Mailing List


Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

feature

July 2015

Rose McLaren

feature

July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

feature

May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

feature

May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

When I was fifteen I took my two little cousins into town and had them wait outside the tattoo parlour while a woman with blue hair pierced my belly button with a big red ruby that pooled inside like a roving eye They were crying when I emerged I was hardly able to breathe for fear of the pain On the way home on the bus, Amy sang Karma Chameleon and Simone looked out of the window at time passing as though watching life being silently obliterated I remember my belly looked so white and soft lying down with the jewellery like a well of fresh blood collecting I thought it quite beautiful though it often snagged on my jeans My girlfriend had once rooted the ruby out with her tongue; the next morning had stung When we found a baby kicking in there I had to take the jewellery out as my teenage belly stretched Having that metal inside my body had been as good as a wound My girlfriend and I had wounds to nurse, they comforted, they reassured; while they healed there was a warm place inside devoted to new cells and plasma After the birth, my belly was  a waste of space, a forlorn temple with no jewel or way in I couldn’t accept the tender map of pain left imprinted on my belly when my baby was born I would trace the stubborn, soft pulse of a network of trails in my deep skin with my fingers, willing and willing them to recede Nobody touched my belly then, not for a decade My belly was women’s business My belly was the place a baby once lived If I was carrion my belly would be the first flesh to peck and rip– my most vulnerable part– silvery white in sunlight, nobody’s prize The little nick of a piercing scar reminds

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

feature

Issue No. 6

Rose McLaren

feature

Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

feature

February 2012

Rose McLaren

feature

February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

READ NEXT

Art

June 2012

'The Freedom of Speech Itself', or the betrayal of the voice

Lorena Muñoz-Alonso

Art

June 2012

‘The instability of an accent, its borrowed and hybridised phonetic form, is testimony not to someone’s origins but only...

feature

Issue No. 7

On a Decline in British Fiction

Jennifer Hodgson

Patricia Waugh

feature

Issue No. 7

‘The special fate of the novel,’ Frank Kermode has written, ‘is always to be dying.’ In Britain, the terminal...

Art

Issue No. 12

Parra!

Parra

Art

Issue No. 12

 

Get our newsletter

 

* indicates required