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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

They seek out the confused, the timid, the lazy   Are you still feeling frightened? they ask, mock concern on their faces After all this time? Really! How can that be?   Get a grip, they cry If only you could just make up your mind! This indecision can’t go on forever, you know   Channel that introspection into strategy, is our advice Your goals will be your stepping stones to greatness   There’s no room for uncertainty now Just pick an objective Follow the necessary path to realise your ambition We will be here to guide you   The lost ones scour their bedrooms, their cupboards, their gardens, for an idea or a clue: anything that might have weight, have longevity   That? That’s your ambition? You can’t be serious!   The lost ones bow their heads in shame and recognition   *   I cross the city to see my mentor in the area where he lives I have to travel east to west, going past the institute and taking another bus out further still It is an ordeal I once queried this arrangement, but it was not possible to change what we had agreed in the past   Today we are meeting in a park It is an unreal summer day, hazy at the edges so that the appearance of things cannot be trusted I can’t shake the feeling that the children who hang off the climbing frame are fakes The racket of their voices is like a cloud that casts a quick shadow over a garden, appearing near and far away at the same time Their noise seems to waver in the air, like it is unconnected to their bodies, a time delay between the movement of their mouths and the release of their garbled words The parents who sit on the benches observing, hands spread defensively on their laps, are probably fakes too   The banners don’t help Around the perimeter of the park, they are strung up, sagging in places, showing the warped faces of familiar-looking children and parents, but more attractive, more ecstatic They play tennis, run and hug They laugh, mouths open to show substantial white teeth The foliage they pose in

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

READ NEXT

feature

April 2017

Symbols Made Me Hardcore

Joe Bucciero

feature

April 2017

‘A Sound System, like the property of any system, is the interaction of the sum of its parts.’ —...

Interview

Issue No. 20

Interview with Anne Carson

Željka Marošević

Interview

Issue No. 20

Throughout her prolific career as a poet and a translator, Anne Carson has been concerned with combatting what she calls...

feature

July 2011

Herat

Sam Duerden

feature

July 2011

At Kabul airport, a man I mistook for a foreigner.   A security guard, red-haired with blue eyes and...

 

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