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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

Nothing new on Bahnhofstrasse! — These are the first words to occur to me upon arrival With the word arrival, though, I’ve already said too much: there’s something so familiar in the soapy taste of the air that I wouldn’t dream of describing my walk into town as a return: I don’t think of myself coming back; I’ve never been away No, I never really left the town, sometimes I fled it, that’s all: in truth it was the town that never really left me The town took me over with its drab devastation, in which some perpetually stalled upheaval seemed in progress, an inexplicable upheaval I always had this impression, long before the whole country’s upheaval, and it lingered after the country’s authorities had surrendered and fled, after the government and its closest vassals had been replaced: this town seemed in no way to confirm the changing of the system In a past apparently impossible to fathom now, the town must have plunged into paralysis, and that collapse had survived the regime change   For years I fled from the town, years that have sped from my grasp as though chased by the furies, and yet never passed quickly enough for me These are all the years I can recall with ease, quite in contrast to those I spent here in this town It’s as though in those other cities, the bigger, more attractive ones I chose to live in, I never really settled down Those cities’ easily summoned images were dimmed by a sense of loss, a sentimental feeling originating in this town to which I return from time to time It’s here that this barely explicable sense of absence grew on me, one I only really felt once I had settled down elsewhere with the more or less firm resolution to stay It made itself felt as a kind of living without a background, it was a state of severance, a state without a past, and yet I’d learned to feel severed from the past in the small town afternoons   Time persisted here in dogged immutability; the autumnal fog

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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feature

September 2013

Outside the Uniform

Kaya Genç

feature

September 2013

I.   The first time I had to wear a uniform I looked like a madman struggling against a...

poetry

September 2014

Breath-Manifester & Drones

Ned Denny

poetry

September 2014

Breath-Manifester   Each bared morning is a swell time to die, Leaving the town’s ornate maze for the level...

feature

February 2014

Only Responsible to Their Art: Heilan and the Chinese Avant-Garde

Chen Wei

TR. Tu Qiang

feature

February 2014

Heilan was established for a simple reason: over the past twenty years, there has not emerged a single medium...

 

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