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Rosanna Mclaughlin
Rosanna Mclaughlin is an editor at The White Review.

Articles Available Online


The Pious and the Pommery

Essay

Issue No. 18

Rosanna Mclaughlin

Essay

Issue No. 18

I.   Where is the champagne? On second thoughts this is not entirely the right question. The champagne is in the ice trough, on...

Essay

April 2019

Ariana and the Lesbian Narcissus

Rosanna Mclaughlin

Essay

April 2019

‘Avoid me not!’ ‘Avoid me not!’                                   Narcissus   Let me describe a GIF I’ve been watching. A lot....

Towards the beginning of Brother in Ice, the debut novel by Catalan artist Alicia Kopf, is a photograph of the American explorer Frederick Cook arriving at the North Pole in 1908 The image, captured in the midst of a snowstorm, is blurred and the vista it discloses is of a heroic mission rendered distinctly uncertain, as limp as the flag that the man on the right attempts half-heartedly to hold up for the moment the shutter clicks On the opposite page, we read: ‘What does such a conquest represent and how is it, in turn, represented?’ The question (which exposes masculinity and conquest alike as fragile constructs) is one which this book insistently wrestles with It might be further rephrased as: ‘What is the relationship between narrative form and a history of conquest, and how might female experience figure in and as the fissure between them?’   The triangulation of personal and artistic life is the central premise of Kopf’s book, which is digressive in structure and subject matter Its intersecting arcs and tentative ruminations are perhaps most closely allied with those of the essay (with ‘the combination of exactitude and evasion’ which Brian Dillon identifies as typical of the genre) It is composed of research notes about Arctic exploration, fictional meanders on the life of a female artist, diary entries on the precarity of hopping from one creative job to another (and one elusive man to another), and illustrations that endlessly refigure how an icy landscape appears to the photographic eye Kopf’s text meditates on this question of perception, and how it relates to female creativity, as well as to the difficulties of rendering her brother’s autism legible (or illegible) on the page – taking the more typically autofictional elements of the book a little off their designated map   Kopf is interested in charting the unknown: in the impulse that sends men to the other ends of the earth; in the fragility of photography as documentary evidence and in its intimate relation to the autobiographical; and in what a fragmentary narrative technique might expose about the larger aims of plotting female

Contributor

July 2016

Rosanna Mclaughlin

Contributor

July 2016

Rosanna Mclaughlin is an editor at The White Review.

Ten Years at Garage Moscow

Art Review

November 2018

Rosanna Mclaughlin

Art Review

November 2018

When I arrive in Moscow, I am picked up from the airport by Roman, a patriotic taxi driver sent to collect me courtesy of...
Becoming Alice Neel

Art

August 2017

Rosanna Mclaughlin

Art

August 2017

From the first time I saw Alice Neel’s portraits, I wanted to see the world as she did. Neel was the Matisse of the...

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poetry

Issue No. 17

Winter Diary

Galina Rymbu

TR. Joan Brooks

poetry

Issue No. 17

who bravely blasts their breath through the horn flares of gloomy streets, into dripping construction trailers, dropped by the...

poetry

September 2012

Crossing Over

Eleanor Rees

poetry

September 2012

As he sails the coracle of willow and skins his bird eyes mirror the moon behind cloud. Spring tide...

Interview

Issue No. 8

Interview with Sophie Calle

Timothée Chaillou

Interview

Issue No. 8

Sophie Calle is France’s most celebrated conceptual artist. Her highly autobiographical, multi-disciplinary work combines the confessional and the cerebral,...

 

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