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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

This vision was strongly nebulous, an indeterminate but bold reaction only because it was so much like one of my poems There I was one weekday night starring in a work of literature about gentlemen’s anarchy and artists and rapists and masculinity, and there I was later with my innocent questions, and then I was facing, yet again, an entire interrogative oeuvre about the self-suppression of undeserved esprit de coeur   This whole scene was like Picasso’s Blue Period, but the colour I was exploring was ‘wretched with indefinite longing’ I had grown tired of the auto-destruction of literature I didn’t want to erase my face from the coinage I had grown tired of all the metaphysical rumours and wanted to be away from the clatter of interiority, to be — in a new form — alone   I dreamed of a category containing those who are more beautiful, intelligent and virtuous than anyone else I had known This was a category into which I kept inserting the names of my friends I did not gaze admiringly or touch this category too much, and when I was out of its radius I became sick with a mysterious illness: I was tired, sad, my chest ached, I didn’t want to get out of bed I could think only of this category’s face, and was struck with the most intoxicating loneliness, like the loneliness of a person who has lost an organ   Later, on the phone, I said ‘This is so curious — it is like I have lovesickness without being in love with anyone,’ and the voice on the other end said, ‘Of course you are in love’ But how and with whom? It was painful to be lovesick without love, like a person who has quit her job but still stocks shelves in her dreams That’s when my suffering became an art project I was no longer a self-suppressioner, I had become a miserablist   Later I realised the state of lovesickness for a love that isn’t love and for no one in a fixed particular had lasted for some time I began to think its

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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feature

September 2016

The Rights Of Nerves

Masha Tupitsyn

feature

September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of...

feature

July 2013

Love Dog

Masha Tupitsyn

feature

July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping...

poetry

March 2013

Fugitive

James Byrne

poetry

March 2013

I trace the stacked voices of shouters how they immingle fraternally on first hearing with the vaporous nick of...

 

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