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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Interview with Sianne Ngai

Interview

October 2020

Kevin Brazil

Interview

October 2020

Over the past fifteen years, Sianne Ngai has created a taxonomy of the aesthetic features of contemporary capitalism: the emotions it provokes, the judgements...

Essay

Issue No. 28

Fear of a Gay Planet

Kevin Brazil

Essay

Issue No. 28

In Robert Ferro’s 1988 novel Second Son, Mark Valerian suffers from an unnamed illness afflicting gay men, spread by...

‘All of our myths come out of looking at the stars and finding a metaphor for them’, says Ocean Vuong, interviewed in The White Review No32 Speaking about Asian American literature, Vuong explains how the oral tradition has shaped his writing, and discusses myth-making as a powerful tool to help imagine, and build, alternate futures   New legends, and the reinvigoration of the old, appear throughout this issue as a means of countering stereotype, critiquing the present and passing knowledge on   Rebecca Liu’s essay ‘So You Have an Asian Mother’ contends with the representation of the Asian mother in fiction by examining the ‘tiger mom’ trope Familial myth underpins Shane Jones’s story ‘Young Forest’, which immerses the reader in a brother’s psychological quest to rescue a sibling who has escaped into the woods In ‘The Understory’, an extract from a forthcoming novel by Saneh Sangsuk, translated from Thai by Mui Poopoksakul, a monk relays legends to villagers around a fire His stories are ornamented and crafted through retellings; they alter with each repetition, haunted by the decline of the forest and changes inflicted on rural communities, reaching for a new moral each time   For their experimental translation project ‘Ovid Void’, Maria Stepanova and Eugene Ostashevsky return to Ovid’s poetry of exile, written after the Roman poet was banished to modern-day Romania Stepanova began ‘paraphrasing’ Ovid’s melancholy verses in Russian while snowed-in at a winter cabin Ostashevsky continued the process, adapting Stepanova’s translations into English As the material passes through hands and languages, it speaks to many of the concerns of the day: isolation, censorship, climatic change   ‘The Chicken’ by RZ Baschir, winner of The White Review Short Story Prize 2021, sponsored by RCW, is a dark folktale in which women are treated as sexual livestock Irenosen Okojie’s surreal fiction also twists and shifts the world as we know it; in an interview she discusses migration, memory and her determination to seek new literary forms Replete with time-travelling monks and women who transform into liquorice, Okojie’s stories, like Baschir’s, are unsettling folktales about modern life   Issue 32 also includes poetry by Raymond de Borja, James Giddings and Kandace Siobhan Walker, the

Contributor

March 2018

Kevin Brazil

Contributor

March 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Interview with Terre Thaemlitz

Interview

March 2018

Kevin Brazil

Interview

March 2018

In the first room of Terre Thaemlitz’s 2017 exhibition ‘INTERSTICES’, at Auto Italia in London, columns of white text ran across one wall. Thaemlitz...

READ NEXT

feature

November 2011

Nude in your hot tub...

Lars Iyer

feature

November 2011

I. Down from the Mountain   Once upon a time, writers were like gods, and lived in the mountains....

Art

May 2011

Twelve Installations

Lawrence Lek

Art

May 2011

These installations express the transience of our sensory world, the impermanence of form, and the artificiality of our environment....

fiction

January 2014

To Kill a Dog

Samanta Schweblin

TR. Brendan Lanctot

fiction

January 2014

The Mole says: name, and I answer. I waited for him at the indicated location and he picked me...

 

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