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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

I   All the real niggas are dead or in prison We are elaborating gently We are gooey in the middle The distance between those twin possibilities is Cartesian We know they will kill us, in small & flagrant ways Still, we follow breadcrumbs & hope for a dignified annihilation Slippery as newborn calves, we glisten We are fighting for the inalienable right to be ugly & still have an open casket We are loud about our pain & the world hates us for it We kill with the blunt instrument of kindness       II   Some people are born possessive nouns Some people leave & others stay Amal with the soft earlobes, the suppressed lisp Raspberry milkshakes at the park The skin on her knees like wild chanterelles foraged at dawn Recall the violet of her mood ring Forever stuck on the colour of asphyxiation We are suspicious of purple, Jarman wrote, it has a hollow bombast We found his words in the clammy belly of a Hampstead charity shop  His purple was exhibitionism, Hendrix, impish Prince, imperial tyranny, smut, the smell of Alexander the Great’s piss, luxury, a violation of decent taste Always, a passage Some people are drawn to the dusk of other interpretations Easter Funk Failure Christian repentance in violet robes Away from our cluttered sadness, Jarman wields his cane, bent like a prophet-in-waiting We are gassed up & drunk off our own subjectivity Terminally disappointed the way babygirls raised on prophets & rappers are bound to be Both die young & leave behind poor imitations We refuse to destroy ourselves to give meaning to your Order        III   During that inching hour just before Iftar, the holiest month was ushered in by IM chat sessions & notification alerts She moved to Cairo just in time for the revolution Like clockwork There we go again Blackness as centripetal force, as timekeeping beyond time, as magpie collation, as marooned miscellany, as an inventory under siege, as a mad ting, a wahala, a junoon, a reverie of blue-veined jinns, as a crush of meaning, a sodden map, a

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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feature

May 2011

Why I Write (Rather than Riot)

Gavin James Bower

feature

May 2011

Watching the recent public demonstrations protesting, at times violently, the Coalition government’s budgetary cuts, I was forced to revisit...

feature

Issue No. 16

Editorial

The Editors

feature

Issue No. 16

The political and internet activist Eli Pariser coined the term ‘Filter Bubble’ in 2011 to describe how we have...

poetry

May 2012

FINALLY RICH

Sam Riviere

poetry

May 2012

I got a job I got a job writing poems oh hi I never met you before going to...

 

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