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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



Articles Available Online


The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

If you look into infinity what do you see? Your backside!  –Tristan Tzara   The drug-addict, drunk, wife-shooter and writer William Burroughs used to tell a story about a man who teaches his anus to talk The orifice eventually takes over his life and kills him Wildlife can be as least as weird as the imagination of Burroughs Consider the Crown of Thorns starfish Instead of a head it has an anus on the top of its body, while its mouth – a round hole equipped with inward-pointing teeth at the centre of the radiating arms – is in the middle of its underside   This positioning is less unusual than you might think Having a mouth underneath and an anus on top is ideal if you want to eat crud on the seafloor, and this is how the ancestors of the Crown of Thorns started out Many of its distant cousins, among them starfish and sea cucumbers, still pursue that lifestyle (On the abyssal plains, the so-called desert of the deep sea floor, large herds of sea cucumbers are constantly grazing on the detritus that has fallen from above They are the night-soil men of the deep in a holothurian heaven) Unlike these animals, however, the Crown of Thorns is no longer a scavenger, having acquired a taste for living flesh Dressed in brilliant shades of purple, blue, orange red, white and grey and with anything from seven to twenty-three (but usually about fifteen) rays around a central dome, it bristles with poisonous spikes – a submarine version of Pinhead, the extradimensional being in the horror film Hellraiser   Many creatures in the garden of earthly delights that is a tropical coral reef have more charm than the Crown of Thorns (Pfeffer’s Flamboyant Cuttlefish, which turn itself startling hues of purple and pink at will while posturing like an actor in Noh theatre, is one of my favourites) But few are more compulsively unsettling than the Crown of Thorns, and few are as like us in their power to consume and destroy once they set to work   The claim

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

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May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

READ NEXT

Art

May 2011

Twelve Installations

Lawrence Lek

Art

May 2011

These installations express the transience of our sensory world, the impermanence of form, and the artificiality of our environment....

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Issue No. 19

Editorial

The Editors

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Issue No. 19

‘A crisis becomes a crisis when the white male body is affected,’ writes the philosopher Rosi Braidotti, interviewed in...

Interview

November 2016

Interview with Njideka Akunyili Crosby

Cassie Davies

Interview

November 2016

Njideka Akunyili Crosby first encountered Mary Louise Pratt’s ‘Arts of the Contact Zone’ (1991), which identifies ‘social spaces where cultures meet,...

 

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