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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

Sitting at a British Library desk in July 2006, a reader carefully consulted the fraying pages of A Relation of Some Yeares Travaile by Thomas Herbert Bound by a spine of deep green leather, lavishly illustrated and with the faint musk of old paper, the seventeenth-century text sat wedged between two grey cushions Delicately flipping a page,the reader halted The text had jumped incoherently from one word to the next They leant forward to peer at the page numbers One of the precious leaves had – neatly, almost imperceptibly – been sliced away   A browse through the rest of the book revealed yet more absences: illustrations, title pages, text Nearly an entire section on ‘the language of the Persians’ had disappeared This was no coincidence, no historic damage Somebody had been meticulously stealing from this book, one page at a time   In January of that year, British Library staff had been alerted to a similar disturbance: a missing map of the New World from another rare text Such an operation, involving a sharp blade and vigilant avoidance of CCTV cameras and staff, could only have been carried out by an expert with comprehensive knowledge of the text and of the library itself Five readers had recently consulted the work and each, in a letter, was asked for information – all to no avail That is, until a few months later, when it was noted that one of these five had also recently read the damaged Herbert An investigation into this individual and their peculiar love of books was just beginning: it would take months to follow his paper trail; it would take a forensic team of librarians to analyse the thousands of books he had accumulated; it would become a tale of secrecy, duplicity and obsession The common denominator: Farhad Hakimzadeh   Born in Iran in 1948, Hakimzadeh was a man of scholarly and philanthropic reputation He was educated in Germany as a child, then studied at MIT and Harvard Business School After returning to Iran, Hakimzadeh worked on a communications project for the government and joined his family’s manufacturing business But he

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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fiction

Issue No. 3

Forkhead Box

Jeremy M. Davies

fiction

Issue No. 3

What interests me most is that Schaumann, the state executioner, bred mice. In his spare time. Sirens, ozone, exhaust...

feature

May 2011

Short Cuts

Charles Boyle

feature

May 2011

1.. Whatever it is that the literature department of Arts Council England (ACE) is for, it can’t be for...

poetry

Issue No. 20

Two Poems

Nisha Ramayya

poetry

Issue No. 20

JOY OF THE EYES   The future is not the beginning, but the forerunner, of a new intense-formation.  ...

 

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