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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

In July 2015, T: The New York Times Style Magazine gathered twenty-eight ‘artists, writers, performers, musicians and intellectuals who defined New York’s inimitable and electrifying cultural scene of the late 1970s and early ’80s’, for a photo shoot entitled ‘They Made New York’ Among them were Philip Glass, Chuck Close, Susan Sarandon, Fran Lebowitz and DJ Kool Herc Almost everyone smiles, except for one man in the middle, who carries the face not of a celebrant but of a survivor This man is the writer, artist and filmmaker Gary Indiana   Born Gary Hoisington, Indiana was raised in Derry, New Hampshire At 16 he was accepted to the University of California, Berkeley, only to drop out shortly after He would crash around various communes until he found his place among a group of filmmakers developing what became known as ‘narrative porn’ – smut with a storyline, which would come to resemble modern reality TV In 1973, Indiana arrived in Los Angeles, where he was hired as a receptionist for an inner-city medical clinic and had access to ‘an endless supply of pharmaceutical amphetamines’ He took occupancy at the Bryson Apartment Hotel, a complex once considered ‘the finest apartment-house west of New York City’, and later made noir-famous by Raymond Chandler, who used it as a backdrop in his 1943 story ‘The Lady in the Lake’ By 1977 the Bryson was inhabited by junkies and dregs; Indiana, too, was falling apart A near death experience sent him packing to Manhattan, a place that to him had already had its moment: ‘I didn’t come to New York,’ he points out, ‘until 1978’   Defining Indiana by location, occupation or time is a tricky endeavour In the early eighties, he acted in experimental films, put on plays and wrote art criticism for The Village Voice, before publishing his debut story collection Scar Tissue and Other Stories in 1987 His first novel, Horse Crazy (1989), in which an older male writer falls for a younger former junkie-turned-waiter, is set against the backdrop of an AIDS-ravaged New York The writer character closely resembles Indiana, distilling his life into

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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Interview

November 2016

Interview with Dodie Bellamy

Lucy Ives

Interview

November 2016

The summer of 2016 was for me the Summer of Dodie Bellamy. I am a New York resident, but...

Essay

March 2019

Dreaming Reasonably: on Jenny George

Rachael Allen

Essay

March 2019

In Neil Marshall’s 2005 horror film The Descent, a group of women go spelunking and become trapped deep underground...

fiction

June 2011

Arthur Miller

Michael Amherst

fiction

June 2011

The last time I saw Vin and Jackie we were killing slugs. The three of us had been smoking...

 

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