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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

After her daughter had – for the third time, no less – laid her eggs in the fruit bowl, Mrs Jane Smith lost her temper, because if she had told that girl once, she’d told her a thousand times: no procreation in the house Not even the parthenogenetic kind And especially not on the nectarines But there was no reasoning with that child Stubborn as a mule, just like her father In fact Jane Smith was often saying it: My Georgia – just like her father, she is She was a testy girl, always giving her parents the contrary She’d swear the day was night just to naysay her mother There really is no reasoning with that child Not that you could call Georgia Smith a child anymore Lately the girl had been all over the place, literally: climbing up the walls, hanging from the ceiling, scuttling furtively up and down the stairs at night She’d developed infuriating habits like going round the house, turning off the lights and drawing all the curtains because she preferred lurking in darkness Last Sunday she had even bitten the dog And why did she do it? She was thirsty She was thirsty, she said! But the breaking point for Jane was her daughter’s ovulation onto the fruit Thinking about it later, Jane struggled to justify, even to herself, why she had become quite so apoplectic over the incident Yes, she had been waiting days for the nectarines to reach just the right stage of ripeness and, yes, her craving for juicy peach flesh would have to remain unsated a little longer, but this frustration could not begin to account for the cataclysmic intensity of her reaction, which had culminated in Mrs Jane Smith running – screaming – down the High Road, in her dressing gown and slippers, the fruit bowl held aloft with outstretched arms before she flung it furiously from the Station Road overpass down onto the train tracks below to be lacerated by the 0737 to London Victoria The inconvenient truth – the truth that

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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Interview

May 2014

Interview with Eimear McBride

David Collard

Interview

May 2014

Eimear McBride’s first book, the radically experimental A Girl is a Half-formed Thing, was written when she was 27 and...

Prize Entry

April 2015

Les Archives du Coeur

Paul McQuade

Prize Entry

April 2015

The bike wheels skit and bounce on the loose dirt path. The smell of hot rubber and the smell...

feature

October 2012

Film: Palestinian Airlines

Eddie Wrey

feature

October 2012

    Palestinian Airlines Produced and Directed by Eddie Wrey Co-produced and translated by Max Wrey Co-edited by Rye...

 

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