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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Interview with Sianne Ngai

Interview

October 2020

Kevin Brazil

Interview

October 2020

Over the past fifteen years, Sianne Ngai has created a taxonomy of the aesthetic features of contemporary capitalism: the emotions it provokes, the judgements...

Essay

Issue No. 28

Fear of a Gay Planet

Kevin Brazil

Essay

Issue No. 28

In Robert Ferro’s 1988 novel Second Son, Mark Valerian suffers from an unnamed illness afflicting gay men, spread by...

VISA GODS   In this story, Eurydice is dark & deadly & has lived all her life in Hades In this story, Orpheus plays the drums   A semester-at-sea program  Tamil refugee solidarity group makes them meet Orpheus is ensnared watching the way she talks with her hands and laughs with her eyes and speaks with an accent he has never taken to bed Skin sun-kissed as cinnamon stick, long hair that anchors storms, a mouth filled with the coarsest curses on land Gossip says it was the spice in her meals, it may well have been the sex   For the sake of this story, Orpheus has to bring her into the first world In his contract with the overlords there’s no clause about looking back, about trust, about hearing the footsteps of the loved one before walking ahead— that is not a white people thing at all   Here, Orpheus must leave Eurydice must follow   In other words, Eurydice, to smuggle their love, must screw her way into Europe   Eurydice must cross the seas, pass through border controls, fight for a Schengen, chant prayers for her visa, borrow recklessly with her bank, get her passport stamped She must do this six hundred times over a lifetime   Hostage to nation-state, our man Orpheus must wait, must will himself to live for a woman who weeps when she is away, weeps when it’s time to leave, weeps when she cannot come, who weeps in his arms because their love story is not in their hands   Orpheus no longer plays the drums   Now, there is no music in his life— only the silence at parting, the white noise of waiting     A CAT CLOSING HER EYES   Poonai kanmoodi kondaal, Poolokam irundu vidaathu When a cat shuts its eyes, the world does not turn dark   It is said that mothers have a proverb for every occasion— amma recycled the same one to see me through everything   To tackle my teenage tantrums Poonai kanmoodi kondaal Your sulking does not affect me, girl!   To combat my depression Poonai kanmoodi kondaal Just stop wallowing in your sorrows, girl!   To stop me giving up Poonai kanmoodi kondaal The world will move on without you, girl!   Most of all, to put me together, heartbreak after heartbreak Poonai kanmoodi kondaal He doesn’t see you, girl, you are beautiful, men will find you, and you will find love!     INDIA IS MY COUNTRY   Like the fascist who led us to this ruin, death has also learnt to wear a different disguise these days   No heavy as sorrow

Contributor

March 2018

Kevin Brazil

Contributor

March 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Interview with Terre Thaemlitz

Interview

March 2018

Kevin Brazil

Interview

March 2018

In the first room of Terre Thaemlitz’s 2017 exhibition ‘INTERSTICES’, at Auto Italia in London, columns of white text ran across one wall. Thaemlitz...

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Interview

June 2011

Interview with Jorge Semprun

TR. Jacques Testard

Pierre Testard

Gwénaël Pouliquen

Interview

June 2011

The great Spanish-born writer Jorge Semprún died on Tuesday 8 June 2011 in Paris, aged 87. A Spanish Civil...

poetry

November 2013

Rescue Me

George Szirtes

poetry

November 2013

Pain comes like this: packaged in a moment of hubris with a backing band too big for its own...

poetry

November 2014

Lay and Other Poems

Pere Gimferrer

TR. Adrian Nathan West

poetry

November 2014

Ode to Venice Before the Sea of Theaters (from Arde el mar, 1966)   The false cups, the poison,...

 

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