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Alexander Christie-Miller
ALEXANDER CHRISTIE-MILLER  is a writer and journalist based in Istanbul. His writing about Turkish politics and culture has been published in Newsweek, the Times, the Atlantic, and other publications. He is a regular contributor to The White Review.


Articles Available Online


Ada Kaleh

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Issue No. 17

Alexander Christie-Miller

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Issue No. 17

When King Carol II of Romania set foot on the tiny Danubian island of Ada Kaleh on 4 May 1931, it was said among...

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October 2015

War is Easy, Peace is Hard

Alexander Christie-Miller

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October 2015

At around midday on 19 July, Koray Türkay boarded a bus in Istanbul and set off for the Syrian...

The way I see it, the avant-garde emerged at a point when the professionalisation of artists had consumed itself and it became necessary to start again from scratch Art had already been invented, and the only thing to be done was to go on producing works, and the myth of the avant-garde came about to restore the possibility of making the journey from the origin again   If the actual process had taken two or three thousand years, what the avant-garde proposed could only function as a simulacrum or a pantomime version, hence the ludic, or at any rate the not-too-serious quality, the carnivalesque instability which avant-garde movements have possessed But history abhors stable situations, and the avant-garde was the response of a social practice – art – the purpose of which was to recreate an evolutionary dynamic   In effect, once the ‘professional’ novel – if we limit ourselves to the art of the novel – had come into existence, in a state of perfection that cannot exceed its premises (the novel of Balzac, Dickens, Tolstoy, Manzoni), it runs the risk of becoming congealed One could say that if the only risk is that novelists might keep on writing like Balzac, then it is a risk we are willing to take, and with pleasure But in reality it’s optimistic to talk of a mere ‘risk’ because this process of congealment has actually taken place Thousands of novelists have continued to write Balzacian novels during the twentieth century: an unending stream of commercial fiction, fleeting, frivolous novels written for the purposes of either entertainment or ideology To take even a single step further, as Proust did, requires a colossal effort and the sacrifice of an entire life The law of diminishing returns comes into play: the innovator covers almost all the ground in his initial attempt, leaving his successors a space that gets smaller every day and in which it’s more and more difficult to move forward   Once a professional novelist is established, he has two equally melancholy alternatives: to keep writing the ‘old’ novels in updated settings; or to heroically attempt to take

Contributor

August 2014

Alexander Christie-Miller

Contributor

August 2014

ALEXANDER CHRISTIE-MILLER  is a writer and journalist based in Istanbul. His writing about Turkish politics and culture has been...

Forgotten Sea

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Issue No. 11

Alexander Christie-Miller

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Issue No. 11

I. As I stood on the flanks of the Kaçkar Mountains where they slope into the Black Sea near the town of Arhavi, the...
Occupy Gezi: From the Fringes to the Centre, and Back Again

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July 2013

Alexander Christie-Miller

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July 2013

Taksim Square appears at first a wide, featureless and unlovely place. It is a ganglion of roads and bus routes, a destination and a...

READ NEXT

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January 2011

Futures Past: Monumental Memorials of Modern Berlin

Leila Peacock

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January 2011

Cities display a worship of history in the monuments and memorials that they choose to erect, through which the...

Interview

Issue No. 1

Interview with Tim Walker

Karl Smith

Interview

Issue No. 1

‘I’m not so motivated by fashion and brands,’ explains Tim Walker – one of the world’s leading fashion photographers....

Interview

Issue No. 11

Interview with Alice Oswald

Max Porter

Interview

Issue No. 11

Alice Oswald is a British poet who lives in Devon with her family. Newspaper profiles will inevitably mention the...

 

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