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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

‘1932 Spain at the time was over-run with vermin, its beggars They went from village to village, in Andalusia because it’s hot, in Catalonia because it’s rich, but the whole country was ripe for us So I was a flea, and well aware that I was one In Barcelona we preferred calle Mediodía and calle Carmen Sometimes six of us would sleep on a mattress without sheets and we’d beg in the markets from dawn A gang of us would leave the barrio chino and spread out along the Parallelo, carrying baskets, because housewives were more likely to give us a leek or turnip than a few cents At midday we’d go back and make soup with what we’d collected I am going to describe the customs of that vermin’ Jean Genet,  The Thief’s Journal   *   *   *   After his descent into abjection, Genet decides to embrace his condition and transform it into a supreme virtue He rejects the hierarchy of values of a self-righteous society and turns it on its head: transmutes what is base into something noble and what is noble into something base The process of inner subversion he initiated in Barcelona’s barrio chino will be long and haphazard, and finds expression over the next ten years in his first poetic, narrative works written in Paris’s La Santé prison The young, poverty-stricken lad, brought up in an orphanage, without identity papers, throws himself into theft, prostitution and begging and strives to emulate a criminal’s inveterate hardness with the self-surrender of a man initiating himself in the arcane secrets of a mystic belief and its stony path to spiritual perfection   Fleas, he writes in The Thief’s Journal, were the most visible sign of his worthlessness, as representative of his pariah status as the jewels that adorn aristocrats and the bourgeoisie are of their condition as beautiful people Lovingly cherished rags and sores attract pity and transmute shame into glory in his inner being A pride necessary to withstand the scorn of others, solid and resistant like a rock dividing the

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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fiction

November 2011

Sheepskin

Olivia Heal

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November 2011

The first I noticed was your thumbnails, large, round and flat, like two plates. They were marked with yellowed...

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Issue No. 16

Walking Backwards

Tristan Garcia

TR. Jeffrey Zuckerman

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Issue No. 16

‘Moderne, c’est déjà vieux.’ La Féline   I.   I pretended to remember and I smiled: it was time...

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November 2014

The Last Redoubt

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can...

 

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