Mailing List


Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

To Miquel   I possess my death She is in my hands and within the spirals of my inner ears She is in the balls of my eyes because she is my eyes If you are having a bad day, my eyes are also your death My death creeps carefully around the spiral of your inner ear and pushes out buds through the branches of your fingers   He met Misaki Konishi in his living room When he entered Misaki was squatting down, reading The servant barely cleared his throat before announcing the visitor’s name: Itakura no Goro The old man raised his face and made a slight movement of the head in the direction of his guest He responded martially Ask my wife to prepare the tea The servant disappeared behind the sliding door Misaki tried to stand up Aren’t you going to help me? he said The samurai hurried to do so, looking away so as not to humiliate him Now standing, the old man placed a hand on his lower back and gave a bow, possibly ironic, to which Itakura once again responded in earnest The old man smiled: I see that your heart remains in Kyushu; you are from Kyushu, no? From Nagoya You are among friends The old man purposefully looked towards his stick, which had been left on the floor The samurai stepped forward to pick it up, and held it out to him A beautiful city, Nagoya; I’m from a fishing village; they call me Misaki because that’s where I’m from; the name with which I was born is Ogata, Ogata Konishi Itakura nodded, barely closing his eyes, which made the old man smile again I tell you, you’re among friends, he said Leaning on his stick, he indicated the panel which opened to the garden, at the back of the living room   To Itakura it seemed that, more than being old, Misaki represented age itself Did you leave any family behind in Nagoya? he asked A wife, and two male children They’ll have opportunities in the city, they won’t be forced to do as

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

READ NEXT

feature

Issue No. 19

Editorial

The Editors

feature

Issue No. 19

‘A crisis becomes a crisis when the white male body is affected,’ writes the philosopher Rosi Braidotti, interviewed in...

feature

Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

feature

Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

Interview

September 2012

Interview with Michael Hansmeyer

Lawrence Lek

Interview

September 2012

Every project made with a computer expresses a relationship between aesthetics and technology. The historical progress of technology works...

 

Get our newsletter

 

* indicates required