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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Interview with Sianne Ngai

Interview

October 2020

Kevin Brazil

Interview

October 2020

Over the past fifteen years, Sianne Ngai has created a taxonomy of the aesthetic features of contemporary capitalism: the emotions it provokes, the judgements...

Essay

Issue No. 28

Fear of a Gay Planet

Kevin Brazil

Essay

Issue No. 28

In Robert Ferro’s 1988 novel Second Son, Mark Valerian suffers from an unnamed illness afflicting gay men, spread by...

Biography | Cattolicissimo trio composed of mother father beloved son God, why doesn’t the English language have an equivalent for –issimo?   Incidental beginnings: the mother (1951) broke off from her Milanese family in the early Seventies, got married rashly and in absence of her parents, by religious rite, for the sake of controversy, asking a cousin to be her best man She has been living in Rome with her husband ‘in exile’, as if in a colony, as if in Africa Nicola’s father (1948) was raised by a single mother, and lived with her in the council estate where they shot Una Giornata Particolare with Marcello Mastroianni and Sofia Loren   Nico’s first eight years of life: he lives with his father, mother and paternal grandmother   The father had attended seminary Then studied architecture Fatti di Valle Giulia (the Italian equivalent of May 1968 in France): the father does not partake, because of his cousin – who he is not really in touch with – who is a Carabiniere On the matter, Nicola quotes from a Pasolini poem, which is also often quoted by his father (remember to ask which one)   The father leaves university Joins the Navy for his compulsory military service   He goes back to uni with a newfound interest in ships and submarines, which will affect his creative production via the dissemination of portholes everywhere in his projects, even on the dividing walls between two rooms, which is unpalatable to the Berengo family, as well as slanted perspectives and sequences of rooms with no connecting corridors   He is a solitary youth; he spends his life putting The Way of a Pilgrim into practice, repeating to himself over and over (when he is angered by the endless queue at the post office; when his mother’s dinner is yet again tasteless; when he inadvertently tears up the wrong drawing) Lord Jesus Christ have mercy on me   Despite his marriage he keeps his boyish good looks He becomes morbidly enamoured with his son He doesn’t want him to become sophisticated During a catechism lesson when Nico is eight years old, his father taps into his own reference material,

Contributor

March 2018

Kevin Brazil

Contributor

March 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Interview with Terre Thaemlitz

Interview

March 2018

Kevin Brazil

Interview

March 2018

In the first room of Terre Thaemlitz’s 2017 exhibition ‘INTERSTICES’, at Auto Italia in London, columns of white text ran across one wall. Thaemlitz...

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feature

Issue No. 15

Translation in the First Person

Kate Briggs

feature

Issue No. 15

IT IS 1 JUNE 2015 and I am standing outside no. 11 rue Servandoni in Paris’s sixth arrondissement. I...

Art

May 2012

Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows,...

Prize Entry

April 2016

Role Play

Naomi Frisby

Prize Entry

April 2016

Your right hand is the first to go. One Sunday afternoon as you’re sitting on the sofa reading the...

 

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