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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



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The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

I guess it must be the flag of my disposition, out of hopeful green stuff woven Walt Whitman, Leaves of Grass   Aurora chasing is a favourite sport up in Iceland, one of the main draws for visitors Northern Lights come in all sorts of hues, apparently, but more often than not they are a glowing green – the colour of the equally elusive meteorological phenomenon that gives its title to a lesser-known Jules Verne novel and to Eric Rohmer´s 1986 film Le rayon vert The dreamy final sequence of the latter, as I recall, dilates the moment when the green flash briefly appears just as the sun sinks below the horizon, contemplated from afar by the mesmerised heroine Delphine and her newfound love, Jacques Earlier on in the film, the troubled protagonist portrayed by Marie Larivière overhears a conversation at the beach in which Verne´s Le rayon vert is discussed Whoever sees the fleeting green ray, the story goes, gains an insight into their own and other people´s thoughts and feelings A clarity of vision   A week into my month-long retreat in the solitude of Roni Horn‘s VATNASAFN/LIBRARY OF WATER, overlooking the harbour in the fishing village of Stykkishólmur and the many islands of Breiðafjörður Bay, I sighted a green ray from the writer´s studio located beneath the library Minutes before I was up in the library, surrounded by the clear glacier-filled glass columns that have replaced its original holdings The wind-swept sky that evening had the same pellucid quality For once no clouds were obstructing the horizon line at sunset; this in itself felt like a rare occurrence, one that should not go unheeded I was in the midst of preparing supper when the sun started dipping into the sea These rival claims on my attention kept me rushing back and forth across the room, from the kitchen area to the windows looking out to the West Fjords The sun´s disk was all but engulfed Eager to resume my cooking activities, I nearly turned my back on the green ray Yet before I could pull myself away

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Art

May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

READ NEXT

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December 2016

Wildness of the Day

Orlando Reade

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December 2016

One day in late 2011, waiting outside Green Park station, my gaze was drawn to an unexpected sight. Earlier...

poetry

November 2011

Cooper's Hawk

Elyse Fenton

poetry

November 2011

My breath’s the wind’s breathless down-stroke hasty claw like the gnarred finger of juniper just now clambering for a...

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October 2011

This is not the place: Perec, the Situationists and Belleville

Karl Whitney

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October 2011

I stood near the columbarium at Père Lachaise cemetery. I was there to see the locker-like vault containing the...

 

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