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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



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The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

Pirajoux The middle of a hot endless summer, driving on the A39 through an as always empty central France, which exudes as always a certain Seventies timelessness The anxiety of being in a Ballard novel, the feeling of a certain narrative disconnectedness, that anything could happen or not, at the stroke of a pen And that whether something happens or not is somehow equally as disastrous an outcome But not knowing who or what the subject of this disaster would be, if anyone or anything This is what shrinks call free floating anxiety, I guess Poulet De Bresse Passing unseen towns, picnic areas, petrol stations and auto-grills, crawling along at 100 miles an hour, the faster you go the slower it all gets, chastened by the knowledge that a slight jerk to the right or left would speed everything up again and end your life in a chaos of twisted steel, spilled petrol and screaming children The promise of  an almost sci-fi shift in motion, a quantum leap, an ion drive surge tugs at the edges of this mundane driving reality Wildly fraying threads spastically unspooling at the edges of perception The death defying habits of the open road Hands alternately sweating, slipping on the wheel, followed by air-con clamminess, never finding the right balance of temperature to stop this yawing between discomforts; eyes lingering too long on the climate controls, fiddling with them, changing the flow, exasperated turning the A/C off and cracking the window open Sweating feet in Birkenstocks; damn their eyes a more prosaic way to die I couldn’t think of than this continual loss on concentration on the road due to adjusting dials and vents More dialling through French radio stations, one French song one American song, the bipolarity of taste and rhythm leaving you in the purgatory of always changing stations:Melodie, Nostalgie, Virgin, Classique, Energie Cuiseaux Pulling in to a Croq’Malin forecourt concession for lunch, leaving the car behind, clicking to itself in the heat Feet squelching towards the services, as we swamp the self service restaurant, devouring the ersatz gastronomy from whatever

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Art

May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

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Art

May 2016

Sharon Hayes

Edwina Attlee

Art

May 2016

Sharon Hayes’ In My Little Corner of the World, Anyone Would Love You at Studio Voltaire features a five-channel...

poetry

November 2012

Mr Minotaur

Simon Pomery

poetry

November 2012

Hey Mr Minotaur, so red, so neatly hunchbacked on account of your thick neck, ready to headbutt victims to...

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Issue No. 13

Under a Bright Red Star

Federico Campagna

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Issue No. 13

Five is a number dense with theological significance. Five are the books of the Torah, five the wounds of...

 

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