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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



Articles Available Online


The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

in a sheltered garden    in the business lounge the new state scientists invented for very hard things, men break into the heated pool they dip their toes into a dare and dream all night of drowning they look up the skirt of an escalator and see the skinless red muscles of the groin slide under their desk before sundown   men’s papers are square offices with revolving doors inside their folders labelled PIOUTA POA POOMA they boil the ocean into streams of sweating campus hire boys, bird-dogging the postman into a running bullet   in a sheltered garden they are spinning-off non-core competences: effective altruism, saying excuse me, holding doors open, greeting strangers, taking pills with water their plates are always full   somewhere they are bricking up  the small forgotten edges of the universe   let’s run the numbers off the loop let’s think of low-hanging fruit how apples provide colour, their shadow the threat of a back hand    raised to hit     testaments   sin crouches at cain’s door in the shape of a sickle the door handle is a fish pull it and deborah enters, swatting a wasp as a woman brings a king cream in a silver dish she hammers a tent-pin through his head   at the land of nod east of eden a child crawls into a cave of olives his brother is the shrunken bottle people used to take to war your daughter-in-law who loves you, who is more to you than seven sons  hangs a gold plate around her neck    two men hide under a flaxen roof and become windows to the prostitute’s conversion she hangs  crimson thread from their foreheads   boys dress in lamb skins and trick  their fathers into blessings over lentil stew an ostrich egg hangs over a green canopy, our inheritance  enter here cradle it in your hands     away in 1997   3 par 4 and the course stretches out into green across rumbled wooden bridges and manicured trees grasses tease the edge of weeds, wag the dog cracks chestnuts as swampy emerges from a network of underground tunnels he staples a public notice with a flying golf ball: pop bands branding ecstasy as a four-day week!  yellow flags wane half-mast in the breeze   along the bridle way london loops streets of halfidentical houses, a garden metal-pronged with a broken trampoline and power -washed patio there are lodges and round bushes, a princess counts stems of potted basil

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Art

May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

READ NEXT

fiction

January 2017

Oh You

Keller Easterling

fiction

January 2017

You won’t be able to do it. It is a call, and it is something you only know how...

Interview

Issue No. 5

Interview with Hans Ulrich Obrist

Ben Eastham

Interview

Issue No. 5

Hans Ulrich Obrist is a compulsive note taker. For the duration of our interview one hand twitches a pen...

Interview

Issue No. 8

Interview with Deborah Levy

Jacques Testard

Interview

Issue No. 8

‘TO BECOME A WRITER, I had to learn to interrupt, to speak up, to speak a little louder, and...

 

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