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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

1 The hotel lobby was both cleansed and fragrant, as was the receptionist speaking softly on the phone behind the desk The owners obviously wanted to welcome people to their establishment, to encourage them to return there for further visits or to recommend it to their friends and associates The owners wanted this to take place so that they could make money – that was the primary reason, Marguerite thought Personally, he had insufficient funds to stay at that or any other hotel – it was not just an issue of people wanting beds and the hotel providing them, along with other facilities, perhaps, such as a restaurant You really did need money or a means of payment to cover your temporary residence there It might not be your own money: you might be there to attend a conference, for instance, if you were a white-collar worker, in which case your employers may have paid for your stay at the hotel As a blue-collar worker you might be visiting a nearby factory, say, from your home in another part of the world, and you might need to stay overnight at the hotel In this latter instance, there would be a judgement by your boss (who would almost always be a white-collar worker – who would work, that is, in the office as well as occasionally, perhaps, on the factory floor) about whether or not you would be able to get back from your visit in the same day and/or whether it would be so inconvenient for you to do so that it would be worth staying over, as it is known Your boss would judge whether, for instance, you would get home after midnight, which is to say in the early hours, rather than at your normal seven or eight o’clock, back for your evening meal, perhaps prepared by your wife, always, in fact, to Marguerite’s mind, prepared by your wife, who would not have a job of her own, who could not be categorised into white- or blue-collar, who would always simply be there In the case

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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Interview

Issue No. 2

Interview with William Boyd

Jacques Testard

Tristan Summerscale

Interview

Issue No. 2

On a wet, grey morning in March, William Boyd invited us into a large terraced house, half-way between the...

feature

April 2017

Everywhere and Nowhere

Vahni Capildeo

feature

April 2017

Part of my reluctance to write on citizenship is that as a poet, a worker in delicate, would-be-truthful language,...

Interview

Issue No. 13

Interview with Michel Faber

Anna Aslanyan

Interview

Issue No. 13

MICHEL FABER’S RANGE OF SUBJECTS – from child abuse to drug abuse, from avant-garde music to leaking houses – is as...

 

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