Mailing List


Orlando Reade

Orlando Reade is writing a Ph.D. on English poetry and cosmology in the seventeenth century. His interview with Lynette Yiadom-Boakye can be read in The White Review No. 13.



Articles Available Online


Wildness of the Day

feature

December 2016

Orlando Reade

feature

December 2016

One day in late 2011, waiting outside Green Park station, my gaze was drawn to an unexpected sight. Earlier that year a canopy of...

Interview

Issue No. 13

Lynette Yiadom-Boakye

Orlando Reade

Interview

Issue No. 13

Modern philosophy is threatened by love, whose objects are never only objects. Philosophers have discovered in love a lived...

There’s a clarity to Audre Lorde’s writing that becomes most apparent when you are presented with a collection of her work Plainly written and devoid of the distractions of punctuation, her poetry is a series of questions and answers, of memories and musings Lorde’s prose, meanwhile, is easy to understand without feeling easy – there’s a sense that despite the lack of smoke and mirrors, we still need to work to understand exactly what she is saying Lorde’s work is not a series of straightforward proposals for a feminist utopia, or simple ideas about queer people assimilating into the mainstream Instead, her essays swing between lyrical musings about race, class, gender and sexuality, and bold statements of fact, backed up by evidence from her own academic research, and that of her peers   Lorde’s writing is unapologetic about being forthright; essays begin with phrases such as ‘There are many kinds of power, used and unused, acknowledged or otherwise’, and ‘Black feminism is not white feminism in blackface’ However, mid-essay, a  sentence like ‘I am thankful that one of my children is male, since that helps keep me honest’ will appear, challenging even the most feminist of her readers This is not socialism or feminism for the classroom, but an acknowledgement that speaking the truth, even if it jars, must be at the heart of our politics In her introduction to Your Silence Will Not Protect You, the academic Sara Ahmed reminds us of Lorde’s famous statement that ‘revolution is a process, not a one-time event’; truly understanding Audre Lorde’s writing is also a process, and the more of it we are given, the easier it becomes   Perhaps this is an obvious observation to make, but it’s an important one It hasn’t always been easy to access Lorde’s ideas: a full collection of Lorde’s poetry and prose has not been available in Britain until now Her writing has largely been absorbed not as a full body of work, but through a series of social justice memes and one-line quotes found in the keynotes of feminist conferences This fact is quoted on the jacket

Contributor

August 2014

Orlando Reade

Contributor

August 2014

Orlando Reade is writing a Ph.D. on English poetry and cosmology in the seventeenth century. His interview with Lynette...

Life outside the Manet Paradise Resort : On the paintings of Lynette Yiadom-Boakye

feature

November 2012

Orlando Reade

feature

November 2012

*   A person is represented, sitting in what appears to be the banal and conventional pose of a high street studio portrait photographer:...

READ NEXT

Interview

February 2014

Interview with Lisa Dwan

Rosie Clarke

Interview

February 2014

In a city where even the night sky is a dull, starless grey, immersion in absolute darkness is a...

poetry

September 2015

She-dog & Wrong

Natalia Litvinova

TR. Daniela Camozzi

poetry

September 2015

She-dog   He wrote to tell me his dog had died. I wanted to be her, I wanted him...

Interview

October 2014

Interview with Vanessa Place

Kyoo Lee

Jacob Bromberg

Interview

October 2014

Vanessa Place is widely considered to be one of the figureheads of contemporary conceptual poetry, yet while books such...

 

Get our newsletter

 

* indicates required