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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



Articles Available Online


The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

How might the novelist, working with a form traditionally obsessed with humans, represent the nonhuman? Or, perhaps a better question: how might a fiction writer animate the two — figure and ground — to express and confront our present ecological crisis? Is it sustainable to work, as we do, in an intensely virtual and phenomenally heated time? The Disaster Tourist by Yun Ko-eun, translated from Korean by Lizzie Buehler, offers one possible, tantalisingly zany answer to the future of work and fiction (storytelling) in our age of mass extinction For Yona Ko, the office-worker protagonist, ‘Disaster lay dormant in every corner, like depression’ This South Korean dark comedy underlines the absurdity of our complicity and collective contribution to the present crisis    Reading the first chapter, I couldn’t help but imagine it narrated like a cheesy film trailer from the 90s, a male voiceover on top of shots of office cubicles Yona Ko is a top programming coordinator at Jungle, a Seoul-based tourism company that specialises in holidays to disaster sites Jungle offers 152 travel packages, including trips to sites of nuclear meltdowns, floods, earthquakes, volcanos, desertification, hurricanes, war, tsunamis, and much more ‘As a child she hadn’t imagined doing work like this, but she was skilled at quantifying the unquantifiable,’ the narrator notes, drily When a tsunami strikes Jinhae, a coastal city, during cherry blossom season, Yona takes the train down to survey the site, distributes donations and condolences, and plans an itinerary that combines volunteering with viewing the aftermath of the tsunami Rumours of an enormous trash island formed from wreckage and ‘destined to swirl about the sea for decades’ float onto the TV, but quickly vanish Back at the office, Yona waits by the copy machine, feeling so catatonically bored that she starts to browse websites that estimate the user’s date of death After ten years at the company, her conscience is more of a whisper than a shout: a customer calls to cancel a trip because his child is in hospital, and she explains for the thousandth

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Art

May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

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Interview

Issue No. 1

Interview with Manfred Mohr

Alice Hattrick

Interview

Issue No. 1

Lines of varying thickness rotate on black. On the screen beside, tilted away from the first, is a slide...

fiction

August 2013

How to Be an American

Will Heinrich

fiction

August 2013

Begin with a man on the beach. The sea is strangely iridescent, lighter in its lights and blacker in...

Interview

July 2012

Interview with David Harvey

Matt Mahon

Interview

July 2012

David Harvey is rare among Left academics: his work is as much appreciated by anarchists and the Occupy movement...

 

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