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Orlando Reade

Orlando Reade is writing a Ph.D. on English poetry and cosmology in the seventeenth century. His interview with Lynette Yiadom-Boakye can be read in The White Review No. 13.



Articles Available Online


Wildness of the Day

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December 2016

Orlando Reade

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December 2016

One day in late 2011, waiting outside Green Park station, my gaze was drawn to an unexpected sight. Earlier that year a canopy of...

Interview

Issue No. 13

Lynette Yiadom-Boakye

Orlando Reade

Interview

Issue No. 13

Modern philosophy is threatened by love, whose objects are never only objects. Philosophers have discovered in love a lived...

London is among the capitals of the international art world Every day and night is witness to innumerable new exhibitions, openings, events, performances and screenings Having established itself as a world centre for the exhibition and sale of contemporary art, the past decade has seen an exponential increase in its number of galleries, with commercial and non-profit spaces springing up across the city Yet the majority of these venues continue to privilege the work of male artists, begging the question of how gender equality has figured in this boom When we are moving at such a fast pace, why are women artists being left behind?   The East London Fawcett (ELF) – a branch of the Fawcett Society, the UK’s leading campaign for gender equality – recently gathered a body of statistical data in the form of the Great East London Art Audit This information was collated over the course of a year by volunteers, researchers and statisticians with the aim of providing an objective overview of the status of women artists The results were clear: of the 134 commercial galleries in London that were audited, which collectively represent 3163 artists, 31 per cent of the represented artists were women Further to this, only 5 per cent of the galleries represented an equal number of male and female artists, with 78 per cent of the programmes representing more men than women ELF also audited the 133 solo shows featured in 29 of the city’s non-profit institutions and galleries, finding that, identically, 31 per cent of these exhibitions were by female artists, while only 1 of 29 galleries presented an equal number of male and female solo shows in that time frame[1]   The continued imbalance of gender representation within the arts is an issue all too often ignored The lack of tangible urgency compares unfavourably with the 1970s, when a number of art movements in North America and Europe critiqued patriarchal power structures and explored the social and political impact of identity, gender and sexual difference During this period, statistical information gathered by activists in Los Angeles revealed that over a

Contributor

August 2014

Orlando Reade

Contributor

August 2014

Orlando Reade is writing a Ph.D. on English poetry and cosmology in the seventeenth century. His interview with Lynette...

Life outside the Manet Paradise Resort : On the paintings of Lynette Yiadom-Boakye

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November 2012

Orlando Reade

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November 2012

*   A person is represented, sitting in what appears to be the banal and conventional pose of a high street studio portrait photographer:...

READ NEXT

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Issue No. 15

Translation in the First Person

Kate Briggs

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Issue No. 15

IT IS 1 JUNE 2015 and I am standing outside no. 11 rue Servandoni in Paris’s sixth arrondissement. I...

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Issue No. 13

Writers from the Old Days

Enrique Vila-Matas

TR. J. S. Tennant

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Issue No. 13

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial....

Interview

December 2011

Interview with David Graeber

Ellen Evans & Jon Moses

Interview

December 2011

Six months ago, while preparing to interview David Graeber, I decided to conduct some brief internet research on the...

 

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