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Orlando Reade

Orlando Reade is writing a Ph.D. on English poetry and cosmology in the seventeenth century. His interview with Lynette Yiadom-Boakye can be read in The White Review No. 13.



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Wildness of the Day

feature

December 2016

Orlando Reade

feature

December 2016

One day in late 2011, waiting outside Green Park station, my gaze was drawn to an unexpected sight. Earlier that year a canopy of...

Interview

Issue No. 13

Lynette Yiadom-Boakye

Orlando Reade

Interview

Issue No. 13

Modern philosophy is threatened by love, whose objects are never only objects. Philosophers have discovered in love a lived...

AT NIGHT, THE WIFE MAKES HER POINT   No I don’t have Cindy Crawford’s legs I haven’t spent my life walking down runways in fashion shows, dazzled under the glaring lights of photographers My legs broaden as they reach the hip and in spite of my multiple efforts to don aerobic gear, work out and sweat, I  can’t control their tendency to widen like pillars ready to support a roof   No I don’t have Cindy Crawford’s waist nor her perfectly smooth and slightly concave tummy with the flawless navel at the center I might have had it once Once I  was even proud of that part of my anatomy That was before my son´s birth, before he decided to be born in haste and come into the world feet first, before the C-section and the scar   No I don’t have Cindy Crawford’s arms tanned, sculpted, each muscle shaped by the right exercise, the precisely balanced weights My slim arms have no more muscles than what are needed to type these characters, carry my children, brush my hair, gesticulate when I envision the future, or embrace my friends   No I don’t have Cindy Crawford’s breasts ample, round, C or B cup Mine are not so appealing in low cut dresses in spite of my mother’s assurance -a mother’s words- that breasts like mine, with no cleavage, had the classical beauty of Milo’s Venus     Ah! And the face How would I dare say I have a face like Cindy Crawford’s! The beauty mark just at the corner of the mouth Such impeccable features: the big eyes, the arched eyebrows, the delicate nose Out of habit, I’ve come to like my face: the elephant’s eyes, the nose with its flaring nostrils, the full lips, sensuous nevertheless All is spared with the help of the mane In this department, I can even beat Cindy Crawford I wonder if this affords you any consolation   Last, but not least, -and this is the weightiest piece of evidence- I don’t have Cindy Crawford’s behind: small, round, each half exquisitely outlined Mine is stubbornly ample, big, amphora or clay vase, take your pick, there is no way to hide it, all I can do is not to be shy about it use it to my advantage to sit comfortably and read, or be a writer   But tell me, how often have you had Cindy Crawford at your feet? How often has she given you

Contributor

August 2014

Orlando Reade

Contributor

August 2014

Orlando Reade is writing a Ph.D. on English poetry and cosmology in the seventeenth century. His interview with Lynette...

Life outside the Manet Paradise Resort : On the paintings of Lynette Yiadom-Boakye

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November 2012

Orlando Reade

feature

November 2012

*   A person is represented, sitting in what appears to be the banal and conventional pose of a high street studio portrait photographer:...

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Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

fiction

February 2013

The Currency of Paper

Alex Kovacs

fiction

February 2013

‘Labour is external to the worker, i.e. it does not belong to his essential being; that in his work,...

Interview

October 2013

Interview with Nick Goss

James Cahill

Interview

October 2013

Nick Goss has emerged in recent years as one of the UK’s most feted young painters. Evoking indistinct places...

 

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