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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

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Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

Sir Gawain and the Green Knight is a tricky poem, in the literal sense that it’s full of tricks: a rug repeatedly pulled out from under you, a magician smirking and holding up a card that you cannot entirely be sure was yours Written sometime in the late fourteenth-century by an unknown author, the poem tells the story of a ‘crystemas gomen’ (a ‘Christmas game’, in midlands-dialect Middle English) between its titular characters The Green Knight allows Sir Gawain, King Arthur’s nephew, one blow with an axe; one year later, the Knight will return the blow Gawain’s blow strikes off the Knight’s head, but the green figure simply picks up his head and rides away, telling Gawain to seek him out in the mysterious Green Chapel – location unknown – next Christmas Most of the poem deals with Gawain’s journey to find the Green Knight, particularly in the long section Gawain spends at Hautdesert, a noble castle where he is hosted by the mysterious Lord and Lady Bertilak But the poem opens with the splendour of Camelot at the height of its power and youth, before Lancelot meets Queen Guenever, before the Holy Grail, before the dark will come and swallow King Arthur’s court The poem tells us:   such glaumande gle glorious to here dere dyn vpon day daunsyng on nyȝtes al watz hap vpon heȝe in hallez and chambrez with lordez and ladies as leuest him þoȝt   The hubbub of their humour was heavenly to hear: pleasant dialogue by day and dancing after dusk, so the house and its hall were lit with happiness and lords and ladies were luminous with joy1   In the poem, Camelot burns so bright that if you can bear to turn your gaze from the merry light, you can almost see the waiting shadow it casts But in David Lowery’s 2021 film adaptation, The Green Knight, we meet a very different court Gone is the colour and cheer, and King Arthur and Queen Guenever are weary and sickly The Round Table is made from austere, milky

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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fiction

March 2012

Swimming Home

Deborah Levy

fiction

March 2012

‘Each morning in every family, men, women and children, if they have nothing better to do, tell each other their...

feature

Issue No. 1

On the Notoriously Overrated Powers of Voice in Fiction or How To Fail At Talking To Pretty Girls

D. W. Wilson

feature

Issue No. 1

On a Tuesday afternoon in July, not too long ago, a friend of mine struck a pose imitating a...

Art

November 2016

The Green Ray

Agnieszka Gratza

Art

November 2016

I guess it must be the flag of my disposition, out of hopeful green stuff woven. Walt Whitman, Leaves...

 

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