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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

I As I stood on the flanks of the Kaçkar Mountains where they slope into the Black Sea near the town of Arhavi, the placid horizon of water struck me with a sense of fear It was the same feeling many people get when swimming in the open ocean: you imagine the emptiness stretching for hundreds of metres beneath your kicking legs and experience a kind of vertigo; the blackness below assumes a hostile presence, and you wonder what it might conceal, and shudder at the loneliness of sinking into it   I was visiting the northeast corner of Turkey – a region once known as the Pontos – in pursuit of sparrowhawks I had heard about a local falconry tradition that seemed so unusual as to be scarcely credible As I became more interested in the region, however, and the falconers and their dying pastime, I became ever more fascinated by the Black Sea itself If the Mediterranean has been a canvas for human history, a teeming petri dish in which Western culture evolved, the Black Sea has had a more diffident relationship with the people surrounding it Apart from in the north, the flat curves of its coast are largely bereft of the islands, peninsulas, and natural harbours that have folded the Mediterranean so snugly into the societies that fringe it Before they strung their colonies along its southern shores 2,500 years ago, the Greeks called it Axeinos – the Inhospitable Sea   Perhaps I felt this fear because of what I had read about the flood During the last ice age, when global sea levels were more than 100 metres lower than they are today, the Black Sea was a freshwater lake disconnected from the Mediterranean As the ice melted and the sea level rose, it remained as much as 90 metres lower than the neighbouring sea, which was separated from it by the sill of land on which Istanbul now lies In 1997, American scientists Walter Pittman and William Ryan published a theory claiming that the waters of the Mediterranean spilled over this sill 7,500 years ago in a cataclysmic

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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fiction

Issue No. 15

Haircut Magazine

Luke Brown

fiction

Issue No. 15

I. I used to worry about how much more intelligent and successful I would be if I hadn’t spent...

Interview

October 2014

Interview with Vanessa Place

Kyoo Lee

Jacob Bromberg

Interview

October 2014

Vanessa Place is widely considered to be one of the figureheads of contemporary conceptual poetry, yet while books such...

Interview

March 2013

Interview with Amit Chaudhuri

Anita Sethi

Interview

March 2013

Think of the long trip home.  Should we have stayed at home and thought of here?  Where should we...

 

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