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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

11 22 2011 – LOVE DOG     For months Hamlet has been floating around Its book covers popping up everywhere Non sequitur references during my classes with Avital Ronell In other texts In my letters to Elaine and in her letters to me The other night, in my laundry room, someone left a copy on a shelf of donated books On tables at work I even stole one copy and took it home with me as a token, as proof   Ronell says, ‘In Hamlet readiness is all’ and ‘All of Hamlet happened in the ear’ A few weeks later, Žižek came to Ronell’s class and said that Hamlet is about the way the beginning of ethics is trying to decide something and decision always involves indecision and procrastination How an act always comes both too early and too late, so there is never really a ‘right’ moment for an act One begins with the wrong moment because it is always the wrong moment A few days ago, Elaine sent me a quote by John Berger: ‘In the minute that’s still left we have to do everything’ The day X came to class Ronell brought up Hamlet, again, and suddenly all the ghosts had a name, making them real I couldn’t believe my ears Yet even though we were finally in the same room together, how can you know what someone hears – (what X heard) – when we never really know this about anyone? When I asked a female acquaintance at the bar we were at if she thought X had heard what I said under my breath the night we were together, she answered: ‘He doesn’t need to hear you He knows’ The question is, how did she know? When I mumbled something cutting to him as he went outside to smoke a cigarette, taking a risk by saying anything at all, he asked me to repeat what I’d said I pretended I hadn’t said anything and he pretended he didn’t hear anything Denial is one of the ways cognition works You’re just hearing things and You’re just seeing things are

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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feature

Issue No. 13

Writers from the Old Days

Enrique Vila-Matas

TR. J. S. Tennant

feature

Issue No. 13

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial....

Interview

March 2017

Interview with Lidija Dimkovska

Sara Nović

Interview

March 2017

I met Lidija Dimkovska at the Twin Cities Book Festival in October, fleetingly, and completely by accident. I had...

poetry

December 2012

Off-Season

Miles Klee

poetry

December 2012

As a boy I went on a strange vacation with a friend. His parents took us, I can’t remember why,...

 

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