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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

there is no meaning Hanging a picture on the wall I           give           a little too much force to my thumb skin breaks under pressure an orb of blood      red        red to dark red       to dry red       to skin       to iron       to rust      to heat        to sweat        to yesterdays as we move, we move Tuesday Going into the city with the rest of them sliding down the greased pole of means become ends Let me tell you I slipped and travelled against the sharp grain of escalator, one flight of metal before I hit flat floor and crack, to the back of my head I cried like a child oh I oh I said me        am in pain   I was at work by the afternoon At home by early evening feeling burning scratches on the backs of my legs and the bruised curve of my head My mind curved bruised   In bed, the sheets scraped and tugged me sore any way I tried to lie I     face down, looking for a cool place, stretched out an arm and all that was solid dematerialised I     a nothing slipped into water Water, as pressure I felt the water as pressure I’d always thought of pressure as a pushing down     oh      it was every drop of water for miles working into me There was nothing to my fingers, no weight, no force on the pads of my feet, no cold draught wafting past the hairs of my skin, no sound, no sight I couldn’t set my watch to nothing   I waited I couldn’t scream, unaware of mouth or lungs to do so not breathing, not dead, not alive No fear Not yet Eyes wide open into dark, and no sense Unsayable   The Friday, I dropped in on Uncle Padana It was early summer: shadows fold neatly round corners, light warms the backs of the hands until four and cools before six He answered the phone in a lady voice as I stood outside his consulting room door, then buzzed me in, He’s ready for you now He was sitting behind his desk, leaning back in his chair, looking boyish, expectant, tired A Ceropegia hung from the bookshelf and fondled

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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Interview

May 2011

Interview with Alison Klayman

Shepherd Laughlin

Interview

May 2011

Until his arrest in Beijing on 3 April as he boarded a plane to Hong Kong, Ai Weiwei was...

Interview

January 2017

Interview with David Thomson

Leo Robson

Interview

January 2017

David Thomson — the author of dozens of books, including an account of Scott’s expedition to the Antarctic and...

Interview

December 2016

Interview with Caragh Thuring

Harry Thorne

Interview

December 2016

When I first visited Caragh Thuring in her east London studio, there was an old man lurking in the...

 

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