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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

At Kabul airport, a man I mistook for a foreigner   A security guard, red-haired with blue eyes and pale skin, patting me down I couldn’t help but look him directly in the face And he returned the compliment before joking with his colleagues in Dari He looked just like a guy who sells fashion-wear on Lamb’s Conduit When – I wondered – when in the archeologies of all the civilisations that have passed through these mountains and deserts was he deposited here? I thought he was Irish   Waiting at the gate with sun whiting out the hazy mountainous horizon and a beautiful greenhouse of a morning Two helicopters fly across the silhouetted, flattened scene Always in twos Humming like insects – of course – across the sky Then two more And another pair…and another Five pairs in all They pass from left to right in the two-dimensional morning, from east to west was it? I am not sure Perhaps north to south   And then they return, arcing back in a line like a scorpion’s tail, descending one after the other to land like a stairway or a ski-lift Afterwards three aircraft, flashing in like birds, swooping to land almost together, without a second thought   We wind up above Kabul in a corkscrew   *   In Herat we land hard and fast after a steep turn and a roll from side to side, wing to wing A drone under concave shelter Like a toy, in pale grey, or grey white As we pass out it departs, trailing electronically through the sky   The hum of activity   A long, straight road, lined with tall pines For some reason surprised that the Russians (or the British) didn’t raze them   The office like a summerhouse, rose bushes and red carpets, and warm, sky-blue air An elaborate (but probably cheap) golden mirror above a sink on the first-floor central landing, a touch of grand decay   The security situation – like everywhere – is deteriorating in the province For civilians and aid workers, for police and security Threats abound The Taliban and others are rich with poppy harvests, busy gaining influence from a

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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Interview

September 2013

Interview with László Krasznahorkai

George Szirtes

Interview

September 2013

László Krasznahorkai was born in Gyula, Hungary, in 1954, and has written five novels and several collections of essays...

fiction

March 2013

If Not, Not

Natasha Soobramanien

fiction

March 2013

This story may or may not end in Venice and in silent, unacknowledged tragedy but let it begin here,...

fiction

February 2013

The Currency of Paper

Alex Kovacs

fiction

February 2013

‘Labour is external to the worker, i.e. it does not belong to his essential being; that in his work,...

 

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