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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

‘Cetaceans are women’s allies in the war against patriarchy because patriarchy holds the cetaceans down with us,’ explains the earnest and slightly irritating Erin, nineteen-year-old protagonist of Abi Andrews’s debut novel ‘Orcas travel in matriarchal pods,’ she elaborates, by way of explanation ‘The root of the word dolphin, delphus, means womb’   In the journals that became Walden, Henry David Thoreau wrote, ‘I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could learn what it had to teach’ Thoreau was by no means the first to celebrate the transcendental purity of the ‘wilderness’ or the spiritual benefits of an outdoorsy survivalism, but his 1854 work helped to print these values onto the American self-image In 1992, a heavily annotated copy of Walden was found alongside the remains of Chris McCandless, who walked out of his privileged California upbringing and hitched to Alaska And Into the Wild, the 2007 film based on his journals, has built for McCandless a cult following and a divisive legacy Was he a messianic figure akin to Thoreau, inspiring a generation of travellers to reject technology in favour of a lived purity in nature? Or was he a fool with a merely sentimental understanding of the wilderness he idealised?   Andrews’s novel participates in this survivalist legacy, though uneasily Erin has left her parents’ house to escape the ‘grid-owned and regimented spaces’ of the British Midlands She’s watched Into the Wild and read Walden, as well as On the Road and The Call of the Wild She wants in on the tradition As a young feminist, however, she’s wary of the ambivalent heritage of these ‘straight white men’, and though intoxicated with the wilderness narrative, she can’t help but imagine ‘how it would have been different if the guy had been a girl’ She cites a cohort of female, proto-feminist adventurers in passing – Calamity Jane, Freya Stark, Nellie Bly – but these women simply do not compel Erin as does, say, the Unabomber, whose eco-terrorist manifesto she knows in detail   The journey, on cargo ships

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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poetry

December 2012

Off-Season

Miles Klee

poetry

December 2012

As a boy I went on a strange vacation with a friend. His parents took us, I can’t remember why,...

fiction

January 2015

One Out of Two

Daniel Sada

TR. Katherine Silver

fiction

January 2015

Now, how to say it? One out of two, or two in one, or what? The Gamal sisters were...

Interview

Issue No. 1

Interview with Marina Warner

Elizabeth Dearnley

Interview

Issue No. 1

At the beginning of From the Beast to the Blonde, her study of fairy tales and their tellers, Marina...

 

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