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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



Articles Available Online


The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

feature

February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

You won’t be able to do it It is a call, and it is something you only know how to do by doing it over and over Birds practise their musical tunes Cows practise their ‘moo’ as they stroll through the fields But persons don’t know how to make a call, and so you will never be able to do it   ‘Oh you’ is sung It starts out a little bit lower and ends a little bit higher like the call for a Bob White bird, only slower You hold on to it longer And like the call of the Bob White bird, you do it over and over and over again The more you do it, the more you have to do it And you have to think of a 1% solution of WC Fields and little bit of bursting at the end ‘Oh you,’ ‘Oh you’   But anyway, you can’t do it You can’t do it because you hardened your voice around some sounds you heard once And now you can’t change it   You thought it would sound good to hold on to the ts at the ends of words with a breathy whistle that is held until the beginning of next word You make that whistle for every single word that ends with a t You like it, and your head jumps a little bit every time you say it You say ‘but’ or ‘but-uh’ a lot so that you can make that t sound a whole bunch more times You put it in everywhere: But-stah-aah But-stah-aah You put it in between words, at the end of sentences, and at moments when other people would have a chance to talk   Or you say ‘Sure, sure, sure’ while other people are talking like you already thought of everything they were saying a thousand years ago Sometimes you say the name of someone and then ‘Sure, Sure, Sure’ Then sometimes you repeat the name several times together with ‘Sure, Sure, Sure’ while holding your finger in the air so that they will stop talking and you can say all of your sentences

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

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May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

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Interview

Issue No. 11

Interview with Alice Oswald

Max Porter

Interview

Issue No. 11

Alice Oswald is a British poet who lives in Devon with her family. Newspaper profiles will inevitably mention the...

Art

June 2012

'The Freedom of Speech Itself', or the betrayal of the voice

Lorena Muñoz-Alonso

Art

June 2012

‘The instability of an accent, its borrowed and hybridised phonetic form, is testimony not to someone’s origins but only...

poetry

September 2011

The Moon over Timna

Rikudah Potash

TR. Michael Casper

poetry

September 2011

In a copper house Lived the new moon, The new moon Of Timna. In a copper coat With a...

 

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