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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

My grandmother, known to us all as Mutti, caught one of the last trains out of Gotenhafen before the Russians came in 1945 She carried in tow, in order of age, some of my uncles and aunts: Jens, eight years old, clever and restless, though behind in school; Inga, a tough kid, it seemed, who didn’t need much worrying over; Suse, a baby girl, her darling and the comfort of her bed; and Andreas, who was still being potty-trained Inga is my mother The train was so full they had to be hoisted in through a window Mutti stood on her feet the whole 20-hour journey, her legs swelling under her like grilling sausages By the time the train reached Berlin, she couldn’t walk and had to be hauled from the station in a handcart My grandfather, Kaha, stayed behind to do his job: he was a naval engineer, working at the shipyard He guessed that bad times were coming and sent his family as far from the advancing front as he could It was not the last time his family would be separated, nor the last long journey they would make   Kaha died ten years ago, and Jens, a retired lawyer living in Rome, did the duty of the oldest child and sorted through the family papers, which he sent me They ‘should have been different,’ he told me last summer, unhappily but with a certain satisfaction He meant in part my grandfather’s expressions of love: they struck him as cold, perhaps, or self-centred And he may have traced to the paterfamilias some of the cracks that spread out and inwards in any large family over time – along geographical lines, as much any other He had settled in Rome, married to a French woman; my mother had ventured still further afield Her trips ‘home’ – to that trim post-war cottage built on a stretch of wooded shoreline running into Denmark, where our family eventually settled after Gotenhafen have always been fraught with the anxieties and pleasures of the prodigal returned ‘Homecoming’ is a word with a fracture written

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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fiction

May 2015

A History of Money

Alan Pauls

TR. Ellie Robins

fiction

May 2015

He hasn’t yet turned fifteen when he sees his first dead person in the flesh. He’s somewhat astonished that...

Prize Entry

April 2016

Oögenesis

Karina Lickorish Quinn

Prize Entry

April 2016

After her daughter had – for the third time, no less – laid her eggs in the fruit bowl,...

fiction

January 2016

Forgetting: Chang'e Descends to Earth, or Chang'e Escapes to the Moon

Li Er

TR. Annelise Finegan Wasmoen

fiction

January 2016

Source Material   Her story is widely known. At first she stayed in heaven, then she followed a man...

 

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