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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

CULTURAL STRATUM   remember how once in a past life so long ago you would wake up and casually listen to the news now that seems unbelievable just like thinking about bucha or irpin you can’t picture those parks full of pine trees around sanatoriums and old estates you see only blown-up bridges gutted houses streets densely covered in the shards of people’s lives isn’t that what the archaeologists call a cultural stratum? skin stripped from a living epoch laid out on the earth, a bloody rag before this epoch began we  listened absentmindedly to the news and lived in cities with drama theatres in parks full of pine trees we were naive and beautiful we didn’t have to get excited about the single cabbage we hunted down in the empty supermarket we were like children brushing our teeth in the morning we would learn the names of places aleppo sanaa mekelle  where the epoch, skinned alive, lay in convulsions, its skin cast aside soaking the ground in blood waiting for future archaeologists but we would always forget those names we would finish brushing our teeth we’d put on our new trainers and grab a coffee in the kiosk go down into the metro without having to pick our way through people sleeping on the platforms we were creatures made of a different sort of material softer and pinker we would explain to our children what war is the way you might explain what the south pole or the planet mars are and not like you might explain why you can’t stick your fingers in the electric socket or climb onto the windowsill when the window is open we didn’t even know in that past life so long ago how many steel centimetres of pain can be plunged so easily into our soft, pink bodies     21 March 2022         A BIRD   all day I walk around keeping your name under my tongue   afraid to say it aloud lest   it escape and fly away   over the city in which for twenty days now nobody turns on the lights at night   between the stars and comets and artillery shells whose trajectories, in truth, are unknowable    a small bird with a great red voice   a small bird with a bitter seed of sorrow in its beak   but if it were to drop the seed by accident then even from this mutilated ground   it will grow into a great tree of love     16 March

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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poetry

September 2012

Mainline Rail

Eleanor Rees

poetry

September 2012

Back-to-backs, some of the last, and always just below the view   a sunken tide of regular sound west...

Interview

Issue No. 5

Interview with Ivan Vladislavić

Jan Steyn

Interview

Issue No. 5

Ivan Vladislavić is one of a handful of writers working in South Africa after apartheid whose work will still...

Art

September 2011

Interview with Cornelia Parker

Lowenna Waters

Art

September 2011

Cornelia Parker has over the past twenty years carved out a reputation as one of Britain’s most respected sculptors...

 

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