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Rosanna Mclaughlin
Rosanna Mclaughlin is an editor at The White Review.

Articles Available Online


The Pious and the Pommery

Essay

Issue No. 18

Rosanna Mclaughlin

Essay

Issue No. 18

I.   Where is the champagne? On second thoughts this is not entirely the right question. The champagne is in the ice trough, on...

Essay

April 2019

Ariana and the Lesbian Narcissus

Rosanna Mclaughlin

Essay

April 2019

‘Avoid me not!’ ‘Avoid me not!’                                   Narcissus   Let me describe a GIF I’ve been watching. A lot....

At the end of Amitav Ghosh’s SEA OF POPPIES (2008), a character reflects on how her life has been governed not by the sign of Saturn but by the poppy seed Offering a seed to her lover, she says: ‘Here, taste it It is the star that took us from our homes and put us on this ship It is the planet that rules our destiny’ SEA OF POPPIES is part of the Ibis trilogy by Ghosh – followed by RIVER OF SMOKE (2011) and FLOOD OF FIRE (2015) – about the nineteenth-century Anglo-Chinese Opium Wars The maritime novels use opium as a vector for unlikely alliances among a disparate cast of characters: Deeti, a widowed poppy farmer; Ah Fatt, a half-Chinese, half-Parsi convict and opium addict; Neel Rattan Halder, a bankrupt Indian landowner; Zachary Reid, a white-passing opium trader; and a multitude of other lascars and indentured servants in the Indian Ocean Each novel dramatises opium’s vast powers: to stupefy the senses, domesticate people into docility, engender hallucinations and create loopholes in linear time Personal boundaries become porous as opium encourages characters to flout caste delineations, binding them in improbable intimacies; bringing them face to face with the uncanny power of the nonhuman, or what the Enlightenment notion of history has grouped together under the umbrella of ‘nature’ With each book, Ghosh builds up a world teeming with energy – a world where opium is not mute but mutable    ‘This minuscule orb – at once bountiful and all-devouring, merciful and destructive, sustaining and vengeful’ This is how Deeti, in SEA OF POPPIES, comes to think of the capricious poppy seed, which has dealt her both good and bad fortune Her description serves just as well for the nutmeg, another commodity that has been prized as a fillip for foodies and, on the other side of the ledger, precipitated bloody conflicts in places like the Banda Islands, located on the southeastern tip of present-day Indonesia It is the nutmeg that lends its name to Ghosh’s new work of nonfiction and serves as its central protagonist   THE NUTMEG’S CURSE is, in

Contributor

July 2016

Rosanna Mclaughlin

Contributor

July 2016

Rosanna Mclaughlin is an editor at The White Review.

Ten Years at Garage Moscow

Art Review

November 2018

Rosanna Mclaughlin

Art Review

November 2018

When I arrive in Moscow, I am picked up from the airport by Roman, a patriotic taxi driver sent to collect me courtesy of...
Becoming Alice Neel

Art

August 2017

Rosanna Mclaughlin

Art

August 2017

From the first time I saw Alice Neel’s portraits, I wanted to see the world as she did. Neel was the Matisse of the...

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Interview

June 2015

Interview with Moyra Davey

Hannah Gregory

Interview

June 2015

One way to think about Moyra Davey’s way of working across photography, film and text is in terms of...

Interview

May 2013

Interview with Darian Leader

Kishani Widyaratna

Interview

May 2013

A practicing Lacanian psychoanalyst, Darian Leader is one of a dying breed. It is no overstatement to say that...

Art

Issue No. 17

Water

Batia Suter

Art

Issue No. 17

Sources: Achate, Bilder im Stein / Josef Arnoth, Naturhistorisches Museum Basel Buchverlag, Bild der Wissenschaft 12, Dezember 1971, DVA StuttgartBasler Zeitung, Birkhäuser...

 

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