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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

Note for the following three poems: In 1965, a bottlenose dolphin christened Peter was the subject of a scientific experiment For six weeks, he lived in a flooded apartment in the Virgin Islands with a woman named Margaret Howe, who was tasked with teaching him human language Needless to say, this was not successful     Margaret’s Visitor The doorbell never rings I still anticipate the TV sitcom bait-and-switch, the postboy’s shock as Peter concertinas through the water to the door, rotates the handle with his bottlenose and nabs the letter in his mouth, delivering a suave Midwestern ‘Thanks’ – and I descend, still fresh from six weeks in a Lurex bathing suit, to wait for his reply I see the postboy see the desk that hovers with its laminated paperwork, like the chrome cloud of an indifferent God; the hair I shaved to bring us closer tufting out, my black lips like a faded mime: and I see Peter, halfway human now, his eyes above the water sitting on his nose, easy as spectacles ‘Oh no,’ he says, ‘it’s no trouble at all,’ craning to sign, the pen between his teeth I’m by his side: a painting of two homesteaders leaning on leaf-nets as if they were farming tools A ball bobs in the background, childishly, but we have put such things away I ask him where he’d like our new delivery We watch the postboy stagger, fish-legged, down the street, his mouth a gasping blowhole     Fourth of July Of course he wouldn’t wear a hat Of course the soggy tickertape Of course this can of frosting in the dark, water-light softening its jagged edges, and for just a tick I seriously thought: what if I

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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poetry

June 2013

Belly

Melissa Lee-Houghton

poetry

June 2013

When I was fifteen I took my two little cousins into town and had them wait outside the tattoo...

Prize Entry

April 2017

Hangnails, and Other Diseases

Giada Scodellaro

Prize Entry

April 2017

Benson’s Syndrome   Grapefruit. I have lost the word for it. Popillo? Popello? No, no. It escapes her, the...

Interview

December 2013

Interview with Tess Jaray

Lily Le Brun

Interview

December 2013

In the light-filled rooms of The Piper Gallery is a painting show that features no paint. Brought together by...

 

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