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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

‘Cetaceans are women’s allies in the war against patriarchy because patriarchy holds the cetaceans down with us,’ explains the earnest and slightly irritating Erin, nineteen-year-old protagonist of Abi Andrews’s debut novel ‘Orcas travel in matriarchal pods,’ she elaborates, by way of explanation ‘The root of the word dolphin, delphus, means womb’   In the journals that became Walden, Henry David Thoreau wrote, ‘I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could learn what it had to teach’ Thoreau was by no means the first to celebrate the transcendental purity of the ‘wilderness’ or the spiritual benefits of an outdoorsy survivalism, but his 1854 work helped to print these values onto the American self-image In 1992, a heavily annotated copy of Walden was found alongside the remains of Chris McCandless, who walked out of his privileged California upbringing and hitched to Alaska And Into the Wild, the 2007 film based on his journals, has built for McCandless a cult following and a divisive legacy Was he a messianic figure akin to Thoreau, inspiring a generation of travellers to reject technology in favour of a lived purity in nature? Or was he a fool with a merely sentimental understanding of the wilderness he idealised?   Andrews’s novel participates in this survivalist legacy, though uneasily Erin has left her parents’ house to escape the ‘grid-owned and regimented spaces’ of the British Midlands She’s watched Into the Wild and read Walden, as well as On the Road and The Call of the Wild She wants in on the tradition As a young feminist, however, she’s wary of the ambivalent heritage of these ‘straight white men’, and though intoxicated with the wilderness narrative, she can’t help but imagine ‘how it would have been different if the guy had been a girl’ She cites a cohort of female, proto-feminist adventurers in passing – Calamity Jane, Freya Stark, Nellie Bly – but these women simply do not compel Erin as does, say, the Unabomber, whose eco-terrorist manifesto she knows in detail   The journey, on cargo ships

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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Interview

January 2015

Interview with Magdalena Tulli

TR. Bill Johnston

Grzegorz Jankowicz

Interview

January 2015

This interview appeared in Po co jest sztuka? (What Is Art For?), a 2013 collection of interviews with Polish...

poetry

September 2013

Poems

Osip Mandelstam

TR. Robert Chandler

TR. Boris Dralyuk

poetry

September 2013

Osip Mandelstam was born in Warsaw to a Polish Jewish family; his father was a leather merchant, his mother...

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Issue No. 13

Writers from the Old Days

Enrique Vila-Matas

TR. J. S. Tennant

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Issue No. 13

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial....

 

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