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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

 I am bound more to my sentences the more you batter at me to follow you – William Carlos Williams, ‘January’   A new train set changed the living room into her playground Just a little engine and two cars, red and green, going around the metal track, but the little girl imagined more, because the trains followed the curves, stayed on the track, and kept circling and going, going Her father sat beside her on the floor, like her, beaming      A very long line of freight trains took a long time to pass She knew it would come to an end, and was patient at the railroad crossing The cars of many colours – yellow, red, green – lumbered by, boxes on wheels, while the train’s lonesome whistle kept calling, Here I come, here I am, here I go      Freight trains, at all times of day and night, wailed through hundreds of small towns, just a gas station, a luncheonette, maybe a beauty parlour, towns undone by human failure and natural disaster, flood, drought, towns with no product but the wind blowing      Her toy train rounded an old track               Estranged mountains bulged under the sky, the big sky, the endless sky Anyway, no one could see an end to it, which reassured her, since so much seemed to be coming to an end It felt that way      But it seemed impossible – the universe dropping off, ending, there would be an end, and then there would be nothing, a no more, a vacuum of no more Her imagination couldn’t let her go there               A jumble of metal and tires, grease stains, goop, the shop looked a big mess The guts of cars, tools, scattered all over the floor, but he knew where everything was He’d say to his wife, ‘I know where it all is, just don’t touch anything’ His place was like the back of his hand, and he was just as attached to it      Folks brought in their cars and trucks for fixing Dented, broken down, crashed The fixer-uppers The ‘keep ‘em going until I get some money’ cars Junkers The shit that happened to their rides, to them,

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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feature

Issue No. 5

Choose Your Own Formalism

David Auerbach

feature

Issue No. 5

1. ALL SQUARES RESIDE IN THE HUMAN BREAST In 2007 game designer and Second Life CEO Rod Humble wrote...

Essay

Issue No. 18

The Disquieting Muses

Leslie Jamison

Essay

Issue No. 18

I.   In Within Heaven and Hell (1996), Ellen Cantor’s voice-over tells the story of a doomed love affair...

Interview

Issue No. 13

Interview with Michel Faber

Anna Aslanyan

Interview

Issue No. 13

MICHEL FABER’S RANGE OF SUBJECTS – from child abuse to drug abuse, from avant-garde music to leaking houses – is as...

 

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