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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

for the spirit of Jonathan Harvey   There was a fisherman, who lived in a village on a great bay, into which he and the other fishermen of the village would take their boats out every morning to let fall their nets The bay was so sheltered, so calm, that the fishermen could call to one another over the water, their voices clear in the damp air, especially on a spring morning such as this was, with white mist hanging over the sea and a faint crescent moon still visible on the wide blue-grey sky They had not long been out this morning Not long at all Now was no time to be heading home, but he saw them, all the rest, his friends, turn their prows back towards the village He shouted to them, but received no answer   Soon he was alone   On a whim he decided to aim for the other side of the bay from the village, a place where pinewoods came down to the sand   He landed, pulled his boat up onto the crunching beach and then, when that was done, became aware of music, something between the shimmering chime of small bells and the luminous breath of panpipes There were also flowers floating down, he could not tell from where, flowers of colours he had never seen before And there was a growing fragrance, an infinite sweetness   Then he saw it, iridescent and caught in the branches of one of the trees ahead, undulating in the breeze and turning from gold to ultramarine to purple to deep green As he walked slowly towards it the scent grew, and after he had reached up and taken it out of the tree he placed it against his face, its exquisite softness, how it seemed to be cool and warm at the same time, how colours slowly moved through it, how it smelt of lavender and oranges and anis and walnut leaves and the neck of his beloved   Stop, said the spirit-being That cloak is mine That feather cloak is mine   I found it, said the fisherman   You cannot wear

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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Interview

November 2016

Interview with Njideka Akunyili Crosby

Cassie Davies

Interview

November 2016

Njideka Akunyili Crosby first encountered Mary Louise Pratt’s ‘Arts of the Contact Zone’ (1991), which identifies ‘social spaces where cultures meet,...

poetry

January 2012

Tynemouth Lodge

W. N. Herbert

poetry

January 2012

‘Sometimes I go to the tavern and get drunk.          What of it?’                                 Nesimi 1 Bars tend us...

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September 2013

For All Mankind: A Brief Cultural History of the Moon

Henry Little

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September 2013

For almost the entirety of man’s recorded 50,000-year history the moon has been unattainable. Alternately a heavenly body, the...

 

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