balkans on the legacy of the Ottoman Empire, while Megan Hunter explores the connections (physical and psychical) between writing and pregnancy We are delighted to present fiction and poetry from a range of new

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

READ NEXT

Art

October 2013

At the Tate Britain: Art Under Attack

Joe Moshenska

Art

October 2013

Iconoclasts have never known quite what to do with the ruined fragments that they leave behind. If we imagine...

Prize Entry

April 2015

Every Woman to the Rope

Joanna Quinn

Prize Entry

April 2015

My father believed the sea to be covetous: a pleading dog that would lap at you adoringly, sidling up...

feature

September 2013

For All Mankind: A Brief Cultural History of the Moon

Henry Little

feature

September 2013

For almost the entirety of man’s recorded 50,000-year history the moon has been unattainable. Alternately a heavenly body, the...

 

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