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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

Irenosen Okojie’s first novel Butterfly Fish (2015) follows Joy, a photographer in London who inherits a cursed brass head and her grandfather’s diary, after the sudden death of her mother Joy begins to discover a far more complex and tragic family history than she could ever have imagined – and keeps catching glimpses of a young Black woman who looks strangely familiar in the background of her photographs Okojie’s writing twists and shifts the world as we know it, opening up realms of exhilarating and sometimes terrifying uncertainty Her work is dizzyingly rich with symbolism, metaphor and startling narrative turns, undergirded by a deep understanding of human frailty and empathy for her characters   Okojie’s darkly funny, tender and surprising short story collection, Speak Gigantular (2016) features two ghosts trapped on the London Underground, a young woman with epilepsy determined to solve the disappearance of her neighbour and an altruistic bank robber dressed as a big yellow bird Characters faced with challenging situations like unemployment, grief or incarceration find themselves plunged into bizarre but revelatory experiences, including being rescued by statues or enlisting a helpful crocodile to eat disappointing men In her second collection Nudibranch (2019), we meet characters ranging from a woman farmer raising a small boy who is part of a lethal secret experiment, a famous musician caught in an obsessive love affair with a possible murderer and a Black acrobat in nineteenth-century Prussia ‘Grace Jones’, a story from Nudibranch that won the 2020 AKO Caine Prize for African Writing, introduces a young Grace Jones impersonator working at a raucous party; over the course of the evening, the reader slowly comes to understand how the death of her entire family in a terrible fire continues to emotionally sever her from other people   Okojie’s family come from the city of Uromi in Edo State, Benin, a part of Nigeria which once formed the flourishing royal capital of the Edo Kingdom, a rich historical lineage that has inspired Okojie’s writing Born in Nigeria, she moved to England aged eight and attended school in Norfolk and London Okojie is a polymath: in addition to writing prose,

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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poetry

November 2013

Shine On You Crazy Diamond

George Szirtes

poetry

November 2013

And so they shone, every one of them, each crazy, everyone a diamond shining the way things shine, each...

poetry

December 2016

Of all those pasts

Will Harris

poetry

December 2016

  In Derrida’s Memoires: For Paul de Man he quotes from ‘Mnemosyne’, a poem by Friedrich Hölderlin which he...

fiction

September 2012

Sarah Palin Night

Agustín Fernández Mallo

TR. Michael McDevitt

fiction

September 2012

It was a Sunday afternoon, siesta time: my phone buzzed in my pocket. ‘Is this Agustín Fernández Mallo?’ ‘Yes,...

 

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