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Orlando Reade

Orlando Reade is writing a Ph.D. on English poetry and cosmology in the seventeenth century. His interview with Lynette Yiadom-Boakye can be read in The White Review No. 13.



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Wildness of the Day

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December 2016

Orlando Reade

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December 2016

One day in late 2011, waiting outside Green Park station, my gaze was drawn to an unexpected sight. Earlier that year a canopy of...

Interview

Issue No. 13

Lynette Yiadom-Boakye

Orlando Reade

Interview

Issue No. 13

Modern philosophy is threatened by love, whose objects are never only objects. Philosophers have discovered in love a lived...

Members of THE WHITE REVIEW editorial team, contributors and friends of the magazine reveal the books they’ve been reading and revisiting in 2021   This year, we’re taking our annual fundraiser online The White Review depends upon the support of its readers, and with your support we’ll continue to create space for new art and writing in 2022 and beyond   Lawrence Abu Hamdan   Kim Ghattas and I may be in parallel ideological lanes and yet the cluster-fuck constellation she accumulates around 1979, in her book BLACK WAVE (Wildfire), is a revelation (not least because we may finally have the answer here to who killed Moussa Sadr) Much closer to my filter bubble is Eyal Weizman and Matthew Fuller’s INVESTIGATIVE AESTHETICS (Verso) An undeviating announcement of the subversive potential of contemporary aesthetic practices The essential contribution here is that to aestheticise politics is, under the right circumstance, not to decorate or to inappropriately beautify it, but rather an essential mechanism to make it sensible I also got a lot from Harry Sword’s book/long form playlist MONOLITHIC UNDERTOW (White Rabbit), which surveys the leaking of what seems like a singular drone through genres, epochs and ideologies And from another time completely (1915) I read for the first time this year Jack London’s STAR ROVER A remarkable encounter with a book whose narrative is built from a singular question: where can the mind go when the body reaches its maximum threshold of experience?     Amy Acre   I was blown away by Natasha Brown’s ASSEMBLY (Hamish Hamilton): a searing account of everyday othering from both the maligned and the well-intentioned, with passages of staggering beauty and an ending that slayed me Similarly devastating: NO ONE IS TALKING ABOUT THIS by Patricia Lockwood (Bloomsbury) reveals a world painfully recognisable, utterly surprising and finally, deeply moving Late to the party, I read and loved Maggie Nelson’s THE ARGONAUTS (Melville House): radical intertextual discourse and romantic ass-fucking on the first page – what’s not to love? JEWS DON’T COUNT by David Baddiel (TLS) was a deeply personal read, moving me to confront my own feelings of Jewish shame Too many poetry books, but NOTES ON THE SONNETS by Luke Kennard

Contributor

August 2014

Orlando Reade

Contributor

August 2014

Orlando Reade is writing a Ph.D. on English poetry and cosmology in the seventeenth century. His interview with Lynette...

Life outside the Manet Paradise Resort : On the paintings of Lynette Yiadom-Boakye

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November 2012

Orlando Reade

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November 2012

*   A person is represented, sitting in what appears to be the banal and conventional pose of a high street studio portrait photographer:...

READ NEXT

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June 2015

Uneasy Lies the Head

William Watkin

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June 2015

Last October I was standing in my kitchen, waiting for espresso to trickle from the spout of our imposing...

poetry

February 2012

Giant Impact Hypothesis

James Midgley

poetry

February 2012

I bought a satellite’s eye from the market. To look through it involved the whole god-orbit, a cotton-wooled Faberge...

Art

December 2016

Bonnie Camplin: Is it a Crime to Love a Prawn

Bonnie Camplin

Art

December 2016

  The title of Bonnie Camplin’s exhibition at 3236RLS Gallery, ‘Is it a Crime to Love a Prawn’, brings...

 

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