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Rosanna Mclaughlin
Rosanna Mclaughlin is an editor at The White Review.

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The Pious and the Pommery

Essay

Issue No. 18

Rosanna Mclaughlin

Essay

Issue No. 18

I.   Where is the champagne? On second thoughts this is not entirely the right question. The champagne is in the ice trough, on...

Essay

April 2019

Ariana and the Lesbian Narcissus

Rosanna Mclaughlin

Essay

April 2019

‘Avoid me not!’ ‘Avoid me not!’                                   Narcissus   Let me describe a GIF I’ve been watching. A lot....

Said by the New Statesman to be ‘at the forefront of the experimental movement in contemporary British poetry’, Keston Sutherland’s poetic and critical work is a headrush High on its own sensitivity, his writings explode the familiar modes of poetry, fusing the lyric tradition with the high-octane languages of protest, stock market exchange and information technology, with the individuated vocabularies of biochemistry, geology and neurology A sardonic yet rhapsodic disdain for high-capitalist consumerism and yappy Fox News neo-conservatism has won him international acclaim, and has given rise to six collections of poetry, numerous essays on poetics, politics and philosophy, his critical journal Quid and the co-founding of ‘nonconformist poetry’ publisher Barque Press   We met on a steely day in Sutherland’s hometown, Brighton, where he is Reader in English at the University of Sussex What follows is an edited version of a spooling conversation, ranging from ‘Enron to Xbox’ and back again, occasioned by the upcoming publication of his newest collection The Odes to TL61P (Enitharmon Press, April 2013) A poetry of unworkable postures and melodic germination, made famous by his astonishingly energetic readings (now widely available on Youtube), Sutherland rose to international eminence with the publication of a special edition of the Chicago Review in 2007, positioning his work alongside that of Andrea Brady, Chris Goode, Simon Jarvis and Peter Manson, and forming a major reconsideration of the field of contemporary poetry in Britain today Studying under Jeremy Prynne during his years at Cambridge, he is nevertheless resistant to the coterie demands of the ‘Cambridge School’, preferring instead to enter into critical dialogues with the visual arts, improvised music, and multilingual texts   Typified by a rampant lyricism, the warped soundbites and shifting logics of his work nevertheless confront political and social events; his collection Stress Position enacts torture sequences observed in Abu Ghraib and Guantanamo Bay, and the demented puppetry of Hot White Andy, hailed by John Wilkinson as ‘the most remarkable poem published in English this century’, rages against our attitudes to twenty-first century consumerism His newest collection comments on all the ‘mucky adult clay’ that comprises our pressed

Contributor

July 2016

Rosanna Mclaughlin

Contributor

July 2016

Rosanna Mclaughlin is an editor at The White Review.

Ten Years at Garage Moscow

Art Review

November 2018

Rosanna Mclaughlin

Art Review

November 2018

When I arrive in Moscow, I am picked up from the airport by Roman, a patriotic taxi driver sent to collect me courtesy of...
Becoming Alice Neel

Art

August 2017

Rosanna Mclaughlin

Art

August 2017

From the first time I saw Alice Neel’s portraits, I wanted to see the world as she did. Neel was the Matisse of the...

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poetry

Issue No. 3

Two Poems

Rebecca Wolff

poetry

Issue No. 3

I approach a purchase adore my children— back away— that they revere ugliness the rainbow bag that holds a...

feature

October 2012

Film: Palestinian Airlines

Eddie Wrey

feature

October 2012

    Palestinian Airlines Produced and Directed by Eddie Wrey Co-produced and translated by Max Wrey Co-edited by Rye...

fiction

September 2016

STILL MOVING

Lynne Tillman

fiction

September 2016

 I am bound more to my sentences the more you batter at me to follow you. – William Carlos...

 

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