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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Interview with Sianne Ngai

Interview

October 2020

Kevin Brazil

Interview

October 2020

Over the past fifteen years, Sianne Ngai has created a taxonomy of the aesthetic features of contemporary capitalism: the emotions it provokes, the judgements...

Essay

Issue No. 28

Fear of a Gay Planet

Kevin Brazil

Essay

Issue No. 28

In Robert Ferro’s 1988 novel Second Son, Mark Valerian suffers from an unnamed illness afflicting gay men, spread by...

https://soundcloudcom/user-856373367/retrievals   About ‘Retrievals’:   I like to hear writing that is made out loud Words vibrate in the air and you forget them, but you can feel them on your skin I don’t call what I make ‘radio plays’ I just call them ‘audio pieces’ I like to keep it all as open as possible   ‘Retrievals’ is an audio piece, made using an online automated voice generator There are many sites that offer the use of text-to-voice technology (Vocograb, Voxmark, NaturalReader) These websites can manufacture hundreds of different voices – men, women, children, the elderly – from across many different languages and dialects They offer voices that sound sad, or whisper intimately in your ear Some sites are free Many make you pay for a particular voice   Automated voices are produced for specific practical uses They help the visually impaired, or those who have difficulty reading They inform you where your train is going They ask whether you want to pay with cash or card They are calm and well-mannered They are nearly always women We do not listen to them, only overhear what they have to say People who really listen in on them are often disturbed or put off, and programme their self-service checkout to ‘silent’ when they can   Automated voices do not sound uncanny or robotic to me They sound spectral and angelic Each is a voice that once belonged to someone, each a literal remnant of recordings made by a voice actor, who provided all the phonemes, phrases and speech-parts, which are put together later ‘Retrievals’ was made using a character called ‘Will (Sad)’, from acapela-boxcom The website contains no information concerning the real human being who was paid to perform the words for ‘Will (Sad)’ Any chance beauty of accent or inflection this voice might still possess remains only as the echo of something once heard, then lost, now forever misremembered If automated voices sound ‘futuristic’ then it’s a backwards kind of future They are forecasts of what has already been said   I never keep what I’ve written for audio pieces; in this respect, voice-generator websites are ideal You can

Contributor

March 2018

Kevin Brazil

Contributor

March 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Interview with Terre Thaemlitz

Interview

March 2018

Kevin Brazil

Interview

March 2018

In the first room of Terre Thaemlitz’s 2017 exhibition ‘INTERSTICES’, at Auto Italia in London, columns of white text ran across one wall. Thaemlitz...

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Art

January 2012

Interview with Ryan Gander

Timothée Chaillou

Art

January 2012

London-based conceptual artist Ryan Gander masters the art of storytelling through an immensely complex yet subtly coherent body of...

Art

Issue No. 5

A New Idea of Art: Christoph Schlingensief and the Opera Village Africa

Sarah Hegenbart

Art

Issue No. 5

I think the Opera Village. . . will lead to a new idea of art, and what will emerge...

feature

February 2011

Novelty and revolt: why there is no such thing as a Twitter revolution

Nadia Khomami

feature

February 2011

The world is seeing an increase in the use of social media as a tool for mobilisation and protest....

 

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