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George Szirtes
George Szirtes's many books of poetry have won various prizes including the T. S. Eliot Prize (2004), for which he is again shortlisted for Bad Machine (2013). His translation of László Krasznahorkai's Satantango (2013) was awarded the Best Translated Book Award in the US. The act of translation is, he thinks, bound to involve fidelity, ambiguity, confusion and betrayal.

Articles Available Online


Foreword: A Pound of Flesh

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Issue No. 12

George Szirtes

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Issue No. 12

1.   ANALOGIES FOR TRANSLATION ARE MANY, most of them assuming a definable something on one side of the equation – a fixed original...

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January 2014

Afterword: The Death of the Translator

George Szirtes

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January 2014

1. The translator meets himself emerging from his lover’s bedroom. So much for fidelity, he thinks. 2. Je est...

The Anglo-American commentariat is full of lofty egos Pankaj Mishra has developed a reputation as their great deflater ‘Watch This Man’, the writer’s much-discussed 2011 London Review of Books essay on historian Niall Ferguson’s Civilisation, opens with an unflattering comparison of the author to The Great Gatsby’s Tom Buchanan, an old-monied bore (‘and boor’) who bemoans the demise of the white race, zips through the historian’s past admissions to being a ‘fully paid-up member of the neo-imperialist gang’, and ends with an observation that rings like a warning: ‘His next move shouldn’t be missed’ Ferguson threatened to sue: ‘I am owed, I repeat, an apology’ In ‘Fascist Mysticism’, his 2018 review of Jordan Peterson’s 12 Rules for Life – a book, Mishra writes, that shuttles between life advice (‘stand up straight’; ‘tidy your room’) and metaphysical machismo (‘consciousness is symbolically masculine and has been since the start of time’) – Mishra places Peterson in a broader European lineage of nineteenth-century ‘intellectual quacks’ who traded in ‘right-wing pieties seductively mythologised for our lost generations’ Peterson fired off a rant on Twitter In the introduction to his newest book, Bland Fanatics, Mishra writes that the former journalist Boris Johnson – now lauded by some as an icon who demonstrates the heights to which those in Britain’s Fourth Estate can ascend (to say nothing of the pre-existing proximity to power and privilege that stalks the profession) – makes, along with Donald Trump, a duo of ‘blond bullies perched atop the world’s greatest democracies’ It may be fun to poke and prod at these pompous opinionators choking on their own self-regard, each endlessly prevaricating newspaper column taking them further from the self-understanding they purport to command But the consequences of these men’s inability to understand the world they have tried to shape in their image have been disastrous ‘The barbarians’, Mishra writes, ‘were never at the gate; they have been ruling us from some time’   These essays are among the sixteen featured in Bland Fanatics, which compiles some of Mishra’s

Contributor

August 2014

George Szirtes

Contributor

August 2014

George Szirtes’s many books of poetry have won various prizes including the T. S. Eliot Prize (2004), for which...

Shine On You Crazy Diamond

poetry

November 2013

George Szirtes

poetry

November 2013

And so they shone, every one of them, each crazy, everyone a diamond shining the way things shine, each becoming a gleam in his...
Rescue Me

poetry

November 2013

George Szirtes

poetry

November 2013

Pain comes like this: packaged in a moment of hubris with a backing band too big for its own good. It isn’t the same...

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Art

May 2014

The Interzone and Dexter Dalwood

Sarah Hegenbart

Dexter Dalwood

Art

May 2014

‘Burroughs in Tangier’ (2005) has captivated me ever since its display in the 2010 Turner Prize Exhibition. The work...

fiction

March 2017

Slogans

Maria Sudayeva

TR. Antoine Volodine

TR. Jeffrey Zuckerman

fiction

March 2017

A Few Words on Maria Sudayeva   Slogans is a strange, extraordinary book: it describes a universe of total...

Interview

January 2017

Interview with Barbara T. Smith

Ciara Moloney

Interview

January 2017

Californian artist Barbara T. Smith (b. 1931) is something of a performance art legend. It was in the 1960s...

 

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