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Orlando Reade

Orlando Reade is writing a Ph.D. on English poetry and cosmology in the seventeenth century. His interview with Lynette Yiadom-Boakye can be read in The White Review No. 13.



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Wildness of the Day

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December 2016

Orlando Reade

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December 2016

One day in late 2011, waiting outside Green Park station, my gaze was drawn to an unexpected sight. Earlier that year a canopy of...

Interview

Issue No. 13

Lynette Yiadom-Boakye

Orlando Reade

Interview

Issue No. 13

Modern philosophy is threatened by love, whose objects are never only objects. Philosophers have discovered in love a lived...

Image: ‘visionary company’ (2021) by Wu Tsang, at Lafayette Anticipations © Pierre Antoine   On entering Visionary Company (2020), Wu Tsang’s exhibition at Lafayette Anticipations in Paris, visitors walk down a curving, carpeted pathway that resembles a backstage corridor In The show is over (2020), a film by Wu Tsang made in collaboration with the poet Fred Moten, the camera follows a set of bodies that move around a stage The floor is wet with mud, and the bodies bask in a dark blue light Nearby, Tsang has placed a sculpture which takes the form of an illusory Penrose triangle, an impossible object that appears as a motif in The show is over (2020) To make the film, Tsang translated Moten’s poetry into choreography, the choreography into film, the film into sculpture – all blending into one space   Tsang works across many mediums, but her recurrent lines of inquiry are translation and community building While studying at the University of California in the late 2000s, Tsang lived in McArthur Park, a historically Latinx and Asian neighbourhood, and one of the poorest areas of Los Angeles She came across Silver Platter, an unassuming bar and home to Latin gay and drag communities since the 1960s It was there that she co-created Wildness in 2008, a weekly club night for experimental performance and electronic music, eventually producing the documentary WILDNESS (2012) The film cast a reflexive gaze on the club night, raising complex questions of responsibility and privilege   Tsang’s practice continues to expand through kinship In 2014, she began working with performer Tosh Basco (also known as boychild) on the sci-fi film A day in the life of bliss (2014–ongoing) It follows Blis (played by Basco), a young pop star by day and underground performer by night, who navigates a world where thoughts are controlled by centralised artificial intelligence Two years later, Basco and Tsang co-founded Moved by the Motion, a collective with fluctuating members – including the dancer Josh Johnson, an early Wildness collaborator, musician Asma Maroof and Fred Moten The collective is shaped by experimentation and friendship Eight members of the group joined

Contributor

August 2014

Orlando Reade

Contributor

August 2014

Orlando Reade is writing a Ph.D. on English poetry and cosmology in the seventeenth century. His interview with Lynette...

Life outside the Manet Paradise Resort : On the paintings of Lynette Yiadom-Boakye

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November 2012

Orlando Reade

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November 2012

*   A person is represented, sitting in what appears to be the banal and conventional pose of a high street studio portrait photographer:...

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Art

September 2015

Sightlines: James Turrell

Gareth Evans

Art

September 2015

For, and in memory of, Jules Wright   Approach   It is a pleasure too rarely realised to venture...

feature

October 2011

The White Review No.3 Editorial

The Editors

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October 2011

In the course of putting three issues of The White Review together, the editors have been presented with the...

fiction

Issue No. 1

Beyond the Horizon

Patrick Langley

fiction

Issue No. 1

Listen to the silence, let it ring on. (Joy Division, Transmission) I It is not yet dawn. The city...

 

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