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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

The automatic rifle fire was followed by an unnerving whistle at Ti’s ear He gripped the shopping bags, grabbed Lo Ling’s arm and pulled her into a sprint Together they made for the alleys with the rest of the crowd   He could not believe it – the troops were shooting again His shock endured even as a line of wet red spattered up his shirtsleeve A man spun and fell Any thought of helping was gone before it was fully considered The pulpy mess was soon out of sight   Lo Ling was screaming, struggling to keep up Ti held firm at her elbow He dared not slow down His grandfather’s sìhéyuàn was close by and would be safe   There was another crack of gunfire More whistles Panic stretched across his belly, bound tighter and tighter by the footfall of everyone running The relentless stomp-stomp-stomp alarmed him most, over the barging and stumbling; the regular cries of ‘They’re coming! They’re coming!’   Not for the first time, he cursed the students in the square His anger was personal, far from any political point of view More than anything he wished for a return to normality   If the students dispersed, the army would leave and order could be restored, which was best for all People could get on with their lives He could get on with courting Lo Ling in peace   ‘I need to stop,’ she called behind   ‘Not far to Wài Gōng’s,’ he answered and hauled her into another side lane of the hútòng   They ran on, as fast as his heavying legs and scorching lungs could carry them His grandfather’s courtyard residence was at the end of the next passage, less than ten minutes’ away   ‘Please’ Lo Ling pulled harder against him ‘I’m going to be ill,’ she sobbed   Hesitantly, he stopped to let her catch her breath She bent double and panted at a wall Despite a searing thud to his own chest, he fought the urge to join her   Their fellow citizens rushed by They warned Ti not to stay out of doors It was not safe tonight He nodded at them politely, a whir in his ears causing

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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fiction

March 2017

Snow

Hoda Barakat

TR. Marilyn Booth

fiction

March 2017

Hoda Barakat’s The Kingdom of this Earth turns to the history of Lebanese Maronite Christians, from the Mandate period...

Interview

March 2014

Interview with John Smith

Tom Harrad

Interview

March 2014

In 1976, whilst still a student at the Royal College of Art in London, John Smith made a short...

Prize Entry

April 2017

Birch

Thomas Chadwick

Prize Entry

April 2017

1997   Business boomed. Optimism was shooting up everywhere and bursting into flower. Music was jocular. Sport was effusive....

 

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