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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



Articles Available Online


The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

 Dustsceawung (Old English): contemplation of the fact that dust used to be other things – the walls of a city, the chief of the guards, a book, a great tree: dust is always the ultimate destination Such contemplation may loosen the grip of our worldly desires – ‘Untranslatable Words’, The School of Life, 2018   *   my living is thick and filthy   I start the day by reading obituaries like I’m smoking a morning cigarette, ash in my one eye, the other tucked under my pillow   this is the crap I breathe to dust absurdity over everything   I saw this coming in my periphery I’m short-sighted, so never wear my glasses   I’m a painter brushing a wash for the background, everything atomised beyond a point   *   making coffee, drinking water at the sink, an evening with dear friends: the warm up frames in the comic strip, the montage of my trivial activities before the incident   the creak on the stairs in the new house is a home invasion   the click of the boiler, like someone striking a match, foreshadows a gas explosion   well someone is going to stop breathing   *   the german word for hoover is staubsauger, lit dust sucker and you may call a baby säugling – little suckler we call them tot, resembling das deutsche wort for ‘dead’ staubschauen, like the old english word for the contemplation of dust, might be translated as ‘dust-gazing’   sounds irritating on the eyes   *   brambles tumbled over the back wall overnight I pick the berries bunches of black balloons leaving the infants and the mouldy ones grey and puffy like a bulldog’s face   I make a crumble and give it to a neighbour I think this is living but my mind sees through it   there are hundreds of berries along the main road   I wouldn’t touch them   juicy with fumes and roar and residue from discarded drinks bottles each black bubble filled with cola and stout   *   squatting on low stools in a pub full of lungs we proclaimed we’d started

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Art

May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

READ NEXT

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May 2016

Postcard from Istanbul

Sydney Ribot

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May 2016

    Saturday       On March 19, at 1 p.m. in a café off Turnacibaşı St., an...

fiction

September 2016

Colonel Lágrimas

Carlos Fonseca

TR. Megan McDowell

fiction

September 2016

The colonel must be looked at from up close. We have to approach him, get near enough to be...

Interview

Issue No. 1

Interview with André Schiffrin

Jacques Testard

Gwénaël Pouliquen

Interview

Issue No. 1

André Schiffrin founded non-profit publishing house The New Press in 1990 after an acrimonious split with Random House –...

 

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