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Alexander Christie-Miller
ALEXANDER CHRISTIE-MILLER  is a writer and journalist based in Istanbul. His writing about Turkish politics and culture has been published in Newsweek, the Times, the Atlantic, and other publications. He is a regular contributor to The White Review.


Articles Available Online


Ada Kaleh

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Issue No. 17

Alexander Christie-Miller

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Issue No. 17

When King Carol II of Romania set foot on the tiny Danubian island of Ada Kaleh on 4 May 1931, it was said among...

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October 2015

War is Easy, Peace is Hard

Alexander Christie-Miller

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October 2015

At around midday on 19 July, Koray Türkay boarded a bus in Istanbul and set off for the Syrian...

Awst & Walther are a husband and wife team who create multi-disciplinary art works which range from building a huge wall of melting ice outside the German Embassy to a performance in which the movements of two nude figures wearing ancient Grecian helmets twitch at a grey curtain   Their latest exhibition, Components, at the Hannah Barry Gallery, brings together four years of sculpture and performance work, shedding light on ongoing thematic preoccupations and material attitudes in the artists’ work This group of works reveals an acute fascination with corporeality, temporality and spatiality, and the experiences and situations that occur from different combinations of these aspects   The artists employ an array of unconventional and alternately austere and sumptuous materials – gelatine, glass, ice, gold, feathers, tar, concrete, neon, are all used in making painting, sculpture and performance to explore our attitudes towards beauty and human behaviour Theirs is a collaborative endeavour focused on creating knowledge and meaning, towards a better understanding of our world   Manon Awst (b 1983, Wales) and Benjamin Walther (b1978, Dresden), have shown at Junge Kunst (Wolfsburg), Kunstraum Aarau (Switzerland), Künstlerhaus Bethanien (Berlin), Nassauischer Kunstverein (Wiesbaden), Cass Sculpture Foundation (Goodwood) and the National Museum of Wales (Cardiff) Here, they answer questions put to them by journalist and critic Francesca Gavin     APPLE Explain the motif of the apple in your work We like the ambivalence surrounding the apple – it represents an act of corruption, the fall from grace, but also the beginning of civilisation and the birth of love We used it once in our piece Temptation where it was placed next to a hand grenade Both objects are golden BERLIN How does it influence the content and aesthetic of your work? Berlin is fragmented through its history There are breaks and interruptions that make it unique We feel challenged by that Aesthetically, we love its dark, stark, cold side – we can relate to this COLLABORATION Tell me about your working processes We admire each other and like spending time together From the moment we met we had this need to make things together – it felt very natural Being in the studio every day is important

Contributor

August 2014

Alexander Christie-Miller

Contributor

August 2014

ALEXANDER CHRISTIE-MILLER  is a writer and journalist based in Istanbul. His writing about Turkish politics and culture has been...

Forgotten Sea

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Issue No. 11

Alexander Christie-Miller

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Issue No. 11

I. As I stood on the flanks of the Kaçkar Mountains where they slope into the Black Sea near the town of Arhavi, the...
Occupy Gezi: From the Fringes to the Centre, and Back Again

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July 2013

Alexander Christie-Miller

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July 2013

Taksim Square appears at first a wide, featureless and unlovely place. It is a ganglion of roads and bus routes, a destination and a...

READ NEXT

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September 2013

9/11 Emerging

Joseph McElroy

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September 2013

Others have it worse, have had, will always. ‘We,’ though, own the record now for largest building collapse.  ...

poetry

May 2012

REGULAR BLACK

Sam Riviere

poetry

May 2012

Who wouldn’t rather be watching a film about werewolves instead of composing friends’ funeral playlists all day I’ve been...

Art

September 2016

Sitting, scrawling, playing

Emily Gosling

Art

September 2016

Amidst the drills and concrete, white walls and big names of London’s Cork Street stands a new gallery, Nahmad Projects,...

 

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