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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

I You remember your childhood Your tow-headed, reddish-tinged mother, who yelled after you all day like a Paraguayan peasant chasing her donkey And your father flattened in front of the TV, murmuring curses against the people flickering on the screen Your grades at school were average, pathetic, as you competed against the ones at the top of the class with their brilliance adapted to hedge-hopping teachers’ brains who flitted from idea to another on stage like macaques   Your sexuality came out in full bloom next to a friend, masturbating at the same time in a basement, a disused bathhouse Then a prostitute, then a kid your age, wild but inept, and a stream of others to give your childhood a feeling of recklessness But it’s more likely that, too shy and lacking any charm, you never learned much about the world and all these years now seem to you like a black hole centred around your puberty   Then you got married, you procreated, you bought a place to live, furniture, obedient and laborious things, and day after day tons of food, whittled away, expelled, mixed together by the sewers of the city in a communal digestion by all its inhabitants, comprising the furious ones and those who were at each other’s throats when they met each other on the street You’ve had the same job for fifteen years, they like you, they’re getting ready to lay you off, to transfer you, it’s a promotion, a disgrace, they’re waiting for you to hand in your letter of resignation, nobody’s got a bleaker outlook than you, you’re following a useless line of arguing, they’ll make you a cardinal, you’ll become the pope of this company of fleas, of salad bowls, and if you’re a female, you’ll be the first woman to hold this post since this company was founded in the century of lights   Every woman comes from the same orifice at first, she has an infancy, a childhood She procreates, and she’s the one who pushes her children outside with all her strength as if she had made it her sole mission She’s had

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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Art

October 2015

Licence to Play

Thirza Wakefield

Art

October 2015

In his 1992 essay ‘In Search of the Centaur’, the writer and critic Phillip Lopate described the essay-film as...

Art

December 2011

James Richards: Not Blacking Out...

Chris Newlove Horton

Art

December 2011

Artist James Richards appropriates audio-visual material gathered from a range of sources, which he then edits into elaborate, fragmented...

Interview

Issue No. 4

Interview with Ahdaf Soueif

Jacques Testard

Interview

Issue No. 4

In 1999, Ahdaf Soueif’s second novel, The Map of Love, was shortlisted for the Booker Prize, eventually losing out...

 

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