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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



Articles Available Online


The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

Taksim Square appears at first a wide, featureless and unlovely place It is a ganglion of roads and bus routes, a destination and a waypoint, at once central and marginal Many of the people and neighbourhoods surrounding it are also simultaneously at the centre and the fringes The square lies in Istanbul’s nightlife district of Beyoğlu – vibrant yet seedy – a must-go spot for visitors who want to see more than just mosques and the Hagia Sofia Amid the bustle of commuters and tourists, poor Kurdish kids from nearby Tarlabaşı cook up trouble near the metro exit; in the flowerbeds a discrete society of stray dogs lounge and flirt; and tinerciler – glue sniffers, once ubiquitous, now less so – wander with bloodshot eyes Each day at around 7 am, in the Starbucks, a homeless man who is a paid dog-whisperer has his morning coffee before he sets about training and entertaining the pets of the better off His workplace is often Gezi Park, across on the north of the square, a dingy oblong of planes, once a well-known gay cruising spot, now a hangout for those with nowhere else to sleep It’s heavy in summertime with the shade of the thickly planted trees and overshadowed at the back by encroaching high-rise hotels; but it’s green nonetheless, and free, and open to all – something that is becoming a rarity in Istanbul The blockish hulk of the Atatürk Kültür Merkezi (the AKM) that lies on the square’s eastern side is a case of the central-turned-marginal It is a seat of memories for many Turks who went there in years past to see operas and the latest plays It was a purveyor of Western high culture, an emblem of Turkey’s Europeanness Today it is shuttered and dusty and slated for demolition   Taksim is fraught with this kind of historical and cultural symbolism One old trauma has been very much in the mind of Prime Minister Recep Tayyip Erdoğan In 1909, the Halil Paşa Artillery Barracks was the scene of a rebellion

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

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May 2012

Scott Esposito

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May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

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Art

Issue No. 7

Pyramid Schemes: Reading the Shard

Lawrence Lek

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Issue No. 7

These sketches were created to illustrate an essay by Lawrence Lek in The White Review No. 7, ‘Pyramid Schemes:...

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September 2015

Immigrant Freedoms

Benjamin Markovits

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September 2015

My grandmother, known to us all as Mutti, caught one of the last trains out of Gotenhafen before the...

Interview

September 2015

Interview with Katrina Palmer

Jamie Sutcliffe

Interview

September 2015

G.W.F. Hegel isn’t looking too good. With an afternoon of student tutorials to attend at the School of Sculpture...

 

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