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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

On the most literal level, Pier Paolo Pasolini’s elliptical, spiritual-cum-sensual movie Teorema (1968) is about an entire family being driven to distraction by their mutual desire to have sex with Terence Stamp Viewed from this angle, it is realistic enough that it might be reclassified as a documentary – theirs is, after all, an understandable insanity, shared by many moviegoers in the sixties and beyond Only 923 words end up being spoken over Teorema’s 90-minute running time, and because Terence Stamp does not, as it turns out, actually speak Italian, the 25 or so allotted to his character are dubbed That Pasolini cast him anyway is testament to both his wattage as an actor, and to Pasolini’s innate understanding of lust as a thing that is removed from language, totally unbound by reason, and as sudden and inexplicable as a miracle What Stamp possesses is an air of glamour, in the most traditional and most supernatural sense – ‘a sort of spell,’ the writer Autumn Whitefield-Madrado wrote in 2015, citing the old Scottish word glamer as its root, ‘that would affect the eyesight of those afflicted, so that objects appear different than they actually are’    The family in Teorema are both rich and unfulfilled, their lives luxurious but stultifying and empty, until one day they receive a mysterious telegram informing them that someone called ‘The Visitor’ will arrive shortly When he does, because he looks the way he does – those bright teal eyes and that absurd, almost feminine cupid’s bow, the whole face somehow simultaneously innocent and evil – it is as if some obvious force of nature, like a hurricane or a Biblical flood, has burst into their bourgeois home and swept away their inhibitions Who are they to deny beauty in all of its terrible strength, its divine power? Who could possibly resist what has been carefully designed, either by nature or by God, to be entirely irresistible? The first to fall prey to his eerie magnetism is the maid, who is so moved and so unsettled that she cries just looking at him and then rushes

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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poetry

Issue No. 13

Watermen

Holly Pester

poetry

Issue No. 13

It’s Saturday and two men arrive at the door in the uniform. Thames Water. We’re checking the whole street,...

poetry

November 2016

Nothing Old, Nothing, New, Nothing, Borrowed, Nothing Blue

Iphgenia Baal

poetry

November 2016

look at your kitchen look at your kitchen oh my god look at your kitchen it’s delightful only wait...

Prize Entry

April 2017

Two Adventures

Ari Braverman

Prize Entry

April 2017

I. A Cosmopolitan Avenue   …where a girl pretends the whole city is dead. She is too old for...

 

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