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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

Somewhere on the internet is a two-hour video of a lecture by the late writer and filmmaker Kathleen Collins, author of the short story collection Whatever Happened to Interracial Love? (posthumously published in 2017) In the footage, filmed in 1984 at Howard University, Collins is magnetic She emits warmth as well as deep seriousness And although she would be dead four years later – losing her life to cancer at the age of 46 – one of the questions she poses to her black students continues to reverberate ‘How do we,’ she dares, ‘divest ourselves of the need to make ourselves extraordinary?’ Collins was speaking as much about black lives as she was about black fiction In Heads of the Colored People, an intricate, playful debut short story collection from Nafissa Thompson-Spires, we are able to observe some answers A whole palette of them   Take Riley, for example, a character we meet in the titular opening story ‘Heads of the Colored People: Four Fancy Sketches, Two Chalk Outlines, and No Apology’  He appears sporting blue contact lenses and gel-slicked, bleached-blonde hair The narrator, deft and ironic like a much cooler friend, is quick to add that Riley is also… black Not only this, but  (just in case we were thinking it), this is neither a story about ‘any kind of self-hatred thing’, nor about ‘the shame of being alive’ Contrary to any hasty assumptions about his sense of blackness, gender or sexual orientation, we are made aware that Riley simply has a love for comic book characters – and is merely on his way to a convention dressed as one   Setting the tone for the entirety of the collection, Thompson-Spires crafts a narrative voice which always walks one step ahead, sometimes turning to us with a wink, before getting back to what really needs to be said Which is that the characters in this book are allowed to be idiosyncratic They are freed by the metafictional narration from burdens of representation, reader projections, or the need to be taken as symbols You won’t find any Serenas or Beyoncés in the collection

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

READ NEXT

feature

February 2014

Only Responsible to Their Art: Heilan and the Chinese Avant-Garde

Chen Wei

TR. Tu Qiang

feature

February 2014

Heilan was established for a simple reason: over the past twenty years, there has not emerged a single medium...

poetry

January 2015

Litanies of an Audacious Rosary

Enrique Vila-Matas

TR. Rosalind Harvey

poetry

January 2015

FEBRUARY 2008   * I’m outraged, but I’ve learned a way of reasoning that quickly defuses my exasperation. This...

Prize Entry

April 2016

DATE NIGHT

Chris Newlove Horton

Prize Entry

April 2016

He said, ‘Tell me about yourself.’ He said, ‘Tell me about you.’ He said, ‘Tell me everything. I’m interested.’...

 

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