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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

In 1999, living in France for the first time, I picked up a copy of Passion simple by Annie Ernaux at the Fnac My French wasn’t great, but the vocabulary was simple, as was the subject: one woman’s obsession with her Russian lover ‘From September last year,’ she writes, ‘I did nothing else but wait for a man: for him to call me and come round to my place’ Entire days slip by in this heightened state: the cycle of waiting, then finally hearing from him, or seeing him, then the emptiness again, followed by the immediate hunger to repeat the experience It taught me so much about the unfulfilment of fulfilment I loved how spare and almost unemotional the prose was, all while evoking this most emotion-ridden of experiences, and in time, reading her other work, I would come to understand that this écriture plate, or flat writing, was one of its strongest, most unique attributes From books like La place (A Man’s Place, 1983, for which she won France’s prestigious Prix Renaudot) or Une femme (A Woman’s Story, 1988), about the deaths, respectively, of Ernaux’s father and mother, to Les Années (2008), recently published in English, translated by Alison L Strayer, as The Years, Ernaux demonstrates a striking ability to take the most wrenching of experiences and render them unflinchingly, without moral judgment   Ernaux was born in 1940 in Normandy to a working-class family; her parents worked in a factory and later ran a small café and shop This background informs all of Ernaux’s work, from her early anti-novels Les Armoires vides (Cleaned Out, 1974) and Ce qu’ils disent ou rien (1977) to her later masterpieces L’événement (Happening, 2000), about an illegal abortion, or Mémoire de fille (2016), which takes place during the summer of 1958, when she worked as a counsellor at a summer camp in Normandy, and explores the shame she felt following her first sexual experience with another counsellor there [1] Elizabeth Bowen once described herself as a writer ‘for whom places loomed large’; this is also true of Ernaux, for whom the past is a

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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Art

November 2015

None of this is Real

Anna Coatman

Art

November 2015

Rachel Maclean’s films are startlingly new and disturbingly familiar. Splicing fairy tales with reality television shows, tabloid stories, Disney...

poetry

November 2013

Shine On You Crazy Diamond

George Szirtes

poetry

November 2013

And so they shone, every one of them, each crazy, everyone a diamond shining the way things shine, each...

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January 2016

Suite

Pierre Senges

TR. Jacob Siefring

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January 2016

‘Suite’ was born of an invitation Pierre Senges received to contribute to an anthology on the future of the novel (Devenirs...

 

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