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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



Articles Available Online


The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

Introduction by the translator In the early hours of 2 January 1892, sensing the approach of insanity, the renowned French writer Guy de Maupassant attempted suicide There then followed for the sick man long months of confinement in Passy at the private clinic of the respected Dr Blanche, the conclusion of which was his death on 6 July 1893, overcome by his illness, a syphilitic disease of the nervous system   Numerous were the columnists following the course of the writer’s demise who sought to identify signs of madness in his works Even before he had died the newspaper Le Figaro declared: ‘Maupassant has fallen victim to the intensity of his own sensations He described and analysed the madness long before the dreadful sickness overcame him’ Enthusiastically the salons fed the controversy Some maintained that the frequent evocation of alienation in Maupassant’s writings resulted in the development of his ‘general paralysis’, whilst others continued to believe that the weakened author, suffering from writers block, nevertheless managed to preserve some inspiration from the scoria of his illness In the ‘Letter of a Madman’ which was first published in Le Gil Blas in 1885, Maupassant, or ‘Maufrigneuse’ as he mysteriously signs himself (curiously recalling Hölderlin’s use of the name ‘Scardanelli’ during his own ‘madness’), left behind a text largely ignored until after his death, which is now regarded as one of the founding elements for the myth surrounding the famous short story ‘Le Horla’ The scene of the blurred reflection in the mirror is repeated in the story written two years later Maupassant’s perceived ‘being’, which lived outside of his self, became an evil alter-ego as illness encroached upon his faculties and resulted in acute paranoid delusions and a virtual delirium of the senses   His ‘letter’ can be seen as another fascinating fragment wrested from a journey of no return which unknowingly predestines studies into the suppressed nature of the unconscious by Freud in the following century Furthermore one cannot help but

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

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May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

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poetry

May 2011

Two Prose Poems From 'The Sacrifice of Abraham'

Alexander Nemser

poetry

May 2011

The Rabbis   As the purple light of evening descended, women sang blessings over silver candelabra, and a group...

Interview

February 2017

Interview with Hajra Waheed

Rebecca Travis

Interview

February 2017

This conversation with Hajra Waheed began in person with an opportune meeting at her Montreal studio in April 2016....

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June 2014

A Grenade for River Plate

Juan Pablo Meneses

TR. Jethro Soutar

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June 2014

El Polaco appears brandishing his Stanley, as he lovingly calls his pocket knife. Five young hooligans huddle round him...

 

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