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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



Articles Available Online


The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

Interstate 95, September 2016   Celeste sat on the front seat wearing her black turtleneck sweater She had three sweaters: black, blue, and festive Celeste got carsick if forced to sit in the back seat She liked to sit in the front, upright as an Egyptian, eyes on the road The baby also got carsick but no position helped Eliot seemed to find the entire world abrasive   I glanced in the mirror Mimi sat with one arm around the infant seat, adding an extra fleshy layer of protection One of her eyes was lined in black kohl, the other bare Eliot must’ve interrupted Oddly, I preferred the bare eye, the pink lids curling petal-like Someone honked You’d think I’d have been better at keeping my eyes on the road after my father’s death, but the long traffic-clogged sweep rendered me indolent   ‘Hey, cheer up It might be cathartic Maybe you’ll get over avoiding an entire country’   ‘What?’   ‘Catharsis Meeting your mom Closure Yada Yada’ Mimi was smiling, in her I’m pretending to be an upbeat positive person way Her gestures of comfort were often sincerity masquerading as irony   ‘She’s a bitch, but so what? I said I’ll go I’ll go No big deal’   ‘Every time someone asks about art from Japan you turn them away If it’s a choice between your issues and the Waldorf crèche, I’d rather we wasted money on the crèche’   ‘It’s not just my mother, okay’ There were lots of reasons I didn’t deal Japanese art That market was saturated, and I didn’t like Tokyo You couldn’t eat on the subway, and they used soy substitute in their ice cream   ‘Oh?’ Mimi rubbed her neck, which had been giving her pain since the pregnancy   ‘I mean like you know the legend about how the goddess who gave birth to Japan had another child first’ Mimi cracked her neck, and irritation swooped through my knuckles ‘This baby of theirs, he had no bones Hiruko The name literally means leech child’   ‘Jay’   ‘So what did Japan’s mom do? She pushes this baby out to sea’   ‘Jay, you’ve told me this story already You told me after the first ultrasound’   ‘But you get

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Art

May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

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fiction

August 2017

Lengths

Matthew Perkins

fiction

August 2017

1   I sat at the kitchen table while Valentine prepared cups of flowery, smoky loose leaf tea. Antoine...

Interview

Issue No. 9

Interview with Rebecca Solnit

Tess Thackara

Interview

Issue No. 9

Rebecca Solnit’s The Faraway Nearby, like many of her books and essays, is a tapestry of autobiographical narrative, environmental and...

poetry

June 2014

Oeuvres

Edouard Levé

TR. Jan Steyn

poetry

June 2014

1. A book describes works that the author has conceived but not brought into being. 2. The world is...

 

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