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Orlando Reade

Orlando Reade is writing a Ph.D. on English poetry and cosmology in the seventeenth century. His interview with Lynette Yiadom-Boakye can be read in The White Review No. 13.



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Wildness of the Day

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December 2016

Orlando Reade

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December 2016

One day in late 2011, waiting outside Green Park station, my gaze was drawn to an unexpected sight. Earlier that year a canopy of...

Interview

Issue No. 13

Lynette Yiadom-Boakye

Orlando Reade

Interview

Issue No. 13

Modern philosophy is threatened by love, whose objects are never only objects. Philosophers have discovered in love a lived...

Jessie Greengrass’s debut story collection caught my eye with its delightfully extravagant title, An Account of the Decline of the Great Auk, According to One Who Saw It, but its pleasures were more austere than baroque – and deservedly made it a multiple award-winner The stories broadly divided into two types: those, like the title story, that played on antiquated scientific and historical narrative modes, and those that dug themselves deeper into a wholly subjective experience of the world In these stories, nameless first-person narrators used compulsive self-analysis as much to distance themselves from feeling as to bring themselves closer to any kind of understanding of their lives Greengrass continues both strands of her writing in this, her first novel; you feel that stories from her collection like ‘All the Other Jobs’ or ‘Dolphin’ could easily have evolved into a book such as this, or been sewn into the fabric of this one   SIGHT sets its tone with the decidedly ambivalent opening line: ‘The start of another summer, the weather uncertain but no longer sharply edged, and I am pregnant again’ What follows comes in three parts, each of which focuses on a significant event in the life of the unnamed narrator – a woman living in London with her partner, Johannes, and their young daughter, and, yes, awaiting the birth of their second child – but each of which also folds in the story of a particular intervention in the history of medicine   First, we get the death of the narrator’s mother, some years earlier, and the discovery, in 1895, of the X-ray, by German physicist Wilhelm Röntgen The second section sets off the intricate cross-generational relationship between the narrator, her mother and her maternal grandmother, a Hampstead psychoanalyst, against the equally complex dynamic between Freud and his youngest daughter, Anna, whom he analysed, and who lived on in his London house after his death, nurturing his legacy Lastly, we have the birth of the narrator’s first daughter, and 18th century surgeon John Hunter, who among other things investigated the development of babies in utero   This might seem rather a lot

Contributor

August 2014

Orlando Reade

Contributor

August 2014

Orlando Reade is writing a Ph.D. on English poetry and cosmology in the seventeenth century. His interview with Lynette...

Life outside the Manet Paradise Resort : On the paintings of Lynette Yiadom-Boakye

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November 2012

Orlando Reade

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November 2012

*   A person is represented, sitting in what appears to be the banal and conventional pose of a high street studio portrait photographer:...

READ NEXT

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February 2015

A Closer Joan

Shawn Wen

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February 2015

Here are a few of the Joans I know. The girl who arrives at Port Authority Bus Terminal in...

poetry

February 2012

Sunday

Rachael Allen

poetry

February 2012

Supermarket Warehouse This is the ornate layer: in the supermarket warehouse, boxed children’s gardens rocking on a fork-lift truck,...

fiction

April 2014

Chiral

Paul Currion

fiction

April 2014

I cough while the technician tinkers with the projector, although the two are not related, and I wonder why...

 

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