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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



Articles Available Online


The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

I first glimpsed the Potala Palace behind the bending legs of a prostitute She swayed, obscuring a vista of the Dalai Lama’s vacant home with the taut sail of a black dress rigged from her hips, eyes closed, face contorted into a mask of transcendence and passion, belting out a Tibetan folk song somewhere in downtown Xining, an urban barnacle on the Eastern edge of the Tibetan plateau The karaoke TV screen panned across Lhasa, the Potala Palace and ethereal valleys spoiled by scrolling lyrics and a digital dot measuring their progress There aren’t enough lukewarm beers on the tray in front of me, I thought, to wrangle this scene into the pen of ‘sense’ This was not how I intended to begin my Tibetan journey, but then the unintended and unexpected are the stimuli of travel, delight or horror the effects Let the sober ombudsman of the morning work it out, I thought   A Welshman, a Monguor and two Tibetans walk into an euphemism, that’s how the night’s joke began Heard that one? A classic Here, listen to this   ***   I was disturbed from a nap by my effervescent hostel room-mate, a twenty-something Monguor anthropologist Did I want to play basketball with him and his friends? I did, and followed him to a modern university campus lit by a chromatographic sunset of pinks, oranges and blues Beer and a heavy meal of spiced mutton followed humiliation by the skillful pivots of my Asian friends Come to the karaoke club, was the next suggestion The compass needle in my guts twitched towards, ‘Euphemism: brothel’, but curiosity juggled its bag of magnet: the company was far too good to abandon for bed and rest ahead of the next day’s long ascent to the Tibetan plateau proper The club’s lobby was an oblong room with a long bar Sagging from the walls were garish posters of tropical scenes faded by time, smoke and the low pink lights Kitsch exoticism of golden sands and palm fronds in this poverty-locked, politics-locked, landlocked lobe of Central China, where local exoticism winked at me

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Art

May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

READ NEXT

Art

June 2014

Opus

Charmian Griffin

Amanda Loomes

Art

June 2014

Bound with animal fat, milk, or blood, Roman concrete is hardened over time. Less water would ordinarily mean a...

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May 2016

Cinema on the Page

Jonathan Gibbs

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May 2016

Film is a bully. It wants to make its viewers feel, and it has the tools to do so....

poetry

January 2016

Two New Poems

Elena Fanailova

TR. Eugene Ostashevsky

poetry

January 2016

(POEM FOR ZHADAN)   This (my) country will be the death of you Its military mathematics Its secret services...

 

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