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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



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The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

This story may or may not end in Venice and in silent, unacknowledged tragedy but let it begin here, in London, where RubyTuesday and CallMeIshmael first meet in person, having arranged to do so under the tapestry which hangs in the lobby of The British Library   Neither RubyTuesday nor CallMeIshmael will realise until they visit the museum where the original hangs on permanent display some seven months later that this tapestry is actually a reproduction of a famous painting They will wander into an upstairs gallery late one Sunday afternoon where RubyTuesday will stop dead, chin tilted, before a painting identical in image, if not in form, to the tapestry under which she and CallMeIshmael first met She will point this out to CallMeIshmael who will say, A tapestry of a painting? That’s like a drawing of a photograph And RubyTuesday will laugh in that gurgling way he likes, the way he secretly thinks sounds a little like she is being choked sexually –consensually – and while she’s still laughing, CallMeIshmael, to his surprise, will propose   The Company advises you that there may be risks of dealing with Members acting under false pretences or with criminal intent Be careful in dealing with other Members You alone are responsible for ensuring that your interaction with other Members is lawful   The reason CallMeIshmael will not recognise the painting when they walk into the gallery in Edinburgh is that he never really noticed the tapestry reproduction of it in London, seven months previously, beyond the fact of its being a tapestry, and the one under which they had arranged to meet, being too nervous about his first ever meeting with RubyTuesday to consider it in any detail Here he is now, fifteen minutes early He’s standing against the wall, under the hanging tapestry, his back to it If he were to look up at the tapestry he might notice the neuralgic sunset, the apocalyptic palm trees, the poet with a hearing aid cradled by a Gauguin babe; he might notice, in the top left-hand corner – though he may not recognise it as such – the watchtower of Auschwitz But CallMeIshmael is looking down He is inspecting his brogues, wondering if he should have left them unpolished He

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Art

May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

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fiction

March 2014

The Nothing on Which the Fire Depends

Micheline Aharonian Marcom

fiction

March 2014

Friday 9 November 2009   The coffee is lukewarm, but she doesn’t mind to drink it this way. She...

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November 2013

I Can’t Stop Thinking Through What Other People Are Thinking

David Shields

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November 2013

Originally, feathers evolved to retain heat; later, they were repurposed for a means of flight. No one ever accuses...

poetry

December 2011

The Pitch

Minashita Kiriu

TR. Jeffrey Angles

poetry

December 2011

Dripping excitedly from my earlobes And falling over my crowded routines A rain of Lucretius’ atoms Is just beginning...

 

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