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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

RightsCon is an annual human rights conference, run by Access Now Alaa attended the first ever RightsCon in October 2011 Every year Access Now honour his work In 2017, he was able to write a letter to the conference   To RightsCon,   This week I start my fourth year in prison I might be released in October, if my appeal is accepted But then I might not I might be released in March 2019, when I have served my full sentence But then I might not They have other pending cases against me If released, I might be able to attend this conference, but then I might not: my sentence comes with five years of parole to follow, and who knows if you’ll be able to find a conference venue in a country that gives visas to people like me by the time I am allowed to travel   I don’t mean to be too pessimistic; the best-case scenario is as probable as the worst The real problem is there’s very little you can do to influence which will come to pass   But that’s not really what worries me We live in hugely reactionary times My defeat was inevitable   What worries me is that by the time I manage to make it to this conference, or another like it, I will be a total embarrassment to organizers and attendees In my isolation I can only build a fragmented picture of what the world outside looks like And when it comes to tech that picture is solely based on which views and actions of governments and giant tech companies manage to filter through state-controlled media Not what people and communities are doing and saying   You wouldn’t enjoy watching a Luddite ramble on about a terrifying dystopia in which labour rights are trampled by startups that don’t even plan to make a profit (or pay taxes) but are somehow able to raise enough capital to flood markets, overwhelm regulators, influence policy, litigate perpetually and still have enough left to spend on PR that spins all this as the glorious disruptive effect of the gig economy A dystopia in which

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

READ NEXT

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July 2011

Editorial: a thousand witnesses are better than conscience

The Editors

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July 2011

The closure of any newspaper is a cause for sadness in any country that prides itself, as Britain does,...

poetry

May 2015

Europe

Kirill Medvedev

TR. Keith Gessen

poetry

May 2015

I’m riding the bus with a group of athletes from some provincial town they’re going to a competition in...

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June 2017

Oberhausen Film Festival

Tom Overton

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June 2017

Such film festivals – those extraordinary clusters of images, transports of light, of virtual worlds scattered across a real...

 

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