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Robert Assaye
Robert Assaye is a writer and critic living in London.

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Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

In August 2022, ABC announced that Ellen Pompeo, currently the highest-paid actress on American network television, was leaving Grey’s Anatomy, the show on which she has portrayed the eponymous general surgeon Meredith Grey since 2005; her final episode aired in the US on 23 February 2023 I’ll put my cards on the table right away: I was devastated It will be a long goodbye Pompeo is doing episodic voiceovers for the rest of the season, and will ‘come back to visit’ But can Grey’s exist without Meredith? It has been her show from the beginning The committed (me) have spent 19 seasons watching her progress from the first day of her surgical internship at Seattle Grace Hospital to becoming the Chief of General Surgery of the renamed Grey Sloan Memorial Her storylines haunt its corridors: Pompeo told Deadline that, like the ghost of a loved one, she will ‘never truly be gone as long as that show’s on the air’   Of course, many will say that say that the series should have ended a long time ago Opinions differ as to when exactly it jumped the shark Was it when Meredith lost her best friend, Cristina Yang (Sandra Oh) to a Swiss hospital with 3D-printed hearts in season 10, or when she lost her husband, Derek Shepherd (Patrick Dempsey), to a semi-truck in season 11? Was it the switch from film to digital? Was it at the start of season 14, when Shonda Rhimes left for a lucrative Netflix deal and handed the reins over to Krista Vernoff? Or was it even earlier than that, with season 7’s – frankly abject – musical episode? It’s definitely a much worse show than it used to be, but that’s beside the point To fully understand Grey’s, you have to free yourself from the expectation of good dialogue, believable character development, well-plotted episodes, or inspired soundtrack choices Long gone are the days of Oh in leathers dismounting from a motorbike as Rilo Kiley’s ‘Portions for Foxes’ plays in the background What remains is something else: endurance   The politics

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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Interview

February 2014

Interview with Lisa Dwan

Rosie Clarke

Interview

February 2014

In a city where even the night sky is a dull, starless grey, immersion in absolute darkness is a...

feature

May 2016

Postcard from Istanbul

Sydney Ribot

feature

May 2016

    Saturday       On March 19, at 1 p.m. in a café off Turnacibaşı St., an...

fiction

June 2017

Ferocity

Nicola Lagioia

TR. Antony Shugaar

fiction

June 2017

A pale three-quarter moon lit up the state highway at two in the morning. The road connected the province...

 

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