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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



Articles Available Online


The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

FRIEDRICH NIETZSCHE PONDERS LOVE   Honey protocols, hear how they mock, snow white and super blue: On the footpaths, we are told, radiators grapple with hydrants and at the marble quarry puss licks her belly until the shag is fluffed Get well cards addressed to third parties The cable car’s driving crank whirrs Here dwells Friedrich Nietzsche On ukulele, recording his propaedeutics in song Huzza, a subcutaneous Alpine ditty Dissimilarity as a religious doctrine The root chord: E minor Robert Walser says Friedrich Nietzsche was not Huh? What? What was I not? You were not loved Hence your resentment The vengeful perfidy of one unloved Meanwhile, new arrivals tuck in to hearty snacks Sausage Berries Poire Williams and Gentian Friedrich Nietzsche and the mild master of remorse converse on stacking chairs Are they onions? Are those contacts – or blows with the fan? Is it a hand-forged bark spud, swathed in camellia oil? We don’t know They speak quietly The mountains’ endless murmur Friedrich Nietzsche ponders love Robert Walser smiles in silence     THE ARBITER’S SICK   Honey protocols, hear how they mock I’m still asleep, they’re fighting already My assistants are whacking each other with hangers and brushes Oh boy, the arbiter’s sick today I see how they batter their limbs, whose workforce is mine, in order, thus squandered, to own themselves at long last Or so the assistants think How wrong they are! Whizz bang, the ankle joint, the nose bone Cat’s tongue, mop and deerfoot OMG Who’ll sew this for me? Who’ll stitch it up? Who’ll fetch and bring back, who’ll support, who’ll transcribe? What do mops and moping have to do with each other? Check it for me! Enough of the fisticuffs! When do we go to print? Assistants, get to work! The theme is: The arbiter’s sick today Let’s go! Mixed dactyls, skipping rhythms, inner universe of middle rhyme Bear me forth and write it all down Realise me in places where I cannot set foot And, while conciliation soon prevails, it’s still lying there, the cuddly toy of my tattooed assistant, who always was my favourite Ah! I’ll never sack a single one     TRANSLATION   Honey protocols, hear how they mock, you translated yourself – didn’t you? – into everything You translated your chemisettes, your crumbs, right on into The Great Glory, where they vanished instead

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Art

May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

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Interview

November 2015

Interview with Dor Guez

Helen Mackreath

Interview

November 2015

Dor Guez, artist, scholar, photographer, archivist, wants to avoid being classified, but it’s difficult not to fall into the...

poetry

November 2013

Rescue Me

George Szirtes

poetry

November 2013

Pain comes like this: packaged in a moment of hubris with a backing band too big for its own...

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Issue No. 7

Bracketing the World: Reading Poetry through Neuroscience

James Wilkes

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Issue No. 7

The anechoic chamber at University College London has the clutter of a space shared by many people: styrofoam cups,...

 

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