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Rose McLaren

Rose McLaren is an artist in London.



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Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

Watching the recent public demonstrations protesting, at times violently, the Coalition government’s budgetary cuts, I was forced to revisit a long-held personal dilemma   I’ve described myself as ‘a writer’ from the age of nineteen, writing, at first, a series of features in and around the disparate areas of contemporary art – while at the same time arguing with very little subtlety in favour of my grand vision for the world, and how it should work While my writing today may well have outgrown its incipient characteristics of undergraduate anger and a quite spectacularly misplaced sense of superiority, I’ve not lost those early impulses to write Indeed, I’d say my desire to write – the compulsion to put pen to paper, as it were – has remained largely unaltered in what’s now a decade-long career Similarly, my motivations – explicitly political as they doubtless were from the start, against capitalist social relations and diametrically opposed to the current order of things – have stayed with me I’ve not so much as purchased a copy of Socialist Worker, however – despite the obvious opportunities to do so, especially while attending a redbrick university in the North More to the point, though, I’ve never joined any kind of physical march, riot or protest – against anything This I’ve always found difficult to explain, and is therefore my principal reason for this essay: to justify why I write rather than riot; to demonstrate briefly where this is mirrored by others; and to argue how this paradox must be upheld * When George Orwell wrote his seminal essay ‘Why I Write’, from which I take both title and inspiration – at least, in part – he made plain the motivations for a very particular type of artist: the writer Orwell, only a handful of years after his own participation in the Spanish Civil War, then provided four motives for writing: sheer egoism; aesthetic enthusiasm; historical impulse; and political purpose I myself would eschew, though not entirely dismiss, points two and three As a writer, it’s egoism and political purpose that defines both

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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poetry

February 2016

Maurice Echegaray

Lina Wolff

TR. Frank Perry

poetry

February 2016

It was when we were living near the southbound exit. Maurice Echegaray had his company office on our staircase...

Prize Entry

April 2017

Terre Haute

Lauren Van Schaik

Prize Entry

April 2017

We’ve been quarantined in the school gym for three weeks when we realise just how much we’ve forgotten. Not...

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Issue No. 1

On the Notoriously Overrated Powers of Voice in Fiction or How To Fail At Talking To Pretty Girls

D. W. Wilson

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Issue No. 1

On a Tuesday afternoon in July, not too long ago, a friend of mine struck a pose imitating a...

 

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