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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

As you enter Raqs Media Collective’s exhibition ‘Twilight Language’ at the Whitworth in Manchester, the gallery lights are dimmed: as the title suggests, this show is set at nightfall A sculptural lighthouse, Unusually Adrift from the Shoreline (2008/2017) sends out an intermittent beacon, illuminating a collection of disparate installations    Among them is a set of new works that inquire into Manchester’s past In Prostheses for the History of Insurgent Crowds (2017), wax body parts run, walk, kick and fly over wall panels decorated with geometric prints These are replicas of the prosthetic limbs which proliferated during the city’s industrial revolution, due to a rise in accidents in the workplace According to Raqs’s co-founder, Jeebesh Bagchi, the piece was inspired by the contrasting stories of injury and collective action that emerged while the group was undertaking archival research – stories of the loss of limbs in the workplace, and the many bodies that came together in protest during the city’s labour movement   In collaboration with architects Palak Jhunjhunwala and Efstratios Georgiou, Raqs also developed a crystal structure using 3D-printed plastic, resin, and plywood, that will grow for the duration of the exhibition The installation, Alive, with Cerussite and Peppered Moth (2017), is enhanced by what Bagchi refers to as the ‘biological time’ of the peppered moth, a white insect with a few brown dots that became rarer in Manchester during the industrial revolution As the city grew dirtier, the moth is said to have stood out against the dark surfaces of buildings and trees, making it vulnerable to birds – until, through a process of natural selection, darker moths became more prevalent The moth is represented by sound and two videos projected onto the crystal structure, at moments identifiable by the fluttering of its wings, at others as a fractured and elusive shadow   Raqs Media Collective was founded by Monica Narula, Shuddhabrata Sengupta, and Jeebesh Bagchi in 1992, after they studied documentary film together at Jamia Millia Islamia university in Delhi The

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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poetry

March 2013

Fugitive

James Byrne

poetry

March 2013

I trace the stacked voices of shouters how they immingle fraternally on first hearing with the vaporous nick of...

Prize Entry

April 2017

/gosha rubchinskiy/

Christopher Burkham

Prize Entry

April 2017

1. APARTMENT INTERIOR/MORNING/BELYAYEVO, MOCKBA, ROSSIJSKAJA FEDERACIJA…   There is a T-shirt on the desk in front of him.  ...

Art

March 2011

Trafalgar Square Street Protests

Cosmo Hildyard

Joseph de Lacey

Art

March 2011

The following photographs were taken during the third day of student protests in London on 1 December 2010, a...

 

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