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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

Relationships can be long and snaking, cutting like train tracks through the varied landscapes of a life, and they can be short, stuttering, brief and intense But their most compelling literary, emotional and mythologising potential lies at their beginnings, and at their ends There is a body of astrological, psychological, romantic, legal and fictional texts devoted to these opposite points of a relationship, testament to the scrutiny and energy poured into attempting to capture the superload of feelings wrapped up in them Tropes related to the making and breaking of relationships often, through the conceit of ‘soul mates’ or ‘love at first sight’, suggest an element of cosmic provision – what we might call fate – but rarely is the concept of fate itself explored Jorge Consiglio’s slim novel Fate is an intense, enigmatic consideration of fate in love, and of fate as a force in human life   Fate follows two couples in Buenos Aires: Karl and Marina, whose marriage is falling apart, and Amer and Clara, whose romance is beginning They barely intersect but their similarities, parallels and profound differences read, in Consiglio’s hands, like necessary reflections, even when their stories are profoundly separate Karl and Marina have a son, Simón: the jaw-clenching psychodrama of their marital collapse is mirrored by Simón in small, sniping, heartfelt rebellions (refusing to look up from computer games, refusing to eat) Amer and Clara meet at a support group for people trying to quit smoking and tumble headlong into heady passion and discombobulating arguments Even though one experience could be straightforwardly described as ‘bad’ (break-up) and one experience could be straightforwardly described as ‘good’ (new romance), neither relationship is exactly delineated by total happiness or unhappiness; instead, Consiglio succeeds in capturing the turbulent molecular specifics of emotions, moment to moment   This is only Consiglio’s second book to be translated and published into English (the first, the collection of short stories Southerly (Villa del Parque), has also been published by Charco Press) Consiglio is a prolific and prize-winning author in Argentina and in Spain, with five novels

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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feature

Issue No. 8

The White Review No. 8 Editorial

The Editors

feature

Issue No. 8

The manifesto of art collective Bruce High Quality foundation, the subject of an essay by Legacy Russell in this...

feature

November 2015

Streets of Contradiction

feature

November 2015

Jerusalem has a remarkably cohesive identity, in architectural terms. Every building, from the Western Wall to the sleek hotels...

Art

Issue No. 9

Dr Gaz

Jeff Keen

Art

Issue No. 9

Jeff Keen was among the most influential of a pioneering generation of experimental film-makers to emerge from the United...

 

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