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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

In 2021, I collapsed all of my identities onto themselves Previously, I had written under my legal name – essays and reviews – unless I wrote about sex work, in which case I published under one or two pseudonyms I solicited clients and created a public-facing escort persona, social media and all, under an entirely different name, and referred to myself as such with people who hired me I had a whole other name to reveal to them as my real name – also fake – if they pushed too hard    I was never very good at convincingly committing to multiple identities, or maybe it’s more accurate to say that I was lazy about it My efforts at promoting and becoming the me’s without my real name were halfhearted, and it showed Slowly, I thought, why not remain Sophia, full-time? I became myself and I quickly developed a higher retention rate with men who wanted to pay to sleep with me Everyone preferred Sophia, which is to say: what people really want to buy from sex workers is not sex, but a mode of authenticity with fewer imperfections, and it was easier for me to feign this when I was pretending about other things less I will always answer more warmly – more truly – to my own name    The art and sex markets are ripe for scam – for price gouging and asset manipulation – because consumers are purchasing a conduit to a feeling Each buyer is in search of a particular state of being and wants to see that state reflected back to themselves Whether meaningful or shallow, the particular state one desires is priceless, as in: ever fervently and desperately sought, intrinsic to desire itself, commanding at whatever level of the market one is dipping into The buyer is seeking confirmation of who they are, or who they want to be, or who they were, in purchasing a painting or an overnight: a virile man; a widow with taste; a just-promoted banker; a cheating spouse; maybe a failson who wants, violently, success I spoke with Sarah Michelson,

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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fiction

Issue No. 3

Rehearsal Room

KJ Orr

fiction

Issue No. 3

He was one of those people you see every day and start to believe you know when in fact...

poetry

February 2011

Mainly about Roth

Aidan Cottrell Boyce

poetry

February 2011

From the start he was thrown in at the deep-end when the head keeper just handed him a pail...

poetry

August 2017

From The Dolphin House

Richard O’Brien

poetry

August 2017

Note for the following three poems: In 1965, a bottlenose dolphin christened Peter was the subject of a scientific...

 

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