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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Interview with Sianne Ngai

Interview

October 2020

Kevin Brazil

Interview

October 2020

Over the past fifteen years, Sianne Ngai has created a taxonomy of the aesthetic features of contemporary capitalism: the emotions it provokes, the judgements...

Essay

Issue No. 28

Fear of a Gay Planet

Kevin Brazil

Essay

Issue No. 28

In Robert Ferro’s 1988 novel Second Son, Mark Valerian suffers from an unnamed illness afflicting gay men, spread by...

‘Cetaceans are women’s allies in the war against patriarchy because patriarchy holds the cetaceans down with us,’ explains the earnest and slightly irritating Erin, nineteen-year-old protagonist of Abi Andrews’s debut novel ‘Orcas travel in matriarchal pods,’ she elaborates, by way of explanation ‘The root of the word dolphin, delphus, means womb’   In the journals that became Walden, Henry David Thoreau wrote, ‘I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could learn what it had to teach’ Thoreau was by no means the first to celebrate the transcendental purity of the ‘wilderness’ or the spiritual benefits of an outdoorsy survivalism, but his 1854 work helped to print these values onto the American self-image In 1992, a heavily annotated copy of Walden was found alongside the remains of Chris McCandless, who walked out of his privileged California upbringing and hitched to Alaska And Into the Wild, the 2007 film based on his journals, has built for McCandless a cult following and a divisive legacy Was he a messianic figure akin to Thoreau, inspiring a generation of travellers to reject technology in favour of a lived purity in nature? Or was he a fool with a merely sentimental understanding of the wilderness he idealised?   Andrews’s novel participates in this survivalist legacy, though uneasily Erin has left her parents’ house to escape the ‘grid-owned and regimented spaces’ of the British Midlands She’s watched Into the Wild and read Walden, as well as On the Road and The Call of the Wild She wants in on the tradition As a young feminist, however, she’s wary of the ambivalent heritage of these ‘straight white men’, and though intoxicated with the wilderness narrative, she can’t help but imagine ‘how it would have been different if the guy had been a girl’ She cites a cohort of female, proto-feminist adventurers in passing – Calamity Jane, Freya Stark, Nellie Bly – but these women simply do not compel Erin as does, say, the Unabomber, whose eco-terrorist manifesto she knows in detail   The journey, on cargo ships

Contributor

March 2018

Kevin Brazil

Contributor

March 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Interview with Terre Thaemlitz

Interview

March 2018

Kevin Brazil

Interview

March 2018

In the first room of Terre Thaemlitz’s 2017 exhibition ‘INTERSTICES’, at Auto Italia in London, columns of white text ran across one wall. Thaemlitz...

READ NEXT

Art

May 2013

Techno-primitivism

Vanessa Hodgkinson

David Trotter

Art

May 2013

What follows could have been an essay or an interview. In the event, it resembles the one as little...

feature

Issue No. 14

In Search of the Dice Man

Emmanuel Carrère

TR. Will Heyward

feature

Issue No. 14

Towards the end of the 1960s, Luke Rhinehart was practicing psychoanalysis in New York, and was sick and tired...

poetry

May 2012

Monopoly (after Ashbery)

Sarah Howe

poetry

May 2012

I keep everything until the moment it’s needed. I am the glint in your bank manager’s eye. I never...

 

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