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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

I decide to drop by Arseny Zhilyaev’s workshop at Garage Museum of Contemporary Art in Moscow last November, only to find that instead of sitting quietly in the corner and listening to presentations, I am expected to assume the role of artist myself Along with my new-found colleagues, I am to make art as part of a role-playing game set in the Russian Cosmic Federation of the near future By this point in human history, all art is created by AI, but man’s input is still required to advance the performance of machines What we produce is to be evaluated by an assistant curator at Garage, and Zhilyaev himself, who will decide which of us is to represent the Russian Cosmic Federation at an Intergalactic Biennale   I am nervous before the game starts, and bubble with excitement as everyone around me transforms into inhabitants of a post-futurist art world But I get prematurely bored after the first two rounds of producing concepts as a member of the collective, Experimental Zombie Formalism Turns out the art world’s grip on creative freedom can feel suffocating, even in the future In response, my comrades and I go on strike, organize an alternative (and highly irreverent) annual biennale, and end up establishing a cult, of which I am the chief goddess Fictional CEO of a fictional cult, with a divine status acknowledged by a board of devoted disciples – not the worst outcome for a struggling artist in a precarious sci-fi future My brief period of art making, however, does not bring me intergalactic institutional recognition, nor does my work make it into planetary collections I shall perish, nameless and forgotten, as my body dissolves into the ether   Zhilyaev’s work – a mixture of installation, fiction, archival research, publishing, and most recently role-play games – combines Russian cosmist philosophy with a vision of a dystopian soon-to-come The philosophy of cosmism – a mind-boggling combination of science, technology, and spirituality – was originally dreamed up by the nineteenth-century Russian thinker Nikolai Fedorov Fedorov advocated for immortality, and the resurrection of all human beings, proposing that our ever-extending

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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poetry

June 2014

Oeuvres

Edouard Levé

TR. Jan Steyn

poetry

June 2014

1. A book describes works that the author has conceived but not brought into being. 2. The world is...

Interview

October 2013

Interview with Chris Petit

Hannah Gregory

Interview

October 2013

Chris Petit likes driving. Most of his films, from his first Radio On (1979), to London Orbital (with Iain...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

 

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