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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



Articles Available Online


The Last Redoubt

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November 2014

Scott Esposito

feature

November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

feature

February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

Image: ‘visionary company’ (2021) by Wu Tsang, at Lafayette Anticipations © Pierre Antoine   On entering Visionary Company (2020), Wu Tsang’s exhibition at Lafayette Anticipations in Paris, visitors walk down a curving, carpeted pathway that resembles a backstage corridor In The show is over (2020), a film by Wu Tsang made in collaboration with the poet Fred Moten, the camera follows a set of bodies that move around a stage The floor is wet with mud, and the bodies bask in a dark blue light Nearby, Tsang has placed a sculpture which takes the form of an illusory Penrose triangle, an impossible object that appears as a motif in The show is over (2020) To make the film, Tsang translated Moten’s poetry into choreography, the choreography into film, the film into sculpture – all blending into one space   Tsang works across many mediums, but her recurrent lines of inquiry are translation and community building While studying at the University of California in the late 2000s, Tsang lived in McArthur Park, a historically Latinx and Asian neighbourhood, and one of the poorest areas of Los Angeles She came across Silver Platter, an unassuming bar and home to Latin gay and drag communities since the 1960s It was there that she co-created Wildness in 2008, a weekly club night for experimental performance and electronic music, eventually producing the documentary WILDNESS (2012) The film cast a reflexive gaze on the club night, raising complex questions of responsibility and privilege   Tsang’s practice continues to expand through kinship In 2014, she began working with performer Tosh Basco (also known as boychild) on the sci-fi film A day in the life of bliss (2014–ongoing) It follows Blis (played by Basco), a young pop star by day and underground performer by night, who navigates a world where thoughts are controlled by centralised artificial intelligence Two years later, Basco and Tsang co-founded Moved by the Motion, a collective with fluctuating members – including the dancer Josh Johnson, an early Wildness collaborator, musician Asma Maroof and Fred Moten The collective is shaped by experimentation and friendship Eight members of the group joined

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

feature

September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Art

May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

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Interview

May 2012

Interview with Jonathan Safran Foer

Jacques Testard

Interview

May 2012

Much has been written about the precocity and talent of Jonathan Safran Foer, whose debut novel Everything is Illuminated...

fiction

January 2016

Good People

Nir Baram

TR. Jeffrey Green

fiction

January 2016

Good People opens in Berlin in 1938. Thomas Heiselberg has grand plans to make the company he works for the...

poetry

Issue No. 2

Letter to Jim Jarmusch [Broken Flowers]

Jon Thompson

poetry

Issue No. 2

What they’ll know of us in future years: the large interiors of our suburban homes were designed by others...

 

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