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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



Articles Available Online


The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

I want to tell a story about an old man, a man who no longer says a word, has a tired face, too tired to smile and too tired to be angry He lives in a small town, at the end of the street or near the crossroads It is almost not worthwhile describing him, hardly anything distinguishes him from other men He wears a grey hat, grey pants, a grey jacket and in winter a long, grey overcoat, and he has a thin neck with dry, wrinkled skin, his white shirt collars are far too wide for him   His room is on the top floor of the house, maybe he was once married and had children, maybe he used to live in another town Certainly he was once a child, but that was at a time when children were dressed like grownups One can see them this way in the grandmother’s photo album In his room there are two chairs, one table, a rug, a bed, and a cupboard On a small table stands an alarm clock, next to it lie old newspapers and the photo album, on the wall hang a mirror and a picture   The old man would take a walk in the morning and a walk in the afternoon, exchange a few words with his neighbour, and in the evening sit at his table   This never changed, it was the same even on Sundays And when the man sat at the table, he would hear the clock ticking, always the clock ticking   Then there came a special day, a sunny day, not too hot, not too cold, with birds chirping, friendly people, children playing – and the special thing was that suddenly the man liked all this   He smiled   ‘Now everything will change,’ he thought   He undid the top button of his shirt, took his hat in his hand, quickened his pace, even had a spring in his step as he walked, and was happy  He entered his street, nodded to the children, arrived in front of his house,

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

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May 2012

Scott Esposito

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May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

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Interview

October 2015

Interview with Marine Hugonnier

Izabella Scott

Interview

October 2015

Like the figures found in a spread of Tarot cards, an artist can assume a variety of viewpoints and characters...

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July 2013

The New Writing

César Aira

TR. Rahul Bery

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July 2013

The way I see it, the avant-garde emerged at a point when the professionalisation of artists had consumed itself...

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March 2013

Celan Reads Japanese

Yoko Tawada

TR. Susan Bernofsky

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March 2013

There are some who claim that ‘good’ literature is actually untranslatable.  Before I could read German, I found this...

 

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