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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

Keith was not the songwriter Darren and Stewart wrote the songs Keith hit things, some of which were drums He came in one day with a song and nobody wanted to play it The song was the least of their problems They had signed with a label, so their music was used in adverts and that, it brought in some dosh, they were shameless rock sluts because the fans downloaded the songs for free Slutdom was not the issue The issue was that the contract would not let them do independent gigs Keith had had an argument with them because the Arctic Monkeys, look at the fucking Arctic Monkeys, why the fuck can’t we do what the fucking Arctic Monkeys, this being the capacity for inarticulate rage which had made him a drummer in the first   And Darren and Stewart, being songwriters, had talked and talked and talked and talked to the point that there were signatures on the contract   Then the inconceivable had happened which is that Thom Yorke sent an email inviting them to do a gig Keith said they should just do it, fuck the fucking contract but Darren and stewart   So then Keith was very quiet Never a good sign Given Keith’s known propensity to hit things other than drums So Darren said they would record the song       Keith tried to explain his concept and Darren and Stewart kept arsing about and then Sean the keyboardist sussed that it was an arsing about session and then Keith put down his sticks Darren, Stewart and Sean sussed that the beat was gone Keith, says Darren What the fuck Keith disengaged from the scaffolding of things that could be hit that made noise   He stood up he walked across the floor while Darren, Stewart and Sean varied the theme of   What the fuck He took the mic from Darren In addition to not being a songwriter Keith was not a singer he dragged the lyrics of the song over reluctant vocal chords and spat them into the mic fucking great man said Darren who did not want another guitar percussioned to subatomic particles against wall,

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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Interview

Issue No. 1

Interview with Manfred Mohr

Alice Hattrick

Interview

Issue No. 1

Lines of varying thickness rotate on black. On the screen beside, tilted away from the first, is a slide...

Interview

Issue No. 3

Interview with Elmgreen & Dragset

Ben Hunter

Nicholas Shorvon

Interview

Issue No. 3

Michael Elmgreen and Ingar Dragset are among the most innovative, subversive and wickedly funny contemporary artists at work, or...

Interview

January 2017

Interview with Barbara T. Smith

Ciara Moloney

Interview

January 2017

Californian artist Barbara T. Smith (b. 1931) is something of a performance art legend. It was in the 1960s...

 

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