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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

Although I had landed two hours before, I was drinking wine and not coffee as I waited for a friend, a newly credentialed lawyer, to explain his concerns about civil liberties in his country At my back, shrieks rose My mistake had been remembering the yearly transformation of the Bassin de La Villette as festive This visit to a café on the canal’s bank had been my suggestion Floating dive bars lift anchor, replaced by kayaks and bulky platforms within which it’s possible to pilot a child’s plastic boat or, last year’s innovation, to swim A whine reached us from a zipline A boat whose deep pink sail bore a logo for the 2024 Olympics rotated slowly, moored unstably to two buoys The city’s bid was in Meanwhile, temporary metal fences cordoned off the canal, and last August, to walk alongside it, one had to submit to a guard rifling through one’s bag To another American, I pointed out Doric columns, the Villette Rotunda, built in the eighteenth century as a tollbooth in the city’s wall Like a tree, Paris has grown in concentric rings; this wall, where taxes used to be exacted, was succeeded by a looping railway, by the Périphérique highway, and, most recently, by a scheme called Grand Paris, which will incorporate some of the suburbs into an extended Métro web and administrative system So unpopular were the taxes – and, by extension, the Rotunda – that its architect, Claude-Nicolas Ledoux, was imprisoned by revolutionaries in 1793 The American had heard of Ledoux’s dream, a city of three thousand inhabitants laid out radially around a salt works that the architect had built He sketched buildings whose geometries cross Neoclassical and ziggurat – Space-Age avant la lettre A vast orb sunk among mausoleums would serve as a cemetery As with the factory, which centred a director’s house the architect called a ‘temple of surveillance’, the design emphasised sightlines The panopticon was not, for Ledoux, incompatible with utopia On the contrary, in Chaux city, the architecture would refine the thinking of the citizenry[1] They would have nothing to hide Michel

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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fiction

January 2016

Forgetting: Chang'e Descends to Earth, or Chang'e Escapes to the Moon

Li Er

TR. Annelise Finegan Wasmoen

fiction

January 2016

Source Material   Her story is widely known. At first she stayed in heaven, then she followed a man...

feature

May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

feature

May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

Art

May 2013

On the Margins

Sean Smith

Art

May 2013

 

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