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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



Articles Available Online


The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

The jolts of the tracks were stronger now and came at irregular intervals With my arms outstretched, I held myself up between the walls of the tiny cabin A metallic drone rose from the spattered steel-can, a whining and hissing and, now and again, something close to a laugh, something that had to have been crouching in the abyss, in the crushed stone of the railroad embankment, and it rang in my ears like a miserable Semey-Semey I wouldn’t be able to stay much longer, not unless I wanted to give some kind of explanation when I returned, something that would immediately become twice as long in the translator’s mouth and ten times as long in the consul’s ensuing comments   As far as I knew in the meantime it wasn’t illegal to have a Geiger counter On the contrary, European travel-guides recommended it as a means of reassuring travellers, though they emphasised that the measurable levels in most areas had been below acceptable limits for a long time now I’d never considered buying such a piece of equipment before, nor had I ever conceived the possibility of owning one And so the grey-green, already somewhat worn little box, and the way I’d got it right before the train left from one of the many hooded peddlers blocking the platform with their strange goods, was all the more precious and peculiar Almost everything held out to me as a ‘Souweniiiir!’ seemed to have come from the stockrooms of an empire and its army busy undergoing the process of total dissolution And yet I’d also seen mountains of meat, animal skins, raisins, bread, and nuts in half-covered children’s wagons, often in continuous movement, being pushed across the snow-covered platform right up to the steel treads of the railroad cars In the end, though, no

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

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May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

READ NEXT

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February 2012

Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer...

Interview

Issue No. 1

Interview with Manfred Mohr

Alice Hattrick

Interview

Issue No. 1

Lines of varying thickness rotate on black. On the screen beside, tilted away from the first, is a slide...

Prize Entry

April 2017

Remain

Ed Lately

Prize Entry

April 2017

The apology had been the most charged and contested gesture between us, the common element in arguments whose subjects...

 

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