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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Interview with Sianne Ngai

Interview

October 2020

Kevin Brazil

Interview

October 2020

Over the past fifteen years, Sianne Ngai has created a taxonomy of the aesthetic features of contemporary capitalism: the emotions it provokes, the judgements...

Essay

Issue No. 28

Fear of a Gay Planet

Kevin Brazil

Essay

Issue No. 28

In Robert Ferro’s 1988 novel Second Son, Mark Valerian suffers from an unnamed illness afflicting gay men, spread by...

I’ve never been ghosted by a work of art before, but I guess there is a first time for everything On entering Martine Syms’s new solo exhibition at Sadie Coles, I am confronted by Mythiccbeing (2018), an enormous video installation comprised of hundreds of miniscule LEDs Intermittently, a phone number comes up on a screen with the words ‘text me’ and I’m promised that if I interact, this work will respond When people refer to a piece of art communicating with the audience it isn’t usually meant in the most literal sense, and in my case at least, I’m left clutching my phone anxiously waiting for a text back to: ‘Hi bbz… How are you? What are you thinking about RN? Hellooooooo’ As the message bubbles gently shift from blue to green I feel an involuntary sense of dread – it appears even a chat bot can crush your self-esteem   This could easily be a Machiavellian trick designed to compound the overarching sense of social anxiety that fills the gallery Mythiccbeing is undoubtedly the focus, featuring a complex three-dimensional rendering of Syms’s face which appears to be imbued with her own physical characteristics: a brief sigh, a gentle move of the lips or a slight turn of the head This vision is interspersed with a montage of mundane video clips, random blocks of text and found imagery, all of which coincide with Syms’s enigmatic voiceover She reels off seemingly inconsequential and classically millennial thoughts around sex, money and everyday drama, all conveyed in the kind of language you would share with your friends in a group chat, as well as trance-like sexual interrogations: ‘Girl you like that? Girl you like that?’   These rapid switchbacks between hyper-erotic speech and trivial chat perfectly mimic the splintered communication most of us engage with every day through an onslaught of texts, DMs, emails and phone calls Combined with Syms’s own image, it’s as if you are getting inside her head at that exact moment when it feels like the brain can’t take it anymore, and the notion of a ‘digital detox’ promises sweet relief   Mythiccbeing, is

Contributor

March 2018

Kevin Brazil

Contributor

March 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Interview with Terre Thaemlitz

Interview

March 2018

Kevin Brazil

Interview

March 2018

In the first room of Terre Thaemlitz’s 2017 exhibition ‘INTERSTICES’, at Auto Italia in London, columns of white text ran across one wall. Thaemlitz...

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Interview

Issue No. 12

Interview with Douglas Coupland

Tom Overton

Interview

Issue No. 12

Douglas Coupland likes crowdsourcing. I should know, because he crowdsourced me shortly after the first part of this interview....

feature

November 2015

Streets of Contradiction

feature

November 2015

Jerusalem has a remarkably cohesive identity, in architectural terms. Every building, from the Western Wall to the sleek hotels...

feature

November 2015

Anatomy of a Democracy: Javier Cercas

Duncan Wheeler

feature

November 2015

20 November marks the fortieth anniversary of the death of General Franco. And while the insurrectionist’s victory in the...

 

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