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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

When I was twenty-seven, my Sleep stepped out of me like a passenger from a train carriage, looked around my room for several seconds, then sat down in the chair beside my bed This was before they became so familiar, the shadow-forms of Sleep in halls and kitchens, before the mass displacement left so many people wakeful at uncertain hours of the night In those days, it was still surprising to sit up and see the silver lean of Sleep, its casual elbows People rang one another, apologising for the lateness, asking friends if they too were playing host to uninvited guests   Sleep was always tall and slender but beyond that there were few common traits Experiences varied – a girl I knew complained that her Sleep sat ceaselessly atop her chest of drawers, swinging its heels and humming, while another confided that her Sleep trailed its fingers down her calves, demanding cones of mint ice cream Couples and cohabiters were the worst off – the Sleeps seemed more prone to behaving badly in numbers, as though they were egging one another on A rumour persisted in my building that the husband and wife in the penthouse had locked their Sleeps in separate bathrooms to prevent them wrestling violently on the carpet A man I knew vaguely from the office told me in passing that his and his boyfriend’s Sleeps kicked at one another incessantly and flicked pieces of rolled-up paper at the neighbour’s Bengal cat My Sleep had no one to fight with and so mostly preoccupied itself with rooting through my personal belongings, pulling out old photographs and allen keys and defunct mobile phones, then placing them like treasures at the foot of my bed   Early on, we didn’t know what it was exactly A lot of people assumed they were seeing ghosts One night in mid-July, a woman in my building woke the seventh floor with her shrieking Two am, dark throat of summer A bleary stagger of us collected in the corridor and were beckoned into her flat in our sleeping shorts and dressing gowns We walked

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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Essay

Issue No. 18

The Disquieting Muses

Leslie Jamison

Essay

Issue No. 18

I.   In Within Heaven and Hell (1996), Ellen Cantor’s voice-over tells the story of a doomed love affair...

feature

January 2013

A Black Hat, Silence and Bombshells : Michael Hofmann at Cambridge & After

Stephen Romer

feature

January 2013

The black hat and the black coat I was familiar with, before I knew their owner. It was Cambridge,...

Art

Issue No. 11

Sarah Jones

Sarah Jones

Art

Issue No. 11

A series of photographs by the acclaimed British artist Sarah Jones is published in The White Review No. 11. 

 

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