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Robert Assaye
Robert Assaye is a writer and critic living in London.

Articles Available Online


Issy Wood, When You I Feel

Art Review

December 2017

Robert Assaye

Art Review

December 2017

At the centre of Issy Wood’s solo exhibition at Carlos/Ishikawa is a room-within-a room. The division of the gallery into two viewing spaces –...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

Sitting at a British Library desk in July 2006, a reader carefully consulted the fraying pages of A Relation of Some Yeares Travaile by Thomas Herbert Bound by a spine of deep green leather, lavishly illustrated and with the faint musk of old paper, the seventeenth-century text sat wedged between two grey cushions Delicately flipping a page,the reader halted The text had jumped incoherently from one word to the next They leant forward to peer at the page numbers One of the precious leaves had – neatly, almost imperceptibly – been sliced away   A browse through the rest of the book revealed yet more absences: illustrations, title pages, text Nearly an entire section on ‘the language of the Persians’ had disappeared This was no coincidence, no historic damage Somebody had been meticulously stealing from this book, one page at a time   In January of that year, British Library staff had been alerted to a similar disturbance: a missing map of the New World from another rare text Such an operation, involving a sharp blade and vigilant avoidance of CCTV cameras and staff, could only have been carried out by an expert with comprehensive knowledge of the text and of the library itself Five readers had recently consulted the work and each, in a letter, was asked for information – all to no avail That is, until a few months later, when it was noted that one of these five had also recently read the damaged Herbert An investigation into this individual and their peculiar love of books was just beginning: it would take months to follow his paper trail; it would take a forensic team of librarians to analyse the thousands of books he had accumulated; it would become a tale of secrecy, duplicity and obsession The common denominator: Farhad Hakimzadeh   Born in Iran in 1948, Hakimzadeh was a man of scholarly and philanthropic reputation He was educated in Germany as a child, then studied at MIT and Harvard Business School After returning to Iran, Hakimzadeh worked on a communications project for the government and joined his family’s manufacturing business But he

Contributor

August 2014

Robert Assaye

Contributor

August 2014

Robert Assaye is a writer and critic living in London.

New Communities

Art

January 2017

Robert Assaye

Art

January 2017

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network. Its forty million members contribute to a...
The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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Interview

June 2012

Interview with Malcolm McNeill

Patrick Langley

Interview

June 2012

I first met Malcolm McNeill in 2007. He was in London to do some printing for an exhibition, and he showed...

poetry

June 2011

Testament: Two Poems

Connie Voisine

poetry

June 2011

Testament What’s the difference? You might wear it out touching, touching, not buying. Like a snail on a stick,...

feature

September 2012

Existere: Documenting Performance Art

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place...

 

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