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Philippa Snow
Philippa Snow is a critic and essayist. Her work has appeared in publications including ArtforumThe Los Angeles Review of BooksArtReviewFriezeVogueThe NationThe New Statesman, and The New Republic. Her first book, Which As You Know Means Violence, is out now with Repeater, and she is currently working on an essay collection about famous women.  

Articles Available Online


You Don’t Think God Is Sexy?

Film Review

January 2023

Philippa Snow

Film Review

January 2023

On the most literal level, Pier Paolo Pasolini’s elliptical, spiritual-cum-sensual movie Teorema (1968) is about an entire family being driven to distraction by their...

Essay

Issue No. 31

It's Terrible The Things I Have To Do To Be Me

Philippa Snow

Essay

Issue No. 31

Here was a woman who had modelled her life so closely on Marilyn Monroe’s that doing so eventually helped...

Dead Reckoning   They say birds always find their way back home but home is a nowhere – a memory; a never was   Do wings remember spaces in the air the way we might a place? A field of rice?   How do you fly back to that? Away from a tomb of fears, this place yearning for you…   Some years ago, I lay bright flowers on my grandmother’s grave Years before, I saw   my grandfather’s ashes taken by the furrowing wind in the Bocas islands   I am not myself nor have I ever been something apprehending the sun   and other bright celestial objects thinking: this is a tapestry in orbit   around me I am completely convinced that we were the last creatures to discover   how to be in the world My beard grows wild My children brush past me in the darkness   Their chattering voices fill my ears and then my chest and I cannot hold it in   I am always coming home       Genealogies   Do not tell me a thing does not do what it does – that these chains (now plated in gold) are no longer chains, or that from above the clouds no longer look like drowned bodies washed ashore in the rolling surf I must go to my mother to learn the real names of the gorgeous objects in this greened world, of the beauties that can drive the body to exhale its life in one purpling sigh, the body that is a precarious house, assembled in this world but out of time   But I can no longer trust my mother’s histories They are not the taut suspensions my adolescent mind thought them to be   The blue-black body breaks at its closures, twisting in a dancing double helix dripping blood and amazement                                                           We will be Home soon Bowls filled with brown oxtail and broad beans At the food stand, an umber dog floats through the crowd like a leaf

Contributor

November 2018

Philippa Snow

Contributor

November 2018

Philippa Snow is a critic and essayist. Her work has appeared in publications including Artforum, The Los Angeles Review of Books, ArtReview, Frieze, Vogue, The...

Essay

January 2021

An Uneasy Girl

Philippa Snow

Essay

January 2021

Even before Lucie arrives holding a shotgun, we know that the perfect family in this huge suburban house are...

Brilliant Muscles

Essay

December 2019

Philippa Snow

Essay

December 2019

‘Lindsay Lohan’s new film,’ I told almost everyone I spoke to for about two months earlier this year, ‘is about werewolf detectives.’ Nobody seemed...
Evita Vasiljeva, POSTCRETE

Art Review

February 2019

Philippa Snow

Art Review

February 2019

Lower.Green is situated in the unlikely surroundings of a near-dead mall in Norwich. It is not just any mall, but Anglia Square Shopping Centre:...
Gabriele Beveridge, Live Dead World

Art Review

November 2018

Philippa Snow

Art Review

November 2018

Several months ago, I went to a salon so small and so identikit that I do not recall the name, and against every sane...

READ NEXT

Art

May 2017

Francis Upritchard

Filipa Ramos

Art

May 2017

Where do anthropology and archaeology meet? Do the study of humankind and the research of its material culture share...

feature

Issue No. 11

Climate Science

McKenzie Wark

feature

Issue No. 11

Welcome to the Anthropocene, that planetary tempo in which all the metabolic rhythms of the world start dancing to...

feature

September 2012

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

Scott Esposito

feature

September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do...

 

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