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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

Oeroeg was my friend When I think back on my childhood and adolescence, an image of Oeroeg invariably rises before my eyes, as though my memory were one of those magic pictures we used to buy, three for ten cents: yellowish, shiny little cards coated with dried glue, which you had to scratch with a pencil to reveal the image underneath That is how Oeroeg comes back to me when I delve into the past The setting may vary, depending on how long ago the period I am recalling is, but Oeroeg never fails to appear, be it in the overgrown garden at Kebon Djati or on the reddish-brown muddy paths along the sawahs in the Preanger highlands, in the hot carriages of the little train we took to primary school each day in Soekaboemi, or later, at the boarding-house when we were both at school in Batavia Oeroeg and me, playing and tracking in the wilderness; Oeroeg and me, hunched over our homework, our stamp collections and forbidden books; Oeroeg and me, ever together, during each and every stage of our development from child to young man I think it is fair to say that Oeroeg is imprinted in my being like a brand, a seal – now more than ever, since every form of communication has been banished to the past I do not know why I feel the need to take stock of my relationship with Oeroeg and of all the things he meant to me, and still means It may be something to do with what I felt was his inescapable, unfathomable otherness, that secret of spirit and blood which posed no problems in childhood and youth, but which now seems all the more confounding   *   Oeroeg was the eldest son of my father’s mandoer, and like me was born at Kebon Djati, the estate managed by my father We were only a few weeks apart in age My mother was very fond of Oeroeg’s mother As a young woman fresh from Holland and deprived of contact with other members of

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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poetry

December 2012

Off-Season

Miles Klee

poetry

December 2012

As a boy I went on a strange vacation with a friend. His parents took us, I can’t remember why,...

fiction

April 2014

Chiral

Paul Currion

fiction

April 2014

I cough while the technician tinkers with the projector, although the two are not related, and I wonder why...

Art

Issue No. 9

Dr Gaz

Jeff Keen

Art

Issue No. 9

Jeff Keen was among the most influential of a pioneering generation of experimental film-makers to emerge from the United...

 

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