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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

Keith was not the songwriter Darren and Stewart wrote the songs Keith hit things, some of which were drums He came in one day with a song and nobody wanted to play it The song was the least of their problems They had signed with a label, so their music was used in adverts and that, it brought in some dosh, they were shameless rock sluts because the fans downloaded the songs for free Slutdom was not the issue The issue was that the contract would not let them do independent gigs Keith had had an argument with them because the Arctic Monkeys, look at the fucking Arctic Monkeys, why the fuck can’t we do what the fucking Arctic Monkeys, this being the capacity for inarticulate rage which had made him a drummer in the first   And Darren and Stewart, being songwriters, had talked and talked and talked and talked to the point that there were signatures on the contract   Then the inconceivable had happened which is that Thom Yorke sent an email inviting them to do a gig Keith said they should just do it, fuck the fucking contract but Darren and stewart   So then Keith was very quiet Never a good sign Given Keith’s known propensity to hit things other than drums So Darren said they would record the song       Keith tried to explain his concept and Darren and Stewart kept arsing about and then Sean the keyboardist sussed that it was an arsing about session and then Keith put down his sticks Darren, Stewart and Sean sussed that the beat was gone Keith, says Darren What the fuck Keith disengaged from the scaffolding of things that could be hit that made noise   He stood up he walked across the floor while Darren, Stewart and Sean varied the theme of   What the fuck He took the mic from Darren In addition to not being a songwriter Keith was not a singer he dragged the lyrics of the song over reluctant vocal chords and spat them into the mic fucking great man said Darren who did not want another guitar percussioned to subatomic particles against wall,

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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Interview

April 2017

Interview with Mark Greif

Daniel Cohen

Interview

April 2017

Since 2004, when his work started to appear in n+1, the magazine he co-founded, Mark Greif has taken contemporary...

Art

June 2013

Ghosts and Relics: The Haunting Avant-Garde

John Douglas Millar

Art

June 2013

‘The avant-garde can’t be ignored, so to ignore it – as most humanist British novelists do – is the...

Art

September 2011

Interview with Cornelia Parker

Lowenna Waters

Art

September 2011

Cornelia Parker has over the past twenty years carved out a reputation as one of Britain’s most respected sculptors...

 

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