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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

ESCAPE AT RED ROCKS   I am the colour of the outside, a stillness moving like a winter tide, a new shoreline in formation, a marshland waterlogged – soggy ground needs time to dry it out –   but time as sea wind not calendar, the time found inside spaces stretching out and over like skin on a drum is a resonance, a wave that submerges the entire rock, not chiseling or scratching at one area only, not just a mind to impress upon   but a flattened and silken self all bound into the support of the water, head rising up then down to find my breath     DIVINATION AT HIGH WATER   Small birds dip on the tide, one instant silver, next dark as shadow and, seep-into-it, disappear again in the glint of sun on the wave; and turning under into the crust of water, taking on edges and then reversing, then – flicker –   there is no need to carry a narrative high on my shoulders as the light makes me another story, touching distance huge as the earth’s arc,   no collapse of form or dissolution, but an alteration, a submission to the sky and then, for a moment, enlarged as wide as a firmament, my body, a long afternoon of rain, becomes thunder     PORTENT IN THE HIGH WOODS   The men sit before the hearth, spit words into flames Some thing is coming over the mountains, along forest tracks and past the stream   They know this as he saw it in a dream, heard horses’ hooves stick in sandy mud, saw in his sleep a shadow in the high wood, long-lined like a tree but swerving down the path like a torrent   He says this out loud Men lean inwards, look east across lead-lined windows, terraced gardens, sodden topiary to feathery fog, the flood   And in woods, at a fire-pit in the grove, twigs are laid on the centre-stone, a mist swirls then scatters as oaks creak and crack, cloudy droplets skulk like rainclouds over the earth   At their hearth, the men cackle, scramble for spears and swords Across mountains, in the estuary, the thick tide is far and out Lithe winds ride in over the valley One man licks his lips to taste the salt   *   In the grove, weary bodies rest on the sound of the mist, which crunches  now like the rock that

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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fiction

August 2013

Foxy

Siân Melangell Dafydd

fiction

August 2013

If you don’t want to lose your eyes, grab them by the veins sticking out of their behinds and...

poetry

January 2015

Why I'm Not a Great Lover

Clemens J. Setz

TR. Ross Benjamin

poetry

January 2015

Why I’m Not A Great Lover   The circumstances. The zeitgeist.   The inner uncertainty. The lack of belief...

poetry

September 2016

Two Poems

Daisy Lafarge

poetry

September 2016

siphoning   habitual catalogue of the day, intro ft. blossom fallen from a gated property and crisping on the...

 

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