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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

The cat’s paws brush through the letterbox, looking for some jellied meat or an opening in the family Cat pushes a letter through the door The letter marked JH Ottessa, dead brother of mine My brother’s bedsheets still warm-sweaty My brother’s paw prints dented into the doormat Rain water falls heavy from the gutter makes me look up, makes me remember what day it is what time it is I call my little girl’s name Annette A        eh Annette A        eh voice through the wall, and the echo of her name, Annette, from the other side Her face screwed up fingers in ears not to have to hear, Annette, all the damn half-hour of the morning of all the days to be playing up the day of the funeral day late for church day   But a child can grieve, let the child be grieving, let the child        be   Eight years old were you brother? And I a bit older I see you running down the street, a sun-blazed strip lined with flowers begging for water, petals blown-out hearts It was a day with corn, heavily spiced and salted Smoke and charcoal Nice Heat beating a path into our bones, our brows wet You had a rug tied round your neck with garden twine, lying out in the sun charge up charge up, before flying off, past the street light, past the telephone wire, past the aeroplane Almost choked yourself to death I stretched out a hand to you, hooked onto a gate latch – the lynch mob’s latest victim, to save you from a strangling You hit my hand away And again Something in your eyes said this isn’t a game But I pulled you up pulled up out of the fire, that time, my hand melting into yours   The church is cold Warmed with bodies, they sitting on they heels        huh        sitting in the dirt        huh        rocking on they legs, mouth open moans we perform the wailing of the milk, divide up the ashes, and return to our        leaking gutters   You were fifteen you were fine, then acting strange

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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feature

July 2013

Occupy Gezi: From the Fringes to the Centre, and Back Again

Alexander Christie-Miller

feature

July 2013

Taksim Square appears at first a wide, featureless and unlovely place. It is a ganglion of roads and bus...

poetry

February 2014

Two Poems from A Finger in the Fishes Mouth

Derek Jarman

poetry

February 2014

To mark the 20th anniversary of Derek Jarman’s death, Test Centre has produced a facsimile edition of his sole,...

Art

Issue No. 8

A Fictive Retrospective of the Bruce High Quality Foundation

Legacy Russell

Art

Issue No. 8

Here are some details of art history that may or may not be true:   In 2008 I was...

 

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