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Rebecca Tamás
REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and was a LRB Bookshop pamphlet of the year, and a Poetry School book of the year. Rebecca’s first full-length poetry collection, WITCH, was published by Penned in the Margins in March 2019. She is editor, together with Sarah Shin, of Spells: 21st Century Occult Poetry, published by Ignota Books. Her collection Strangers: Essays on the Human and Nonhuman was published by Makina Books in October 2020.  

Articles Available Online


Interview with Ariana Reines

Interview

July 2019

Rebecca Tamás

Interview

July 2019

I first became aware of Ariana Reines’s work through her early poetry collection The Cow (2006), which went on to win the prestigious Alberta Prize. I...

Essay

Issue No. 24

The Songs of Hecate: Poetry and the Language of the Occult

Rebecca Tamás

Essay

Issue No. 24

  I have gone out, a possessed witch, haunting the black air, braver at night; dreaming evil, I have...

‘When I arrived in Paris for school, all these bourgeois kids would say Eddy Bellegueule, what a funny name’   A year before the publication of his internationally acclaimed first novel, The End of Eddy, Edouard Louis edited a collection of essays in homage to the late French sociologist Pierre Bourdieu Like Bourdieu, Louis identifies as a ‘transfuge de classe’, which can translate as something between class-crossover and class ‘defector’: someone who has been impelled by class humiliation to transcend their social identity In the collection’s opening essay, Louis describes the ‘folie sociale’ (social madness) which took him over after moving to Paris in his late teens, when he started actively and obsessively pursuing entry into the capital’s most selective milieux out of a desire to erase his modest social origins Bourdieu’s work on social distinction and class identity — which describe his own successive social reinventions — informed Louis’s own writing on that transfer; it also influenced the work of two of Louis’s contemporaries and literary models, Didier Eribon and Annie Ernaux, who each contributed an essay to the collection Like Louis, Eribon and Ernaux have written about their respective transfers from poverty to middle-class life through their access to education and, later, to writer status Bourdieu wrote, referring to Flaubert, of his own futile desire to ‘live all the lives in one life’ All these writers, too, address their ambitions to live multiple lives at once, and interrogate the problematic nature of that ambition All are confronting a complex problem: is it possible to write about the transcendence of working-class condition in a way that is not effectively betrayal, or an implicit praise of bourgeois life?   I grew up in a Picardy town about 100 km west from Louis’s home village of Hallencourt, and many moments in Louis’s autobiographical novel take me straight back to childhood: the image, for example, of three children riding a single bike around a stone structure commemorating the dead of the First World War, the kind that peppers the landscape of so many towns in northern France

Contributor

July 2015

Rebecca Tamás

Contributor

July 2015

REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and...

Interrogations

poetry

Issue No. 14

Rebecca Tamás

poetry

Issue No. 14

INTERROGATION (1)     Are you a witch?   Are you   Have you had relations with the devil?   Have you   Have...

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poetry

December 2016

Of all those pasts

Will Harris

poetry

December 2016

  In Derrida’s Memoires: For Paul de Man he quotes from ‘Mnemosyne’, a poem by Friedrich Hölderlin which he...

fiction

January 2015

One Out of Two

Daniel Sada

TR. Katherine Silver

fiction

January 2015

Now, how to say it? One out of two, or two in one, or what? The Gamal sisters were...

fiction

June 2015

Gandalf Goes West

Chris Power

fiction

June 2015

Hal stands in front of the screen. On the screen the words GANDALF GOES EAST.   GO EAST, types...

 

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