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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

            Zut, zut, zut, zut             – Marcel Proust, A la recherche du temps perdu   Sostène Zanzibar was not feeling himself that day; someone else was A journalist from an English paper Name of Phyllidia Or possibly Petronella Something along those lines The interview had gone remarkably well Such probing questions Very stimulating, very in-depth There was no denying that Sienna – or possibly Serena – was thoroughly a young woman Hang on, cross that out Was a thorough young woman Very thorough indeed   In a bid to impress her host, she had taken up gesticulation with all the fervour of a new convert It was a joy to behold Her impeccably-manicured hands would suddenly flutter away from the warmth of her lap, describing graceful ellipses as if trying to conjure up words that could not possibly exist Ever In any language Even French   When the ink ran out of her biro, Zanzibar produced a pencil from his inside pocket with a little flourish ‘Men,’ he said, ‘alwez ave two penceuls’ He almost winked, but thought better of it ‘Women,’ she said a little later, sitting on his face, wearing nothing but her high-heeled boots, ‘always have two pairs of lips’ She almost added Try these on for size, big boy, but thought better of it too   Allegra – or possibly Anushka – had struggled to fully comprehend the answers to some (if not most) of her questions The fact that the former usually bore little (if any) relation to the latter did not help Neither did Zanzibar’s scattergun delivery nor his baffling habit of peppering his sentences with arcane references to Heidegger and Blanchot Whenever he switched to pigeon English, he sounded like Jacques Derrida dubbed by Inspector Clouseau, which proved an even greater source of confusion Of course, now that she was grinding her crotch against his salient features, that his nose kept popping in and out of her prize orifices, Zanzibar’s discourse was largely inaudible anyway This was as it should be She wanted to move beyond surface meaning, to experience his words at

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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feature

Issue No. 15

A Weekend With My Own Death

Gabriela Wiener

TR. Lucy Greaves

feature

Issue No. 15

We all have tombs from which we travel. To reach mine I have to get a lift with some...

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Issue No. 16

Editorial

The Editors

feature

Issue No. 16

The political and internet activist Eli Pariser coined the term ‘Filter Bubble’ in 2011 to describe how we have...

Art

June 2013

NEOLOGISM: How words do things with words

Maryam Monalisa Gharavi

Art

June 2013

A version of this paper was delivered at the Global Art Forum at Art Dubai in March 2013. The...

 

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