Mailing List


Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

Sheila Heti’s last novel, How Should a Person Be?, opens with the question of its title ‘For years and years I asked it of everyone I met,’ the narrator says The problem with this question, as she discovers, is that it’s infinitely open-ended; no two people give the same answer, or behave in the same way The unnamed narrator of Motherhood, who shares various biographical details with the narrator of How Should a Person Be?, and with Heti herself, is also preoccupied with a question This question is a problem for the opposite reason: it has only two possible answers, and they’re mutually exclusive Should she have a child? And while a woman can keep wondering how she should be for the whole of her life, whether to reproduce is a decision that can’t wait forever The narrator of Motherhood is in her mid-thirties The time for deciding is now   She lives in Toronto with her partner, Miles He has a child from a previous relationship and no desire for another, but he’ll have a baby with the narrator if it’s what she really wants But how can she tell? On the one hand, she has never dreamed of being a mother On the other, she does sometimes dream that she has a child, and sometimes when she wakes from these dreams she feels happy But she’s a writer, committed to a life of art and freedom; how can she allow a child to interrupt that life? (Miles warns her darkly that one can be a great parent or a great artist, but not both) And yet, might her writing not suffer if she turns away from what increasingly seems to her ‘the central experience of life’? Everywhere she turns, her female friends are having babies But when she visits them, she feels alienated and bored But what could be worse than to fail to recognise the desire for a baby until it’s too late, and to spend the rest of one’s life in regret? Watching her agonise, Miles suggests that she write a book about motherhood Motherhood is that

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

READ NEXT

Interview

Issue No. 17

Interview with George Saunders

Aidan Ryan

Interview

Issue No. 17

The American short story writer George Saunders has the kind of reputation that makes one hesitate before typing his...

feature

October 2013

A World of Sharp Edges: A Week Among Poets in the Western Cape

André Naffis-Sahely

feature

October 2013

In Antal Szerb’s The Incurable, the eccentric millionaire Peter Rarely steps into the dining car of a train steaming...

feature

November 2014

Every Night is Like a Disco: Iraq 2003

Paul Currion

feature

November 2014

That day at Kassim’s, there was no music. There was almost no sound at all, not even the echoes...

 

Get our newsletter

 

* indicates required