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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

FRIEDRICH NIETZSCHE PONDERS LOVE   Honey protocols, hear how they mock, snow white and super blue: On the footpaths, we are told, radiators grapple with hydrants and at the marble quarry puss licks her belly until the shag is fluffed Get well cards addressed to third parties The cable car’s driving crank whirrs Here dwells Friedrich Nietzsche On ukulele, recording his propaedeutics in song Huzza, a subcutaneous Alpine ditty Dissimilarity as a religious doctrine The root chord: E minor Robert Walser says Friedrich Nietzsche was not Huh? What? What was I not? You were not loved Hence your resentment The vengeful perfidy of one unloved Meanwhile, new arrivals tuck in to hearty snacks Sausage Berries Poire Williams and Gentian Friedrich Nietzsche and the mild master of remorse converse on stacking chairs Are they onions? Are those contacts – or blows with the fan? Is it a hand-forged bark spud, swathed in camellia oil? We don’t know They speak quietly The mountains’ endless murmur Friedrich Nietzsche ponders love Robert Walser smiles in silence     THE ARBITER’S SICK   Honey protocols, hear how they mock I’m still asleep, they’re fighting already My assistants are whacking each other with hangers and brushes Oh boy, the arbiter’s sick today I see how they batter their limbs, whose workforce is mine, in order, thus squandered, to own themselves at long last Or so the assistants think How wrong they are! Whizz bang, the ankle joint, the nose bone Cat’s tongue, mop and deerfoot OMG Who’ll sew this for me? Who’ll stitch it up? Who’ll fetch and bring back, who’ll support, who’ll transcribe? What do mops and moping have to do with each other? Check it for me! Enough of the fisticuffs! When do we go to print? Assistants, get to work! The theme is: The arbiter’s sick today Let’s go! Mixed dactyls, skipping rhythms, inner universe of middle rhyme Bear me forth and write it all down Realise me in places where I cannot set foot And, while conciliation soon prevails, it’s still lying there, the cuddly toy of my tattooed assistant, who always was my favourite Ah! I’ll never sack a single one     TRANSLATION   Honey protocols, hear how they mock, you translated yourself – didn’t you? – into everything You translated your chemisettes, your crumbs, right on into The Great Glory, where they vanished instead

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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Prize Entry

April 2017

Hangnails, and Other Diseases

Giada Scodellaro

Prize Entry

April 2017

Benson’s Syndrome   Grapefruit. I have lost the word for it. Popillo? Popello? No, no. It escapes her, the...

Art

November 2013

The Past is a Foreign Country

Natasha Hoare

Art

November 2013

‘The past is a foreign country: they do things differently there.’ The immortal first line to L. P. Hartley’s...

fiction

January 2015

Adventures in Immediate...

Max Blecher

TR. Michael Henry Heim

fiction

January 2015

I can picture myself as a small child wearing a nightshirt that comes down to my heels. I am...

 

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