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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

My mother recently found some loose diary pages I wrote in my first year of boarding school, aged eleven, whilst she was clearing out her house The pages are titled ‘ME’, ‘Boys’, and ‘School’ Reading them now, it’s clear I was lonely ‘As I have said before,’ I wrote, on the page titled ‘School’, which implies that I wrote more often than I remember, ‘there is no one I can talk to here’ My theory appears to be that no one can take me seriously ‘because I am so small’: ‘People only listen to me when they ask how big my feet are All they can do is measure them up to me’ I recall a time from ‘my old school’, when I was measured by the other pupils in my class to see if I was a metre tall ‘I felt like an object,’ I wrote, ‘being used to play jokes on’ On the page titled ‘Boys’, I seem to have anticipated being ‘left out’ in social situations, seemingly without putting myself into them in the first place, and make excuses for not doing things ‘I am on bed rest any way most of the time’, I wrote, which is also why I am ‘so behind with my work’   I had kept a diary for a short time when I was around nine or ten and already knew better In it, I wrote about my frustration with my mother, along the lines of, ‘Why can’t she be like everyone else?’ She had come out as bisexual My parents were separated She was ill in bed all the time I left the diary at my grandmother’s house She found it, and read it, and then my mother read it I’m sure my childish spite proved something to my grandmother I’m sure my mother was furious I had betrayed her From then on, if I ever wanted to write something down, I wrote on loose sheets of A4 paper, as if they were just notes, or a draft, and could be easily disposed of   The ‘ME’ page of my school diary details

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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poetry

December 2012

Off-Season

Miles Klee

poetry

December 2012

As a boy I went on a strange vacation with a friend. His parents took us, I can’t remember why,...

feature

Issue No. 19

Editorial

The Editors

feature

Issue No. 19

‘A crisis becomes a crisis when the white male body is affected,’ writes the philosopher Rosi Braidotti, interviewed in...

fiction

January 2017

Oh You

Keller Easterling

fiction

January 2017

You won’t be able to do it. It is a call, and it is something you only know how...

 

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