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Jonathan Gibbs

Jonathan Gibbs was shortlisted for the White Review Short Story Prize 2013. He has since published a novel, Randall or the Painted Grape (Galley Beggar Press).



Articles Available Online


Jessie Greengrass’s ‘Sight’

Book Review

February 2018

Jonathan Gibbs

Book Review

February 2018

Jessie Greengrass’s debut story collection caught my eye with its delightfully extravagant title, An Account of the Decline of the Great Auk, According to...

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May 2016

Cinema on the Page

Jonathan Gibbs

feature

May 2016

Film is a bully. It wants to make its viewers feel, and it has the tools to do so....

A collection of workers’ shirts, mounted like shopping displays and gathered into the regimented, brightly coloured rows that might mark a labour demonstration, stands as the centrepiece of Jonathas de Andrade’s solo exhibition One to One (2019), at the Museum of Contemporary Art, Chicago (MCA) The shirts are men’s Paint daubs and sweat stains trail across them, and the work, Suar a camisa (Working up a sweat) (2014), captures much of the dense, reticent logic of de Andrade’s art   De Andrade acquired the shirts from male workers in the streets of Recife and the countryside of Brazil’s Nordeste, his home city and region, and a cohering local force in his art He would approach workers on their off hours, as they travelled to work or commuted home, clearly attracted by the shirts’ vividness, their lambent yellows or soiled oranges, as well as their ability to signify – they appear worn, sturdy, industrial, as if they’ve just emerged from under the hood of a car Striking up conversations with the men, he would begin a line of inquiry: could he buy their shirt, or propose a deal, or – the preferred option – exchange his own for theirs? It’s hard to imagine the exchange coming to fruition, and yet the process resulted in de Andrade receiving 120 shirts, hung on poles and assembled in the centre of MCA’s gallery, a crowd of hollow figures   The work unfolds in layers, and my first impression was of a kind of startling political presence, as if 120 working men stood at the centre of MCA Here, it seemed, was a sincere and wishful image of the working class, its labour expressed through the sweat-marks and enlivened into the collective form of a workers’ protest But as I circled the installation, a contradictory possibility soon shadowed my optimistic impression as presence gave way to a more definitive sense of absence Not a popular uprising but shirts without bodies, dead labour rather than labour, adding up not to working-class potency but its waning or disorganisation This feeling was made more potent by the recent election of Jair Bolsonaro,

Contributor

August 2014

Jonathan Gibbs

Contributor

August 2014

Jonathan Gibbs was shortlisted for the White Review Short Story Prize 2013. He has since published a novel, Randall or...

The Story I'm Thinking Of

fiction

April 2013

Jonathan Gibbs

fiction

April 2013

There were seven of us sat around the table. Seven grown adults, sat around the table. It was late. We had eaten, and we had...

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Prize Entry

Issue No. 20

The Refugee

Kristen Gleason

Prize Entry

Issue No. 20

Brian Ed waited outside the ration house. Merlijn took his time coming to the door, and opened it slowly....

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Issue No. 12

Foreword: A Pound of Flesh

George Szirtes

feature

Issue No. 12

1.   ANALOGIES FOR TRANSLATION ARE MANY, most of them assuming a definable something on one side of the...

Art

Issue No. 2

From Back Home

J. H. Engstrom

Art

Issue No. 2

In his collection From Back Home the Swedish photographer JH Engström traced his childhood memories back to the province...

 

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