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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

The Anglo-American commentariat is full of lofty egos Pankaj Mishra has developed a reputation as their great deflater ‘Watch This Man’, the writer’s much-discussed 2011 London Review of Books essay on historian Niall Ferguson’s Civilisation, opens with an unflattering comparison of the author to The Great Gatsby’s Tom Buchanan, an old-monied bore (‘and boor’) who bemoans the demise of the white race, zips through the historian’s past admissions to being a ‘fully paid-up member of the neo-imperialist gang’, and ends with an observation that rings like a warning: ‘His next move shouldn’t be missed’ Ferguson threatened to sue: ‘I am owed, I repeat, an apology’ In ‘Fascist Mysticism’, his 2018 review of Jordan Peterson’s 12 Rules for Life – a book, Mishra writes, that shuttles between life advice (‘stand up straight’; ‘tidy your room’) and metaphysical machismo (‘consciousness is symbolically masculine and has been since the start of time’) – Mishra places Peterson in a broader European lineage of nineteenth-century ‘intellectual quacks’ who traded in ‘right-wing pieties seductively mythologised for our lost generations’ Peterson fired off a rant on Twitter In the introduction to his newest book, Bland Fanatics, Mishra writes that the former journalist Boris Johnson – now lauded by some as an icon who demonstrates the heights to which those in Britain’s Fourth Estate can ascend (to say nothing of the pre-existing proximity to power and privilege that stalks the profession) – makes, along with Donald Trump, a duo of ‘blond bullies perched atop the world’s greatest democracies’ It may be fun to poke and prod at these pompous opinionators choking on their own self-regard, each endlessly prevaricating newspaper column taking them further from the self-understanding they purport to command But the consequences of these men’s inability to understand the world they have tried to shape in their image have been disastrous ‘The barbarians’, Mishra writes, ‘were never at the gate; they have been ruling us from some time’   These essays are among the sixteen featured in Bland Fanatics, which compiles some of Mishra’s

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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fiction

January 2016

Eight Minutes and Nineteen Seconds

Georgi Gospodinov

TR. Angela Rodel

fiction

January 2016

The minute you start reading this, the sun may already have gone out, but you won’t know it yet....

Art

July 2011

Interview with Steven Shearer

Vanessa Nicholas

Art

July 2011

Canada’s representative at the 54th Venice Beinnale is Steven Shearer, a soft-spoken and mild-mannered Vancouver-based artist whose work delves...

fiction

May 2012

Reflux

José Saramago

TR. Giovanni Pontiero

fiction

May 2012

First of all, since everything must have a beginning, even if that beginning is the final point from which...

 

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