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George Szirtes
George Szirtes's many books of poetry have won various prizes including the T. S. Eliot Prize (2004), for which he is again shortlisted for Bad Machine (2013). His translation of László Krasznahorkai's Satantango (2013) was awarded the Best Translated Book Award in the US. The act of translation is, he thinks, bound to involve fidelity, ambiguity, confusion and betrayal.

Articles Available Online


Foreword: A Pound of Flesh

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Issue No. 12

George Szirtes

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Issue No. 12

1.   ANALOGIES FOR TRANSLATION ARE MANY, most of them assuming a definable something on one side of the equation – a fixed original...

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January 2014

Afterword: The Death of the Translator

George Szirtes

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January 2014

1. The translator meets himself emerging from his lover’s bedroom. So much for fidelity, he thinks. 2. Je est...

A collection of workers’ shirts, mounted like shopping displays and gathered into the regimented, brightly coloured rows that might mark a labour demonstration, stands as the centrepiece of Jonathas de Andrade’s solo exhibition One to One (2019), at the Museum of Contemporary Art, Chicago (MCA) The shirts are men’s Paint daubs and sweat stains trail across them, and the work, Suar a camisa (Working up a sweat) (2014), captures much of the dense, reticent logic of de Andrade’s art   De Andrade acquired the shirts from male workers in the streets of Recife and the countryside of Brazil’s Nordeste, his home city and region, and a cohering local force in his art He would approach workers on their off hours, as they travelled to work or commuted home, clearly attracted by the shirts’ vividness, their lambent yellows or soiled oranges, as well as their ability to signify – they appear worn, sturdy, industrial, as if they’ve just emerged from under the hood of a car Striking up conversations with the men, he would begin a line of inquiry: could he buy their shirt, or propose a deal, or – the preferred option – exchange his own for theirs? It’s hard to imagine the exchange coming to fruition, and yet the process resulted in de Andrade receiving 120 shirts, hung on poles and assembled in the centre of MCA’s gallery, a crowd of hollow figures   The work unfolds in layers, and my first impression was of a kind of startling political presence, as if 120 working men stood at the centre of MCA Here, it seemed, was a sincere and wishful image of the working class, its labour expressed through the sweat-marks and enlivened into the collective form of a workers’ protest But as I circled the installation, a contradictory possibility soon shadowed my optimistic impression as presence gave way to a more definitive sense of absence Not a popular uprising but shirts without bodies, dead labour rather than labour, adding up not to working-class potency but its waning or disorganisation This feeling was made more potent by the recent election of Jair Bolsonaro,

Contributor

August 2014

George Szirtes

Contributor

August 2014

George Szirtes’s many books of poetry have won various prizes including the T. S. Eliot Prize (2004), for which...

Shine On You Crazy Diamond

poetry

November 2013

George Szirtes

poetry

November 2013

And so they shone, every one of them, each crazy, everyone a diamond shining the way things shine, each becoming a gleam in his...
Rescue Me

poetry

November 2013

George Szirtes

poetry

November 2013

Pain comes like this: packaged in a moment of hubris with a backing band too big for its own good. It isn’t the same...

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poetry

Issue No. 3

Camera & Even After He is Gone, the Cat is Here and I Cast My Suspicions on Him

Toshiko Hirata

TR. Jeffrey Angles

poetry

Issue No. 3

Camera You take my sweet sleeping face You take my innocent smile You take my large breasts Even though...

fiction

March 2014

The Garden of Credit Analyst Filton

Martin Monahan

fiction

March 2014

Ivan Filton had retired early. ‘I have been working a lot on my garden,’ declared Ivan Filton. ‘This is...

Art

March 2011

Trafalgar Square Street Protests

Cosmo Hildyard

Joseph de Lacey

Art

March 2011

The following photographs were taken during the third day of student protests in London on 1 December 2010, a...

 

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