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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

We are not tourists We are journalists We fly out from Heathrow, Bristol, Glasgow and Newcastle to foreign airports where we are met by charming multilingual individuals employed by the holiday companies that pay for our trips They whisk away our luggage and usher us through customs, ensuring that our initial impression of their country is not of queues and body-cavity searches, but easeful efficiency They escort us around galleries, museums and examples of local industry They arrange courteous meetings with experts in many, many fields We eat eight fine meals a day, and everywhere we go we are presented with plastic bags full of information leaflets, promotional videos and the detritus of marketing: logo hats, boggle-eyed mascots, optimistic stickers   Collectively, we are treated as delegates from a distant kingdom who may – if pleased – bestow great largesse We leave behind most of our gifts, considering ourselves to be above such currying of favours We know the hospitality we want: it involves the bar We know the stories we want: they involve the authentic, the real, the colourful They must also be photogenic, accessible and easily cut-and-pastable Do you have some fun facts about the region? Do I have to write them down or are they on the press release? Could you fax that to me when I’m back in the office? Your English, by the way, is excellent   I was among them once Some of you were there too It was the last decade of the twentieth century and we could put things on expenses   *   During a five-day tour of Hungary we become furious when an elderly reporter from the Birmingham Post insists on interviewing the curator of a porcelain museum What can he possibly want to know? It’s all in the leaflets Just take the leaflets and go   ‘Rural Hungary looks like Somerset,’ says a man from The Mirror as our courtesy mini-bus trundles past thatched cottages, ‘apart from the fact that a freakishly high proportion of the population is selling paprika’   We can’t figure out the preponderance of paprika and we can’t figure out the natural mineral bathing

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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fiction

March 2014

The Garden of Credit Analyst Filton

Martin Monahan

fiction

March 2014

Ivan Filton had retired early. ‘I have been working a lot on my garden,’ declared Ivan Filton. ‘This is...

poetry

Issue No. 8

The Cloud of Knowing

John Ashbery

poetry

Issue No. 8

There are those who would have paid that. The amount your eyes bonded with (O spangled home) will have...

feature

May 2013

Haneke's Lessons

Ricky D'Ambrose

feature

May 2013

‘Art is there to have a stimulating effect, if it earns its name. You have to be honest, that’s...

 

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