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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

290 MILES TO GO   I am on the train now There are 290 miles to go From the window I can see people watching me from the streets and fields as the train speeds past They all appear to be wearing tight white tennis shorts and occasionally, when I look closely, I can see a deep red blooming at their crotches, spreading out across the tops of their legs They wave their arms very high in the air but for no real reason that I can discern There’s no panic or pleading on their faces, they aren’t crying for help All I can assume is that it’s some sort of dance, favoured by the people living in this part of the country Perhaps a ritual associated with the passing train, a means of protection against its speed and bulk After all, talismans do drip from their stiff cotton cuffs, mystical symbols are scratched into the dirty sand by their platformed feet   I see animals too of course Cows and sheep Horses with chestnut backs as reflective as mirrors They move along with the train like a pack of estate agents let loose, finding that their legs stretch much further than they thought Until they reach their limit of course, they hit a fence or a hedgerow or their lungs contract impossibly Then the train speeds away and I leave them behind Goodbye herds! I whisper Farewell beasts! I’ll probably never see the same set of sheep and horses and cows again   I am going to be 290 miles away for some time   WHEN I FIRST ENCOUNTER THE TRAIN I HAVE ALREADY BEEN EXHAUSTED BY THE STATION   I had waited to board the train next to a dusty crowd of people The platform stretched for two and a half miles and the sun maliciously heated the bleached concrete below us I hopped from one foot to the other to prevent the rubber soles of my plimsolls melting and sticking to the ground and most of the other people around me did the same, avoiding eye contact as we soundlessly pranced and waited The heat had

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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feature

Issue No. 20

From a Cuban Notebook

J. S. Tennant

feature

Issue No. 20

Beneath the rain, beneath the smell, beneath all that is a reality a people makes and unmakes itself leaving...

Interview

September 2014

Interview with Laure Prouvost

Alice Hattrick

Interview

September 2014

Laure Prouvost begins to tell us about something that happened this morning. She woke up with four vegetables on...

fiction

Issue No. 2

The Surrealist Section of the Harry Ransom Center

Diego Trelles Paz

TR. Janet Hendrickson

fiction

Issue No. 2

To Enrique Fierro and Ida Vitale—   Just like you, muchachos, I didn’t believe in ghosts, and if I’d...

 

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