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George Szirtes
George Szirtes's many books of poetry have won various prizes including the T. S. Eliot Prize (2004), for which he is again shortlisted for Bad Machine (2013). His translation of László Krasznahorkai's Satantango (2013) was awarded the Best Translated Book Award in the US. The act of translation is, he thinks, bound to involve fidelity, ambiguity, confusion and betrayal.

Articles Available Online


Foreword: A Pound of Flesh

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Issue No. 12

George Szirtes

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Issue No. 12

1.   ANALOGIES FOR TRANSLATION ARE MANY, most of them assuming a definable something on one side of the equation – a fixed original...

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January 2014

Afterword: The Death of the Translator

George Szirtes

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January 2014

1. The translator meets himself emerging from his lover’s bedroom. So much for fidelity, he thinks. 2. Je est...

It seems to me that the 00s ended with the final withdrawal of NATO soldiers from Afghanistan in 2021 Or with the end of Britney’s conservatorship Or with the coming into public knowledge that Paris Hilton had been abused as a child, and that her seemingly unfounded mode of celebrity, the unhinged bling of her stardom, so endemic to that decade, could in fact be reread as the triumph of a victim It is as if the decade before last is only now being tried, its witnesses called to the stand one by one Gilmore Girls: feminist Gossip Girl: not George Bush: apparently moderate, by comparison The contemporary is looping back to its mother, that first decade of the millennium, which for so long left its questions unanswered, ribbons fluttering in the wind     Nothing is ever over when it’s over, only much later This is partly because hours and days and years are arbitrary divisions, and partly because many things are unfathomable in the moment they take place, and so simply don’t take place in that moment, but stretch out for however long it takes for us to be able to grasp them You could say the nineteenth century ended when the Crystal Palace burst into flames and Virginia Woolf finished her novel The Years on November 30, 1936 My college era began two years after I started college, and only ended two years after I left This was because the affects which defined that period took some time to take hold, and would not be so easily superseded by what came after So strong and complex were they, so bold in the questions they brought up, that nothing that happened during that time would help me understand them – the clues were in the aftermath    In childhood and adolescence you are defencelessly immersed in the public sphere and its institutions Without the experience of any precedence at all, everything is truth The arrival of large espresso-based to-go drinks in Northern Europe, of Miss Sixty jeans and reality TV and homes decorated entirely in white with a single

Contributor

August 2014

George Szirtes

Contributor

August 2014

George Szirtes’s many books of poetry have won various prizes including the T. S. Eliot Prize (2004), for which...

Shine On You Crazy Diamond

poetry

November 2013

George Szirtes

poetry

November 2013

And so they shone, every one of them, each crazy, everyone a diamond shining the way things shine, each becoming a gleam in his...
Rescue Me

poetry

November 2013

George Szirtes

poetry

November 2013

Pain comes like this: packaged in a moment of hubris with a backing band too big for its own good. It isn’t the same...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

poetry

June 2011

Malcolm Starke Died Today

Kit Buchan

poetry

June 2011

Malcolm Starke died today who rang us most nights so late that it could only be him. He’d been...

poetry

September 2015

She-dog & Wrong

Natalia Litvinova

TR. Daniela Camozzi

poetry

September 2015

She-dog   He wrote to tell me his dog had died. I wanted to be her, I wanted him...

 

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