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Orlando Reade

Orlando Reade is writing a Ph.D. on English poetry and cosmology in the seventeenth century. His interview with Lynette Yiadom-Boakye can be read in The White Review No. 13.



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Wildness of the Day

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December 2016

Orlando Reade

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December 2016

One day in late 2011, waiting outside Green Park station, my gaze was drawn to an unexpected sight. Earlier that year a canopy of...

Interview

Issue No. 13

Lynette Yiadom-Boakye

Orlando Reade

Interview

Issue No. 13

Modern philosophy is threatened by love, whose objects are never only objects. Philosophers have discovered in love a lived...

On the evening flight on my way to the 2016 annual gastroenterology conference, I am the only one with the reading light on Everyone else sleeps limp-necked, heads drooping, bobbing in the occasional turbulence of the late-winter skies, stabilised by the seat back or a neck pillow The person next to me – a pale young woman with long brown hair, perhaps a medical student attending the conference or a Georgian returning home – puts her head on the seat-back table and her Sherpa-lined khaki jacket over her head to cover her eyes from my yellow light   I am travelling to Atlanta, the city where the cousins that I grew up with have lived since George W Bush’s election, having moved there with their father in search of larger homes and a cheaper life than the one they found in New York On the recommendation of one of my few remaining friends who are not doctors, and out of the desire to learn about the city, I read Toni Cade Bambara’s posthumous novel about the epidemic of child murders in the city Between 1979 and 1981, over 28 Black young people – 24 of them under 18 – went missing and were eventually found dead The violence became a mainstay of regional newspaper headlines, but I get the impression that the child murders never reached national news I certainly did not read about them in my high school history textbook   Bambara titled her novel Those Bones Are Not My Child The phrase conjures images of a police officer presenting a mother an evidence bag – bones linked by decaying sinews, pockmarked with fraying grey muscle fibres, splotches of dark brown, dried blood – and asking her if this is her missing young one Tests – dental records, DNA examinations, and the other forensic assessments of the late twentieth century – could not convince parents the children were who officers claimed they were This uncertainty drives Bambara’s protagonist to insomnia, unable to find rest in her bed, on her couch, in the passenger seat of her car

Contributor

August 2014

Orlando Reade

Contributor

August 2014

Orlando Reade is writing a Ph.D. on English poetry and cosmology in the seventeenth century. His interview with Lynette...

Life outside the Manet Paradise Resort : On the paintings of Lynette Yiadom-Boakye

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November 2012

Orlando Reade

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November 2012

*   A person is represented, sitting in what appears to be the banal and conventional pose of a high street studio portrait photographer:...

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poetry

December 2012

Off-Season

Miles Klee

poetry

December 2012

As a boy I went on a strange vacation with a friend. His parents took us, I can’t remember why,...

poetry

June 2013

Belly

Melissa Lee-Houghton

poetry

June 2013

When I was fifteen I took my two little cousins into town and had them wait outside the tattoo...

feature

October 2014

Blood Out of a Zombie

Laurence A. Rickels

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October 2014

The German filmmaker Ulrike Ottinger has on three different occasions put the camera aside and directed for the theatre, each...

 

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