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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

Part of my reluctance to write on citizenship is that as a poet, a worker in delicate, would-be-truthful language, I am wary of pronouncements on current affairs Questions of citizenship are best left to people who handle data well and accurately – experts in politics or law, rights and borders; those who deal in facts, not feelings Poetry’s stuff is the everyday; the texture of lived experience; the simple mechanics and music of words If I generalised from what happened to me personally, wouldn’t I be part of the problem? Now, however, actual hurt has been done to me When ‘citizens of everywhere’ are dismissed and derided, my entire world is attacked My childhood is wiped out   Let me explore a little of what I mean But, before that: what was it like for you after the ‘Brexit’ referendum? Did you feel exhausted? Afraid to leave your room? Did you read the faces of your neighbours when you did go out? Did you see them reading your face? Did you mistrust your reading of their reading (if they were reading at all)? Did they look extra kind and upset by the sight of you and apologetically make space in supermarket aisles? Did you report them to the police for cursing you at your front door? Did you have impulses to kiss or punch strangers on the bus? Did you start recalling words in languages your family had carefully lost? Did you forget words, demented pauses dotting your conversation? Did you start going through your possessions, sorting and discarding; checking visa rules for other countries; dreaming of dead, unknown great-grandmothers who had been unpersoned, killed or disappeared? Were you shouted at by your doctor’s receptionist? Were you shaken in your sense of ‘home’?   This happened to me, and to many of my friends So it was not enough to pay taxes Not enough to love your fellow-creatures, Marmite, football, or the rain I discussed, with a Polish-Scottish friend, the possibility of a kind of trans-generational post-traumatic stress disorder We settle here; but the ghosts of history, the oppressions, migrations, escapes, re-rootings, re-routings,

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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Art

May 2014

The Interzone and Dexter Dalwood

Sarah Hegenbart

Dexter Dalwood

Art

May 2014

‘Burroughs in Tangier’ (2005) has captivated me ever since its display in the 2010 Turner Prize Exhibition. The work...

Prize Entry

April 2017

/gosha rubchinskiy/

Christopher Burkham

Prize Entry

April 2017

1. APARTMENT INTERIOR/MORNING/BELYAYEVO, MOCKBA, ROSSIJSKAJA FEDERACIJA…   There is a T-shirt on the desk in front of him.  ...

Prize Entry

April 2015

The Incidental

Luke Melia

Prize Entry

April 2015

The automatic rifle fire was followed by an unnerving whistle at Ti’s ear. He gripped the shopping bags, grabbed...

 

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