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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

≠Late spring is when Hangzhou is prettiest, but it is also when the air turns hot, wet and sticky, so that, all of a sudden, going for my daily lunchtime stroll along the West Lake is as exhilaratingly horrible an experience as eating my girlfriend’s pussy Both are long, drawn-out affairs that leave me with sweat in my ears and between my toes, that give me pleasure precisely because they make my mind blank so that, instead of worrying about the work I have not completed for my graduation show, I know only the dryness of my mouth and the sting at the back of my eyes It is a sense of peace I have worked hard to find    On the day that the rain begins, a Monday, my classmate Xiao-Li finds me sitting on the ground alone near the back of the West Lake scenic park, some hundred metres away from the school gate, where I am watching the waters, smoking a cigarette, and thinking about sex He stands in front of me, blocking my view, and ruins my pleasant daze by beginning to ramble about school matters Were it not for Xiao-Li, I might have noticed the little shiver of thunder that everyone else, later, will say occurs around this time   Xiao-Li is the second shortest student in the oil painting department and towers over me When he arrives, I stand up and brush the dirt off my trousers so that at least I can face him when we speak instead of craning my neck to look up at him like a dog I take my time getting up and am rewarded with Xiao-Li waving a photograph in my face that he has apparently been clutching in his hand the whole time   Look, he says, so I do    It is a snapshot of an egg-shaped object balanced on what seems to be a tall table The egg takes up the whole of the frame, warping the space around it so that the table looks frail under its weight The photograph smells like it’s just come out of the developer

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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Interview

Issue No. 16

Interview with Gary Indiana

Michael Barron

Interview

Issue No. 16

In July 2015, T: The New York Times Style Magazine gathered twenty-eight ‘artists, writers, performers, musicians and intellectuals who...

Interview

July 2014

Interview with Geoff Dyer

Tom Overton

Interview

July 2014

‘I’ve always believed that an artist is someone who turns everything that happens to him to his advantage’, Geoff...

feature

Issue No. 12

Foreword: A Pound of Flesh

George Szirtes

feature

Issue No. 12

1.   ANALOGIES FOR TRANSLATION ARE MANY, most of them assuming a definable something on one side of the...

 

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