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George Szirtes
George Szirtes's many books of poetry have won various prizes including the T. S. Eliot Prize (2004), for which he is again shortlisted for Bad Machine (2013). His translation of László Krasznahorkai's Satantango (2013) was awarded the Best Translated Book Award in the US. The act of translation is, he thinks, bound to involve fidelity, ambiguity, confusion and betrayal.

Articles Available Online


Foreword: A Pound of Flesh

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Issue No. 12

George Szirtes

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Issue No. 12

1.   ANALOGIES FOR TRANSLATION ARE MANY, most of them assuming a definable something on one side of the equation – a fixed original...

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January 2014

Afterword: The Death of the Translator

George Szirtes

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January 2014

1. The translator meets himself emerging from his lover’s bedroom. So much for fidelity, he thinks. 2. Je est...

Five is a number dense with theological significance Five are the books of the Torah, five the wounds of Jesus, five the pillars of Islam and the elements of the universe according to Aristotle The Pythagoreans called the star with five corners, the Pentagram, ‘health’, and used it as a secret sign by which to identify themselves On the fifth day God created the creatures of the sky and of the oceanic abysses and ‘He saw that it was good’ Multiply five by one hundred, the secular number par excellence, and you get 500 February 1513, February 2013: five centuries that close upon themselves   In the last days of February 1513 – halfway through the 500 years of the Little Ice Age – an old, feverish man was meeting his end in a Vatican palace It is recounted that as he lay on his deathbed a fierce wind blew through the streets of Rome He was Julius II, the ‘Pope dressed in armour’, the warrior Pontifex who had spent his life fighting to ‘push back the barbarians’ – that is, the French superpower – and to create an independent Italian kingdom Having succeeded the weak Pius III, who ruled for only three weeks before being poisoned by his own attendants, Julius II was well aware of the perils of his position   He would go down in history as one of the most intrepid figures of the Italian Renaissance, a visionary politician and patron of the arts as well as a supremely corrupted Pope, quick to anger and plagued with syphilis He showed little interest in theology, but he understood his job better than most of his predecessors or successors: he knew that the Vatican seat was an imperial throne, and dared to act accordingly Having started his career as a Franciscan, the order most devoted to poverty, he had no ideological difficulty in seeing through the religious pretensions of the Church to its essential nature as an instrument of power: the steel blade that cuts through

Contributor

August 2014

George Szirtes

Contributor

August 2014

George Szirtes’s many books of poetry have won various prizes including the T. S. Eliot Prize (2004), for which...

Shine On You Crazy Diamond

poetry

November 2013

George Szirtes

poetry

November 2013

And so they shone, every one of them, each crazy, everyone a diamond shining the way things shine, each becoming a gleam in his...
Rescue Me

poetry

November 2013

George Szirtes

poetry

November 2013

Pain comes like this: packaged in a moment of hubris with a backing band too big for its own good. It isn’t the same...

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Issue No. 16

Scroll, Skim, Stare

Orit Gat

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Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its...

fiction

November 2016

The Miserablist

Anne Boyer

fiction

November 2016

This vision was strongly nebulous, an indeterminate but bold reaction only because it was so much like one of...

Art

Issue No. 12

After After

Johanna Drucker

Art

Issue No. 12

So many things are ‘over’ now that all the post- and neo- prefixes are themselves suffering from fatigue. Even...

 

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