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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



Articles Available Online


The Last Redoubt

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November 2014

Scott Esposito

feature

November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

feature

February 2014

Another Way of Thinking

Scott Esposito

feature

February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

Early one morning, you wake up with the smell of burnt sheets in your nose, the sheets that you singed in the industrial-strength dryers at the Laundromat, and it takes you a moment to clear your head of the dream you were having Something about a fire   According to your alarm clock, you only slept a few hours, but you feel alert The dream slides away, and you inhale and exhale slowly And again And a third time, and this time you are not simply breathing, but you are aware of your breathing Not shallow and struggling, but steady, relaxed, deep breaths You had been so anxious about About The thought seems so clear when you don’t focus on it, but as soon as you try and grasp it directly, it dissipates In its place, a heavy, foglike calm has settled, your highs and lows clipped to slight hills and shallow depressions reinforced with a rebar of incuriosity   You put away the clean dishes from the drying rack and rinse the large pile of dirty ones; wipe down the kitchen countertops, the stove, the floor; start the coffee maker After mopping the floors, you take a nap When you wake up, you feel the same The coffee is ready   *   By the time you get to the office, Dan is already there You and Dan work together at a long table, which serves as both your desks, in a small, cramped office located three floors below street level of a very large building downtown, where you stamp and highlight and staple together various documents and then file away said documents in manila folders that are stored in the massive, adjoining two-story file room filled with rows and rows of gunmetal grey filing cabinets The nature of the files holds very little interest for you The actual work you do all day is almost completely devoid of context; whatever job satisfaction you receive – outside of a paycheck – comes from the efficient completion of an enormous volume of what amounts to a handful of repetitive tasks that are just taxing enough to

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Art

May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

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Interview

Issue No. 14

Interview with Hal Foster

Chris Reitz

Interview

Issue No. 14

HAL FOSTER’S WORK FOLLOWS in the tradition of the modernist art critic-historian, a public intellectual whose reflection on, and...

Interview

Issue No. 1

Interview with Will Self

Jacques Testard

Interview

Issue No. 1

Standing on the doorstep of Will Self’s London home ahead of this interview, last August, I was quite terrified....

fiction

Issue No. 1

Beyond the Horizon

Patrick Langley

fiction

Issue No. 1

Listen to the silence, let it ring on. (Joy Division, Transmission) I It is not yet dawn. The city...

 

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