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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

Resistance needs to be recorded Resistance needs symbols: ideas that can travel faster than speech, last longer than memory Nowhere is this more understood, more fought over, than in Palestine   From the inception of the Zionist project, battle has raged over language, over landscape, over image The ‘land without a people’, the ‘merciless terrorist’, the ‘humane soldier’, the occupying army searching for a ‘partner in peace’  For over one hundred years Palestine and her neighbours suffered countless defeats, losing land and lives again and again, facing up to a vastly superior military power again and again – yet somehow remaining the aggressor in the mainstream Western media   And for Palestine, public opinion in the West is one of the keys to freedom   Times are changing The internet has widened the battlefield – citizen journalists, bloggers, photographers make up a limitless army of volunteers The Boycott Divestment Sanctions movement empowers everyone with effective moral choices   The Palestine Festival of Literature, PalFest, is an annual series of readings, talks and workshops featuring writers and artists from Palestine and around the world For the last four years it’s taken place in cities across the West Bank and historical Palestine This year will be our first in Gaza   PalFest is by its very nature transient – it moves every day, crossing borders and military checkpoints to get to the audiences that aren’t allowed to come to us But its aims are long term So we’ve always made sure everything is recorded, and that videos are cut and uploaded live throughout the festival To present to the world a vision of Palestinian life that is not directly related to the Israeli occupation To show how keen the audiences are, how good the art is, how smart and resilient the students are   We were lucky to have my good friend, the documentarian Murat Gökmen, with us last year Over the festival week he went through a nasty interrogation, a full body search and a healthy dose of tear gas but he’s produced a film that captures the feeling of being on the road with PalFest and puts forward useful observations about what we’re all

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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Interview

Issue No. 2

Interview with Michael Hardt

Chris Catanese

Karim Wissa

Interview

Issue No. 2

Michael Hardt is a philosopher and theorist best known for his collaboration with Antonio Negri on a trilogy of...

Interview

November 2016

Interview with Dodie Bellamy

Lucy Ives

Interview

November 2016

The summer of 2016 was for me the Summer of Dodie Bellamy. I am a New York resident, but...

Art

March 2014

Amy Sillman: The Labour of Painting

Paige K. Bradley

Amy Sillman

Art

March 2014

The heritage of conceptualism and minimalism leaves a tendency to interpret a reduction in form as intellectually rigorous. If...

 

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