Mailing List


Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



Articles Available Online


The Last Redoubt

feature

November 2014

Scott Esposito

feature

November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

feature

February 2014

Another Way of Thinking

Scott Esposito

feature

February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

Establish remorse from outset Express bewilderment at sequence of events so unlikely, so absurd and catastrophic Assure all present of blemish-free record, respect for civic infrastructure, fondness for quiet life and simple pleasures (milkless Earl Grey, sensation of shower on collarbone scar, smell of wet denim, etc) Adopt strong posture, upright but unhaughty, chin raised to illustrate mettle Remain composed Nod solemnly when alleged acts detailed Promise to provide context in form of days preceding—disorientating effect, toll inflicted on sense of self/place in grand scheme/professional trajectory Blame said effect for alleged recklessness, surrendering to moment, abandonment of principles (loyalty, punctuality, even keel, modesty, graft, appropriate attire, camaraderie) Downplay partiality for music, arts Highlight childhood aptitude in mathematics, science Maintain eye contact to correct extent, avoid long monologues   Declare intention to act as own legal counsel Suggest deep knowledge of judicial protocol less important than conveying modern life’s near-infinite complexity, pressures of which intolerable Use as evidence images chanced upon recently of Earth from space, utterly dark but for luminous streaks—flight paths, arcing and meshing across planetary surface, brightest over teeming cities such as ours, sparsest over distant wildernesses beckoning like empty rooms at party hosted by enemy How to contend? How remain steady before visions so stunning, quotidian routine rendered (meaning-wise) scant? How defecate, shower, shave face, commute, toil, defer to superiors, remain polite at sandwich outlet when handsome, better-dressed, wealthier man barges past holding forth into hands-free set, causing spillage of expensive scalding-hot beverage onto newly-purchased, freshly-ironed shirt?   Resist digression   Expect prosecution to roll out photograph Contemplate image, wince, tilt head Express respect for Bill Pointer and work—recall The Singing Dunes tattered copy on Uncle Steve coffee table, youthful hours lost in pages, disbelief such places/people real, magnificence of world revealed Voice regret current incarceration prevents visit to Pointer retrospective at V&A State desire to encounter Pointer, shake hand, thank sincerely With rueful smile relate compulsive maternal scrapbooking of every traceable picture appearance across international print media—three scrapbooks required, fourth purchased as precaution Remark on poignant comparison with Robbie’s Achievements Book, maintained by mother throughout boyhood, pages stuffed with house-point cards,

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

feature

September 2012

Scott Esposito

feature

September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Art

May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

READ NEXT

Prize Entry

Issue No. 17

Grace

Sophie Mackintosh

Prize Entry

Issue No. 17

14. It comes for me in the middle of the day when I am preparing lunch, quartering a tomato...

fiction

April 2013

The Taxidermist

Olivia Heal

fiction

April 2013

I did not want to walk. The day was dull. But imperative or impulsion pushed me out, onto the...

fiction

August 2013

How to Be an American

Will Heinrich

fiction

August 2013

Begin with a man on the beach. The sea is strangely iridescent, lighter in its lights and blacker in...

 

Get our newsletter

 

* indicates required