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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Interview with Sianne Ngai

Interview

October 2020

Kevin Brazil

Interview

October 2020

Over the past fifteen years, Sianne Ngai has created a taxonomy of the aesthetic features of contemporary capitalism: the emotions it provokes, the judgements...

Essay

Issue No. 28

Fear of a Gay Planet

Kevin Brazil

Essay

Issue No. 28

In Robert Ferro’s 1988 novel Second Son, Mark Valerian suffers from an unnamed illness afflicting gay men, spread by...

1   I sat at the kitchen table while Valentine prepared cups of flowery, smoky loose leaf tea Antoine held his in both hands and smiled at me wolfishly He had a bald, muscular head, and a flushed red face He took a long sip of tea, set down the cup, and leant across the table towards me   ‘The first rule is, don’t bring girls here We will be able to hear you We will be able to hear everything’   The plywood second floor had been erected by the three architecture students themselves, hammered into stilts and bolted to the girders criss-crossing the roof of the warehouse Antoine rapped his knuckles on the kitchen table which, he told me, was made of the same plywood as our rooms upstairs   ‘We can hear everything,’ he said again, flashing me a knowing grimace   He held my gaze and continued to knock on the table The rhythm became more and more suggestive, as he wrapped out a deliberate doing-it beat, alternating between his knuckles and the back of his fist Then he stopped the banging and laughed loudly, throwing his head back ‘Arrête,’ said Valentine sharply, topping up my cup with more tea Leaning towards me conspiratorially, Pascal pointed a drum-stick at Antoine and whispered loudly in English, ‘I often break his rules’   The morning after my first night at the warehouse in Montreuil, I was reading at the kitchen table when I heard Pascal start laying into his drum kit in his room beside the kitchen His girlfriend emerged, rubbing her eyes She told me that Pascal practiced every morning before lectures She sat down next to me in her pyjama t-shirt, waiting for the kettle to boil We sat at the table as the drum kit sent spasms of energy through the legs of the second floor, straight up into Antoine’s room above us       2   The architecture students played in a brass band together, The Super Lapins, led by Antoine, who played the trumpet Valentine played the trombone It was Pascal, the drummer, who came to knock on the door of my plywood box-room, after his morning practice session

Contributor

March 2018

Kevin Brazil

Contributor

March 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Interview with Terre Thaemlitz

Interview

March 2018

Kevin Brazil

Interview

March 2018

In the first room of Terre Thaemlitz’s 2017 exhibition ‘INTERSTICES’, at Auto Italia in London, columns of white text ran across one wall. Thaemlitz...

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poetry

September 2015

She-dog & Wrong

Natalia Litvinova

TR. Daniela Camozzi

poetry

September 2015

She-dog   He wrote to tell me his dog had died. I wanted to be her, I wanted him...

Interview

January 2013

Interview with Kalle Lasn

Huw Lemmey

Interview

January 2013

Reinventing a political culture is a difficult task to set oneself; political aesthetics develop alongside political movements, and tracing...

fiction

February 2016

The Reactive

Masande Ntshanga

fiction

February 2016

My back cramps on the toilet bowl. I stretch it. Then I take two more painkillers and look down...

 

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