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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

Standing on the doorstep of Will Self’s London home ahead of this interview, last August, I was quite terrified I had spent the previous ten days immersed in his hallucinatory fictional worlds, composed of seven novels, three novellas and countless short stories   Through these parallel and often overlapping fictions, Self has constructed a relentless critique of our institutional failings, hypocritical cultural mores and political inadequacies My fears, notwithstanding being intellectually dwarfed, were largely to do with the bridled madness of many of his writings Here was the writer who, over the years, had invented:   a man who wakes up with a vagina behind his left knee and has an affair with his (male) GP (Bull: A Farce); a parallel Earth, populated by hypersexual and exhibitionist apes, seen through the eyes of its most prominent experimental psychiatrists (Great Apes); the afterlife taking place in the purgatorial London district of ‘Dulston’, a suburb populated uniquely by senseless, chain-smoking dead people, haunted by their aborted foetuses and old neuroses, and living out the rest of infinity in dire office jobs (How the Dead Live); a post-apocalyptic London governed by a religion based on a cab driver named Dave’s rage-filled writings to his estranged son in the 2000s (The Book of Dave) And then there was the public figure – an acerbic satirist of towering intellect, a giant man of letters with famously little tolerance for fools By the time I rang on the doorbell, Will Self had, to my mind, transmogrified into The Fat Controller – the Mephistophelian anti-hero in My Idea of Fun – ready to tear me limb from limb for my idiotic questions and inadequate readings   My fears were unwarranted, of course Upon arrival, he made me a cup of tea and ushered me past Manglorian – a yap-happy Jack Russell – up the stairs into a study filled top to bottom with books, hundreds of post-it notes affixed to the walls in grid formation and a prominently placed photograph of Francis Bacon Languorously smoking a single roll-up in a cigarette holder, my host answered the questions put

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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poetry

Issue No. 2

Portraits of Pierre Reverdy and Three Poems

Sam Gordon

poetry

Issue No. 2

ANDRÉ BRETON The most memorable thing about our meetings [around 1919-1920] was the almost complete bareness of the room in...

poetry

May 2017

Two Poems

Vala Thorodds

poetry

May 2017

THROUGH FLIGHT   For a moment we are borne into the air and then down.   It is there, behind...

fiction

November 2016

The Miserablist

Anne Boyer

fiction

November 2016

This vision was strongly nebulous, an indeterminate but bold reaction only because it was so much like one of...

 

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