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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

‘We possess nothing in this world other than the power to say “I” This is what we must yield up to God’ — Simone Weil   ‘God break down the door You won’t find the answers here Not the ones you came looking for’ — Nine Inch Nails   Photosensitivity warning: Many of the hyperlinks in this essay go to live videos, which feature a strobe light     I was 10 years old when The Downward Spiral by Nine Inch Nails was released in 1994, and I listened to it more than any other record for the next six years, when everything I knew about myself was disintegrating and becoming unknowable It lives in my blood memory, the soundtrack to the most formative part of my life When I think of that time, my memories resonate with those songs, I can’t imagine myself without them, who I would have been Since then, twenty-five years, I regularly go through periods where the only thing I listen to for weeks, months at a time is Nine Inch Nails, and this locates me, returns me to myself When you love a band for more than half your life, something happens as their songs come to live in you, they echo through how you remember the past, and fortify how you are legible to yourself in the present   NIN was the first band that got me in trouble with grown-ups – for this, they have a special place in my heart that no other band will ever touch For Christmas vacation in 1996, when I was 12, I brought the Broken EP with me when I went to stay with my Catholic grandparents Broken was packaged in a cardboard ‘digipak’, so my grandmother, rather than struggle with a plastic jewel case, could open it like a book The lyrics were printed on the inside, though I was singing them aloud all the time too I think Grandma had the biggest problem with my favourite lyric – ‘Gotta listen to your big-time, hard-line, bad-luck, fist fuck’ – but there was enough offensive sentiment on that

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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Interview

June 2014

Diane Williams: Two Stories and an Interview

Harriet Pittard

Interview

June 2014

Editor’s Note: By way of an introduction, we’ve included two previously unpublished stories by Diane Williams, ‘Beauty, Love and...

poetry

May 2015

Europe

Kirill Medvedev

TR. Keith Gessen

poetry

May 2015

I’m riding the bus with a group of athletes from some provincial town they’re going to a competition in...

Art

October 2015

Licence to Play

Thirza Wakefield

Art

October 2015

In his 1992 essay ‘In Search of the Centaur’, the writer and critic Phillip Lopate described the essay-film as...

 

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