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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

When I was twenty-seven, my Sleep stepped out of me like a passenger from a train carriage, looked around my room for several seconds, then sat down in the chair beside my bed This was before they became so familiar, the shadow-forms of Sleep in halls and kitchens, before the mass displacement left so many people wakeful at uncertain hours of the night In those days, it was still surprising to sit up and see the silver lean of Sleep, its casual elbows People rang one another, apologising for the lateness, asking friends if they too were playing host to uninvited guests   Sleep was always tall and slender but beyond that there were few common traits Experiences varied – a girl I knew complained that her Sleep sat ceaselessly atop her chest of drawers, swinging its heels and humming, while another confided that her Sleep trailed its fingers down her calves, demanding cones of mint ice cream Couples and cohabiters were the worst off – the Sleeps seemed more prone to behaving badly in numbers, as though they were egging one another on A rumour persisted in my building that the husband and wife in the penthouse had locked their Sleeps in separate bathrooms to prevent them wrestling violently on the carpet A man I knew vaguely from the office told me in passing that his and his boyfriend’s Sleeps kicked at one another incessantly and flicked pieces of rolled-up paper at the neighbour’s Bengal cat My Sleep had no one to fight with and so mostly preoccupied itself with rooting through my personal belongings, pulling out old photographs and allen keys and defunct mobile phones, then placing them like treasures at the foot of my bed   Early on, we didn’t know what it was exactly A lot of people assumed they were seeing ghosts One night in mid-July, a woman in my building woke the seventh floor with her shrieking Two am, dark throat of summer A bleary stagger of us collected in the corridor and were beckoned into her flat in our sleeping shorts and dressing gowns We walked

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

READ NEXT

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January 2016

About Renata Adler’s Speedboat

Wolfgang Hildesheimer

TR. Shaun Whiteside

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January 2016

  Best known for his bestselling biography of Mozart, Wolfgang Hildesheimer was a polymathic novelist, translator, painter and dramatist. A...

Interview

Issue No. 12

Interview with Douglas Coupland

Tom Overton

Interview

Issue No. 12

Douglas Coupland likes crowdsourcing. I should know, because he crowdsourced me shortly after the first part of this interview....

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

 

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