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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



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The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

She was walking Along an almost silent lane in the city   Work – she had abandoned her work a long time ago, to walk The sky had just turned a happy black   As she walked, she mulled over two words – ‘legitimate’ and ‘illicit’ The presumption that these words were innate opposites – how totally were individuals expected to acquiesce to this! And yet the illicit held the greatest attraction for all that was legitimate   Once, in an urge to ascertain the meanings of ‘legitimate’ and ‘illicit’, she had wished for a space that was at once one of emptiness and of equilibrium, the kind of space that defied the laws of nature She had searched for such a space, but never found it   Having walked for hours, when she came to her senses she discovered herself in the lane she was in now And saw that the place was unfamiliar   The lane was narrow and deserted, with ramshackle houses on either side The bricks were exposed in the crumbling walls The windowpanes were broken, and dirty water dripped from the pipes Sucking out all the life force from this water, a banyan sapling had begun to rear its head There were three or four antennae on the roof of every house in this lane full of potholes and crevices Thousands of crows sat on the antennas So many crows that the city would turn dark if they were all to spread their wings simultaneously   Only a handful of rickshaws rattled by, some pulled by hand, some with pedals There was the odd passer-by, humming, cigarette tip glowing A dog whined at the sight of one of them She was about mid-way down the lane when it was abruptly plunged into impenetrable darkness A power cut had swooped down like a black panther, gobbling up the lane Everything was annihilated by the killer paw of darkness   She couldn’t decide what to do Carry on? Go back? Both options appeared equally futile She sensed the blindness even within her consciousness   Surprised by her awareness of the extreme silence all round, a strange touch against her lips caused her

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Art

May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

READ NEXT

poetry

June 2011

Testament: Two Poems

Connie Voisine

poetry

June 2011

Testament What’s the difference? You might wear it out touching, touching, not buying. Like a snail on a stick,...

poetry

January 2015

Diana's Tree

Alejandra Pizarnik

TR. Yvette Siegert

poetry

January 2015

Diana’s Tree, Alejandra Pizarnik’s fourth collection, was published in 1962, when the poet was barely 26 years old. Named after...

fiction

January 2015

One Out of Two

Daniel Sada

TR. Katherine Silver

fiction

January 2015

Now, how to say it? One out of two, or two in one, or what? The Gamal sisters were...

 

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