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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

Osip Mandelstam was born in Warsaw to a Polish Jewish family; his father was a leather merchant, his mother a piano teacher Soon after Osip’s birth, the family moved to Saint Petersburg After attending the prestigious Tenishev School, Mandelstam studied for a year in Paris, at the Sorbonne, and then for a year in Germany, at the University of Heidelberg In 1911, wanting to enter the University of Saint Petersburg – which had a quota on Jews – he converted to Christianity; like many others who converted during these years, he chose Methodism rather than Orthodoxy   Under the leadership of Nikolay Gumilyov, Mandelstam and several other young poets formed a movement known first as the Poets’ Guild and then as the Acmeists Mandelstam wrote a manifesto, ‘The Morning Of Acmeism’ (written in 1913 but published only in 1919) Like Ezra Pound and the Imagists, the Acmeists valued clarity, concision and craftsmanship   In 1913 Mandelstam published his first collection, Stone This includes several poems about architecture, which always remained one of his central themes His poem about the cathedral of ‘Nôtre Dame’ ends with the declaration:   Fortress Nôtre Dame, the more attentively I studied your vast ribs and frame, the more I kept repeating: one day I too will craft beauty from cruel weight In its acknowledgment of earthly gravity and its homage to the anonymous architects and masons of the past, ‘Nôtre Dame’ is typically Acmeist   Throughout his life Mandelstam continued to write about the various arts, but he was also a great love poet Several women – all of them important in their own right – were crucial to his life and work An affair with Marina Tsvetaeva inspired many of his poems about Moscow His close friendship with Anna Akhmatova helped him withstand the persecution he suffered during the 1930s He had intense affairs with the singer Olga Vaksel in 1924-25 and with the poet Maria Petrovykh in 1933 Most important of all was Nadezhda Khazina, whom he married in 1922   Osip and Nadezhda Mandelstam moved to Moscow soon after their marriage Mandelstam’s second book, Tristia, published

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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fiction

Issue No. 1

Beyond the Horizon

Patrick Langley

fiction

Issue No. 1

Listen to the silence, let it ring on. (Joy Division, Transmission) I It is not yet dawn. The city...

Interview

Issue No. 8

Interview with Deborah Levy

Jacques Testard

Interview

Issue No. 8

‘TO BECOME A WRITER, I had to learn to interrupt, to speak up, to speak a little louder, and...

Interview

Issue No. 1

Interview with Marina Warner

Elizabeth Dearnley

Interview

Issue No. 1

At the beginning of From the Beast to the Blonde, her study of fairy tales and their tellers, Marina...

 

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