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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

https://soundcloudcom/user-856373367/david-hawkins-field-recording/s-oqrsd2iveh1   FIELD RECORDING   When you record the air, its soundings go boneward    A small, ear-sized mushroom collapses upwards into    a state of pure colour and to draw it with sounds    then becoming words is an amiable task A ladybird    lands on your sleeve: it smells brightly,    orange-tipped emulsion, chewing noise until listening pauses: aural history is an opening skull, huge weathered stones left by ancestors    are a broken eminence Could we be its fontanelle?    As a slender membrane sinks like a trampoline    through the filleted sky, so the ear grows into the ground    at the speed of slow echo We want to exist    like humpback whales, let our song gather itself    around the whole world and return the same notes    yet somehow changed by the timbres of distance,    but that sheer blue crow feinting on its updraft    is a new distraction picked from a bucket    of luminous seeds and fungi Before you pack the gear away    please mention the grass growing and the gentle blush    teeming in your cheeks, the near swoop of an eyebrow   https://soundcloudcom/user-856373367/david-hawkins-roadkill-redacted/s-LXwjkvo1TKM   ROADKILL REDACTED   It’s true that I’m the slightly bloated carcase of a young roe deer sprangled on the edge of the central reservation Like something in amber, my legs are a tangled glyph, my face flayed by insects, as traffic iterates and reiterates its sane and modal realism A million flies have drunk from my fraying tear ducts Neutral voids, my eyes; where small nightmares well up and print themselves on tarmac in an abacus of

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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Interview

November 2016

Interview with Njideka Akunyili Crosby

Cassie Davies

Interview

November 2016

Njideka Akunyili Crosby first encountered Mary Louise Pratt’s ‘Arts of the Contact Zone’ (1991), which identifies ‘social spaces where cultures meet,...

Art

Issue No. 14

Lenin was a Mushroom

Thomas Dylan Eaton

Art

Issue No. 14

Cast as the ‘savage, ugly’ part in the Popular Mechanics live show, Necrorealists were radical artists in their own...

feature

Issue No. 1

In Somaliland

feature

Issue No. 1

On a traffic island in the middle of Somaliland’s capital city, Hargeisa, is the rusting shell of fighter jet...

 

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