Mailing List


Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

I am ill as I write this, a situation I attribute to taking public transport now that winter has arrived Instead of cycling – a kind of mobile hermeticism – I share Berlin’s warm and scarcely ventilated tube carriages with other bodies Moving through the city’s underground network as one unruly organism, we travellers constantly trade infections To pinpoint the initial point of origin – who or what made us sick, when, and if it could have been avoided – is a fruitless task Where would we even start? Everyone could be blamed, and also no one   Across the Western world, the bitter medicine of austerity is making many of us sick Depression and anxiety are commonplace, and thinking about the future often triggers a pervasive sense of dread Sickness Report (2018), an exhibition by Czech artist Barbara Kleinhamplová currently on show at Berlin’s SAVVY Contemporary, begins with the idea of a diseased public sphere The exhibition comprises a cinematic, dual-screen film of the same title, set at sea; video footage detailing the labour involved in ship production; an array of objects along a table – anti-depressant pills, bones and jigsaw pieces – that read like evidence; and three pseudo-corporate diagrams projected onto the gallery walls   The titular film unfolds aboard a small ship, and cuts intermittently to a medicine factory, where workers watch a crowd of pills hurtling down an assembly line Sitting on a bench made from a ship construction mould, I watch the onscreen vessel drift on a featureless expanse of sea The narrator, a male anthropologist, tells us that the ship is defective, as is its crew They have succumbed to a mysterious malaise known as the ‘Big Sickness’ Unable to navigate, they are now at the mercy of the tide, but they have begun to infect the surrounding waters On a nearby wall, a pair of projected diagrams shows another seafaring vessel Its parts have been fastidiously labelled, but by an economist, rather than a shipbuilder ‘Privatisation’ and ‘corporate spirit’ are written where hull and stern should be, while other components are labelled ‘productivity’, ‘medication’ and ‘gig-economy’

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

READ NEXT

Art

March 2015

The Mask

Roger Caillois

TR. Jeffrey Stuker

Art

March 2015

Here I offer some reflections and several facts potentially useful for a phenomenology of the mask. Needless to say,...

Interview

March 2017

Interview with Rodrigo Hasbún

Enea Zaramella

Rodrigo Hasbún

TR. Sophie Hughes

Interview

March 2017

Rodrigo Hasbún (born Cochabamba, Bolivia, 1981) has published two novels and a collection of short stories; he was selected...

fiction

August 2013

How to Be an American

Will Heinrich

fiction

August 2013

Begin with a man on the beach. The sea is strangely iridescent, lighter in its lights and blacker in...

 

Get our newsletter

 

* indicates required