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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

The last poem in Holly Pester’s first collection COMIC TIMING (Granta, 2021) is called ‘Villette’; it shares its title with Charlotte Brontë’s 1853 novel about Lucy Snowe, an impoverished and extremely truculent governess Pester’s book is divided into four theatrical acts, and this poem closes Act 4: although, strictly speaking, the collection ends with the coda ‘Heavy ending’, ‘Villette’ is the last thing that happens before the actors make their bow In it, the voice of the speaker and the actions of Brontë’s protagonist are unified, like two film reels playing simultaneously: ‘In the novel Villette,’ it begins, ‘either I or Lucy Snowe live and work in a girls’ school that either she or I found in a small French town’ The poem continues, explaining that I / Lucy have recently suffered a romantic disappointment with Dr Graham, their ‘heavy and imaginative crush’, and resolve to bury his letters, which they have invested with a ‘devotional adoration’ The poem ends in an ecstasy of submission:   In this gesture / in my gesture, Lucy Snowe rejects the possibility of possessing the letter She applies / I apply a fantastical value to the letter The letter passes into an earthed state of absence I use / Lucy uses burial as a way to disown the letter and to refuse being privately subjected by the letter She instead / I instead ecstatically ritualise her poverty / my poverty, and her otherness / my otherness to ownership of objects, and evacuate the self into love   VILLETTE, although well received at the time of its publication, disappeared from the mainstream literary consciousness soon after, and remained mostly ignored for the best part of a century In 1970, Kate Millett offered a radical reading of the novel in SEXUAL POLITICS that drew on earlier understandings (notably Virginia Woolf’s) of it as a proto-feminist text Lucy, for Millett, is a study in the effects of a ‘male-supremacist society’ upon a woman’s psyche: ‘She is bitter and she is honest; a neurotic revolutionary full of conflict, back-sliding, anger, terrible self-doubt, and an unconquerable determination to win through’   Later

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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poetry

July 2012

Fig-tree

John Clegg

poetry

July 2012

He trepans with the blunt screwdriver on his penknife: unripe figs require the touch of air on flesh to...

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February 2011

The dole, and other bailouts

Chris Browne

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February 2011

One of my first actions as a Londoner was to sign on for as many benefits as I could...

fiction

April 2013

Fairy Tale Ending

Stacy Patton

fiction

April 2013

Rodeo Cowboy You meet him at a rodeo dance on the Fourth of July. You are 17. He is 20;...

 

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