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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



Articles Available Online


The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

https://soundcloudcom/user-856373367/david-hawkins-field-recording/s-oqrsd2iveh1   FIELD RECORDING   When you record the air, its soundings go boneward    A small, ear-sized mushroom collapses upwards into    a state of pure colour and to draw it with sounds    then becoming words is an amiable task A ladybird    lands on your sleeve: it smells brightly,    orange-tipped emulsion, chewing noise until listening pauses: aural history is an opening skull, huge weathered stones left by ancestors    are a broken eminence Could we be its fontanelle?    As a slender membrane sinks like a trampoline    through the filleted sky, so the ear grows into the ground    at the speed of slow echo We want to exist    like humpback whales, let our song gather itself    around the whole world and return the same notes    yet somehow changed by the timbres of distance,    but that sheer blue crow feinting on its updraft    is a new distraction picked from a bucket    of luminous seeds and fungi Before you pack the gear away    please mention the grass growing and the gentle blush    teeming in your cheeks, the near swoop of an eyebrow   https://soundcloudcom/user-856373367/david-hawkins-roadkill-redacted/s-LXwjkvo1TKM   ROADKILL REDACTED   It’s true that I’m the slightly bloated carcase of a young roe deer sprangled on the edge of the central reservation Like something in amber, my legs are a tangled glyph, my face flayed by insects, as traffic iterates and reiterates its sane and modal realism A million flies have drunk from my fraying tear ducts Neutral voids, my eyes; where small nightmares well up and print themselves on tarmac in an abacus of

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

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May 2012

Scott Esposito

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May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

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Art

December 2016

Bonnie Camplin: Is it a Crime to Love a Prawn

Bonnie Camplin

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December 2016

  The title of Bonnie Camplin’s exhibition at 3236RLS Gallery, ‘Is it a Crime to Love a Prawn’, brings...

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March 2016

Behind the Yellow Curtain

Annina Lehmann

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March 2016

Notes from a workshop   At first, there is nothing but a yellow curtain at the back of the...

Prize Entry

April 2017

Birch

Thomas Chadwick

Prize Entry

April 2017

1997   Business boomed. Optimism was shooting up everywhere and bursting into flower. Music was jocular. Sport was effusive....

 

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