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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



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The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

In Robert Ferro’s 1988 novel Second Son, Mark Valerian suffers from an unnamed illness afflicting gay men, spread by sex, and for which there is no cure Mark’s only hope seems to be a medical trial that requires the transfusion of genetically identical white blood cells, until his friend Matthew, who recently lost his lover to the ‘Plague’, begins writing letters to Mark revealing another potential cure Shortly after the disease erupted some seven years previously, a group of gay men made contact with aliens, living on a planet called Splendora, who are ‘long, lean, delicate, in the sense of a swimmer’s body’ ‘Darling,’ Matthew writes, ‘they are gay’ The aliens’ advanced technology will enable a group of gay men to escape to Splendora, be cured of their illness, and live safely on a planet populated only by gay men – and gay aliens Mark dismisses Matthew’s letters as the fantasies of a dying ‘queen out of control’; his family eventually acknowledge his illness, and a brother donates the blood needed for his trial Yet the novel ends with Mark and his lover Bill gazing at the sky, ‘waiting as if for the ship to Splendora’ – attracted, in spite of themselves, to Matthew’s fantasy of a gay planet It was a fantasy that seemed to promise everything, but there was one detail Matthew couldn’t explain about how this community could survive: ‘Reproduction is something of a mystery’   *   For centuries, writers, artists, and speculative thinkers have used science fiction to imagine the possible futures we might have That’s one reason the genre has long been a storehouse of fantasies about reproduction Imagining a different future requires imagining a different way of getting there, and the way we get there, the way any group makes it to any future, is by reproducing over time Science fiction’s reproductive fantasies have rarely been utopian in any simple sense, since one group’s utopia can all too easily slide into another’s dystopia But because of the genre’s commitment to world building — its requirement to have, if not always directly reveal, a logical

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Art

May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

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fiction

January 2014

Textile

Orly Castel-Bloom

TR. Dalya Bilu

fiction

January 2014

It was not only avoiding thoughts of home that helped the good sniper to carry out his mission as...

fiction

March 2013

If Not, Not

Natasha Soobramanien

fiction

March 2013

This story may or may not end in Venice and in silent, unacknowledged tragedy but let it begin here,...

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Issue No. 6

The White Review No. 6 Editorial

The Editors

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Issue No. 6

By the looks of it, not much has changed for The White Review. This new edition, like its predecessors,...

 

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