Mailing List


Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

Others have it worse, have had, will always ‘We,’ though, own the record now for largest building collapse   A double you could call it Work with it Live with it Others far away die (and live) with the daily probability of car bombs, bus bombs, persons exploding in the neighbourhood They experience bombs from the sky and the earth, and are exhausted and homeless, and watch their children wasted by hunger, maimed, lost; and can’t keep in touch with friends to get help, join forces, or mourn And can have scarcely a thought except for today’s survival Scarcely a thought period For example, that history is what hurts Thought must seem like a leisure activity for those whose survival is in doubt Like reading   And so, what is my experience worth, displaced from a lower Manhattan loft for three weeks by air quality and marginal restrictions and shock?   What use is my experience? What do I make of it, putting it together? A form it may take in what we make A half-recalled remark someone made about a very long sentence or two of mine   A memory bears me from inside myself perhaps an hour and a half beyond that first clear sight from the parking lot across the street from our old six-storey brick building eight blocks from the shining north tower of the World Trade Centre abstractly, palpably burning, and a few minutes later the south which from my angle with scarcely a sliver of space between the two seemed to catch fire from the north; and carries me beyond several things I did thereafter during an extended moment of unusual dimensions (a structure also of some outside and inside project encompassing me) such as shut my absent neighbours’ fourth- and fifth-floor wide-open windows that I’d noticed from where I stood at five minutes of nine across the street C thinking floors, height, sky, fire, distance, closeness, passengers, and a ‘thought’ that the plane, which I had not seen, was gone into that hole it had made (that I could see) shaped by subtraction – while with me in the

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

READ NEXT

Interview

January 2017

Interview with Barbara T. Smith

Ciara Moloney

Interview

January 2017

Californian artist Barbara T. Smith (b. 1931) is something of a performance art legend. It was in the 1960s...

feature

May 2011

Why I Write (Rather than Riot)

Gavin James Bower

feature

May 2011

Watching the recent public demonstrations protesting, at times violently, the Coalition government’s budgetary cuts, I was forced to revisit...

feature

Issue No. 17

Ada Kaleh

Alexander Christie-Miller

feature

Issue No. 17

When King Carol II of Romania set foot on the tiny Danubian island of Ada Kaleh on 4 May...

 

Get our newsletter

 

* indicates required