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Rosanna Mclaughlin
Rosanna Mclaughlin is an editor at The White Review.

Articles Available Online


The Pious and the Pommery

Essay

Issue No. 18

Rosanna Mclaughlin

Essay

Issue No. 18

I.   Where is the champagne? On second thoughts this is not entirely the right question. The champagne is in the ice trough, on...

Essay

April 2019

Ariana and the Lesbian Narcissus

Rosanna Mclaughlin

Essay

April 2019

‘Avoid me not!’ ‘Avoid me not!’                                   Narcissus   Let me describe a GIF I’ve been watching. A lot....

And all the circus ponies had to go home   I   In the ticket booth a woman chews gum She’s thin, but in a way I don’t begrudge, which isn’t like me I ask, ‘Where have the performers come from?’ because I know he will ask me this later I know because I know him She chews at me She shrugs and I decide I’ll say Russia, because he has a thing about Russia   II   The acrobat’s hair was yellow, long, and bluntly cut to match the ponies’ tails They would perform for her, only She would dismount from the tightrope like a yoyo, landing at the centre of the ponies’ circle From above their formation might have been an asterisk   III   Her actual plummeting was unscripted, so at odds with the music I felt nauseous Once we got to grips with the idea we were prepared for horror We were ready for her limbs, all akimbo, her neck at an impossible angle I saw a woman cover a child’s eyes with something like foresight She was supposed to plummet She was supposed to drop like a stone like a penny like a raindrop like a well-worn simile on a disillusioned readership We waited for the ripples in the yellow sand; our eyes fixed on the ground   We waited for her body to appear in the crosshairs on the surface of our eyes We couldn’t help our subsequent disappointment I saw the woman uncover the child’s eyes with something like embarrassment We averted our collective gaze upwards and found her We’d been duped She hung like a bird feeder from the safety net; her hair was knotted round her throat and round the mesh Her limbs swayed like hollow tubes on a wind chime   IV   The crowd hourglass’d through the tent entrance The motion made me think of an arrow on a woman’s midriff in an ad for probiotic yoghurt The people murmured with one voice Refunds would be processed as soon as possible   V   She wore her loneliness like a leotard, tight at the upper thighs and under arms She fed the ponies what she fed herself, which isn’t

Contributor

July 2016

Rosanna Mclaughlin

Contributor

July 2016

Rosanna Mclaughlin is an editor at The White Review.

Ten Years at Garage Moscow

Art Review

November 2018

Rosanna Mclaughlin

Art Review

November 2018

When I arrive in Moscow, I am picked up from the airport by Roman, a patriotic taxi driver sent to collect me courtesy of...
Becoming Alice Neel

Art

August 2017

Rosanna Mclaughlin

Art

August 2017

From the first time I saw Alice Neel’s portraits, I wanted to see the world as she did. Neel was the Matisse of the...

READ NEXT

poetry

June 2011

Testament: Two Poems

Connie Voisine

poetry

June 2011

Testament What’s the difference? You might wear it out touching, touching, not buying. Like a snail on a stick,...

fiction

October 2014

The Trace

Forrest Gander

fiction

October 2014

 La Esmeralda, Mexico   She knocked on the bathroom door.   ‘Can I come in to shower?’   ‘En...

poetry

Issue No. 13

Morning, Noon & Night

Claire-Louise Bennett

poetry

Issue No. 13

Sometimes a banana with coffee is nice. It ought not to be too ripe – in fact there should...

 

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