Mailing List


Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



Articles Available Online


The Last Redoubt

feature

November 2014

Scott Esposito

feature

November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

feature

February 2014

Another Way of Thinking

Scott Esposito

feature

February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

Here I offer some reflections and several facts potentially useful for a phenomenology of the mask Needless to say, these hypotheses are of an adventurous character With them I offer nothing less than an origin to the universal use of the mask by people, which goes back beyond this species, to the insects who still wear it     1 The Importance of the Mask   All humanity wears or has worn a mask This enigmatic accessory without useful end is more widespread than the lever, the bow, the harpoon or the plough Some peoples were entirely ignorant of more humble, or more precious tools Yet, they knew of the mask Some civilisations, among them the most remarkable, have prospered without having the idea of the wheel, or, worse, without knowing how to use it Yet they were familiar with the mask Man in general, abstract and hypothetical man, from the first eras and the first cultures – could not have embodied more accurately, more appropriately, Descartes’s saying: ‘I advance masked’ There is not a tool, an invention, a belief, a custom, or an institution which brings about the unity of humanity to the same degree accomplished by the wearing of the mask   The Mask remains mysterious What are the reasons that have driven people to cover their faces with a second visage, instrument of metamorphosis and ecstasy, of possession by the gods – instrument, as well, of intimidation and of political power? All of ethnology is filled with masks, and with the vertigo, the trances, the hypnoses, and the panics that are its nearly inevitable consequences Here I chance my first sprawling hypothesis: a people enters history and civilisation the moment they reject the mask, when they repudiate it as an instrument of individual or collective panic, once they consign it to an institutional function Even reduced to a simple carnival accessory or mundane festivity, it disquiets and fascinates Its power of seduction has been completely appropriated, yet it does not disappear I will come back to this For the moment, though, I would like only to underline that the problem

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

feature

September 2012

Scott Esposito

feature

September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Art

May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

READ NEXT

poetry

August 2013

Poem from fortune: animal spiral

Sarah Lariviere

poetry

August 2013

xi. inside friend friend is not the landscape: to turn into the water wears and deposits rock, time friend,...

poetry

September 2012

Moscow - Petrozavodsk

Maxim Osipov

Anne Marie Jackson

poetry

September 2012

  Mark well, O Job, hold thy peace, and I will speak. Job 33:31     To deliver man...

fiction

March 2014

The Garden of Credit Analyst Filton

Martin Monahan

fiction

March 2014

Ivan Filton had retired early. ‘I have been working a lot on my garden,’ declared Ivan Filton. ‘This is...

 

Get our newsletter

 

* indicates required