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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

1 SF vs NY   Anna Wiener found herself in the right place at the right time That is, if that was what she wanted At the beginning of Uncanny Valley, her memoir about working in Silicon Valley in the middle of the 2010s, Wiener is 25 and working as a publishing assistant in New York Her mother is wondering why she’s still taking coats and serving coffee She isn’t asking her daughter for a structural explanation about the recession and job prospects for Wiener’s generation, nor how Wiener imagines a future within the publishing industry’s idiosyncratic hierarchies and ‘shabby, nostalgic glamour’ She’s asking where Wiener’s career is going, if anywhere This is the tenth page of the book and Wiener seems unconvinced as well: her descriptions of the uniform aesthetic of a publishing career – wrap dresses, sad salads for lunch at your desk, parties where you only talk to the people you already know – are funny, but also expose an existential uncertainty that Wiener will replicate when she moves to San Francisco At this stage in her career, Wiener writes, ‘my desires were generic I wanted to find my place in the world, and be independent, useful, and good I wanted to make money, because I wanted to feel affirmed, confident, and valued I wanted to be taken seriously’   Of these desires, Silicon Valley could give her one: the money Wiener’s career in the technology industry begins somewhere familiar for her: one day at her desk in the literary agency, she reads about a startup dedicated to reading, whose founders had raised three million dollars (she didn’t know then that that was not a lot of money in startup terms) She writes to them because she’s interested, impressed, and feels she could contribute using her background in publishing and love of literature, while participating in the contemporary economy If this is where the book trade is going, Wiener wants to be part of it: the startup offers a way for her to change everything while holding on to what is

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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Prize Entry

April 2017

Hangnails, and Other Diseases

Giada Scodellaro

Prize Entry

April 2017

Benson’s Syndrome   Grapefruit. I have lost the word for it. Popillo? Popello? No, no. It escapes her, the...

Art

July 2013

Redressing the Balance: Women in the Art World

Louisa Elderton

Art

July 2013

London is among the capitals of the international art world. Every day and night is witness to innumerable new...

feature

Issue No. 1

In Somaliland

feature

Issue No. 1

On a traffic island in the middle of Somaliland’s capital city, Hargeisa, is the rusting shell of fighter jet...

 

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