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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

As a schoolgirl I was told that abortion was illegal in Mauritius No exceptions There was no reason for me to believe otherwise At church I heard men pontificate about God’s will, the sacred foetus, the mother’s responsibility, the sin of murder At school I heard women speak on the virtues of abstinence, of adoption as a gift No-one spoke of abortion at home: my mother perhaps didn’t believe she had any reason to do so When I was six she bought me an illustrated book explaining where babies came from; when I was nine she taught me about contraception; when I was a teenager she prevented me from going out, confiscated my phone, checked my messages    I knew nothing of the protests, the legal challenges to our colonial law, all the work that was being done by Muvman Liberasyon Fam (MLF), the first women’s rights organisation that publicly stood in favour of abortion1 I’d only vaguely heard of Lindsey Collen; whenever her name came up the phrase ‘radical madwoman’ usually followed   It was the early 2000s and all I wanted was perfect grades, a scholarship, an exit from the island Abroad, I hoped for kindness: the girls I knew who’d left for Europe spoke of freedom They said no-one cared about what they did, there was no surveillance; there were problems, yes, but most of the time people – at university, in the workplace – took them seriously, treated them with respect   Kindness, care, respect We had none of that at the Catholic school I attended I called our despotic headmistress Folcoche, after Hervé Bazin’s Vipère au Poing [Viper in the Fist] (1948); Paule Rezeau, named Folcoche (folle-cochonne, or ‘mad pig’ in English) by her sons, is one of literature’s cruellest mothers Our Folcoche was so terrible that a group of older students planned to write a letter to the local newspapers, denouncing her sadism and the malice of some of the other teachers: the way they’d taunt, scream; the way they patrolled the gates in the early morning, ready to castigate teenage girls for talking to the boys at

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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Interview

September 2015

Interview with Katrina Palmer

Jamie Sutcliffe

Interview

September 2015

G.W.F. Hegel isn’t looking too good. With an afternoon of student tutorials to attend at the School of Sculpture...

poetry

February 2014

Promenade & Dinner: Two Poems

Joe Dunthorne

poetry

February 2014

Promenade I was pursued by an immersive theatre troupe two of whom lay on the textured paving and performed...

poetry

January 2015

My Beloved Uncles

Tove Jansson

TR. Thomas Teal

poetry

January 2015

However tired of each other they must have grown from time to time, there was always great solidarity among...

 

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