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Orlando Reade

Orlando Reade is writing a Ph.D. on English poetry and cosmology in the seventeenth century. His interview with Lynette Yiadom-Boakye can be read in The White Review No. 13.



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Wildness of the Day

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December 2016

Orlando Reade

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December 2016

One day in late 2011, waiting outside Green Park station, my gaze was drawn to an unexpected sight. Earlier that year a canopy of...

Interview

Issue No. 13

Lynette Yiadom-Boakye

Orlando Reade

Interview

Issue No. 13

Modern philosophy is threatened by love, whose objects are never only objects. Philosophers have discovered in love a lived...

You won’t be able to do it It is a call, and it is something you only know how to do by doing it over and over Birds practise their musical tunes Cows practise their ‘moo’ as they stroll through the fields But persons don’t know how to make a call, and so you will never be able to do it   ‘Oh you’ is sung It starts out a little bit lower and ends a little bit higher like the call for a Bob White bird, only slower You hold on to it longer And like the call of the Bob White bird, you do it over and over and over again The more you do it, the more you have to do it And you have to think of a 1% solution of WC Fields and little bit of bursting at the end ‘Oh you,’ ‘Oh you’   But anyway, you can’t do it You can’t do it because you hardened your voice around some sounds you heard once And now you can’t change it   You thought it would sound good to hold on to the ts at the ends of words with a breathy whistle that is held until the beginning of next word You make that whistle for every single word that ends with a t You like it, and your head jumps a little bit every time you say it You say ‘but’ or ‘but-uh’ a lot so that you can make that t sound a whole bunch more times You put it in everywhere: But-stah-aah But-stah-aah You put it in between words, at the end of sentences, and at moments when other people would have a chance to talk   Or you say ‘Sure, sure, sure’ while other people are talking like you already thought of everything they were saying a thousand years ago Sometimes you say the name of someone and then ‘Sure, Sure, Sure’ Then sometimes you repeat the name several times together with ‘Sure, Sure, Sure’ while holding your finger in the air so that they will stop talking and you can say all of your sentences

Contributor

August 2014

Orlando Reade

Contributor

August 2014

Orlando Reade is writing a Ph.D. on English poetry and cosmology in the seventeenth century. His interview with Lynette...

Life outside the Manet Paradise Resort : On the paintings of Lynette Yiadom-Boakye

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November 2012

Orlando Reade

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November 2012

*   A person is represented, sitting in what appears to be the banal and conventional pose of a high street studio portrait photographer:...

READ NEXT

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August 2013

The Ghosts of Place

Dylan Trigg

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August 2013

 ‘So I turned around for an instant to look at what my field of vision onto the sea had...

Prize Entry

April 2017

The Lovers

Devyn Defoe

Prize Entry

April 2017

Everyone who asks questions, asks in some way about love. The question is one half, the answer the other....

fiction

March 2014

The Garden of Credit Analyst Filton

Martin Monahan

fiction

March 2014

Ivan Filton had retired early. ‘I have been working a lot on my garden,’ declared Ivan Filton. ‘This is...

 

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