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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



Articles Available Online


The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

That day at Kassim’s, there was no music There was almost no sound at all, not even the echoes of battle; I only recall the lyrical float of Kassim’s voice Even his gloomy prognosis for Iraq’s future was entertaining, but I found it difficult to focus I shouldn’t even be here, ran the voice in my mind, I should be following security protocols The war wasn’t over: the day I arrived, my induction tour of the United Nations compound at the Canal Hotel was interrupted by bullets buzzing overhead; part of the natural environment, like the other insects, but with a worse bite   On my drive in from the airport – the second civilian flight to land at Saddam International Airport since Saddam himself had vanished with the first light of dawn – I had sat next to a braying UN staff member Before the war – the history of Iraq having been unilaterally divided into two periods, before the war and after – he had been part of the Oil-for-Food programme, one of the most corrupt endeavours in the history of the United Nations, and he was an idiot, holding forth about the way in which Iraq worked, regaling us with stories of his dealings with local politicians, trying to impress the rest of us with his deep knowledge of the country   All of this while we drove past a city in ruins, a society in riotous mood, an economy that had just had its heart ripped out: he clearly didn’t realise that Iraq didn’t work, not any more, and that the politicians he’d lunched with were dead or had fled This man’s deep knowledge of the country was the little knowledge that is commonly recognised to be a dangerous thing: the sort of knowledge that can get a brother killed   The US soldiers grimly guarding the Ministry of Energy – apparently the only Ministry not looted during the post-Saddam euphoria – watched him pass For a moment, I wondered how the US military had managed to secure the Ministry of Energy when every other had been looted by popular consent,

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

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May 2012

Scott Esposito

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May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

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Interview

July 2015

Interview with Sarah Manguso

Catherine Carberry

Interview

July 2015

There’s a certain barometer of a writer’s achievement that urban readers know well: did this book cause me to...

Art

Issue No. 14

Lenin was a Mushroom

Thomas Dylan Eaton

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Issue No. 14

Cast as the ‘savage, ugly’ part in the Popular Mechanics live show, Necrorealists were radical artists in their own...

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February 2011

Red Shirts in Thailand

Sam Brown

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February 2011

The closest I had ever come to a protest was in 2003, in Bangkok, when I tried and failed...

 

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