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Orlando Reade

Orlando Reade is writing a Ph.D. on English poetry and cosmology in the seventeenth century. His interview with Lynette Yiadom-Boakye can be read in The White Review No. 13.



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Wildness of the Day

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December 2016

Orlando Reade

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December 2016

One day in late 2011, waiting outside Green Park station, my gaze was drawn to an unexpected sight. Earlier that year a canopy of...

Interview

Issue No. 13

Lynette Yiadom-Boakye

Orlando Reade

Interview

Issue No. 13

Modern philosophy is threatened by love, whose objects are never only objects. Philosophers have discovered in love a lived...

‘We have received around 150 of them,’ Massimo Osanna tells me, as we peer into four small crates stuffed full of dusty freezer bags Each bag contains a letter and a lump of something – stone, shards of marble, bone I extract one of the samples, a faded brown envelope with a row of Spanish stamps Inside, a lozenge of pumice and an accompanying note ‘This item was removed dishonestly,’ it reads ‘With deep apologies’   ‘We have received so many,’ Osanna continues, ‘that we’ve decided to have an exhibition It will be called: “What I stole from Pompeii”’ In October 2015, Osanna, Pompeii’s archeological superintendent, announced that he’d been receiving a number of unexpected parcels They arrive addressed to the excavation site in Pompeii and the Archeological Museum of Naples, and hold an assortment of stolen fragments Many are accompanied by letters of apology attesting to the vaguely formed fears of an uneasy conscience ‘I would like to return this stone,’ one reads, referring to a teardrop of pumice ‘My boyfriend took it during our holiday to Pompeii in August, and I feel rather wrong about it’ Others are more specific, attributing illness and misfortune to the stolen pieces of rock ‘I wish to return this stone to its original place because my husband is taken long ill,’ a Japanese woman explains ‘Please put it back in the ground’ Correspondents often admit to returning the items in hope of appeasing the gods of misfortune – ‘I am convinced that these pebbles that I took from Italy bring me bad luck,’ begins a letter from Florida, ‘For this reason, I’m sending them back so I can be free’ – while others articulate fears of supernatural forces at play ‘Taken from Pompeii fifteen years ago’, a man from London confesses, returning a small red rock ‘I return it to you so the curse can be lifted’   To understand the curse of Pompeii we must look first to Mount Vesuvius, the double-humped volcano in

Contributor

August 2014

Orlando Reade

Contributor

August 2014

Orlando Reade is writing a Ph.D. on English poetry and cosmology in the seventeenth century. His interview with Lynette...

Life outside the Manet Paradise Resort : On the paintings of Lynette Yiadom-Boakye

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November 2012

Orlando Reade

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November 2012

*   A person is represented, sitting in what appears to be the banal and conventional pose of a high street studio portrait photographer:...

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poetry

April 2014

MUEUM

SJ Fowler

poetry

April 2014

Since I have worked at the mueum I have published, and I have written 486 pems. I have seen...

fiction

November 2016

The Miserablist

Anne Boyer

fiction

November 2016

This vision was strongly nebulous, an indeterminate but bold reaction only because it was so much like one of...

fiction

October 2013

Last Supper in Seduction City

Álvaro Enrigue

TR. Brendan Riley

fiction

October 2013

 ‘. . . and the siege dissolved to peace, and the horsemen all rode down in sight of the...

 

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