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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

Fanny Howe’s bibliography is as bewildering as her itinerant biography Born in 1940 in Buffalo, New York, the poet and author grew up in Cambridge, Massachusetts, before moving an estimated thirty times in six decades – spiralling around New York, Massachusetts and California states, with volleys to Ireland, where her talented mother, Mary Manning, was born and raised – only to settle back in Cambridge in her seventies Howe’s books, all fifty (at least) of them, track these moves: as she suggests in this interview, place informs her writing ‘completely, like being dropped in water It is the environment’ With a majority of her books – published by independent and experimental presses – out of print, to be a reader of Fanny Howe is to be a seeker   ‘[T]he greatest writer there is,’ wrote Eileen Myles of Howe, who has, however, eschewed fame Her humility is active, her obscurity intentional She rarely grants interviews and undermines the authority others might claim given her talents and family A ‘long-tailed’ Bostonian, ‘[s]he can trace her lineage back to the Mayflower,’ wrote her daughter, acclaimed author Danzy Senna (whose husband, Percival Everett, was interviewed in The White Review No 28), of Fanny, whose father was a Harvard professor and a civil rights lawyer and mother a playwright and film pioneer Samuel Beckett was a family friend of her mother Susan Howe, Fanny’s older sister, is as renowned for her poetry as are her children for their art: R H Quaytman, painting, and Mark von Schlegell, science fiction   Though Fanny Howe inherited wealths of history, politics, art and culture, such privileges and responsibilities came with neither money nor property ‘There were many women like me,’ she reflects in The Wedding Dress: Meditations on Word and Life (University of California Press, 2003), ‘born into white privilege but with no financial security, given a good education but no training for survival’ In essays, Howe stories the difficulties of raising three children alone – divorced from their father, the Black American writer Carl Senna – in a nation defined by the violent exploitation of minorities Through teaching,

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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fiction

May 2016

Panty

Sangeeta Bandyopadhyay

TR. Arunava Sinha

fiction

May 2016

She was walking. Along an almost silent lane in the city.   Work – she had abandoned her work...

Interview

September 2013

Interview with László Krasznahorkai

George Szirtes

Interview

September 2013

László Krasznahorkai was born in Gyula, Hungary, in 1954, and has written five novels and several collections of essays...

fiction

January 2017

Peace

Patrick Cottrell

fiction

January 2017

Every morning as I walk to school through the dark blue decrepit world, I feel like I’m coming down...

 

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