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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

One of my first actions as a Londoner was to sign on for as many benefits as I could get my hands on In my puerile post-university fantasy, the move to London was one that could be made with consummate ease: a house would be found, and, once inhabited, keys would fit the locks and boilers wouldn’t break Sadly, hazards both unforeseen and ignored at the time of ‘planning’ have wrecked the fantasy   Perhaps the most troubling part of the process has been the search for part-time work in the media and publishing sectors With no internet access in my flat, looking for work is slow The correlative impulse to simply grab my coat and pound the streets with a clutch of CVs is similarly curtailed by the need to sit around the house for large chunks of the working day while I wait for the boiler repair man to turn up with some spare part or other As a result, I’m about to start an almost-full time internship, without any source of income, and a rapidly diminishing pile of savings   The benefits system is plagued by injustices, though I can’t claim to have encountered the most serious of them Nonetheless, the fact that there is no Job Seeker’s Allowance (JSA) provision for someone doing over 16 hours a week of voluntary work is symptomatic of this government’s myopia towards the provision of welfare There is no qualitative distinction made between work that is socially useful and work that serves no valuable function to either the individual or society   Internships, payment for which rarely extends beyond basic expenses, are a crucial step on the career ladder for today’s generation They offer vital experience in a professional context, a prerequisite of any job application in our times Sadly, some of the most ethical, social-justice orientated employers operate on a shoestring budget Interns and volunteers are therefore essential to their continued operation People should feel no shame in seeking financial support from the state The economic logic presented by the government’s welfare provision is catch-22: to fulfil personal ambitions you may need to

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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fiction

April 2014

Spins

Eley Williams

fiction

April 2014

Spider n. (Skinner thinks this word softened from spinder or spinner, from spin; Junius, with his usual felicity, dreams...

Art

January 2012

Interview with Ryan Gander

Timothée Chaillou

Art

January 2012

London-based conceptual artist Ryan Gander masters the art of storytelling through an immensely complex yet subtly coherent body of...

Art

May 2016

Sharon Hayes

Edwina Attlee

Art

May 2016

Sharon Hayes’ In My Little Corner of the World, Anyone Would Love You at Studio Voltaire features a five-channel...

 

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