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George Szirtes
George Szirtes's many books of poetry have won various prizes including the T. S. Eliot Prize (2004), for which he is again shortlisted for Bad Machine (2013). His translation of László Krasznahorkai's Satantango (2013) was awarded the Best Translated Book Award in the US. The act of translation is, he thinks, bound to involve fidelity, ambiguity, confusion and betrayal.

Articles Available Online


Foreword: A Pound of Flesh

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Issue No. 12

George Szirtes

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Issue No. 12

1.   ANALOGIES FOR TRANSLATION ARE MANY, most of them assuming a definable something on one side of the equation – a fixed original...

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January 2014

Afterword: The Death of the Translator

George Szirtes

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January 2014

1. The translator meets himself emerging from his lover’s bedroom. So much for fidelity, he thinks. 2. Je est...

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a French flag on my cheek with a blue-white-and-red roller It was the World Cup quarter-final and France were playing Brazil When that game ended (1-0 from a Thierry Henry goal in the fifty-seventh minute), my friends and I ran outside to Boulevard Saint Germain to hear the cacophony of car horns and watch a group of young men spreading a French flag so large it stretched across the boulevard, enveloping the cars on the road, turning Saint Germain into a river of the three-coloured fabric As we walked towards the Seine, the Saint Michel fountain was full of people singing and shouting ‘qui ne saute pas n’est pas Français!’ (‘You’re not French if you don’t jump’)   That summer, I learned the words to the Marseillaise Although at that point I’d lived in France for three and a half years, I’d never picked up anything beyond ‘Allons enfants de la Patrie / La jour de gloire est arrivé!’ Perhaps because that idea, patrie, which impossibly combines homeland, nation, birthplace, feels untranslatable Or maybe it was the feeling that the anthem creates an image of France that feels white and monolingual and Catholic — an idea of France that includes few of its people I knew that football players were often criticised for not singing along to the Marseillaise before matches, because they felt the song did not represent them I understood them I was still looking for a France that I could celebrate   *   The celebrations of that summer, with people pouring into the Paris streets, marked a distinct shift from the intense demonstrations in the city that year The previous autumn, dissent arose following the death of two teenagers, Zyed Benna and Bouna Traoré, who were electrocuted when police chased them to a power substation The demonstrations in response sparked violence across Paris and the rest of the country Months later, in the spring, students were demonstrating over a new labour bill that introduced ways for employers to fire workers under

Contributor

August 2014

George Szirtes

Contributor

August 2014

George Szirtes’s many books of poetry have won various prizes including the T. S. Eliot Prize (2004), for which...

Shine On You Crazy Diamond

poetry

November 2013

George Szirtes

poetry

November 2013

And so they shone, every one of them, each crazy, everyone a diamond shining the way things shine, each becoming a gleam in his...
Rescue Me

poetry

November 2013

George Szirtes

poetry

November 2013

Pain comes like this: packaged in a moment of hubris with a backing band too big for its own good. It isn’t the same...

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fiction

November 2016

Somnoproxy

Stuart Evers

fiction

November 2016

The day’s third hotel suite faced westwards across the harbour, its picture window looking down over the boats and...

Interview

April 2017

Interview with Mark Greif

Daniel Cohen

Interview

April 2017

Since 2004, when his work started to appear in n+1, the magazine he co-founded, Mark Greif has taken contemporary...

fiction

April 2013

How to be an Astronaut

J. D. A. Winslow

fiction

April 2013

I am standing in front of a room full of people reading out a story. The room is dark....

 

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