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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

Suicide without a cause, or silent sacrifice for an apparent cause which, in our age, is usually political: a woman can carry off such things without tragedy, without even drama — Julia Kristeva   I   I return to a former self, ghost or shadow self emerging from a glimmering light;   Woolf’s ‘luminous halo, a semi-transparent envelope surrounding us from the beginning of consciousness to the end’   Life as circularity, inevitable return to a womb-like space, a space of the maternal?   Where do the dead go after they die? What nether region do they inhabit?   Where did the Hakka people come from? Peripatetic tribe from north-east China   She comes from people without a home, or fixed position She is condemned and doomed to wander looking for her place in history   I conjure up the past, delving into the recesses of unknown memory and time   I am returning to the source The original source The point of all our origin But these origins go further back beyond Western tradition, beyond the story of holy innocence fabricated in the myths of Adam and Eve, and the notion of a God the father And it does not reside in the maternal womb either, that place of warmth and nurturance, which begins with love   I invite mystery I return to our innate energy, excavating deeply layer upon layer of our consciousness   I breathe in the light; I inhale deeply and exhale   Where is the point of our origin?   I am digging deep I have to go further than the surface of things, back through space and time   I uncover hidden treasure buried for centuries, and carefully retrieve it for future purposes   Filtering through the coloured papers of memory, those delicate, fragile and carefully processed pieces of our past and history felt in my bones and body   In the beginning there was the Word And the Word is me My words become me, and I become the word, a flurry of mixed phrases, half-spoken sentences, articulate in their gibberish   I try to find the language that defines me, become a whirling dervish, caught up in a veil of spinning letters They fly around me, and I try to catch them   In the beginning there was

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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poetry

September 2012

Mainline Rail

Eleanor Rees

poetry

September 2012

Back-to-backs, some of the last, and always just below the view   a sunken tide of regular sound west...

Art

September 2011

Interview with Cornelia Parker

Lowenna Waters

Art

September 2011

Cornelia Parker has over the past twenty years carved out a reputation as one of Britain’s most respected sculptors...

fiction

Issue No. 12

A Samurai Watches the Sun Rise in Acapulco

Álvaro Enrigue

TR. Rahul Bery

fiction

Issue No. 12

To Miquel   I possess my death. She is in my hands and within the spirals of my inner...

 

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