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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



Articles Available Online


The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

There’s a clarity to Audre Lorde’s writing that becomes most apparent when you are presented with a collection of her work Plainly written and devoid of the distractions of punctuation, her poetry is a series of questions and answers, of memories and musings Lorde’s prose, meanwhile, is easy to understand without feeling easy – there’s a sense that despite the lack of smoke and mirrors, we still need to work to understand exactly what she is saying Lorde’s work is not a series of straightforward proposals for a feminist utopia, or simple ideas about queer people assimilating into the mainstream Instead, her essays swing between lyrical musings about race, class, gender and sexuality, and bold statements of fact, backed up by evidence from her own academic research, and that of her peers   Lorde’s writing is unapologetic about being forthright; essays begin with phrases such as ‘There are many kinds of power, used and unused, acknowledged or otherwise’, and ‘Black feminism is not white feminism in blackface’ However, mid-essay, a  sentence like ‘I am thankful that one of my children is male, since that helps keep me honest’ will appear, challenging even the most feminist of her readers This is not socialism or feminism for the classroom, but an acknowledgement that speaking the truth, even if it jars, must be at the heart of our politics In her introduction to Your Silence Will Not Protect You, the academic Sara Ahmed reminds us of Lorde’s famous statement that ‘revolution is a process, not a one-time event’; truly understanding Audre Lorde’s writing is also a process, and the more of it we are given, the easier it becomes   Perhaps this is an obvious observation to make, but it’s an important one It hasn’t always been easy to access Lorde’s ideas: a full collection of Lorde’s poetry and prose has not been available in Britain until now Her writing has largely been absorbed not as a full body of work, but through a series of social justice memes and one-line quotes found in the keynotes of feminist conferences This fact is quoted on the jacket

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

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May 2012

Scott Esposito

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May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

READ NEXT

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Issue No. 7

Pyramid Schemes: Reading the Shard

Lawrence Lek

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Issue No. 7

These sketches were created to illustrate an essay by Lawrence Lek in The White Review No. 7, ‘Pyramid Schemes:...

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February 2016

'Look at me, I said to the glass in a whisper, a breath.'

Alice Hattrick

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February 2016

Listen to her. She is telling you about her adolescence. She is telling you about one particular ‘bender’ that...

Interview

August 2013

Interview with Marvin Gaye Chetwynd

Ben Eastham

Interview

August 2013

Four or so years ago, at what was then the single Peckham establishment to serve a selection of sandwiches...

 

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