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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

https://soundcloudcom/user-856373367/retrievals   About ‘Retrievals’:   I like to hear writing that is made out loud Words vibrate in the air and you forget them, but you can feel them on your skin I don’t call what I make ‘radio plays’ I just call them ‘audio pieces’ I like to keep it all as open as possible   ‘Retrievals’ is an audio piece, made using an online automated voice generator There are many sites that offer the use of text-to-voice technology (Vocograb, Voxmark, NaturalReader) These websites can manufacture hundreds of different voices – men, women, children, the elderly – from across many different languages and dialects They offer voices that sound sad, or whisper intimately in your ear Some sites are free Many make you pay for a particular voice   Automated voices are produced for specific practical uses They help the visually impaired, or those who have difficulty reading They inform you where your train is going They ask whether you want to pay with cash or card They are calm and well-mannered They are nearly always women We do not listen to them, only overhear what they have to say People who really listen in on them are often disturbed or put off, and programme their self-service checkout to ‘silent’ when they can   Automated voices do not sound uncanny or robotic to me They sound spectral and angelic Each is a voice that once belonged to someone, each a literal remnant of recordings made by a voice actor, who provided all the phonemes, phrases and speech-parts, which are put together later ‘Retrievals’ was made using a character called ‘Will (Sad)’, from acapela-boxcom The website contains no information concerning the real human being who was paid to perform the words for ‘Will (Sad)’ Any chance beauty of accent or inflection this voice might still possess remains only as the echo of something once heard, then lost, now forever misremembered If automated voices sound ‘futuristic’ then it’s a backwards kind of future They are forecasts of what has already been said   I never keep what I’ve written for audio pieces; in this respect, voice-generator websites are ideal You can

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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fiction

Issue No. 3

Fifteen Flowers

Federico Falco

TR. Janet Hendrickson

fiction

Issue No. 3

To Lilia Lardone Summer was ending. The air already smelled like smoke, but it still looked clear, sunny. The...

Interview

March 2016

Interview with Han Kang

TR. Deborah Smith

Sarah Shin

Interview

March 2016

Han Kang is a disquieting storyteller who leads the reader into the very heart of human experience, where the...

Art

March 2013

Strangely Ordinary: Ron Mueck's art of the uncanny

Anouchka Grose

Art

March 2013

Since the Stone Age, people have been concerned with the problem of how to represent life.   Cave paintings...

 

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