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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

Looking back at Harmondsworth as he left, after 52 days inside, Amir was struck by how isolated the detention centre seemed Set back from the A4, it runs along the northern boundary wall of Heathrow, separated from the road by a car park and shielded from view by a line of houses and trees ‘The location is such that nobody can see you,’ he told me, a year after his release ‘This is how they make you feel cut off’   A year and a half ago I was scrolling aimlessly on the internet when I came across a simple website called ‘Detained Voices’, consisting of a series of short quotations from people who were being detained in ‘immigration removal centres’ in the UK Reading these disturbing fragments of testimony started me on a path that eventually put me opposite Amir in a Costa coffee shop in Stratford, as he told me about life in Harmondsworth   As I’ve learnt more about immigration detention I have become increasingly mystified by the place it occupies in our national discourse A set of nine prison-like buildings dotted around the country, these immigration removal centres are a recent phenomenon, yet already feel like part of the national furniture Harmondsworth, the first purpose-built immigration detention centre in the UK, was constructed in 1970 on the fringes of Heathrow, the country’s largest airport It had a capacity of 44 Over the eighties and nineties more and more facilities popped up around the country, until a burst of building under New Labour after the millennium brought the total number of places in these centres to just over 4,000 today   I became obsessed with the history of detention and with the building of Harmondsworth itself Rebuilt and expanded in 2001, it is now the largest detention centre in Europe I know which architectural practice designed the building (HLM Architects), who manufactured the heavy iron security doors (Lloyd Worrel Ironmongery), how much the retrofitted sprinkler system cost (£17 million) and who provided the toilets lacking in ligature points (The Plumb Centre) I learnt what ligature points are I learnt about the seven

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

READ NEXT

Interview

December 2016

Interview with Caragh Thuring

Harry Thorne

Interview

December 2016

When I first visited Caragh Thuring in her east London studio, there was an old man lurking in the...

Art

September 2011

Interview with Marnie Weber

Timothée Chaillou

Art

September 2011

Los Angeles-based artist Marnie Weber has spent her career weaving music, performance, collage, photography and performance together into her...

Prize Entry

April 2017

Pylons

David Isaacs

Prize Entry

April 2017

Once upon a time, Dad would begin, I think, focusing on the road, there was a man called Watt....

 

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