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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



Articles Available Online


The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

The contemporary hunter-gatherer does not hunt to survive Rather, he (neo-survivalism is a predominantly heterosexual male pursuit) forages for something else, something experientially ‘Other’ It’s a phenomenon popularised by the rise of survivalist entertainment – reality TV, docudramas, dedicated YouTube channels, and open-world online survival games – in which contestants must prevail on a desert island, or in the midst of a zombie apocalypse, with only a sharp knife and a bit of twine for tools His efforts are equal parts sportsmanship and showmanship, a combination that manifests in a compulsion to record and make public his triumphs of resourcefulness Actively prepared for emergencies, he is ready to drink his own urine (a feat that proved too great for guest star Barack Obama during his appearance on Running Wild with Bear Grylls), for the collapse of government, economy, and power grids, for threats that are, as Donald Rumsfeld famously put it, both ‘known unknowns’ and ‘unknown unknowns’   In her video work Mouth (2017), currently on show at Arcadia Missa, New York-based Croatian artist Maja Čule depicts the contemporary hunter-gatherer – a group of urban survivalists somewhere near New York City, who choose to hunt for their food rather than take the more convenient option of buying it from a shop The video’s protagonists are performers instructed by Čule – some of whom identify as survivalists themselves Blurring in and out of fiction, documentary and narrative film, Mouth alternates between two locations: the grim, neon-lit interior of an animal sanctuary, where we watch a woman named Senka tend to the animals under her care, and a forest, in which we follow a group of men roaming about in the dark, armed with sticks and pocket-sized torches   While Senka is busy at work, the men flex and posture for the camera, leaning excessively on walking staffs made of whittled tree branches, or using them to prod at the foliage One gazes at his feet as he disturbs murky pond water with his boots, another twirls the stem of a leaf between his index and thumb, but they do nothing of note The closest these ‘hunter-gathers’

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Art

May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

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Interview

Issue No. 12

Interview with Yvonne Rainer

Orit Gat

Interview

Issue No. 12

TWO DAYS BEFORE WE WERE SCHEDULED TO MEET, Yvonne Rainer walked into the gallery I was looking after for...

fiction

June 2013

The Cherry Tree

Sheila Heti

fiction

June 2013

That winter, all the plums froze. All the peaches froze and all the cherries froze, and everything froze so...

fiction

November 2015

Three Days in Prague

Naja Marie Aidt

TR. Denise Newman

fiction

November 2015

A sparkling frost-clear landscape exists between them under a soft and smudged sky. Irises exist, blue and yellow, and...

 

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