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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

How well do you know your nose? That organ is the gateway to our least understood sense, a network of more than 400 types of receptor cells (Our retinas, by contrast, have just three) Though most are concentrated in a bulb near our frontal lobe, olfactory receptors have cropped up in skin, livers, kidneys and sperm Smell is a powerful memory recall tool, and it can make us want to fuck, vomit or cry – but why and how all this works remains largely a biological mystery   This enigma drives Sean Raspet, an artist and self-trained food-and-fragrance scientist whose art is microscopic in scale Past shows at Société, Berlin have featured large plastic vats of stuff he’s cooked up in a lab: molecular compounds meant to tease our tongues or trigger our nostrils These concoctions are often clear and near-weightless, and can take the form of a liquid or a gas In his current exhibition ‘Receptor-Binding Variations’ at Bridget Donahue Gallery, New York, Raspet has devised ten ‘primary scent formulations’ that, like primary colours, trigger the range of our olfactory sense Brewed from ‘captive molecules’, or particles patented by the fragrance industry, they are housed in bone-white electric diffusers that spout their scent every 60 seconds Many of their manufactured molecules are designed to deceive the human nose: to us, they can smell more like natural goods than the organic chemicals they imitate, frustrating attempts to sniff out their origins In the gallery, all these compounds blend together to produce the faint aroma of rubber gym flooring, inoffensive but slightly unsettling   Each compound, and thus each work in the show, is labelled with the name of the receptor it’s meant to target (all works 2017) The first diffuser, 52D1, gives off a strong whiff of citronella, with notes of the artificial pineapple aroma of white gummy bears Number two, 3A1, 2AE1: a distinct odour of freshly mown grass At first pass, 2V2, 2V1 smelled like an herbaceous gin; when I returned several minutes later, I detected the sweetness of kiwi 2L5, lemon Pledge; 7G3, 8K3, 1J2, fresh asphalt; 52D1, a sweaty armpit

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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poetry

January 2015

Why I'm Not a Great Lover

Clemens J. Setz

TR. Ross Benjamin

poetry

January 2015

Why I’m Not A Great Lover   The circumstances. The zeitgeist.   The inner uncertainty. The lack of belief...

poetry

May 2012

REGULAR BLACK

Sam Riviere

poetry

May 2012

Who wouldn’t rather be watching a film about werewolves instead of composing friends’ funeral playlists all day I’ve been...

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June 2015

Uneasy Lies the Head

William Watkin

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June 2015

Last October I was standing in my kitchen, waiting for espresso to trickle from the spout of our imposing...

 

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