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Jonathan Gibbs

Jonathan Gibbs was shortlisted for the White Review Short Story Prize 2013. He has since published a novel, Randall or the Painted Grape (Galley Beggar Press).



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Jessie Greengrass’s ‘Sight’

Book Review

February 2018

Jonathan Gibbs

Book Review

February 2018

Jessie Greengrass’s debut story collection caught my eye with its delightfully extravagant title, An Account of the Decline of the Great Auk, According to...

feature

May 2016

Cinema on the Page

Jonathan Gibbs

feature

May 2016

Film is a bully. It wants to make its viewers feel, and it has the tools to do so....

On the cover of the 1985 Pelican edition of D W Winnicott’s 1971 book, Playing and Reality, there is a picture, by Lawrence Mynott, of a teddy bear with a missing plastic eye Winnicott is famous, of course, for talking about teddy bears He writes: ‘the object is affectionately cuddled as well as excitedly loved and mutilated’ One must, he notes, ‘recognise the central position of Winnie-the-Pooh’ in the life of the child Teddy bears without eyes and Winnie-the-Pooh-type creatures turn up quite a bit in Hannah Black’s Some Context (2017) There are seven Transitional Objects scattered about the gallery space These visionless fabric animals, some bears, some dog-like, one elephant-like (the latter hung up on some metal hooks), are filled with shredded copies of a text called The Situation, 20,000 copies of which (bar those that have been taken and/or shredded) form a strange temple-like monument in the middle of the room, guarded by an animal with long silky hair that looks like someone’s idea of an Afghan hound if they had never seen one   The floor, entitled Carpet, is covered with already-shredded pages from the book, and in odd clearings, there are Creatures made of modeling clay – some are faces, some are eyes, perhaps the missing eyes of the toys – and others are figurines, clutching at the side of the fabric animals One is just a smear, though perhaps it has been stepped on, as differentiating the curious crunch of shredded paper from the partly hidden modelled objects makes wandering around the show rather delicate In three sites, menacing paper shredders, switched on and full of eaten paper, add an air of dangerous possibility – should I shred the book? Is that what the machines want? Is that what the artist wants? On the back of the book two small diagrams show a bear-like creature throwing the book up into the air as it appears to explode, and another shows the bear walking off with the book under its arm I followed the second bear   All this anxiety, uncertainty and possibility is perhaps part of the point – after all,

Contributor

August 2014

Jonathan Gibbs

Contributor

August 2014

Jonathan Gibbs was shortlisted for the White Review Short Story Prize 2013. He has since published a novel, Randall or...

The Story I'm Thinking Of

fiction

April 2013

Jonathan Gibbs

fiction

April 2013

There were seven of us sat around the table. Seven grown adults, sat around the table. It was late. We had eaten, and we had...

READ NEXT

fiction

Issue No. 6

Stolen Luck

Helen DeWitt

fiction

Issue No. 6

Keith was not the songwriter. Darren and Stewart wrote the songs. Keith hit things, some of which were drums....

fiction

November 2014

The Lighted Way

Jeremy Chambers

fiction

November 2014

Dad used to believe that the souls of the dead rise up into the air and become one with...

fiction

May 2016

See Inside for Holiday Special

Joanna Quinn

fiction

May 2016

We are not tourists. We are journalists. We fly out from Heathrow, Bristol, Glasgow and Newcastle to foreign airports...

 

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