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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Interview with Sianne Ngai

Interview

October 2020

Kevin Brazil

Interview

October 2020

Over the past fifteen years, Sianne Ngai has created a taxonomy of the aesthetic features of contemporary capitalism: the emotions it provokes, the judgements...

Essay

Issue No. 28

Fear of a Gay Planet

Kevin Brazil

Essay

Issue No. 28

In Robert Ferro’s 1988 novel Second Son, Mark Valerian suffers from an unnamed illness afflicting gay men, spread by...

To Miquel   I possess my death She is in my hands and within the spirals of my inner ears She is in the balls of my eyes because she is my eyes If you are having a bad day, my eyes are also your death My death creeps carefully around the spiral of your inner ear and pushes out buds through the branches of your fingers   He met Misaki Konishi in his living room When he entered Misaki was squatting down, reading The servant barely cleared his throat before announcing the visitor’s name: Itakura no Goro The old man raised his face and made a slight movement of the head in the direction of his guest He responded martially Ask my wife to prepare the tea The servant disappeared behind the sliding door Misaki tried to stand up Aren’t you going to help me? he said The samurai hurried to do so, looking away so as not to humiliate him Now standing, the old man placed a hand on his lower back and gave a bow, possibly ironic, to which Itakura once again responded in earnest The old man smiled: I see that your heart remains in Kyushu; you are from Kyushu, no? From Nagoya You are among friends The old man purposefully looked towards his stick, which had been left on the floor The samurai stepped forward to pick it up, and held it out to him A beautiful city, Nagoya; I’m from a fishing village; they call me Misaki because that’s where I’m from; the name with which I was born is Ogata, Ogata Konishi Itakura nodded, barely closing his eyes, which made the old man smile again I tell you, you’re among friends, he said Leaning on his stick, he indicated the panel which opened to the garden, at the back of the living room   To Itakura it seemed that, more than being old, Misaki represented age itself Did you leave any family behind in Nagoya? he asked A wife, and two male children They’ll have opportunities in the city, they won’t be forced to do as

Contributor

March 2018

Kevin Brazil

Contributor

March 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Interview with Terre Thaemlitz

Interview

March 2018

Kevin Brazil

Interview

March 2018

In the first room of Terre Thaemlitz’s 2017 exhibition ‘INTERSTICES’, at Auto Italia in London, columns of white text ran across one wall. Thaemlitz...

READ NEXT

fiction

October 2012

Girl on a Bridge

Wayne Holloway

fiction

October 2012

Pirajoux… The middle of a hot endless summer, driving on the A39 through an as always empty central France,...

fiction

Issue No. 2

The Surrealist Section of the Harry Ransom Center

Diego Trelles Paz

TR. Janet Hendrickson

fiction

Issue No. 2

To Enrique Fierro and Ida Vitale—   Just like you, muchachos, I didn’t believe in ghosts, and if I’d...

Art

January 2012

Interview with Ryan Gander

Timothée Chaillou

Art

January 2012

London-based conceptual artist Ryan Gander masters the art of storytelling through an immensely complex yet subtly coherent body of...

 

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