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Orlando Reade

Orlando Reade is writing a Ph.D. on English poetry and cosmology in the seventeenth century. His interview with Lynette Yiadom-Boakye can be read in The White Review No. 13.



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Wildness of the Day

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December 2016

Orlando Reade

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December 2016

One day in late 2011, waiting outside Green Park station, my gaze was drawn to an unexpected sight. Earlier that year a canopy of...

Interview

Issue No. 13

Lynette Yiadom-Boakye

Orlando Reade

Interview

Issue No. 13

Modern philosophy is threatened by love, whose objects are never only objects. Philosophers have discovered in love a lived...

It’s tempting to imagine Prabda Yoon’s short story collection Moving Parts originating as a series of iPhone notes: a scroll-down of speech fragments, draft jokes and random tangents ending mid-sentence Only, since there were no iPhones back in 2002 when this collection was written, better to visualise the stories being tapped out on a Windows 98 desktop computer Like Comic Sans, Yoon’s writing is scrappy, playful and morbid – there is a sense that anything could happen, or as one character puts it, that the ‘world outside could zoom in any direction’   Translated from the Thai by Mui Poopoksakul, these eleven stories all feature protagonists living in Bangkok Together, the stories capture the dislocation of a mushrooming cityscape at the turn of the millennium In a translator’s afterword, Poopoksakul identifies with the generation given voice by Yoon: one whose ‘collective consciousness is tied to the experience of growing up in a fast-urbanising country’ Poopoksakul explains: ‘Prabda and I are both children of 80s Bangkok, old enough to remember the city without a sky train or a McDonald’s, but young enough for these signs of modernisation not to seem out of place when we imagine our hometown’ This rapid change pulled their generation in two directions: ‘hyper-nostalgia’ and ‘hyper-curiosity’ Yoon finds metaphors for this disorientation: young urbanites, gridlocked by traffic, sit in air-conditioned cars watching sodden pedestrians waiting for buses in the rain; across the city, no one can figure out the time: a woman’s wristwatch reads 247; the car’s mini-clock says 242; while the radio display reads 245 The city’s cogs continue to turn, but these inconsistencies breed a subtle discomfort Things are out of joint   Yoon has arranged the book in terms of a strange, contorted body, with each story or ‘part’ corresponding to a section of the human form In ways that are variously surreal, or science-fictional, he explores how it feels to be composed of a jumble of these body parts, and to be subject to their whims: be they faulty or missing; or even seditious, plotting against their owners, getting them in all kinds of trouble The

Contributor

August 2014

Orlando Reade

Contributor

August 2014

Orlando Reade is writing a Ph.D. on English poetry and cosmology in the seventeenth century. His interview with Lynette...

Life outside the Manet Paradise Resort : On the paintings of Lynette Yiadom-Boakye

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November 2012

Orlando Reade

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November 2012

*   A person is represented, sitting in what appears to be the banal and conventional pose of a high street studio portrait photographer:...

READ NEXT

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February 2011

Red Shirts in Thailand

Sam Brown

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February 2011

The closest I had ever come to a protest was in 2003, in Bangkok, when I tried and failed...

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February 2012

Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer...

Art

May 2017

Francis Upritchard

Filipa Ramos

Art

May 2017

Where do anthropology and archaeology meet? Do the study of humankind and the research of its material culture share...

 

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