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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

It was raining in Harlem I was standing on the corner of Amsterdam Avenue and 162nd Street, my coat wet, my old umbrella only just holding out against sudden blasts of wind It was not quite four in the afternoon and already it was getting dark I didn’t know Harlem I didn’t know which way to walk I didn’t know which way to go for Edgecombe Avenue, in Washington Heights I stood peering into the road ahead, as if to make something out through the rain and the wind and the swift December dusk  I huddled under the umbrella and managed with difficulty to light a sodden, rain-specked cigarette Marjorie’s, I’m guessing   She startled me there, all stoic She seemed not to mind the rain Or she seemed not to notice it was raining   Headed for Marjorie’s, I suppose, as she took a pair of fine black woollen gloves out of her bag But you’re not sure of the way, as she took a long black woollen scarf out of her bag I could tell a mile off   Her English was lightly accented Maybe Caribbean Maybe African The skin on her face was deep black and flawless and probably still silky to the touch The whites of her eyes gleamed in the half-light Only a smattering of grey in her hair – an afro, shaved short – gave her age away   That obvious? I asked, and she buttoned up her black raincoat and crossed her arms and said that because of the day of the week, because of the time of day, because of the station on Amsterdam with 162nd, because of the expression on my face, because she was always coming across someone there, on that corner From her bag she took out a black felt cloche hat, bell-shaped, 1920s style Do you come across someone lost in the depths of Harlem?, I asked Or do you come across someone specifically and desperately trying to find his way to Marjorie’s? And I smiled with a mixture of embarrassment and relief Something like that, she

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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poetry

February 2012

Giant Impact Hypothesis

James Midgley

poetry

February 2012

I bought a satellite’s eye from the market. To look through it involved the whole god-orbit, a cotton-wooled Faberge...

fiction

September 2014

The Fringe of Reality

Antoine Volodine

TR. Jeffrey Zuckerman

fiction

September 2014

Many thanks to those who have allowed me to speak; now I’ll do so.   I’m actually not talking...

fiction

January 2013

Car Wash

Patrick Langley

fiction

January 2013

He is sitting on the back seat of a car, somewhere in France. It’s a bright blue day, absurdly...

 

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