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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



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The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

Many years ago a large Russian man with the longest tendrils of the softest white hair came to live in the fastest growing town in Europe which at the time happened to be in the southwest of England Very little is known about why he came there or what he did with himself but one thing relating to his daily round that can be set down with utmost confidence is that whenever the Russian man needed groceries he’d fold himself into his small maroon car and drive to a retail park in the suburbs to get them And probably the reason he went to that retail park and not another was because there was a very pleasant supermarket in that retail park which aside from Saturday mornings naturally never got too busy and as such there was always an available parking space up near the exit and entrance doors and this in all likelihood suited the Russian man very well because he would likely have had tremendous difficulty finding his own car if it was only shoved haphazardly in there somewhere among all the other cars parked one after the other with cracking midday sunlight spreading out all over them diluting their already indistinguishable roofs in the practically endless carpark The Russian man’s car was fairly distinguishable for the reason that it was ancient which meant it was a distinctly vintage colour and had the finish furthermore of an old immoveable garden gate which meant it could hold its own against the suburban sun’s brash emanation But in all likelihood the Russian man did not in any case know what his own car looked like so the only way he could find it was to be certain of where he left it and this perhaps explains why the Russian man liked to park his small maroon car up near the entrance and exit doors of the supermarket which despite its commodious proportions had the familiar feel and botherless charm of a corner-shop Right there on the perimeter of this booming yet visionless town in the southwest of England   Once inside the supermarket the Russian man would seize a basket from the pile that could always be counted on to

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

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May 2012

Scott Esposito

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May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

READ NEXT

fiction

January 2013

Car Wash

Patrick Langley

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January 2013

He is sitting on the back seat of a car, somewhere in France. It’s a bright blue day, absurdly...

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February 2016

The Reactive

Masande Ntshanga

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February 2016

My back cramps on the toilet bowl. I stretch it. Then I take two more painkillers and look down...

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January 2015

Shishosetsu...

Minae Mizumura

TR. Juliet Winters Carpenter

fiction

January 2015

This is an excerpt from the novel published in Japanese as Shishosetsu from left to right (私小説 from left...

 

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