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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



Articles Available Online


The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

It’s harder to leave your burning home after you’ve spent so much time cleaning its floors Watching those baseboards char should be enough to make any good woman lie back in bed and let it happen The fact that I got up and hauled Angela out with me is proof enough of my selfishness   The years with her father before the fire—when I still had my figure and the energy to walk about, the will and ability to be moved—passed with such seeming ease, but the truth of those days and the trouble they held is lost in the archives of memory’s drunken catalog Its delicate, age-soaked pages stay with me like an old phone book packed and moved out of some sentimental urge   If anyone has found an adequate response to that fiction of chemical and circumstance which is love, it is my Angela Even when she was a girl, she squirmed out of my grasp and kissed the kitchen table instead She was barely toddling and would force me with pleads and screaming to spend hours on the bridge over the county road, tucking flowers between its wooden slats   She shrank into a child’s malaise when they demolished the old post office The workers had dumped the remnants of the structure and covered it with a few buckets of sand, and she wept and reached for it This wasn’t her usual brand of sadness, the kind she had when her blanket was tumbling in the dryer and she could only watch from her crib, a few sweet tears on her cheek At the pile, she was hysterical I let her down and she stumbled toward it, tripping over her feet, grinding dirt into her hands and face, ruining her play clothes She kicked and crawled, wailing, scrabbling at the pile until finally her fingers found purchase She took hold and leaned back with her full weight, wrenching a brick free and inspiring a plume of dirt A man walking down the road stopped and stared She cleared the brick from the pile, covered it with her body, and was asleep

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

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May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

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Interview

Issue No. 9

Interview with Rebecca Solnit

Tess Thackara

Interview

Issue No. 9

Rebecca Solnit’s The Faraway Nearby, like many of her books and essays, is a tapestry of autobiographical narrative, environmental and...

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September 2013

Outside the Uniform

Kaya Genç

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September 2013

I.   The first time I had to wear a uniform I looked like a madman struggling against a...

poetry

February 2014

Two Poems from A Finger in the Fishes Mouth

Derek Jarman

poetry

February 2014

To mark the 20th anniversary of Derek Jarman’s death, Test Centre has produced a facsimile edition of his sole,...

 

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