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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

‘1932 Spain at the time was over-run with vermin, its beggars They went from village to village, in Andalusia because it’s hot, in Catalonia because it’s rich, but the whole country was ripe for us So I was a flea, and well aware that I was one In Barcelona we preferred calle Mediodía and calle Carmen Sometimes six of us would sleep on a mattress without sheets and we’d beg in the markets from dawn A gang of us would leave the barrio chino and spread out along the Parallelo, carrying baskets, because housewives were more likely to give us a leek or turnip than a few cents At midday we’d go back and make soup with what we’d collected I am going to describe the customs of that vermin’ Jean Genet,  The Thief’s Journal   *   *   *   After his descent into abjection, Genet decides to embrace his condition and transform it into a supreme virtue He rejects the hierarchy of values of a self-righteous society and turns it on its head: transmutes what is base into something noble and what is noble into something base The process of inner subversion he initiated in Barcelona’s barrio chino will be long and haphazard, and finds expression over the next ten years in his first poetic, narrative works written in Paris’s La Santé prison The young, poverty-stricken lad, brought up in an orphanage, without identity papers, throws himself into theft, prostitution and begging and strives to emulate a criminal’s inveterate hardness with the self-surrender of a man initiating himself in the arcane secrets of a mystic belief and its stony path to spiritual perfection   Fleas, he writes in The Thief’s Journal, were the most visible sign of his worthlessness, as representative of his pariah status as the jewels that adorn aristocrats and the bourgeoisie are of their condition as beautiful people Lovingly cherished rags and sores attract pity and transmute shame into glory in his inner being A pride necessary to withstand the scorn of others, solid and resistant like a rock dividing the

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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Interview

November 2014

Interview with Juan Goytisolo

J. S. Tennant

Interview

November 2014

Juan Goytisolo is one of Spain’s leading writers, but one with a fraught relationship with his home country, to put it...

Interview

October 2014

Interview with Vanessa Place

Kyoo Lee

Jacob Bromberg

Interview

October 2014

Vanessa Place is widely considered to be one of the figureheads of contemporary conceptual poetry, yet while books such...

Art

November 2013

The Past is a Foreign Country

Natasha Hoare

Art

November 2013

‘The past is a foreign country: they do things differently there.’ The immortal first line to L. P. Hartley’s...

 

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