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Rosanna Mclaughlin
Rosanna Mclaughlin is an editor at The White Review.

Articles Available Online


The Pious and the Pommery

Essay

Issue No. 18

Rosanna Mclaughlin

Essay

Issue No. 18

I.   Where is the champagne? On second thoughts this is not entirely the right question. The champagne is in the ice trough, on...

Essay

April 2019

Ariana and the Lesbian Narcissus

Rosanna Mclaughlin

Essay

April 2019

‘Avoid me not!’ ‘Avoid me not!’                                   Narcissus   Let me describe a GIF I’ve been watching. A lot....

Early in Judith Schalansky’s An Inventory of Losses, the narrator describes the way an ancient form of writing survived oblivion The soft clay tablets on which the proto-ancient Greek script known as Linear B were written, detailing the income and expenditure of the Palace of Knossos, were hardened by a fire that destroyed nearly everything else around them, including most of the palace itself If not for the fire, the survival of that early practice of record-keeping by inscription is doubtful Such an irony seems central to Schalansky’s work Her new book is about what we have lost, but also what remains: in her case, not through fire but through imagination   Translated from the German by Jackie Smith, An Inventory of Losses is an attempt to confront what has been destroyed, either by time or human hand How can writing, it asks us, help us remember or mourn the inevitable destruction of things? In this series of prose pieces that mix essay, memoir and fiction, Schalansky describes a variety of objects that have disappeared from the world Her sense of what an object is – maybe ‘thing’ is a better word – is expansive, including animals, films, and buildings Each piece begins with a factual description of the item, and the accompanying text expands on it either by reconstructing the world in which the thing existed or sometimes imagining a scene that somehow resonates with it in a less direct way Whether she is describing a particular breed of extinct tiger, the lost poetry manuscripts of Sappho, or monumental buildings from Schalansky’s own East Berlin childhood, her book is part Wunderkammer, part memento mori   The book calls itself an ‘inventory,’ and although the term is wonderfully evocative, it is somehow limiting to what An Inventory of Losses actually is, the title being another example of Schalansky’s irony According to the Society of American Archives, an inventory is, ‘A list of things, or a finding aid that includes, at a minimum, a list of the series in a collection’ There are other works of literature that resemble this more

Contributor

July 2016

Rosanna Mclaughlin

Contributor

July 2016

Rosanna Mclaughlin is an editor at The White Review.

Ten Years at Garage Moscow

Art Review

November 2018

Rosanna Mclaughlin

Art Review

November 2018

When I arrive in Moscow, I am picked up from the airport by Roman, a patriotic taxi driver sent to collect me courtesy of...
Becoming Alice Neel

Art

August 2017

Rosanna Mclaughlin

Art

August 2017

From the first time I saw Alice Neel’s portraits, I wanted to see the world as she did. Neel was the Matisse of the...

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Interview

Issue No. 5

Interview with Hans Ulrich Obrist

Ben Eastham

Interview

Issue No. 5

Hans Ulrich Obrist is a compulsive note taker. For the duration of our interview one hand twitches a pen...

fiction

April 2013

Fairy Tale Ending

Stacy Patton

fiction

April 2013

Rodeo Cowboy You meet him at a rodeo dance on the Fourth of July. You are 17. He is 20;...

Interview

Issue No. 10

Interview with Jacques Rancière

Rye Dag Holmboe

Interview

Issue No. 10

Jacques Rancière came into prominence in 1968 when, under the auspices of his teacher Louis Althusser, he contributed to...

 

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