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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

Elif Batuman never intended to become a non-fiction writer She always planned to write novels, and it was only when she was told that nobody wanted to read a retelling of Dostoevsky’s Demons set in a Stanford-like Comp Lit PhD program that she ended up with The Possessed: Adventures with Russian Books and the People Who Read Them (2010) An essay collection containing work previously published in n1, Harper’s, and The New Yorker, where Batuman is a staff writer, The Possessed pioneered the ‘bibliomemoir’ Its tremendous success set off an obscure chain of events that would lead to such things as the discovery that Jonathan Franzen keeps weed in his freezer, and magazine photo shoots ‘clutching a Russian-language volume of Dostoevsky’ to her bosom   Batuman has, however, returned to her first love: having recently completed one novel, The Idiot, she is working on two more (one a sequel, another about Turkey) The story behind Batuman’s newest book is like the dream of a writer on deadline crossed with a television cooking show: stymied by the novel she was under contract to write, she turned to an abandoned draft of a different novel she had written sixteen years prior, during a year off from her PhD Intending simply to borrow some choice period touches, Batuman found the real beginning of the story she had been hoping to tell — ‘here’s one I prepared earlier!’ — even if the manuscript itself, with its Y2K postmodern trappings, was painful to behold She set out to edit and rewrite what became The Idiot, the autobiographically inspired story of Selin, an 18-year-old Turkish-American girl, during her first year at Harvard in 1995 Selin goes to work on linguistics, befriends a cultivated Serbian named Svetlana, and falls in love with Ivan, a Hungarian mathematician in her beginning Russian class They write to each other by email, at that time a new technology possessing for Selin a mystery and romance that seems utterly impossible today   Though I was already an admirer of Batuman’s work, The Idiot hit particularly close to home I met Elif in London, in the

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

READ NEXT

feature

September 2012

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

Scott Esposito

feature

September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do...

Art

September 2014

On the Ground

Teju Cole

Art

September 2014

I visited Palestine in early June 2014, just before the latest wave of calamity befell its people. For eight...

Interview

October 2015

Interview with Valeria Luiselli

Stephen Sparks

Interview

October 2015

Valeria Luiselli’s second novel, The Story of My Teeth, was commissioned by two curators for an exhibition at Galeria...

 

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