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Rose McLaren

Rose McLaren is an artist in London.



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Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

Listen to her She is telling you about her adolescence She is telling you about one particular ‘bender’ that lasted three days I was getting blacked out again in the morning, she says Smoking cigarettes Nine hours in her mum’s garden, unable to stand up It disturbed her for a long time She felt sick every time she thought about it, not because she could remember it, but because she couldn’t She could only recreate it That was the only time I wished that I was dead With survival comes loss – loss of sight, of time, of your sense of self She didn’t know what she had or hadn’t done when black out drunk, could never say because she lost so much time She was there but didn’t see it happen   Anita Harris would call her a ‘have-not’ girl Adolescent girls are made to embody society’s fears and hopes for the future, and as such are judged on their capacity for self-invention Adolescent girls are expected to make good choices for themselves As Harris writes in Future Girl, they have become ‘a focus for the construction of an ideal late modern subject who is self-making, resilient, and flexible’ Not everyone can be a ‘can-do’ girl, a good Future Girl Not all young women are ‘killing it’   The woman speaking in Jordan Baseman’s Blackout, on view at TAP in Southend-on-Sea, was a ‘have-not’ girl: she drank until she blacked out, was promiscuous and deceitful, and had no regard for her health or her safety She says she didn’t do anything for five years, that now she feels in-between: matured from her problem with alcohol and yet ‘behind’ everyone else She knows some things She thought her problem with alcohol set her apart from other people That it made her ‘interesting’ – she was living in a different way to everyone else She had chosen it But she was a girl who made bad choices, consumed the wrong substances and abused her body She was not, in other words, self-making, resilient or flexible in the ‘right’ way A have-not girl is a

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

READ NEXT

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Issue No. 13

Writers from the Old Days

Enrique Vila-Matas

TR. J. S. Tennant

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Issue No. 13

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial....

Interview

Issue No. 13

Lynette Yiadom-Boakye

Orlando Reade

Interview

Issue No. 13

Modern philosophy is threatened by love, whose objects are never only objects. Philosophers have discovered in love a lived...

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September 2013

A God In Spite of His Nose

Anna Della Subin

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September 2013

‘Paradise is a person. Come into this world.’ — Charles Olson   In the darkness of the temple, footsteps...

 

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