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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



Articles Available Online


The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

Dead Reckoning   They say birds always find their way back home but home is a nowhere – a memory; a never was   Do wings remember spaces in the air the way we might a place? A field of rice?   How do you fly back to that? Away from a tomb of fears, this place yearning for you…   Some years ago, I lay bright flowers on my grandmother’s grave Years before, I saw   my grandfather’s ashes taken by the furrowing wind in the Bocas islands   I am not myself nor have I ever been something apprehending the sun   and other bright celestial objects thinking: this is a tapestry in orbit   around me I am completely convinced that we were the last creatures to discover   how to be in the world My beard grows wild My children brush past me in the darkness   Their chattering voices fill my ears and then my chest and I cannot hold it in   I am always coming home       Genealogies   Do not tell me a thing does not do what it does – that these chains (now plated in gold) are no longer chains, or that from above the clouds no longer look like drowned bodies washed ashore in the rolling surf I must go to my mother to learn the real names of the gorgeous objects in this greened world, of the beauties that can drive the body to exhale its life in one purpling sigh, the body that is a precarious house, assembled in this world but out of time   But I can no longer trust my mother’s histories They are not the taut suspensions my adolescent mind thought them to be   The blue-black body breaks at its closures, twisting in a dancing double helix dripping blood and amazement                                                           We will be Home soon Bowls filled with brown oxtail and broad beans At the food stand, an umber dog floats through the crowd like a leaf

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

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May 2012

Scott Esposito

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May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

READ NEXT

Art

July 2012

Interview with Ben Rivers

Alice Hattrick

Art

July 2012

Ben Rivers is an artist who makes films. Two Years at Sea, his first feature-length film, was released to...

Art

November 2012

Film: Difficulties in Impression Management

Patrick Goddard

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November 2012

Difficulties in Impression Management, 2012 Running time 13’09”

Interview

August 2016

Interview with Daniel Sinsel

Rosanna Mclaughlin

Interview

August 2016

In the decade after leaving Chelsea School of Art in 2002, Daniel Sinsel made a name for himself with...

 

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