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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Interview with Sianne Ngai

Interview

October 2020

Kevin Brazil

Interview

October 2020

Over the past fifteen years, Sianne Ngai has created a taxonomy of the aesthetic features of contemporary capitalism: the emotions it provokes, the judgements...

Essay

Issue No. 28

Fear of a Gay Planet

Kevin Brazil

Essay

Issue No. 28

In Robert Ferro’s 1988 novel Second Son, Mark Valerian suffers from an unnamed illness afflicting gay men, spread by...

The Chinese artist Cao Fei documents life in her country’s rapidly changing urban and social landscapes Her eclectic work as an artist – which extends to video, photography, digital animation, and writing – twins the physical and material changes driven by industrialisation with the increasing immersion of China’s youth in digital networks and virtual environments   Her early work explored these preoccupations – the video ‘COSPlayers’ (2004), released when she was 25 years old, follows adolescents as they dress up as animé characters and skirt the edgelands of Guangzhou, the sprawling port city of Fei’s birth; in ‘Whose Utopia?’ (2006, presented at the Tate Modern in 2014/15), workers at a manufacturing plant act out their fantasy lives amid the machines She came to wider international prominence for her construction of a virtual Gotham toontown called RMB City (2006–2011) on Second Life, the online world in which it is possible to buy property, get married, and set up businesses through a digital alias   Fei operated in Second Life through the avatar China Tracey In ‘iMirror’ (2007), Tracey meets Hug Yue, a hunky blonde in white-tie, and together they rove the virtual landscape on a safari romance, musing on the spliced world they encounter RMB City is an island conurbation comprised of a heap of souvenirs and stock images – as if burped out of a factory production line – which Fei describes as a ‘condensed incarnation of contemporary Chinese cities’ complete with chimneystacks, statues of Mao, shipping containers and shopping malls Fei has documented the city in a wide range of mediums, from videos and virtual guides to a theatrical production on Second Life (‘RMB City Opera’, 2009)   Fei has exhibited widely, including at the Venice Biennale (2003, 2007, 2015), Deutsche Guggenheim (2006), and Serpentine Gallery, London (2008) Her work has been shown at, among others, Tate Modern, London; the Guggenheim Museum, the International Center of Photography and MoMA, New York; and at the Centre Pompidou and Palais de Tokyo, Paris Her first museum solo show in the US opened at MoMA PS1 this April (and runs to 31 August)   We meet amidst the palatial

Contributor

March 2018

Kevin Brazil

Contributor

March 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Interview with Terre Thaemlitz

Interview

March 2018

Kevin Brazil

Interview

March 2018

In the first room of Terre Thaemlitz’s 2017 exhibition ‘INTERSTICES’, at Auto Italia in London, columns of white text ran across one wall. Thaemlitz...

READ NEXT

poetry

February 2012

Giant Impact Hypothesis

James Midgley

poetry

February 2012

I bought a satellite’s eye from the market. To look through it involved the whole god-orbit, a cotton-wooled Faberge...

Art

June 2014

Opus

Charmian Griffin

Amanda Loomes

Art

June 2014

Bound with animal fat, milk, or blood, Roman concrete is hardened over time. Less water would ordinarily mean a...

Art

Issue No. 17

Water

Batia Suter

Art

Issue No. 17

Sources: Achate, Bilder im Stein / Josef Arnoth, Naturhistorisches Museum Basel Buchverlag, Bild der Wissenschaft 12, Dezember 1971, DVA StuttgartBasler Zeitung, Birkhäuser...

 

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