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Jonathan Gibbs

Jonathan Gibbs was shortlisted for the White Review Short Story Prize 2013. He has since published a novel, Randall or the Painted Grape (Galley Beggar Press).



Articles Available Online


Jessie Greengrass’s ‘Sight’

Book Review

February 2018

Jonathan Gibbs

Book Review

February 2018

Jessie Greengrass’s debut story collection caught my eye with its delightfully extravagant title, An Account of the Decline of the Great Auk, According to...

feature

May 2016

Cinema on the Page

Jonathan Gibbs

feature

May 2016

Film is a bully. It wants to make its viewers feel, and it has the tools to do so....

Catherine Lacey is a writer who came to New York by way of Tupelo, Mississippi She is a New York Foundation of the Arts grant recipient, a finalist for the New York Public Library’s Young Lions Fiction Award, and a Granta New Voice Lacey broke from the peloton last year with her debut novel, Nobody is Ever Missing (Granta) Her work struck me immediately for its synthesis of two qualities of prose which often exclude one another: distinctive voice and rich imagery   Nobody is Ever Missing follows Elyria from a stable but stagnant marriage to the wide-open possibilities of New Zealand As Elyria hitchhikes through the countryside, with only a scrap of a plan, she turns and returns memories of a lost stepsister and an absent husband The more Elyria travels, the more she struggles with the impossibility of running from yourself, calling this feeling her ‘wildebeest’ All this roiling introspection might have been too much in another writer’s hands But Catherine Lacey invigorates self-examination with prose that is alive and electric It’s the bright bristling reality of Elly’s world that makes Nobody is Ever Missing so significant   The novel teems with metaphor and metonymy—images do the work in progressing our understanding of Elyria’s mind and her trajectory The body becomes strange in these pages: hands become a metonym for love; we consider the possibility of living with two hearts; teeth are alternatively tiny, glowing and bared; the brain is animate and other, sometimes roving and acquisitive, sometimes lying calm and still in the dark Imagery, line-by-line, keeps at bay the claustrophobia that typically accompanies an exploration of feelings or an anatomization of body The reading experience is akin to waking up behind someone else’s eyes and feeling like if you tell anyone about it, you’ll find psychiatrists medicating your future You kind of want to keep this book a secret But you also want to tell everyone you meet to experience Elly’s voice   Catherine and I first met this year when paired together for a blind interview between debut novelists We recently talked about writing and life at the bar of Roebling Tea Room in Brooklyn We continued the conversation electronically the next

Contributor

August 2014

Jonathan Gibbs

Contributor

August 2014

Jonathan Gibbs was shortlisted for the White Review Short Story Prize 2013. He has since published a novel, Randall or...

The Story I'm Thinking Of

fiction

April 2013

Jonathan Gibbs

fiction

April 2013

There were seven of us sat around the table. Seven grown adults, sat around the table. It was late. We had eaten, and we had...

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Interview

Issue No. 1

Interview with André Schiffrin

Jacques Testard

Gwénaël Pouliquen

Interview

Issue No. 1

André Schiffrin founded non-profit publishing house The New Press in 1990 after an acrimonious split with Random House –...

Interview

Issue No. 5

Interview with Ivan Vladislavić

Jan Steyn

Interview

Issue No. 5

Ivan Vladislavić is one of a handful of writers working in South Africa after apartheid whose work will still...

Interview

September 2013

Interview with László Krasznahorkai

George Szirtes

Interview

September 2013

László Krasznahorkai was born in Gyula, Hungary, in 1954, and has written five novels and several collections of essays...

 

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