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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Interview with Sianne Ngai

Interview

October 2020

Kevin Brazil

Interview

October 2020

Over the past fifteen years, Sianne Ngai has created a taxonomy of the aesthetic features of contemporary capitalism: the emotions it provokes, the judgements...

Essay

Issue No. 28

Fear of a Gay Planet

Kevin Brazil

Essay

Issue No. 28

In Robert Ferro’s 1988 novel Second Son, Mark Valerian suffers from an unnamed illness afflicting gay men, spread by...

Listen to the silence, let it ring on (Joy Division, Transmission) I It is not yet dawn The city is a distant murmur Laid out on the desk before him are the tools of his nightly excursions, boxed in metal, wired together, patiently waiting He places the headphones over his ears, flicks the switch at the side of the machine Outside, through the window, he can see no people, no passing cars It is raining Clouds turn queasily in the sky A bird begins singing, somewhere out of sight   The first rush of sound welcomes him back; that familiar fuzz of static that sluices through his ears, engulfs his brain, and plunges him into the flux He reaches for the dial and brushes its ridged edge with his fingertips, letting his ears adjust to the nuances of the night Hiss Crackle Warmth Wondering briefly what he is about to discover, if anything, he closes his eyes Sometimes the nights are barren, sometimes not   Rain falls more heavily, patters against the window with a sound like soft applause A quick bite of his lip, a scratch of his neck Everything is ready He turns on the tape machine, presses Record The heads spin in their plastic window     2   Lightning whitens the road for an epileptic second Pavements, cars, gutters and shops: everything’s bleached by the light ‘That’s what, the hundredth time this hour?   Jimmy smiles   The café is the only place open along this long, dark, featureless road, and it’s packed People are loitering among the tables in clothes so wet that liquid shadows are gathering around their feet None of them wants to be marooned in this low-lit, white-tiled little place on a Friday night But here they are, imprisoned by falling water   ‘Is your phone still fucked?’ I ask   Everything stopped working once the storm began Mobiles, the internet, the wall-mounted TV: all of them paralysed The only means of communication with the outside world – albeit one-way

Contributor

March 2018

Kevin Brazil

Contributor

March 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Interview with Terre Thaemlitz

Interview

March 2018

Kevin Brazil

Interview

March 2018

In the first room of Terre Thaemlitz’s 2017 exhibition ‘INTERSTICES’, at Auto Italia in London, columns of white text ran across one wall. Thaemlitz...

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Art

June 2013

Ghosts and Relics: The Haunting Avant-Garde

John Douglas Millar

Art

June 2013

‘The avant-garde can’t be ignored, so to ignore it – as most humanist British novelists do – is the...

poetry

September 2011

First Blimp

Joshua Trotter

poetry

September 2011

Removing colour from my thoughts, I formed a winter ball. I threw it. The dead were uncounted. There was...

Interview

Issue No. 1

Interview with China Miéville

Ben Eastham

Interview

Issue No. 1

It is a cliché to say that a writer’s work resists classification. It is ironic then that China Miéville,...

 

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