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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

14 It comes for me in the middle of the day when I am preparing lunch, quartering a tomato then slicing each segment in two The seeds where they spill out look wrong and terrible, as though I am cutting the meat of my own hand, and so it’s not a surprise when I hear a knock at the door The bag sits ready at the bottom of the stairs, cottons and flannels collapsing in on themselves after a week of my hands folding them, unfolding them, refolding them It’s the driver, a woman with hair and eyes so pale it’s as if she came from somewhere further north than I could imagine, some new and colourless frontier She cocks her head not unsympathetically and tells me: It’s time     13 You have choices, I’d told myself again and again in the last days At the supermarket, debating rye flour or strong wholemeal, fresh pollock versus frozen white reconstituted slabs Every choice was a joy, I told myself, a delight At the till, the woman’s sick-looking hands flaked over my choices I hoped she was joyful At night I watched the organised joy on TV rather than participating out in the streets, and I did often consider stepping out to the parade, but I knew it wasn’t for me I wasn’t pastel sugar-coloured and there was nobody for me to lift up with my arms, or be lifted by, because to be lifted is always better, more suitable     12 A teenage girl, Jennifer, latches onto me immediately I feel very tender at the sight of her outlined eyes, the bracelets she tears at rhythmically that are supposed to be talismans for things such as love and belonging At the first service station she sinks low in her seat, refusing to get off I bring her a sandwich of plastic cheese and she chews it meditatively   My mother will be on her way, she says She’s caught me up before She hits the seat in front of her with her palms, nervous energy coming off her like heat Can you hurry up? she calls out to the

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

fiction

November 2014

The Ovenbird

César Aira

TR. Chris Andrews

fiction

November 2014

The hypothesis underlying this study is that human beings act in strict accordance with an instinctive programme, which governs...

Art

June 2013

NEOLOGISM: How words do things with words

Maryam Monalisa Gharavi

Art

June 2013

A version of this paper was delivered at the Global Art Forum at Art Dubai in March 2013. The...

 

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