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Rose McLaren

Rose McLaren is an artist in London.



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Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

Que nos caravanes s’avancent Vers ce lieu marqué par le sang Une plaie au coeur de la France Y rappelle à l’indifférence Le massacre des innocents From ‘Chanson de la Caravane d’Oradour’, by Louis Aragon (12 June 1949)   I The atrocity of war committed by German forces at the French town of Oradour on the afternoon of 10 June 1944 is well documented It is not my aim here to echo such accounts by presenting a detailed investigation of the traumatic events, or to seek a way through the veritable labyrinth of national tragedy rhetoric that threatened to over-symbolise Oradour as a victim of war’s brutality, or to indulge in the prolonged mental exhaustion of attempting to ascertain the existential implications of its bitterly lingering aftermath My aim is rather to simply present my thoughts and observations on an indecently sunny afternoon when I visited the memorial ruins of Oradour some sixty-five years later But in doing so I shall be obliged to recount to some extent the terrible reality of that day   After the war President Charles de Gaulle paid a visit to Oradour and declared the ruins a permanent national monument to the suffering of civilians in war He declared that the site would be sealed off never to be rebuilt and thus remain a reminder to the excesses of totalitarian bestiality Oradour was to be frozen in time, preserved in the exact state that it was found after the perpetrators had left Nothing was to be touched or removed and the entire site, virtually unique in the western sphere of the war’s destruction, would be preserved as a nightmarish exhibit for future visitors to pass through and ponder the capacity of mankind to impose murderous destruction on complete strangers with impunity   Entering Oradour and obeying bold signs to the memorial ruins, I was surprised to find myself in a vast car park, a limitless expanse of tarmac, more suited one would think to a sports complex or shopping mall There on the sleek

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

READ NEXT

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September 2016

Colonel Lágrimas

Carlos Fonseca

TR. Megan McDowell

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September 2016

The colonel must be looked at from up close. We have to approach him, get near enough to be...

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January 2016

The Bees

Wioletta Greg

TR. Eliza Marciniak

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January 2016

On Sunday right after lunch, my father began preparing muskrat skins and cut his finger on a dirty penknife....

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June 2014

Turning the Game Around

Daniel Galera

TR. Rahul Bery

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June 2014

Once upon a time there was – no, better: you are a thief who wanders through the cities and...

 

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