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Rose McLaren

Rose McLaren is an artist in London.



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Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

My father believed the sea to be covetous: a pleading dog that would lap at you adoringly, sidling up the beach to dawdle hungrily round your ankles He said not to trust its sidelong ways, because when he was out in his fishing boat during a storm, the sea became a hound that could shake the whole world in its teeth Out there, he had heard the entire ocean howl like the bereaved He had seen waves bigger than a church standing atop a church and believed there is nothing you can do in the face of such demands   Father believed the sea to be a jealous god, hungry for sacrifice, but I think it is something blanker and simpler than that I would say that to meet the sea is to look into the face of God and find it faceless But nobody talks to me anymore, so I keep such thoughts to myself   From here at my place by the fire in our small house, I can hear the waves on the beach, and the rhythm of the sea is soothing to me It comforts me like the rub of butter, like the click of my sister Margie’s knitting needles, as she huddles in her black dress making endless tiny clothes for the new baby, unspooling her threads unto infinity   *   It used to be that when the wind roared and the sea boiled like a bubbling pot, snapping at sailing boats, threatening to swallow them whole, we would go to pull the lifeboat out The women of our village would run to the shore and heave on ropes to drag the boat down the beach, hearing the rubble rubble of the wooden hull as we hauled it over pebbles, the men onboard holding up their oars and jeering down at us And the rumbling roll and then the sweet perfect crash as it swung down the shingle and into the ocean blue green grey purple gold and sometimes black and sometimes silver   Usually, when the men went out – my father and brother among them – we would head

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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poetry

Issue No. 11

Poems from [---] Placeholder

Rob Halpern

poetry

Issue No. 11

Obscene Intimacy My soldier was found unresponsive restrained In his cell death being due to blunt force injuries To...

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Issue No. 8

The White Review No. 8 Editorial

The Editors

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Issue No. 8

The manifesto of art collective Bruce High Quality foundation, the subject of an essay by Legacy Russell in this...

Art

March 2016

Seeing from behind: Park McArthur

Anna Gritz

Art

March 2016

In a public conversation between Park McArthur and Isla Leaver Yap that accompanied the former’s exhibition Poly at the...

 

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