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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

Wow it’s so still Isn’t it eerie Oh yes So calm Everything’s still That’s right Look at the rowers – look at how fast the rowers are going Ominous – yes, like the calm before the storm If you like Look at the rowers! Two long boats and bodies – rowers – like rungs or something Like notches or rungs – or struts or bolts – something The sound of the machine drying the bathmat behind me in front of you, very low – a good machine Time to leave you to it pretty much Handwriting, here and there – little notes, as you go along, things not to forget They move me actually Along with the photo on your travel pass, they move me   I didn’t put on my hat even though it’s as cold as forever and the hat’s right there in my bag at the bottom My mascara came away in the night and for that hat to look any good requires a little recent eye adornment – I realise that And I didn’t say anything, not a word, about the creature beneath the water No mention of the monster The flowers are lovely instead, especially the roses Oh yes, you say They’re high enough that I don’t see Mary getting out of her car I don’t have to see her any more, walking by and going into her house – it’s nice actually   Would it be a scaly monster with a tremendous tail I wonder, or something wraithlike with straggly wings? Will it, in other words, be something dredged or something fallen? A decision doesn’t fix because the day is actually more nuanced than at first appeared – and anyway, I don’t know where exactly, but there is something shifting and suddenly the whole scene is quite altered And yet, for all the world, it appears perfectly composed As if hovering in fact The whole vista hovers   Some kind of trick, obviously I could remain like this all day I expect, and not get any closer to working it out   It wouldn’t be a big deal – the monster’s

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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Interview

November 2011

Interview with Margaret Jull Costa

Sam Gordon

Interview

November 2011

On first impressions, this interview with Margaret Jull Costa, happening as it did – for the most part –...

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September 2012

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do...

Art

March 2015

The Mask

Roger Caillois

TR. Jeffrey Stuker

Art

March 2015

Here I offer some reflections and several facts potentially useful for a phenomenology of the mask. Needless to say,...

 

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