Mailing List


Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

At that time our experience with death was very limited Sometimes someone’s grandfather or grandmother would die, like a domino falling when its turn comes at last, but still we all had at least two or three grandparents living Some grandparents – in particular, some grandmothers – threw themselves off their balconies This happened with a certain frequency; I have since asked myself if it was something peculiar to that neighbourhood or period in time, a coincidence, or else some fault in my memory Whatever it was, it happened, or at least I remember that it happened We would be playing peacefully in the street when first the rumours and then, later, the cries reached us: the grandmother of we-didn’t-know-who had thrown herself from a fourth, a fifth, a tenth floor, always from enough of a height to kill her The apartments – council blocks of exposed brick – were high and had narrow balconies cluttered with junk: cleaning supplies, birdless birdcages, plantless plant pots, and old, dirty mattresses were visible Some were enclosed by a barrier of green glass, but this, evidently, didn’t stop the old women perching on the edge and throwing themselves off into the void It was like a plague Five or six flung themselves off in the space of just a couple of years; once we even saw, from afar, a body crumpled on the pavement, light as a rag, through the police cordon and the neighbours surrounding it There was nothing to stop us getting nearer, except perhaps fear and revulsion; nothing prevented us, either, from inventing perverse fantasies about the possibility of a murder – someone pushed her, said one; they did it to get the inheritance, another added, repeating ideas from TV movies; us, children of a neighbourhood where the grandmothers did not have nor ever had an inheritance   The grandparents died, but for us life had no limit What concept could a child have, after all, of death? Or, rather, what concept could a child have of death in a country free of war or conflict, in an average city in

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

READ NEXT

feature

May 2011

On the Relative Values of Humility and Arrogance; or the Confusing Complications of Negative Serendipity

Annabel Howard

feature

May 2011

On a distinctly drizzly Wednesday evening in February a friend of mine looked at me and said: ‘Only those who...

feature

Issue No. 18

Editorial

The Editors

feature

Issue No. 18

This is the editorial from the eighteenth print issue of The White Review, available to buy here.    In 1991...

Art

October 2015

Licence to Play

Thirza Wakefield

Art

October 2015

In his 1992 essay ‘In Search of the Centaur’, the writer and critic Phillip Lopate described the essay-film as...

 

Get our newsletter

 

* indicates required