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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

  Members of THE WHITE REVIEW editorial team, contributors and friends of the magazine reveal the books they’ve been reading and revisiting in 2020       Victoria Adukwei Bulley   First and foremost, The Yellow House by Sarah M Broom was a book that I’d been dying to read since I first heard about it, and to my joy it absolutely delivered Revolving around Broom’s New Orleans childhood home, this is a work that covers memoir, cultural geography, archival practice, oral tradition, and so much more Broom has such mastery of language that all of this hangs together seamlessly, and on my shelf The Yellow House lives next to Wayward Lives, Beautiful Experiments by Saidiya Hartman, because I think both authors are at work on the same kind of project in each their own brilliant ways I also want to shoutout Freedom Dreams: The Black Radical Imagination by Robin D G Kelley for its rich expansiveness — Kelley is an incredible writer and scholar, and there is nothing better than reading a non-fiction book where the enthusiast in the author spills through And finally, I too would like to add to the hype of Raven Leilani’s Luster, which I think is a stunning and perceptively sharp debut that glimmers with deep tenderness as well as humour     Katherine Angel   This year I was blown away by Jeremy Atherton Lin’s Gay Bar: Why We Went Out, which isn’t out until March 2021 (Granta) It does many things at once, in gorgeous prose I also loved Selva Almada’s Dead Girls (translated by Annie McDermott, Charco Press), about murdered women in Argentina It’s crisp, bracing, and beautiful Richard Seymour’s The Twittering Machine (Indigo Press, 2019) was a satisfyingly nuanced account of the terrible bind we’re in, in relation to social media I loved reading Tim Dean’s Unlimited Intimacy: Reflections on the Subculture of Barebacking (UCP, 2009), which, amongst other things, explores the limits of identification and empathy as a starting-point for thought and politics — themes that recur in Bruce Fink’s Fundamentals of Psychoanalytic Technique (Norton, 2007), which conveys what Lacanian ideas might mean in practice Cathy Park Hong’s Minor Feelings (Profile, 2020) was brilliant, thoughtful, and funny Right now I’m loving Bette

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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fiction

June 2015

Gandalf Goes West

Chris Power

fiction

June 2015

Hal stands in front of the screen. On the screen the words GANDALF GOES EAST.   GO EAST, types...

fiction

January 2016

Eight Minutes and Nineteen Seconds

Georgi Gospodinov

TR. Angela Rodel

fiction

January 2016

The minute you start reading this, the sun may already have gone out, but you won’t know it yet....

feature

May 2016

Postcard from Istanbul

Sydney Ribot

feature

May 2016

    Saturday       On March 19, at 1 p.m. in a café off Turnacibaşı St., an...

 

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