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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

What follows could have been an essay or an interview In the event, it resembles the one as little as it resembles the other The images are nearly all by Vanessa Hodgkinson David Trotter supplied most of the words   This is the story of a critic’s encounter with work by an artist who had encountered some of his ideas Although the artist the story describes is an artist and the critic a critic, it’s not always easy to tell exactly where in the art the artist ends and the critic begins, and exactly where in the criticism the critic ends and the artist begins What follows is the log of a conversation which has been going on in various ways for about six months, and will be continued It is the record of images that would not have been made and thoughts that would not have been thought had two individuals not chanced to become conversant   Techno-primitivism made its first public appearance in an essay I published in the London Review of Books in August 2012 on DH Lawrence’s Lady Chatterley’s Lover Lady Chatterley’s Lover is full-on primitivist During the First World War, Lawrence finally became convinced that Europe was in the process of destroying itself, and that renewal – if renewal were still possible – could only come from sources in a mentality at once beyond and before the civilisation it had brought about In works like Fantasia of the Unconscious, St Mawr, The Plumed Serpent, and Mornings in Mexico, he drew a stark contrast between a white European and North American civilisation rendered lethally sterile by its commitment to Christian-Platonic idealism and doctrines of scientific-industrial ‘progress’, and that of aboriginal peoples whose custodianship of ancient intuitive and animist modes of consciousness had encouraged momentous if ultimately futile resistance to colonial expansion After the war, he travelled to Italy, Ceylon, Australia, and New Mexico in search of the few remaining custodians His letters of this period express both contempt for Western attitudes and ways of life in toxic decline, and uncertainty about what the available alternatives might add up to

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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Interview

May 2015

Interview with Maggie Nelson

Jess Cotton

Interview

May 2015

Nothing, it seems, falls outside Maggie Nelson’s field of inquiry. The author of four books of poetry and five...

fiction

April 2013

The Final Journals of Dr Peter Lurneman

Luke Neima

fiction

April 2013

Editors’ note: After several months of debate we have decided to publish the succeeding text, a reproduction of the...

Interview

Issue No. 1

Interview with China Miéville

Ben Eastham

Interview

Issue No. 1

It is a cliché to say that a writer’s work resists classification. It is ironic then that China Miéville,...

 

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