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Sophie Mackintosh
Sophie Mackintosh's fiction has appeared in Granta and The Stinging Fly, among others. She was the winner of the 2016 White Review Short Story Prize and the Virago X Stylist short story prize. Her debut novel, The Water Cure, is published by Hamish Hamilton in the UK and forthcoming from Doubleday in the US.

Articles Available Online


Lena Andersson's ‘Acts of Infidelity’

Book Review

July 2018

Sophie Mackintosh

Book Review

July 2018

Acts of Infidelity is the second novel by Lena Andersson that follows unlucky-in-love heroine Ester Nilsson, and it’s another scalpel-sharp look at a doomed...

Fiction

May 2018

Self-Improvement

Sophie Mackintosh

Fiction

May 2018

I had been sent back from the city in disgrace, back to my parents’ house in the country. It...

A collection of workers’ shirts, mounted like shopping displays and gathered into the regimented, brightly coloured rows that might mark a labour demonstration, stands as the centrepiece of Jonathas de Andrade’s solo exhibition One to One (2019), at the Museum of Contemporary Art, Chicago (MCA) The shirts are men’s Paint daubs and sweat stains trail across them, and the work, Suar a camisa (Working up a sweat) (2014), captures much of the dense, reticent logic of de Andrade’s art   De Andrade acquired the shirts from male workers in the streets of Recife and the countryside of Brazil’s Nordeste, his home city and region, and a cohering local force in his art He would approach workers on their off hours, as they travelled to work or commuted home, clearly attracted by the shirts’ vividness, their lambent yellows or soiled oranges, as well as their ability to signify – they appear worn, sturdy, industrial, as if they’ve just emerged from under the hood of a car Striking up conversations with the men, he would begin a line of inquiry: could he buy their shirt, or propose a deal, or – the preferred option – exchange his own for theirs? It’s hard to imagine the exchange coming to fruition, and yet the process resulted in de Andrade receiving 120 shirts, hung on poles and assembled in the centre of MCA’s gallery, a crowd of hollow figures   The work unfolds in layers, and my first impression was of a kind of startling political presence, as if 120 working men stood at the centre of MCA Here, it seemed, was a sincere and wishful image of the working class, its labour expressed through the sweat-marks and enlivened into the collective form of a workers’ protest But as I circled the installation, a contradictory possibility soon shadowed my optimistic impression as presence gave way to a more definitive sense of absence Not a popular uprising but shirts without bodies, dead labour rather than labour, adding up not to working-class potency but its waning or disorganisation This feeling was made more potent by the recent election of Jair Bolsonaro,

Contributor

April 2016

Sophie Mackintosh

Contributor

April 2016

Sophie Mackintosh’s fiction has appeared in Granta and The Stinging Fly, among others. She was the winner of the...

Grace

Prize Entry

Issue No. 17

Sophie Mackintosh

Prize Entry

Issue No. 17

14. It comes for me in the middle of the day when I am preparing lunch, quartering a tomato then slicing each segment in...

READ NEXT

Prize Entry

April 2015

Posman

Nick Mulgrew

Prize Entry

April 2015

After a while you memorise the steps. You read the addresses and your calves just know, hey. They just...

Art

Issue No. 10

Patterns

Christian Newby

Art

Issue No. 10

Interview

December 2011

Interview with David Graeber

Ellen Evans & Jon Moses

Interview

December 2011

Six months ago, while preparing to interview David Graeber, I decided to conduct some brief internet research on the...

 

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