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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

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Interview with Sianne Ngai

Interview

October 2020

Kevin Brazil

Interview

October 2020

Over the past fifteen years, Sianne Ngai has created a taxonomy of the aesthetic features of contemporary capitalism: the emotions it provokes, the judgements...

Essay

Issue No. 28

Fear of a Gay Planet

Kevin Brazil

Essay

Issue No. 28

In Robert Ferro’s 1988 novel Second Son, Mark Valerian suffers from an unnamed illness afflicting gay men, spread by...

Acts of Infidelity is the second novel by Lena Andersson that follows unlucky-in-love heroine Ester Nilsson, and it’s another scalpel-sharp look at a doomed relationship In Wilful Disregard (2013), Andersson showed – in excruciating detail – the drawn-out decline of a love affair where one person is ambivalent and the other is wholly in love; here, we get an equally unflinching look at Ester’s involvement with a married man It is very much a standalone book, although there are echoes of Wilful Disregard throughout; I was overjoyed to be reunited with the funny, intelligent Ester and curious to see whether she had learnt anything from her previous relationship (with Hugo Rask, an artist who spent the entirety of Wilful Disregard blowing hot and cold), only to recognise quickly that she had not It would be tempting and satisfying in a book to steer the characters away from their past mistakes, to make them do things differently this time – but in real life people don’t necessarily learn, not when it comes to matters of the heart   Ester is an intimidatingly clever person, someone who has dedicated her life to understanding and recording the world around her intensely through writing and theorising And yet, when it comes to men, she has a particular blind spot Her intelligence, in a way, is her undoing; it gives her the capacity to self-deceive endlessly, to analyse even the smallest situations and find them, somehow, hopeful Olof fails to send her a text message on the first New Year’s Eve that they’re a couple, an act which Ester interprets a sign of him being emotionally overwhelmed by his feelings for her, unable to condense them in a mere text With her friends – styled as the anonymous ‘girlfriend chorus’ in Wilful Disregard, but here fleshed out more as individuals each with their own approach to The Problem of Olof (and to love more generally) – Ester is able to analyse and re-analyse in a way that’s both absurd and also painfully familiar to anyone who’s ever been there   As the observers of this unromantic romance, we

Contributor

March 2018

Kevin Brazil

Contributor

March 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Interview with Terre Thaemlitz

Interview

March 2018

Kevin Brazil

Interview

March 2018

In the first room of Terre Thaemlitz’s 2017 exhibition ‘INTERSTICES’, at Auto Italia in London, columns of white text ran across one wall. Thaemlitz...

READ NEXT

feature

July 2012

Theatre's Arab Turn

Tanjil Rashid

feature

July 2012

Apart from the odd Shakespearean exception, from Othello the Moor of Venice to the Merchant of Venice’s marginal Moroccan...

feature

November 2016

Hot Rocks

Izabella Scott

feature

November 2016

‘We have received around 150 of them,’ Massimo Osanna tells me, as we peer into four small crates stuffed...

poetry

May 2016

Two Poems

Sam Buchan-Watts

poetry

May 2016

The Dentist’s Chair       I dreamt of the dentist’s chair, that it wore a smart pair of...

 

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