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Robert Assaye
Robert Assaye is a writer and critic living in London.

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Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

If you passed London’s Old Street in the summer of 2018, you will have seen a usually bare piece of land near the roundabout adorned with a giant sculpture of a wave, constructed entirely out of plastic waste The installation was composed of familiar detritus: empty milk containers, grocery bags and outdoor furniture But unlike those plastics floating in the world’s oceans or entering household recycling bins every day, the bags and bottles that made up the plastic wave had been carefully selected and assembled to replicate the shape and hues of an oceanic phenomenon The Wave of Waste was the work of the beer company Corona Surrounding the sculpture were three large billboards One depicted a surfer; the others advertised the Mexican beer brand and their commitment to keeping the picturesque beaches frequented by their ideal consumers free from plastic On closer inspection, the surfer was revealed to be the Australian actor Chris Hemsworth, a plastic wave looming over him    The actor, formerly of Home and Away fame and now best known for his role in Marvel’s Avengers franchise, is one of six ambassadors for Corona’s partnership with the environmental non-profit Parley for the Oceans In promotional photographs and videos, celebrities appear alongside local volunteers, picking up plastic waste from one of the 100 island beaches selected as the symbolic examples of Parley and Corona’s environmentalist efforts The installation at Old Street roundabout was itself constructed out of waste collected from a beach in Sussex; Londoners also had the option to participate in the broader Parley strategy by dropping off their own plastic waste, in order to become part of the sculpture In Parley’s vision, everyone has a small yet important part to play in the fight against plastics pollution Movie stars, commuters and island residents become equal participants in a quest to rebuild untouched natural idylls around the world, as though the act of picking up a single plastic bag can reverse decades of wilful destruction    Narratives like these, which tell stories of individual action, shared responsibility and small-scale intervention, permeate contemporary environmentalist practice From reusable coffee

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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poetry

Issue No. 3

Glow Me Out

Rikudah Potash

TR. Michael Casper

poetry

Issue No. 3

In the fiery cosmos Out of which you made             Timna Glow me in...

poetry

November 2012

Mr Minotaur

Simon Pomery

poetry

November 2012

Hey Mr Minotaur, so red, so neatly hunchbacked on account of your thick neck, ready to headbutt victims to...

Feature

Issue No. 19

Ill Feelings

Alice Hattrick

Feature

Issue No. 19

My mother recently found some loose diary pages I wrote in my first year of boarding school, aged eleven,...

 

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