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Masha Tupitsyn
Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love: An Addendum to Love Dog, Love Dog, LACONIA: 1,200 Tweets on Film Beauty Talk & Monsters, the anthology Life As We Show It: Writing on Film. In 2015, she completed the film Love Sounds, a 24-hour audio-essay and history of love in English-speaking cinema. Her fiction and criticism have appeared in numerous anthologies and journals. She teaches film and gender studies at The New School. Her new film, Time Tells, is forthcoming in 2017.

Articles Available Online


The Rights Of Nerves

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September 2016

Masha Tupitsyn

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September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of writing.’ — Roland Barthes, Mourning...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

‘Labour is external to the worker, ie it does not belong to his essential being; that in his work, therefore, he does not affirm himself but denies himself, does not feel content but unhappy, does not develop freely his physical and mental energy but mortifies his body and ruins his mind The worker therefore only feels himself outside his work, and in his work feels outside himself He is at home when he is not working, and when he is working he is not at home His labour is therefore not voluntary but coerced; it is forced labour It is therefore not the satisfaction of a need; it is merely a means to satisfy needs external to it Its alien character emerges clearly in the fact that as soon as no physical or other compulsion exists, labour is shunned like the plague External labour, labour in which man alienates himself, is a labour of self-sacrifice, of mortification’— Karl Marx, The Economic and Philosophic Manuscripts of 1844   Observing the Progress of Time (1950)   Maximilian Sacheverell Hollingsworth wondered if he could dictate the entire course of his life on a single day After some deliberation, a process lasting the length of a Wednesday morning, he concluded that it was possible Suddenly, with no prior warning, it seemed to him a matter of some urgency to plan all of the details of his adulthood whilst he was still a young man Brimming with optimism, he hoped that it was simply necessary to decide what he most wanted to do and in which order Immediately he set to work upon the drafting of a plan   At noon he sat inside a public house in Bloomsbury This was a place populated only by solitary male drinkers, isolated men wearing ruffled coats and smoking pipes emitting circles of smoke that hovered and drifted in an unfurling cloud above their heads Grey sunlight dissolved into the dingy huddles of shadows thrown from the battered furnishings In studied silence the barmaid washed empty glasses and placed them in long neat rows along the dark mahogany shelves Maximilian

Contributor

August 2014

Masha Tupitsyn

Contributor

August 2014

Masha Tupitsyn is a writer, critic, and multi-media artist. She is the author of the books Like Someone in Love:...

Love Dog

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July 2013

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping up everywhere. Non sequitur references...
Famous Tombs: Love in the 90s

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February 2013

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING   I was a pre-teen when...

READ NEXT

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Issue No. 17

Editorial

The Editors

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Issue No. 17

An Englishman, a Frenchman and an Irishman set up a magazine in London in 2010. This sounds like the...

poetry

March 2017

Two Poems

Uljana Wolf

TR. Sophie Seita

poetry

March 2017

Mittens   winter came, stretched its frames, wove misty threads into the damp   wood. fogged windows, we didn’t...

poetry

December 2011

Sonic Peace

Minashita Kiriu

TR. Jeffrey Angles

poetry

December 2011

Beneath the sun My interchangeable routines Are formed from superfluous things Managing this place is A metal will, swelling...

 

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