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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

Last October I was standing in my kitchen, waiting for espresso to trickle from the spout of our imposing machine I kept glancing out of the window, anxious that one of the military helicopters which often overfly the estate was, at that very moment, hovering above Surveillance is in the air after all, at least figuratively But there was nothing, no movement whatsoever, save a red kite ‘turning and turning in the widening gyre’ It seemed an apt, apocalyptic image, but as for the bird itself, I dismissed it Kites aren’t even real birds of prey, but scavengers that survive on road-kill, picking at the corpses of precipitous pheasant and hesitant deer   Temporarily satisfied that I was unobserved, I made my way up through the house to my attic office But once I reached it my anxiety resurfaced, and I closed the blinds on the dormers before sitting down at the desk For a moment, distracted, I fiddled with the fabric fraying on the arms of my swivel chair; then, after downing the coffee in a scalding gulp, I prepared to go through the portal that leads to all that is illegal, illicit, and – notwithstanding pop-up text info-panels – bizarrely ineffable The laptop came alive with an optimistic jingle totally at odds with my real intentions My hands were unsteady as I held them poised above the keyboard The espresso and my own adrenaline made common cause, and I felt myself torn between fight and flight And still the conversation from the night before turned over and over in my mind, as I havered What was it Yeats said, about the moral failure of his times? ‘The best lack all conviction, while the worst / Are full of passionate intensity’ But which was I? One of the vacillating best or the fanatical worst?   ‘Is it legal?’ my wife had asked   I had shrugged Until she had put that thought into my mind, I hadn’t even considered something so technical as legality I flattered myself that my issues went deeper   ‘Do you really need to watch them?’ she went on ‘Haven’t you already

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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Interview

November 2015

Interview with Dor Guez

Helen Mackreath

Interview

November 2015

Dor Guez, artist, scholar, photographer, archivist, wants to avoid being classified, but it’s difficult not to fall into the...

feature

July 2012

Run, Comrades, #YOLO! — Cursory Notes on Radical Hashtag Forms

Huw Lemmey

feature

July 2012

I’m not up on the Internet, but I hear that is a democratic possibility. People can connect with each...

Art

June 2013

Ghosts and Relics: The Haunting Avant-Garde

John Douglas Millar

Art

June 2013

‘The avant-garde can’t be ignored, so to ignore it – as most humanist British novelists do – is the...

 

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