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Jonathan Gibbs

Jonathan Gibbs was shortlisted for the White Review Short Story Prize 2013. He has since published a novel, Randall or the Painted Grape (Galley Beggar Press).



Articles Available Online


Jessie Greengrass’s ‘Sight’

Book Review

February 2018

Jonathan Gibbs

Book Review

February 2018

Jessie Greengrass’s debut story collection caught my eye with its delightfully extravagant title, An Account of the Decline of the Great Auk, According to...

feature

May 2016

Cinema on the Page

Jonathan Gibbs

feature

May 2016

Film is a bully. It wants to make its viewers feel, and it has the tools to do so....

The world is seeing an increase in the use of social media as a tool for mobilisation and protest The so-called ‘Twitter revolution,’ a term used to describe the role of sites like Twitter in effecting change, has come to the forefront of discussion as popular uprisings sweep the Middle East Former US national security advisor Mark Pfeifle even went so far as to call for the social networking site to be nominated for the Nobel Peace Prize   After the recent blackout of all digital communications in Egypt, Twitter saw a surge of thousands of users relying on proxy servers to post live news updates to the world When Tunisian dictator Ben Ali fled government after 23 years in power, Twitter was there to give users a direct insight into events  Such sites, which disseminate information quickly, can be an essential tool in activism – they give the world an up-to-date and uncensored view of opinions and events, particularly those the mainstream media chooses to ignore But can there really be such a thing as a ‘Twitter revolution’?   Malcolm Gladwell in The New Yorker cites the civil rights unrest in America in the Sixties as evidence of the success of a movement without social media With sites like Twitter, he says, we are told that ‘the traditional relationship between political authority and popular will has been upended’, making it easier for people to voice their concerns The majority of people tweeting about movements are not, however, at the focal point of discussions Does this make a difference? In Egypt, for example, only 25% of the population have access to the internet  Does this not make Twitter merely a means through which western commentators can, in an abstract and non-attached way, feel tied to a movement? And does this tie to a cause define ‘activism’, or is it another case of the bourgeoisie thriving on novelty?   For Gladwell, activism is defined by ‘strong ties’ to others involved in a cause, rather than any weak ideological commitment This kind of attachment to a cause through personal relationships is less likely to occur through the impersonal

Contributor

August 2014

Jonathan Gibbs

Contributor

August 2014

Jonathan Gibbs was shortlisted for the White Review Short Story Prize 2013. He has since published a novel, Randall or...

The Story I'm Thinking Of

fiction

April 2013

Jonathan Gibbs

fiction

April 2013

There were seven of us sat around the table. Seven grown adults, sat around the table. It was late. We had eaten, and we had...

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Interview

October 2013

Interview with Chris Petit

Hannah Gregory

Interview

October 2013

Chris Petit likes driving. Most of his films, from his first Radio On (1979), to London Orbital (with Iain...

Art

Issue No. 3

Dead Unicorns: Apocalyptic Anxiety in Canadian Art

Vanessa Nicholas

Art

Issue No. 3

David Altmejd’s installation for the Canada Pavilion at the 2007 Venice Biennale was a complex labyrinth of ferns, nests...

poetry

April 2014

Lives of the Saints

Luke Neima

poetry

April 2014

‘I’m tending to this dead tree,’ he tells me. Last time he was rolling the hard rocks down into...

 

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