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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

Breath-Manifester   Each bared morning is a swell time to die, Leaving the town’s ornate maze for the level Expanse of those lit and meat-eating fields, the Clouds that turn like ghost machines, the antic Tremendous woods where Pan’s breath on your heart Recharms a flame from its grey-furred ember I’ll wear my belt blazoned with Alpha Centauri, For luck, whilst you’ll surely sport that Oxfam scarf In whose puce stitch some crone has worked GI   E (Glory To The Most High) Time to die, to be Disturbed by the one re-re-repeated Word Fanfared by each time-warping bird, each fierce leaf Or pimped bud that is but love’s newest halloo Over the heads of the dead and alive, alive-O Laughing, you’ll lurch and say or missay, “only kenning what’s real Saves us from terror Wilhelm Reich” Wise words     Drones   You see the Greys, he said, girding his teeth for a lime doughnut, they use the owl’s nervous system the way we use a drone or hidden camera Given what I now knew, it almost seemed possible When green tea was announced I slid outside for a smoke,   paced roided grass, watched where stained smokestacks smoked into the wind’s dead breath, its yellow teeth Back in the conference centre, the tea- fresh crowd were pondering the giant owl that stilled her car on that night when she knew she knew nothing, its voice a savage drone   terrible to recall, a rising drone which turned her body into pixel-smoke swarming upwards and assembled anew (“like I’d been sucked into a white hole’s teeth”) on that craft that swept as quiet as an owl When she arrived home, hours late for tea,   her forehead was marked with a tau cross: T She paused, and the air conditioning’s drone momentarily quickened the cased owl on the wall, living eyes long gone to smoke, and shivered through the symmetrical teeth of God’s lost children (tell us something new!)   who’d come here to share what little they knew I thought of the onset of DMT – that sense of deliverance into the teeth of a buzzing wind or luminous drone, mere seconds after releasing the smoke – and then of that line from Twin Peaks, “the owls   are not what they seem” I dozed, dreamt of owls sane and inviolate in all they knew, and awoke to the guest lecturer: Smoke And Mirrors, Carl Jung And The

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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fiction

April 2014

Submission for the Journal of Improbable Interventions

Brenda Parker

fiction

April 2014

Abstract Preparations for experimental work must be conducted without interruption to ensure experimental success. In this work, the impact...

poetry

October 2013

Transylvania

Jon Stone

poetry

October 2013

The rabbit darkness just beyond the headlights’ sprawl and parcel darkness stopping up the drivers’ mouths like oaths or...

Interview

September 2013

Interview with Max Neumann

TR. Andrea Scrima

Joachim Sartorius

Interview

September 2013

‘It’s as though you’d like to speak, but have no language.’ These are the words chosen by German painter...

 

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