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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

Universal Access   I have only ever lived among pollution Tell me it is not the sky I look at but an irradiated blanket, pitched between my street lamps and the real sky To that I say the real sky is immaterial, an idea cast too far back into the dark to matter My pollutions define me   As a child I favoured invented worlds, populated by tribes with kaleidoscopic cultures, another one always over the mountain ridge Today, in the city, the promise of a never spent or perfected flux is all that keeps me here The new thing ever opening Frontiers of the affordable and good   I am stranded in the middle of Moby Dick: p 274 out of 509 The Pequod, after listing in the South Pacific, has embarked upon its first ‘cutting in’, the process of safely flaying a whale of its blubber, which requires the whole crew to heave a hook-fed rope through the blowhole until everything gives at once, for the blubber envelopes the whale precisely as the rind does an orange   Part of me would sooner stay here There is too much to read Far from a complaint, this is only to state the necessary obverse of infinity’s appeal Were we to know that our present book was the last we were yet to read, its conclusion would be intolerable Heaven, then, must be to choose a fixed point, knowing the brawl of infinite, receding options, as if slipping into a particular chair while rain hammers on the skylight Here I can dip my fingers in the dripping hide   Through my browser I watch a documentary, free of charge, about a church repurposed as a data centre where a record of every web page is collected through time Truly, there is a holiness in this: shades of God’s forensic love for hair and sand As well as sites they preserve books scanned by human hand, so that Melville’s relishing and fretful bulk can expand along its ultimate democratic tangent to take its place beside the novel’s Wiki page, as captured on almost every day of its existence   A great wall:

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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Interview

Issue No. 20

Interview with Anne Carson

Željka Marošević

Interview

Issue No. 20

Throughout her prolific career as a poet and a translator, Anne Carson has been concerned with combatting what she calls...

Interview

December 2016

Interview with Caragh Thuring

Harry Thorne

Interview

December 2016

When I first visited Caragh Thuring in her east London studio, there was an old man lurking in the...

Art

July 2013

Redressing the Balance: Women in the Art World

Louisa Elderton

Art

July 2013

London is among the capitals of the international art world. Every day and night is witness to innumerable new...

 

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