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Rosanna Mclaughlin
Rosanna Mclaughlin is an editor at The White Review.

Articles Available Online


The Pious and the Pommery

Essay

Issue No. 18

Rosanna Mclaughlin

Essay

Issue No. 18

I.   Where is the champagne? On second thoughts this is not entirely the right question. The champagne is in the ice trough, on...

Essay

April 2019

Ariana and the Lesbian Narcissus

Rosanna Mclaughlin

Essay

April 2019

‘Avoid me not!’ ‘Avoid me not!’                                   Narcissus   Let me describe a GIF I’ve been watching. A lot....

Lydia Davis takes a wry approach to her own biography In 2011, she began assembling a false one, ‘Goodbye Louise, or Who I Am’, composed of the misnomers, inaccurate affiliations and bizarre descriptions attributed to her over the course of her career Born in 1947 in Northampton, Massachusetts, her family background has fabulation built into it: both her parents, Hope Hale Davis and Robert Gorham Davis, were respected authors, who taught writing at a range of American institutions As a student at Barnard College in the late 1960s, Davis took courses in writing and worked in the traditional short story form, some years later developing the oblique, haiku-like vignettes which would upend editors’ and readers’ expectations of the short-story genre and, over subsequent decades, win her prizes and acclaim, from the Chevalier and Officier of the Ordre des Arts et des Lettres to the Man Booker International Prize   While Davis is best known for the telegraphic, crystalline stories that make up collections such as Can’t and Won’t (2014) and Varieties of Disturbance (2007), to label her an ascetic minimalist is to underserve the breadth of her work, which encompasses translations from French, Dutch, nineteenth-century British English, German and Norwegian; a novel (1995’s The End of the Story); and, more recently, two volumes of essays (the second of which is forthcoming in 2021) The first instalment is a seductive mix of generous writing-advice manifestos, patient odes to favourite authors (Lucia Berlin; Jane Bowles) and lucid excursions into visual arts criticism, while Essays Two zeroes in on Davis’s devotion to the discipline of learning and translating languages, and the academic scuffles that can postscript putting one’s own stamp on sanctified world classics (a typical fit of indignation over her translation of Proust’s Du côté de chez Swann as The Way by Swann’s comes to mind)   Davis lived for a period in the 1970s in France, and is deeply invested in the legacy of world and European letters; nonetheless, in 2019 she took the decision no longer to fly, wanting to acknowledge – to an individually consequential degree – the accelerating climate emergency Amid technical suggestions for improving

Contributor

July 2016

Rosanna Mclaughlin

Contributor

July 2016

Rosanna Mclaughlin is an editor at The White Review.

Ten Years at Garage Moscow

Art Review

November 2018

Rosanna Mclaughlin

Art Review

November 2018

When I arrive in Moscow, I am picked up from the airport by Roman, a patriotic taxi driver sent to collect me courtesy of...
Becoming Alice Neel

Art

August 2017

Rosanna Mclaughlin

Art

August 2017

From the first time I saw Alice Neel’s portraits, I wanted to see the world as she did. Neel was the Matisse of the...

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fiction

January 2016

Forgetting: Chang'e Descends to Earth, or Chang'e Escapes to the Moon

Li Er

TR. Annelise Finegan Wasmoen

fiction

January 2016

Source Material   Her story is widely known. At first she stayed in heaven, then she followed a man...

poetry

November 2016

Nothing Old, Nothing, New, Nothing, Borrowed, Nothing Blue

Iphgenia Baal

poetry

November 2016

look at your kitchen look at your kitchen oh my god look at your kitchen it’s delightful only wait...

Art

Issue No. 7

Pyramid Schemes: Reading the Shard

Lawrence Lek

Art

Issue No. 7

These sketches were created to illustrate an essay by Lawrence Lek in The White Review No. 7, ‘Pyramid Schemes:...

 

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