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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



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The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

The peculiar thing was that Astrid appeared exactly as she did on screen She was neither taller nor shorter Her smile had the same stretched quality, as if it had been worn thin from overuse She seemed less like a star and more like one of her movie roles, a beautiful but otherwise normal woman who swore in traffic and ate takeout in bed Jenny tried to imagine how she would describe this moment to her brother The house was large and the drive was gated The leaves of the terracotta-potted ficus trees looked glossier and more recently watered than the ones outside Jenny’s own small house But the light that hit Astrid’s face was no spotlight The same sun was jerking sweat from Jenny’s forehead   ‘Jenny Narahashi, the Japanese tutor,’ Jenny said Strictly speaking, Jenny was not a tutor — she was a translator The fee was generous, but that wasn’t why Jenny was here She was doing this for her brother Franklin had been the sort of movie geek who, unprompted, informed strangers that to shoot Barry Lyndon, Kubrick used the low light lenses NASA designed for the dark side of the moon   What would he make of the soft pucker of Astrid’s eyebrows as she peered at Jenny? There was something disorientating about being so close to someone famous It was disorienting Jenny needed a moment to make sure that Astrid was not recoiling but stepping back to let Jenny inside   The kitchen, like its owner, was almost too normal A stained mug loitered in the sink The fridge was magnet-poxed The countertops were marble; but whether it was Egyptian, French or Tunisian, Jenny couldn’t tell   The boy sat on a barstool at the kitchen island He had a child’s slouch and a leading man’s designer sunglasses balancing on styled hair So this was her prospective tutee, drinking Italian mineral water The glass bottle dripped green light onto the white counter-top   ‘Marlow, Jenny,’ said Astrid ‘Jenny, Marlow’ Jenny supposed movie stars didn’t have to ask to use your first name ‘The Japanese tutor, the one who translates Dinowhatever’ Astrid paused  The kid rolled

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Art

May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

READ NEXT

fiction

November 2012

Religion and the Movies

Aidan Cottrell Boyce

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November 2012

When the Roman Empire ruled the world, you could make it work for you. The women, the hospitality. You...

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July 2011

Editorial: a thousand witnesses are better than conscience

The Editors

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July 2011

The closure of any newspaper is a cause for sadness in any country that prides itself, as Britain does,...

Prize Entry

April 2016

Oh Whistle and

Uschi Gatward

Prize Entry

April 2016

God has very particular political opinions – John le Carré     M is whizzing round the Cheltenham Waitrose,...

 

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