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Rosanna Mclaughlin
Rosanna Mclaughlin is an editor at The White Review.

Articles Available Online


The Pious and the Pommery

Essay

Issue No. 18

Rosanna Mclaughlin

Essay

Issue No. 18

I.   Where is the champagne? On second thoughts this is not entirely the right question. The champagne is in the ice trough, on...

Essay

April 2019

Ariana and the Lesbian Narcissus

Rosanna Mclaughlin

Essay

April 2019

‘Avoid me not!’ ‘Avoid me not!’                                   Narcissus   Let me describe a GIF I’ve been watching. A lot....

Notes from a workshop   At first, there is nothing but a yellow curtain at the back of the stage It is not particularly big, perhaps three-by-three metres, but it glows like the sun in the bright heat of the floodlights In front of it the black, bare surface of the stage stretches out towards the audience, leaving a space for possibility, imagination and expectation   There are around sixty people gathered in this theatre in the north of Oxford Most of them are young actors but there are also directors, university students, artists, an IT specialist and an anthropologist among the group While some are from Oxford and London, others have made their way here from Spain, Germany and even Australia, to learn first-hand the methods Ariane Mnouchkine, director of the Parisian theatre collective, the Théâtre du Soleil   Here, in the auditorium, begins our first lesson: you must learn to respect the stage, Ariane tells us, you must respect the yellow curtain  She is standing by the first row of seats in front of the stage, the group gathered around her A tall figure dressed in white linen and a grey vest, her curled silver hair flaming around a watchful face Her expression is mild and her voice calm, but her whole bearing commands attention   Here are the rules of imagination Nothing is allowed on the stage that is not part of a performance, it must remain a pure place The stage can only be entered from behind the yellow curtain, which will be opened for you by specially trained curtain openers When you want to enter the stage again, you have to walk offstage and enter through the yellow curtain These are the boundaries and rituals of performance, crucial to the formation of an imaginative space   ***   The Théâtre du Soleil was founded in 1964 and has been run by Ariane, its co-founder, for the last half-century Ariane, born on 3 March 1939 to a French-Russian film producer and a British actress, has devoted most of her life to the theatre collective After studying at the Sorbonne and Oxford she trained with

Contributor

July 2016

Rosanna Mclaughlin

Contributor

July 2016

Rosanna Mclaughlin is an editor at The White Review.

Ten Years at Garage Moscow

Art Review

November 2018

Rosanna Mclaughlin

Art Review

November 2018

When I arrive in Moscow, I am picked up from the airport by Roman, a patriotic taxi driver sent to collect me courtesy of...
Becoming Alice Neel

Art

August 2017

Rosanna Mclaughlin

Art

August 2017

From the first time I saw Alice Neel’s portraits, I wanted to see the world as she did. Neel was the Matisse of the...

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poetry

December 2011

The Pitch

Minashita Kiriu

TR. Jeffrey Angles

poetry

December 2011

Dripping excitedly from my earlobes And falling over my crowded routines A rain of Lucretius’ atoms Is just beginning...

Interview

February 2016

Interview with Gerard Byrne

Izabella Scott

Interview

February 2016

I first encountered Gerard Byrne’s eerily dislocated films at Tate Britain, where 1984 and Beyond (2005–7) was shown on...

poetry

January 2012

Mount Avila

W. N. Herbert

poetry

January 2012

‘el techo de la ballena’   Time to be climbing out of time as the wild city rates it,...

 

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