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Alexander Christie-Miller
ALEXANDER CHRISTIE-MILLER  is a writer and journalist based in Istanbul. His writing about Turkish politics and culture has been published in Newsweek, the Times, the Atlantic, and other publications. He is a regular contributor to The White Review.


Articles Available Online


Ada Kaleh

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Issue No. 17

Alexander Christie-Miller

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Issue No. 17

When King Carol II of Romania set foot on the tiny Danubian island of Ada Kaleh on 4 May 1931, it was said among...

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October 2015

War is Easy, Peace is Hard

Alexander Christie-Miller

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October 2015

At around midday on 19 July, Koray Türkay boarded a bus in Istanbul and set off for the Syrian...

This story may or may not end in Venice and in silent, unacknowledged tragedy but let it begin here, in London, where RubyTuesday and CallMeIshmael first meet in person, having arranged to do so under the tapestry which hangs in the lobby of The British Library   Neither RubyTuesday nor CallMeIshmael will realise until they visit the museum where the original hangs on permanent display some seven months later that this tapestry is actually a reproduction of a famous painting They will wander into an upstairs gallery late one Sunday afternoon where RubyTuesday will stop dead, chin tilted, before a painting identical in image, if not in form, to the tapestry under which she and CallMeIshmael first met She will point this out to CallMeIshmael who will say, A tapestry of a painting? That’s like a drawing of a photograph And RubyTuesday will laugh in that gurgling way he likes, the way he secretly thinks sounds a little like she is being choked sexually –consensually – and while she’s still laughing, CallMeIshmael, to his surprise, will propose   The Company advises you that there may be risks of dealing with Members acting under false pretences or with criminal intent Be careful in dealing with other Members You alone are responsible for ensuring that your interaction with other Members is lawful   The reason CallMeIshmael will not recognise the painting when they walk into the gallery in Edinburgh is that he never really noticed the tapestry reproduction of it in London, seven months previously, beyond the fact of its being a tapestry, and the one under which they had arranged to meet, being too nervous about his first ever meeting with RubyTuesday to consider it in any detail Here he is now, fifteen minutes early He’s standing against the wall, under the hanging tapestry, his back to it If he were to look up at the tapestry he might notice the neuralgic sunset, the apocalyptic palm trees, the poet with a hearing aid cradled by a Gauguin babe; he might notice, in the top left-hand corner – though he may not recognise it as such – the watchtower of Auschwitz But CallMeIshmael is looking down He is inspecting his brogues, wondering if he should have left them unpolished He

Contributor

August 2014

Alexander Christie-Miller

Contributor

August 2014

ALEXANDER CHRISTIE-MILLER  is a writer and journalist based in Istanbul. His writing about Turkish politics and culture has been...

Forgotten Sea

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Issue No. 11

Alexander Christie-Miller

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Issue No. 11

I. As I stood on the flanks of the Kaçkar Mountains where they slope into the Black Sea near the town of Arhavi, the...
Occupy Gezi: From the Fringes to the Centre, and Back Again

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July 2013

Alexander Christie-Miller

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July 2013

Taksim Square appears at first a wide, featureless and unlovely place. It is a ganglion of roads and bus routes, a destination and a...

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Interview

Issue No. 13

Interview with Michel Faber

Anna Aslanyan

Interview

Issue No. 13

MICHEL FABER’S RANGE OF SUBJECTS – from child abuse to drug abuse, from avant-garde music to leaking houses – is as...

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June 2014

Hoarseness: A Legend of Contemporary Cairo

Youssef Rakha

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June 2014

U. Mubarak It kind of grows out of traffic. The staccato hiss of an exhaust pipe begins to sound like...

Interview

July 2015

Interview with Sarah Manguso

Catherine Carberry

Interview

July 2015

There’s a certain barometer of a writer’s achievement that urban readers know well: did this book cause me to...

 

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