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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

Though he had theretofore resisted the diminutive form of his name, in his new office, Randolph felt, for the first time, like a Randy   If Randolph were truthful, he could admit that he began acting like a Randy months before Isabela and especially the week before the holiday That Tuesday, after Isabela had wished him a tepid ‘Happy Thansgiving’ and he was sure she was gone for the weekend, Randolph had picked up the little silver picture frame on her desk and spit-washed her face and meagre breasts through the glass, swirling his index finger until she blurred into a mucoid uni-boob He returned the frame, packed his things into two blue copy-paper boxes and shuttled them to his new office, hoping his bonsai would survive the transition and the dark holiday Even with the lamps he purchased, the room was dim, but he determined to keep the fluorescents off His new office sat at the back of a musty corner near the janitorial closet, but it was, he reassured himself, his musty corner He drove home for the break pleased with his victory and the progress and restraint he showed in achieving it   Before Isabela, DIY was the subject of Randolph’s irritation, and before DIY, Crystal, before Crystal, Fatima, and before Fatima, Randolph’s mother, the Virgin Mary and a girl who sneered at him in second grade   *   Before Isabela, when Randolph was first hired at Wilma Randolph, an HBCU, the department chair, Carol, introduced him to Dr Ivan-Yorke, saying that he should meet with her at least twice during the semester so that she could provide a letter for his file Other than the fact that Randolph and DIY were two of the only three black professors in the department, he wasn’t sure why he was assigned to Ivan-Yorke She didn’t work in his specialisation and hadn’t written anything of note in decades Her eyes sat high on her head and deep in her face, which, because of its plumpness, reminded Randolph of gingerbread dough Randolph had seen her the day of his interview limping down the narrow hallway

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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Interview

June 2013

Interview with Lars Iyer

David Morris

Interview

June 2013

Like so much of the dialogue that marks time across Lars Iyer’s books, this conversation began in the pub....

Interview

January 2017

Interview with Barbara T. Smith

Ciara Moloney

Interview

January 2017

Californian artist Barbara T. Smith (b. 1931) is something of a performance art legend. It was in the 1960s...

feature

September 2013

For All Mankind: A Brief Cultural History of the Moon

Henry Little

feature

September 2013

For almost the entirety of man’s recorded 50,000-year history the moon has been unattainable. Alternately a heavenly body, the...

 

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