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an image of Issue 33 of The White Review, featuring three film stills of swimmers in goggles and caps in dark water

The White Review
No. 33

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The White Review No. 33 features interviews with writer Siri Hustvedt and feminist scholar Sara Ahmed. The issue includes new fiction by Gina Apostol,...

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Prize Entry

The White Review Poet’s Prize 2023
For the first time this year, The White Review Poet’s Prize was open to poets based anywhere in the world. Last month we announced a shortlist of eight poets. ...

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Annabel Howard
Annabel Howard's short stories and essays have appeared in magazines in the UK, Ireland and Italy. She is currently working on a non-fiction book on the subject of Italian festivals.

Articles Available Online
Gay Madonnas in Montevergine: The Feast of Mamma Schiavona

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Issue No. 2

Annabel Howard

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Issue No. 2

We are crowded into the medium-sized piazza before the sanctuary of Montevergine. There is no town or village; it sits alone near the top...
On the Relative Values of Humility and Arrogance; or the Confusing Complications of Negative Serendipity

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May 2011

Annabel Howard

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May 2011

On a distinctly drizzly Wednesday evening in February a friend of mine looked at me and said: ‘Only those who risk reaching too far, find...

READ NEXT
Literature in a Distracted Era

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Issue No. 11

Adam Thirlwell

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Issue No. 11

There are two categories in the literary system I’d like to celebrate at high speed: the lonely writer, and the magazine. And before we...

Interview

Issue No. 5

Interview with Ivan Vladislavić

Jan Steyn

Interview

Issue No. 5

Ivan Vladislavić is one of a handful of writers working in South Africa after apartheid whose work will still...

Interview

February 2015

Interview with Nicholas Mosley

Alex Kovacs

Interview

February 2015

Nicholas Mosley’s reputation as a writer has often been obscured by the extraordinary nature of his family background. Born...

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July 2013

The New Writing

César Aira

TR. Rahul Bery

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July 2013

The way I see it, the avant-garde emerged at a point when the professionalisation of artists had consumed itself...

 

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