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Sophie Mackintosh
Sophie Mackintosh's fiction has appeared in Granta and The Stinging Fly, among others. She was the winner of the 2016 White Review Short Story Prize and the Virago X Stylist short story prize. Her debut novel, The Water Cure, is published by Hamish Hamilton in the UK and forthcoming from Doubleday in the US.

Articles Available Online


Lena Andersson's ‘Acts of Infidelity’

Book Review

July 2018

Sophie Mackintosh

Book Review

July 2018

Acts of Infidelity is the second novel by Lena Andersson that follows unlucky-in-love heroine Ester Nilsson, and it’s another scalpel-sharp look at a doomed...

Fiction

May 2018

Self-Improvement

Sophie Mackintosh

Fiction

May 2018

I had been sent back from the city in disgrace, back to my parents’ house in the country. It...

Nothing, it seems, falls outside Maggie Nelson’s field of inquiry The author of four books of poetry and five books of non-fiction, she extends the possibilities of both forms, refusing to settle for, or into, either Unsettling definitions and reworking categories is not only the modus operandi of her writing, but also its subject matter Bluets (2009) is a whole book of what might be called poetry, about the colour blue, which is also, of course, about other things: desire, heartbreak, loss She has written two books about the murder of her aunt, Jane: A Murder (2005), which thinks through the trauma of the event, and The Red Parts (2007), a more documentary account of criminal and social justice, that accounts for new evidence that emerged while writing the first   The Art of Cruelty (2011) is a study of the avant-garde that rethinks the boundaries between art and life that much of twentieth century art worked so hard to perform By examining her own simultaneous attraction and repulsion to works of art that engage with cruelty, she makes a cogent case for both looking at, and turning away, from violence It is this kind of response – a critical model that locates value not in argument, or in partisan positions, but in receptivity, sensitivity and tenderness, that Nelson gives us a new kind – the right kind – of language through which to think both the messiness of life and the possibilities of art   Her most recent book, The Argonauts, is a love story, which is also a story about motherhood, about queerness and representation It’s a story that exists in transitional space, in the possibilities of love, the inevitable failures of intimacy, the limits of identity, the paradoxes of queer futurity and in paradigms that are constantly undergoing revision as their context shifts It explores not only what kinds of love we have to give, but what family-making (a word she hates) might mean and what good-enough mothering might entail Most of all, it considers what kind of transgressions are worthy of thinking about, what kinds of freedom we need

Contributor

April 2016

Sophie Mackintosh

Contributor

April 2016

Sophie Mackintosh’s fiction has appeared in Granta and The Stinging Fly, among others. She was the winner of the...

Grace

Prize Entry

Issue No. 17

Sophie Mackintosh

Prize Entry

Issue No. 17

14. It comes for me in the middle of the day when I am preparing lunch, quartering a tomato then slicing each segment in...

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Interview

June 2016

Interview with Cao Fei

Izabella Scott

Interview

June 2016

The Chinese artist Cao Fei documents life in her country’s rapidly changing urban and social landscapes. Her eclectic work...

poetry

Issue No. 8

Thank You For Your Email

Jack Underwood

poetry

Issue No. 8

Two years ago I was walking up a mountain path having been told of excellent views from the summit....

feature

Issue No. 7

Bracketing the World: Reading Poetry through Neuroscience

James Wilkes

feature

Issue No. 7

The anechoic chamber at University College London has the clutter of a space shared by many people: styrofoam cups,...

 

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