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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



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The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

The gym was crowded, so crowded there was a line forming at the showers, so many white bodies so close to each other, so close to touching There was something as sinister as sisterly about all those bodies lined up in the tiled room, bodies with the same attributes in different variations, two of these, two of these, one of these The gym was already a sort of selector for the healthy and the able, and so the variations were minor, unremarkable until unclothed and paraded all around in one damp space Darker nipple, lighter nipple Puffy nipple, flat nipple Nipples, all of them   In the sauna, where Anja went to wait for the shower line to diminish, she was surrounded by bodies still, but bodies that were being still, elbows folded in against sweaty sides, breasts flattened unthreateningly upon reclining rib cages She knew she was an alien There they were, inhabiting their bodies, and here she was, rocking around inside hers They knew what their bodies looked like, and they knew what their attitudes toward their bodies looked like –  sanctioned variations on confidence and insecurity: this one likes her legs but worries about her lopsided shoulder; this one hunches because she’s too tall; this one defies anyone to call her thighs too big and so wears very tight pants; this one is warm and round and doesn’t self-criticise, but she does work her upper body extra hard on Tuesdays   Anja didn’t know how to classify her body, she only knew that whatever it was, it wasn’t her fault She was naturally thin, and that was supposed to be good But she had gotten even thinner than usual in the last weeks, which was supposed to be not good She had noticed a rash on one of her forearms, which was definitely not good Disease was easy to pinpoint as objectively bad But the fact that being thin was supposed to be good seemed irrelevant, since in past eras it would have been better to be plump It was hard to rest on any single aspect for reassurance, knowing

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Art

May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

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poetry

September 2012

Interview

Cutter Streeby

poetry

September 2012

The first time I think I saw Robinson? I’d have to have been leaving Yucaipa. He was on an...

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June 2014

Writing What You Know

Simon Hammond

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June 2014

In the summer of 1959, a headstrong but lovesick English graduate took a trip to the hometown of his...

poetry

Issue No. 20

Two Poems

Nisha Ramayya

poetry

Issue No. 20

JOY OF THE EYES   The future is not the beginning, but the forerunner, of a new intense-formation.  ...

 

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