For the first time this year, The White Review Poet’s Prize was open to poets based anywhere in the world. Last month we announced a shortlist of eight poets. ...
Rebecca Watson is a freelance arts writer, and works as an Editorial Assistant at the Financial Times.
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there is no doubt, here it is, on the sign: Prawn chowder
prawn chowder
(words already unfamiliar but growing more distant as I say them in my head for a third time)
prawn ? chowder ?
on reflection cream of cauliflower doesn’t seem so bad
which is why I’m ladling (eyebrows peaking, just a little, at how the soup matches the sides of the takeaway container)
And now I’m paying tap your card darling
and tapping (darling) and walking
and my hand!, container too hot, palm softening, losing lines,
switching hands (surprisingly pink!), round to the lifts, sound chiming, me picking
up pace, just fast enough to make it, stepping in
someone else asking what floor
One
‘One’? Christ, should’ve said ‘first’
rubbing my leg against the side
Intercom, now, First Floor
Out, doors wide,
down into the corridor (averting my eyes, upwards, away from the red and orange concentric circles across the carpet), upper arm preparing to negotiate the swing doors, nudging myself and the soup carefully slowly slowly through
I must walk as if I am not checking whether the sofa and table are free, I have no purpose, nonchalantly wandering, with my soup that is not too hot and my spoon that is just in my hand for whenever I fancy using it, purely making a casual parade of the office, bearing to the left, towards the kitchen area where a certain sofa resides, not that I’m hoping to get that exact sofa and table I use most days, just after the fridge, hidden behind the coffee station, and which may or may not be occupied, no no, just walking, just scheming at how, if someone has their lunchbox firmly on the table, how I can walk (not dejected, not me!) as if I am only passing by, not turning around,
(approaching now, scanning for a foot sticking out, a coat draped on the side)
I will keep walking, I decide, walking, and just go
Instructions: Take the high modernist and early postmodernist experimentalism of Argentines Jorge Luis Borges and Adolfo Bioy Casares. Move it forward two generations and...
Njideka Akunyili Crosby first encountered Mary Louise Pratt’s ‘Arts of the Contact Zone’ (1991), which identifies ‘social spaces where cultures meet,...