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Lauren Elkin
Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK translator of Simone de Beauvoir's previously unpublished novel, The Inseparables (Vintage). Her previous book Flâneuse: Women Walk the City (Chatto/FSG) was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her essays have appeared in Granta, the London Review of Books, Harper’s, the New York Times, and Frieze, among others. Her next book, Art Monsters, will be out in July 2023 (Chatto/FSG). She lives in London.

Articles Available Online


Maria Gainza’s ‘Optic Nerve’

Book Review

May 2019

Lauren Elkin

Book Review

May 2019

In his foreword to A Thousand Plateaus, on the pleasures of philosophy, and of Deleuze and Guattari’s philosophy in particular, Brian Massumi writes:  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

‘Being so caught up So mastered’ Yeats     I was too shy to say anything but Your poems are so beautiful What kinds of things, feelings, or ideas inspire you, I mean, outside the raw experiences of your life? He turned a strange crosshatched colour as if he stood in a clouded painting, and said, Thanks, but no other phenomena intrude upon my starlit mind     I see you are wondering what this is all about Don’t mind me, I’m talking to myself again Yes, poetry is nice and often beautiful, yet it doesn’t beget much attention, money, or even a simple thanks for placing the best words in the best order That’s when I forget all about your incessant demands, and the restless subject leaps the stream in Technicolour— until the Remembrancer appears and says, Stop this wasteful life     Doctor, lawyer, thief These fancies of yours could cost a life or worse, two Meanwhile, he perceives my gifted body upholding my mind as I’m explaining my stuff on the Unicorn Tapestries, cheeks starting to colour, feathers ruffling, quiet shudders He shrugs, Your content sounds too beautiful but I’d like to read it sometime Okay He says all the right things, like I love you Hyacinth Girl Things get interesting until the sudden blow: Thanks     For the memories What I’ll think seeing his new work in The New Yorker is Thanks for nothing, asshole, as he drops me for that prolific pastoral life with his wife upstate The more I think about it, it all depends upon your phantom attention Surely a world embroiders itself in one’s mind at any moment, words resounding, ardent present clarifyingly beautiful And beautifully truthful You know? Here I should put in a lapis colour     Or a murky midnight blue Or have the crowd stagger by in a riot of colour pinning down the helpless beast with spears and ritualistic thanks to their gods What one really wants to get at is the real, the eternally beautiful like The White Album or something That’s what makes one perilous life worth living All the brute indifference, humiliation, and failure can put one in the mind to give up, freak out, kill somebody, heart battered, so mastered Oh you     Wherever I go, on the subway, in my cubicle,

Contributor

August 2014

Lauren Elkin

Contributor

August 2014

Lauren Elkin is most recently the author of No. 91/92: notes on a Parisian commute (Semiotext(e)/Fugitives) and the UK...

The End of Francophonie: The Politics of French Literature

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Issue No. 2

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed and there was a surly-looking...

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Interview

September 2015

Interview with Katrina Palmer

Jamie Sutcliffe

Interview

September 2015

G.W.F. Hegel isn’t looking too good. With an afternoon of student tutorials to attend at the School of Sculpture...

Interview

December 2016

Interview with Caragh Thuring

Harry Thorne

Interview

December 2016

When I first visited Caragh Thuring in her east London studio, there was an old man lurking in the...

poetry

Issue No. 4

Mysteries of Music

Michael Horovitz

poetry

Issue No. 4

Having absently, that’s to say dozily switched on BBC Radio 3 down in the kitchen as is my frequent...

 

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