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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

[Untitled] “if you close your eyes”   if you close your eyes you can hear the sea whether Black or Azov you can’t tell immediately   a triumph of sound the off season naked beaches we breathe it in hold it in our lungs without speaking afraid to sing out of key   unleashing note after note in perfect waves the poplars swim away a little further from heaven from poetry’s idyll   nuts falling to the ground smack their heads and cry bitterly     [breakfast]   the bread you broke in two speaks in a human voice one half in the voice of your mother affirming she loves you the dead love of a dead mother loves you the dead love you dead mothers love you   you sit silent and hiccup you find the corpse of Yuri Gagarin in your pocket you light a cigarette   the other half speaks in the voice of the girl you raped affirming she’ll never, no way, ever love you she wishes you dead and your mother your fucking mother the girl you fucked says hello to your fucking dead mother  every morning on the radio   you sit silent and hiccup you find the corpse of Gherman Titov in your pocket you light a cigarette   await the prosecutor’s summation     [Untitled] “you stand in the middle of a completely foreign city”   you stand in the middle of a completely foreign city in the middle of its most famous cemetery you read the inscriptions in Polish you hear the voices of Polish tourists tombstone tombstone tombstone they’re seeking someone’s death in Polish you’re seeking someone’s death in Ukrainian your relatives might’ve been buried here if they hadn’t been forced to become echoes to wander Donbas seeking death in Russian so that all the while on the other side of Ukraine a girl with long black hair moves her lips translating the language of death seeks inscriptions about your family in the cemetery     Ilya  (from “People of Donbas”)   Why did you orchestrate a war at home and run away to more normal cities— the neighbors’ sticky-fingered spoons clap their hands and pull hair after hair from my head   you’re guilty of everything—and I think—what if they come to kill me while I’m lying naked in the boat of this summer without water electricity any kind of connection   no one will know what she died of standing in the kitchen—and falling backwards like sugar in a cup of paper wrath   and the uproarious sea of love throbbing in my

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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Interview

October 2014

Interview with Otobong Nkanga

Louisa Elderton

Interview

October 2014

Some things are meant to be lost. You can’t collect emotions. As the artist Otobong Nkanga tells me this,...

poetry

February 2013

Social Contract

Les Kay

poetry

February 2013

Formally, I and the undersigned— What? Use, like Mama said, your imagination if you still have one where scripts...

feature

November 2013

I Can’t Stop Thinking Through What Other People Are Thinking

David Shields

feature

November 2013

Originally, feathers evolved to retain heat; later, they were repurposed for a means of flight. No one ever accuses...

 

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