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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



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The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

Fire has started in Flat 4 of Paradise Block The young girl in Alice Ash’s story ‘Eggs’ watches with her mother, younger brother, and neighbour Min from outside the building ‘The smoke,’ she tells us, ‘pours out from our downstairs window like a black tongue’ It stains the rooms of Flat 4, and dresses absorb the smell until they are hung outside to ‘shriek around like ghosts on the washing line’ The narrator’s mother had been crying long before the fire started, but in its aftermath she becomes increasingly distressed: she screams ‘head back, mouth open’; a few days later, she muffles her cries ‘with a toy bird stuffed in her mouth’ Left to take care of her brother like a mother might, the narrator’s health begins to deteriorate She is seized by illness, ‘a white spool of pain’ unknotting inside her spine   In Ash’s mesmerising debut collection Paradise Block (2021), everything is susceptible to decay Housing displays symptoms of deterioration through institutional neglect, tenants suffer symptoms of infection and illness, class shame corrodes moments of pleasure There is rot beneath the surface; its exposure is gradual, and darkly compelling ‘I realise that this is something from inside,’ the narrator of ‘Eggs’ tells us, ‘something coming to the surface’ The thirteen stories in the book are intricately interconnected The majority of the characters live, like the narrator of ‘Eggs’, in the dilapidated building of the title, located in a town named Clutter; others live in the wealthier area of Plum Regis in ‘fancy’ semi-detached houses Ash’s fictional landscape closely resembles a number of UK coastal towns, such as Poole, where rich and poor neighbourhoods exist in close proximity, and yet are home to vastly different lifestyles and opportunities In Paradise Block, that landscape is made subtly surreal: a sea god lingers by the beach; residents’ shadows reside in the Lilybank River Many of the recurring locations in Paradise Block are also familiar locales of the deprived coastal town: The Brass Cross pub, the Clutter and Plum Regis department stores, the corner shop   Paradise Block itself is ‘built very cheaply, with windows

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

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May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

READ NEXT

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October 2013

Enjoy His Symptoms?

Michael Sayeau

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October 2013

We lack the philosophers that we require for an era marked by agitation and occupation. From the UK student...

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May 2015

In the Light of Ras Tafari

Anna Della Subin

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May 2015

‘A STRANGE NEW FISH EMITS A BLINDING GREEN LIGHT’, the article in National Geographic announced. Off the coast of...

fiction

January 2015

The Vegetarian

Han Kang

TR. Deborah Smith

fiction

January 2015

Originally published as three separate novellas, the second of which secured the prestigious Yi Sang prize, The Vegetarian has...

 

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