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Orlando Reade

Orlando Reade is writing a Ph.D. on English poetry and cosmology in the seventeenth century. His interview with Lynette Yiadom-Boakye can be read in The White Review No. 13.



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Wildness of the Day

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December 2016

Orlando Reade

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December 2016

One day in late 2011, waiting outside Green Park station, my gaze was drawn to an unexpected sight. Earlier that year a canopy of...

Interview

Issue No. 13

Lynette Yiadom-Boakye

Orlando Reade

Interview

Issue No. 13

Modern philosophy is threatened by love, whose objects are never only objects. Philosophers have discovered in love a lived...

First published in 1855, Leg over Leg recounts the life, from birth to middle age, of ‘the Fāriyāq,’ alter ego of Ahmad Fāris al-Shidyāq, a pivotal figure in the intellectual and literary history of the modern Arab world Volume Three, from which this excerpt is taken, finds the protagonist in Malta and introduces the Fāriyāqiyyah, the Fāriyāq’s wife, and gives prominence to a series of discussions between the two of gender relations, a format that allows for numerous digressions in such diverse topics as the manners and customs of different nations, the physical and moral significance of the buttocks, the unreliability of virginity tests, and the human capacity for self-delusion, as well as continuing the work’s celebration of the genius and beauty of the classical Arabic language Akin to Sterne and Rabelais in his satirical outlook and technical inventiveness, al-Shidyāq produced in Leg over Leg a work that is unique and unclassifiable It was initially widely condemned for its attacks on authority, its religious skepticism, and its ‘obscenity’, and later editions were often abridged This is the first complete English translation of this groundbreaking work, rendered in four volumes The Qāmūs to which the text makes reference is a renowned fifteenth-century dictionary —HD * A Banquet and Various Kinds of Hot Sauce The Fāriyāq and his wife now set about exploring the streets of the city, dressed in the costume of the people of Egypt He was wearing wide drawers, whose bottoms wrapped themselves around him in front and in back as he walked She had enveloped herself in a white woollen hooded cloak so as to cover her sleeves, which otherwise would have swept the ground The passersby and shopkeepers were amazed by them and didn’t know whether his wife was a woman or not, some asking, ‘Is it a man or a woman?’, some following along behind them, some touching their clothes and staring into their faces and saying, ‘We never saw the like of this day – something that’s neither a man nor a woman!’ One of the more intelligent English faqīhs, whose

Contributor

August 2014

Orlando Reade

Contributor

August 2014

Orlando Reade is writing a Ph.D. on English poetry and cosmology in the seventeenth century. His interview with Lynette...

Life outside the Manet Paradise Resort : On the paintings of Lynette Yiadom-Boakye

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November 2012

Orlando Reade

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November 2012

*   A person is represented, sitting in what appears to be the banal and conventional pose of a high street studio portrait photographer:...

READ NEXT

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October 2012

Film: Palestinian Airlines

Eddie Wrey

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October 2012

    Palestinian Airlines Produced and Directed by Eddie Wrey Co-produced and translated by Max Wrey Co-edited by Rye...

poetry

Issue No. 3

Cousin Alice

Medbh McGuckian

poetry

Issue No. 3

Your mountain is robed in sombre rifle green And one of its greener fields is suddenly Black with rooks....

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Issue No. 8

The White Review No. 8 Editorial

The Editors

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Issue No. 8

The manifesto of art collective Bruce High Quality foundation, the subject of an essay by Legacy Russell in this...

 

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