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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

In Antal Szerb’s The Incurable, the eccentric millionaire Peter Rarely steps into the dining car of a train steaming through the Scottish Highlands and sees Tom Maclean, the writer, in a corner scribbling away ‘I’m not disturbing you?’ he asks, taking the empty seat opposite him ‘You certainly are’ Tom replies, ‘Please stay and disturb me some more It would be a real kindness You see, at least while I’m talking to you, I won’t be working Sir, the amount I have to do is intolerable I’m fed up with myself, absolutely fed up I’ve just been to Scotland for a bit of rest I tell you – I was there for a month – in that time I translated a novel from the French, wrote two essays and a novella, eight sketches, six book reviews, ten longer articles and I’ve still got two radio talks waiting to be done’ ‘But why the devil do you work so hard?’ Peter asks ‘For a living, my dear sir, to make a living’ As Tom is so busy he doesn’t even have the time to read a book for its own sake, Peter decides to grant him a thousand pounds a year on condition he gives up writing entirely, a proposition Tom wholeheartedly accepts A month goes by, during which Tom gives vent to his desires: he goes fishing, walking, learns foreign languages – and yet feels unnervingly restless, to the point that when he visits his sister’s family one afternoon and finds his nephew Freddy itching to go off to a football match, but unable to do so because he needs to finish an essay on Shakespeare and Milton, Tom writes the essay for him Having failed to keep his end of the bargain, Tom calls on Peter to renege on their agreement, ‘I’m terribly sorry,’ he says, ‘but I really have no choice in the matter’ ‘But haven’t you been happy without your writing?’ Peter asks ‘No, sir It’s just no good If you threw me in prison I’d write in blood on my underwear,

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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Art

May 2012

Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows,...

Interview

September 2015

Interview with Allison Katz

Frances Loeffler

Interview

September 2015

With the desire to get to know an artist’s work comes the impulse to stick one’s nose in. The...

poetry

February 2013

Redacted, Redacted

Les Kay

poetry

February 2013

Here the censorship, which you’ve taught yourself, is self-inflicted (low sugar, low fat); it begins with the swinging shadow...

 

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