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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

I was fourteen when I first transformed from Rosa into ~<*RoSaBubbLe*>~ Propelled by my adoration of Courtney Love – the lead singer of Hole, who I loved for many reasons but especially because she wrote on her stomach in eyeliner – I travelled down my first internet rabbit hole to the forums of the North American feminist magazine, Bust After school, in the living room I shared with my family, I would dwell in this private portal to a different world which could easily be shut on demand (just click the x)   Here, I found other young women, who were negotiating their similar-but-different lives Because of global capitalism we had a lot in common: they too went to Sizzler all-you-can-eat buffet for a treat with their grandparents, they too loved Courtney I didn’t speak (type) much because they all seemed more articulate than I was and because they were from North America and one was even from London, which seemed like centres of the world to me, back then in the suburbs of Sydney I learnt many things on these forums, but two have stuck with me most vividly The first thing I learnt about was zines, a decidedly low-tech cut-n-stick subculture which I readily embraced The second was something called ‘menstruation porn’, which is exactly what it sounds like I visited the slow-to-load webpage of very happy-looking bleeding people naked in the forest only once I think that, while intrigued, I was also repulsed (fully inhabiting the Freudian meaning of ambivalence), or maybe the dial-up cut out or my mum came home from the supermarket But knowing that it was there and being able to turn it over in my mind was enough Desire it seemed, was much more expansive than I had thought How curious In a world where I had already learnt to be frightened of men, the website taught me that they didn’t necessarily always get to determine how sex — and everything else — might go It was a small, quivering thought against the rest of

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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Prize Entry

April 2017

Pylons

David Isaacs

Prize Entry

April 2017

Once upon a time, Dad would begin, I think, focusing on the road, there was a man called Watt....

poetry

June 2014

Death on Rua Augusta

Tedi López Mills

TR. David Shook

poetry

June 2014

Translator’s Note Death on Rua Augusta is a book I knew I would translate before I had even finished...

fiction

January 2015

Adventures in Immediate...

Max Blecher

TR. Michael Henry Heim

fiction

January 2015

I can picture myself as a small child wearing a nightshirt that comes down to my heels. I am...

 

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