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Sophie Mackintosh
Sophie Mackintosh's fiction has appeared in Granta and The Stinging Fly, among others. She was the winner of the 2016 White Review Short Story Prize and the Virago X Stylist short story prize. Her debut novel, The Water Cure, is published by Hamish Hamilton in the UK and forthcoming from Doubleday in the US.

Articles Available Online


Lena Andersson's ‘Acts of Infidelity’

Book Review

July 2018

Sophie Mackintosh

Book Review

July 2018

Acts of Infidelity is the second novel by Lena Andersson that follows unlucky-in-love heroine Ester Nilsson, and it’s another scalpel-sharp look at a doomed...

Fiction

May 2018

Self-Improvement

Sophie Mackintosh

Fiction

May 2018

I had been sent back from the city in disgrace, back to my parents’ house in the country. It...

‘We are poor passing facts / warned by that to give / each figure in the photograph / his living name,’ writes Robert Lowell His poem ‘Epilogue’ is a lament at its writer’s inability ‘to make something imagined, not recalled’ Lowell desires the rich lucidity of a painter’s vision and instead finds himself armed only with a crude lens:   But sometimes everything I write with the threadbare art of my eye seems a snapshot, lurid, rapid, garish, grouped, heightened from life, yet paralysed by fact   Writing as painting, writing as photography — neither simile entirely fitting or true ‘Books are not mirrors, and life doesn’t go onto the page like life, but like writing,’ wrote Lynne Tillman in her essay ‘The Last Words Are Andy Warhol’, collected in What Would Lynne Tillman Do? In her new novel, Men and Apparitions, something similar is suggested of photography: photographs do not reflect life, they reflect photography — the medium and its mediations, both imagined and recalled What this means is one of the central preoccupations of the book’s narrator, Ezekiel (Zeke) Stark, a 38-year-old East Coast American academic (or as he might say, ‘acadoomic’) ethnographer who studies ‘society through images, in words and pix, in how individuals see themselves, in past and present tenses, and with what they identify, which are also images’   Zeke’s professional speciality is the family photograph album, and Men and Apparitions is both the story of Zeke’s own family and of the family, told through an album-like collage of portraits and snapshots, posed and impromptu, at once public and private, that move in and out of focus, collapse in stories shared and divergent: a twenty-first-century revision, perhaps, of Edward Steichen’s 1955 photography exhibition The Family of Man, one in which images are inherently self-conscious, complex and contradictory — just like the lives of those they depict, or in many cases, leave undeveloped There is Zeke, the middle child of a middle-class suburban family, raised outside Boston (‘John Updike Territory Nice Family place, if you didn’t know the family Kidding’) There is Mother, an accomplished editor; Father, an alcoholic; Bro Hart, aggressive and disdainful older brother,

Contributor

April 2016

Sophie Mackintosh

Contributor

April 2016

Sophie Mackintosh’s fiction has appeared in Granta and The Stinging Fly, among others. She was the winner of the...

Grace

Prize Entry

Issue No. 17

Sophie Mackintosh

Prize Entry

Issue No. 17

14. It comes for me in the middle of the day when I am preparing lunch, quartering a tomato then slicing each segment in...

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Art

Issue No. 3

Borism

Lee Rourke

Oliver Griffin

Art

Issue No. 3

ES9 is the latest body of work by Oliver Griffin in his archival series The Evaluation of Space. Taken...

fiction

January 2016

Eight Minutes and Nineteen Seconds

Georgi Gospodinov

TR. Angela Rodel

fiction

January 2016

The minute you start reading this, the sun may already have gone out, but you won’t know it yet....

fiction

June 2013

What We Did After We Lost 100 Years' Wealth in 24 Months

Agri Ismaïl

fiction

June 2013

‘World finance had, in 2008, a near-death experience.’   The words belong to a partner of a renowned international...

 

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