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George Szirtes
George Szirtes's many books of poetry have won various prizes including the T. S. Eliot Prize (2004), for which he is again shortlisted for Bad Machine (2013). His translation of László Krasznahorkai's Satantango (2013) was awarded the Best Translated Book Award in the US. The act of translation is, he thinks, bound to involve fidelity, ambiguity, confusion and betrayal.

Articles Available Online


Foreword: A Pound of Flesh

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Issue No. 12

George Szirtes

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Issue No. 12

1.   ANALOGIES FOR TRANSLATION ARE MANY, most of them assuming a definable something on one side of the equation – a fixed original...

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January 2014

Afterword: The Death of the Translator

George Szirtes

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January 2014

1. The translator meets himself emerging from his lover’s bedroom. So much for fidelity, he thinks. 2. Je est...

Giulio the singing fascist came to pick me up from the little airport in his Jeep He made sure to come round and hold my door open from the outside Giulio was best known in Spura for his powerful bass voice and the persistent rumours that he went out looking for illegal immigrants in the Tuscan hills We made a point of not asking him about his beliefs because he was the only neighbour under sixty with whom my Grandmother had not yet argued He saw it as his duty as a Christian to help her with tasks that required lifting and driving My grandfather had always done such things for her We rattled away from the dusty airstrip, to join the autostrada I had seen it so many times from the vantage of Spura’s walls that I always thought of the roads as rivulets of magma spreading out across the plain We passed half-finished tennis courts and artisanal handbag depots, punctuated by the occasional red-brown jogger Two millennia ago, Hannibal had routed the Romans nearby, hiding his army in the forest and sending out men to light fires that made them look farther away than they really were Many here still felt themselves closer to Etruria than Rome, which explained the numerous local restaurants named after Hannibal’s favourite elephant, Surus As he drove with one hand and gesticulated with the other, Giulio told me about his battle with Communist mayor of Spura, who objected to him taking groups of Finnish hunters up into the hills without all the proper licenses He was still adding to his collection of antique rifles and offered to take me along next time he went to shoot the wild boar He apologised that he could not let me have a try myself, as it had been so long since I last fired a gun The only dangerous boar, if you could follow a trail like Giulio, were the mothers, who tended to be unpredictable and instinctively violent More wolves had been coming into Italy from Slovenia and found this region to

Contributor

August 2014

George Szirtes

Contributor

August 2014

George Szirtes’s many books of poetry have won various prizes including the T. S. Eliot Prize (2004), for which...

Shine On You Crazy Diamond

poetry

November 2013

George Szirtes

poetry

November 2013

And so they shone, every one of them, each crazy, everyone a diamond shining the way things shine, each becoming a gleam in his...
Rescue Me

poetry

November 2013

George Szirtes

poetry

November 2013

Pain comes like this: packaged in a moment of hubris with a backing band too big for its own good. It isn’t the same...

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Art

March 2015

Tropenkoller

Lothar Hempel

Art

March 2015

Taking the title Tropenkoller (Tropical Madness), German artist Lothar Hempel’s latest exhibition at Stuart Shave/Modern Art, London (Feb 27-Mar...

Interview

February 2014

Interview with Patrick Keiller

David Anderson

Interview

February 2014

Patrick Keiller, an architect ‘diverted’ into making films, is principally known for his Robinson series, which began with  London (1994)...

poetry

February 2016

[from] What It Means to Be Avant-Garde

Anna Moschovakis

poetry

February 2016

This is an excerpt from the middle of a longer poem. The full poem is in Moschovakis’s forthcoming book,...

 

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