Mailing List


Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

feature

July 2015

Rose McLaren

feature

July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

feature

May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

feature

May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

 I am bound more to my sentences the more you batter at me to follow you – William Carlos Williams, ‘January’   A new train set changed the living room into her playground Just a little engine and two cars, red and green, going around the metal track, but the little girl imagined more, because the trains followed the curves, stayed on the track, and kept circling and going, going Her father sat beside her on the floor, like her, beaming      A very long line of freight trains took a long time to pass She knew it would come to an end, and was patient at the railroad crossing The cars of many colours – yellow, red, green – lumbered by, boxes on wheels, while the train’s lonesome whistle kept calling, Here I come, here I am, here I go      Freight trains, at all times of day and night, wailed through hundreds of small towns, just a gas station, a luncheonette, maybe a beauty parlour, towns undone by human failure and natural disaster, flood, drought, towns with no product but the wind blowing      Her toy train rounded an old track               Estranged mountains bulged under the sky, the big sky, the endless sky Anyway, no one could see an end to it, which reassured her, since so much seemed to be coming to an end It felt that way      But it seemed impossible – the universe dropping off, ending, there would be an end, and then there would be nothing, a no more, a vacuum of no more Her imagination couldn’t let her go there               A jumble of metal and tires, grease stains, goop, the shop looked a big mess The guts of cars, tools, scattered all over the floor, but he knew where everything was He’d say to his wife, ‘I know where it all is, just don’t touch anything’ His place was like the back of his hand, and he was just as attached to it      Folks brought in their cars and trucks for fixing Dented, broken down, crashed The fixer-uppers The ‘keep ‘em going until I get some money’ cars Junkers The shit that happened to their rides, to them,

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

feature

Issue No. 6

Rose McLaren

feature

Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

feature

February 2012

Rose McLaren

feature

February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

READ NEXT

Art

July 2014

Operation Paperclip

Naomi Pearce

Patrick Goddard

Art

July 2014

‘I began at this point to feel that politics was not something “out there” but something “in here” and of...

Prize Entry

April 2017

1,040 MPH

Alexander Slotnick

Prize Entry

April 2017

Isaac Goodchrist, Esq. reviewed the 48-hour letter.   …therefore, in the strictly professional opinion of this author, the nation’s...

feature

July 2013

Occupy Gezi: From the Fringes to the Centre, and Back Again

Alexander Christie-Miller

feature

July 2013

Taksim Square appears at first a wide, featureless and unlovely place. It is a ganglion of roads and bus...

 

Get our newsletter

 

* indicates required