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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



Articles Available Online


The Last Redoubt

feature

November 2014

Scott Esposito

feature

November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

feature

February 2014

Another Way of Thinking

Scott Esposito

feature

February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

Sharon Hayes’ In My Little Corner of the World, Anyone Would Love You at Studio Voltaire features a five-channel video projection onto plywood hoarding that runs the length of the gallery Each track plays footage of a different room in the same house People walk in and out of shot, sitting down to read out loud to themselves or to one or two listeners They are seen sorting and shuffling papers, stapling, typing, tidying Occasionally someone will set up a gramophone record to play and sit and listen The papers from which they read are letters to and from the editors of lesbian, lesbian feminist and effeminist newsletters Each letter contains its own urgency sewn through stories, questions, warnings and expressions of gratitude for the publication’s existence There are frequent invocations to the others who will read the letters: ‘thank you sisters’, ‘good luck sisters’, ‘I’m sorry sisters’   The pamphlets were published in the UK and the US between 1955 and 1977 by organisations including the Daughters of Billitis (DOB), formed in San Francisco in 1955, and the Minorities Research Group (MRG), formed in London in 1963 These groups produced newsletters you had to subscribe to, whose lists were closely guarded The importance, difficulty and distance of the conversations they contain comes through as they are read, as does the particular pitch of their historical moment Whilst varied in their political position and relationship to the group they address, the letters all contain a certain clipped formality, a primness that can still be found in the ‘Letters to the Editor’ sections of certain newspapers Hayes, she tells me when we meet in south London, ‘was interested in the way in which the publications sat inside of their readership, that readership was a community but it was also a readership of writers Everybody was being solicited to actually write, to actively construct discourse, to give names, to offer stories, to make narrative’   Hearing them read aloud now, it’s clear that the newsletters were a precursor to chat rooms and comments sections for a marginalised and disparate community These letters track the vocal,

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

feature

September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Art

May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

READ NEXT

fiction

February 2016

The Reactive

Masande Ntshanga

fiction

February 2016

My back cramps on the toilet bowl. I stretch it. Then I take two more painkillers and look down...

Interview

June 2012

Interview with Malcolm McNeill

Patrick Langley

Interview

June 2012

I first met Malcolm McNeill in 2007. He was in London to do some printing for an exhibition, and he showed...

poetry

September 2013

Poems

Osip Mandelstam

TR. Robert Chandler

TR. Boris Dralyuk

poetry

September 2013

Osip Mandelstam was born in Warsaw to a Polish Jewish family; his father was a leather merchant, his mother...

 

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