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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

My grandmother, known to us all as Mutti, caught one of the last trains out of Gotenhafen before the Russians came in 1945 She carried in tow, in order of age, some of my uncles and aunts: Jens, eight years old, clever and restless, though behind in school; Inga, a tough kid, it seemed, who didn’t need much worrying over; Suse, a baby girl, her darling and the comfort of her bed; and Andreas, who was still being potty-trained Inga is my mother The train was so full they had to be hoisted in through a window Mutti stood on her feet the whole 20-hour journey, her legs swelling under her like grilling sausages By the time the train reached Berlin, she couldn’t walk and had to be hauled from the station in a handcart My grandfather, Kaha, stayed behind to do his job: he was a naval engineer, working at the shipyard He guessed that bad times were coming and sent his family as far from the advancing front as he could It was not the last time his family would be separated, nor the last long journey they would make   Kaha died ten years ago, and Jens, a retired lawyer living in Rome, did the duty of the oldest child and sorted through the family papers, which he sent me They ‘should have been different,’ he told me last summer, unhappily but with a certain satisfaction He meant in part my grandfather’s expressions of love: they struck him as cold, perhaps, or self-centred And he may have traced to the paterfamilias some of the cracks that spread out and inwards in any large family over time – along geographical lines, as much any other He had settled in Rome, married to a French woman; my mother had ventured still further afield Her trips ‘home’ – to that trim post-war cottage built on a stretch of wooded shoreline running into Denmark, where our family eventually settled after Gotenhafen have always been fraught with the anxieties and pleasures of the prodigal returned ‘Homecoming’ is a word with a fracture written

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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Prize Entry

April 2016

Role Play

Naomi Frisby

Prize Entry

April 2016

Your right hand is the first to go. One Sunday afternoon as you’re sitting on the sofa reading the...

Art

September 2011

Interview with Marnie Weber

Timothée Chaillou

Art

September 2011

Los Angeles-based artist Marnie Weber has spent her career weaving music, performance, collage, photography and performance together into her...

Interview

Issue No. 16

Interview with Gary Indiana

Michael Barron

Interview

Issue No. 16

In July 2015, T: The New York Times Style Magazine gathered twenty-eight ‘artists, writers, performers, musicians and intellectuals who...

 

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