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Sophie Mackintosh
Sophie Mackintosh's fiction has appeared in Granta and The Stinging Fly, among others. She was the winner of the 2016 White Review Short Story Prize and the Virago X Stylist short story prize. Her debut novel, The Water Cure, is published by Hamish Hamilton in the UK and forthcoming from Doubleday in the US.

Articles Available Online


Lena Andersson's ‘Acts of Infidelity’

Book Review

July 2018

Sophie Mackintosh

Book Review

July 2018

Acts of Infidelity is the second novel by Lena Andersson that follows unlucky-in-love heroine Ester Nilsson, and it’s another scalpel-sharp look at a doomed...

Fiction

May 2018

Self-Improvement

Sophie Mackintosh

Fiction

May 2018

I had been sent back from the city in disgrace, back to my parents’ house in the country. It...

London is among the capitals of the international art world Every day and night is witness to innumerable new exhibitions, openings, events, performances and screenings Having established itself as a world centre for the exhibition and sale of contemporary art, the past decade has seen an exponential increase in its number of galleries, with commercial and non-profit spaces springing up across the city Yet the majority of these venues continue to privilege the work of male artists, begging the question of how gender equality has figured in this boom When we are moving at such a fast pace, why are women artists being left behind?   The East London Fawcett (ELF) – a branch of the Fawcett Society, the UK’s leading campaign for gender equality – recently gathered a body of statistical data in the form of the Great East London Art Audit This information was collated over the course of a year by volunteers, researchers and statisticians with the aim of providing an objective overview of the status of women artists The results were clear: of the 134 commercial galleries in London that were audited, which collectively represent 3163 artists, 31 per cent of the represented artists were women Further to this, only 5 per cent of the galleries represented an equal number of male and female artists, with 78 per cent of the programmes representing more men than women ELF also audited the 133 solo shows featured in 29 of the city’s non-profit institutions and galleries, finding that, identically, 31 per cent of these exhibitions were by female artists, while only 1 of 29 galleries presented an equal number of male and female solo shows in that time frame[1]   The continued imbalance of gender representation within the arts is an issue all too often ignored The lack of tangible urgency compares unfavourably with the 1970s, when a number of art movements in North America and Europe critiqued patriarchal power structures and explored the social and political impact of identity, gender and sexual difference During this period, statistical information gathered by activists in Los Angeles revealed that over a

Contributor

April 2016

Sophie Mackintosh

Contributor

April 2016

Sophie Mackintosh’s fiction has appeared in Granta and The Stinging Fly, among others. She was the winner of the...

Grace

Prize Entry

Issue No. 17

Sophie Mackintosh

Prize Entry

Issue No. 17

14. It comes for me in the middle of the day when I am preparing lunch, quartering a tomato then slicing each segment in...

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fiction

Issue No. 15

Haircut Magazine

Luke Brown

fiction

Issue No. 15

I. I used to worry about how much more intelligent and successful I would be if I hadn’t spent...

poetry

November 2013

Rescue Me

George Szirtes

poetry

November 2013

Pain comes like this: packaged in a moment of hubris with a backing band too big for its own...

fiction

April 2014

Submission for the Journal of Improbable Interventions

Brenda Parker

fiction

April 2014

Abstract Preparations for experimental work must be conducted without interruption to ensure experimental success. In this work, the impact...

 

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