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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



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The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

Throughout her prolific career as a poet and a translator, Anne Carson has been concerned with combatting what she calls ‘the boredom of storytelling’ As she explained to Michael Silverblatt on stage at an event last year, ‘When your thinking is still, watching TV or whatever, thinking the same thing you’ve always thought, you might as well be dead… Living happens when your thought moves’ To read Carson is to feel the parameters of poetry, translation and story-making move and unsettle Or, to borrow a phrase of Carson’s, to watch someone ‘undo the latches’ of ordinary understanding   Born in Canada in 1950, Carson has created one of the most exciting bodies of work in contemporary poetry Since the publication of her first book, Eros the Bittersweet, in 1986, Carson’s output has varied in form (translations, a novel in verse, lyric lectures, short talks, fragments, a fictional essay in twenty-nine tangos) and format (chapbooks, pamphlets, paperbacks, boxes) In more recent years, Carson has collaborated with artists, and staged elaborate performances of her work These can include dancers, or sound art, or video, or sometimes all three   Carson’s work is characterised by an ability to break open form, to question it, and to see beyond it, even as she uses it In the pieces she calls ‘Lyric Lectures’, Carson delivers texts informed by deep academic research but enlivened by poetic experiment Her ‘Short Talks’ are short stories without the story (‘On Gertrude Stein’ about 9:30: ‘How curious I had no idea! Today has ended’) In Autobiography of Red, her translation of a long lyric poem by Stesichorus, its two mythic figures Geryon and Herakles are cast as gay teenagers living in modern America Its sequel, Red Doc>, in which place, character and form have been reshuffled, was a radical challenge to the definition of a sequel Her newest publication Float is a book that has been freed from order and sequence: a clear box which must be knocked open to release 22 chapbooks   While Carson is best known for her studies of ancient Greek, a subject she has taught for many years – she has translated many of the major Greek texts, including

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Art

May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

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poetry

November 2011

One Night Without Incident

Eoghan Walls

poetry

November 2011

Freak July mists blurred all from Portsmouth to Reading in a late summer sky turned wholly unfit for bombing,...

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May 2014

The Quick Time Event

David Auerbach

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May 2014

The ability of computers to semantically understand the world – and the humans in it – is next to...

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February 2011

Novelty and revolt: why there is no such thing as a Twitter revolution

Nadia Khomami

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February 2011

The world is seeing an increase in the use of social media as a tool for mobilisation and protest....

 

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