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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



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The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial   I met Roberto Bolaño right at the end of his period of imprisonment, although it would be more properly called one of anonymity, of isolation, being shut away   I met him on the 21 November 1999 at Bar Novo in Blanes, a kind of granja catalana, one of those places characterised by their spotless milk-churn decor, but in reality they’re as foul as they are supposedly hygienic and all the more so for those who, like me in those days, loved the murky darkness of big nocturnal bars   I’d gone into the Novo with Paula de Parma to have a juice, and I’d just ordered it when Bolaño walked in Paula, who used to work at a secondary school in Blanes, had just read Distant Star (recently published by Anagrama) and I remember like it was yesterday her asking Bolaño if he was Bolaño He was, he said And I, Bolaño added, was Vila-Matas…   ‘Jesus Christ!’ we heard uttered soon after   The exclamation was Bolaño’s, and I have the impression the following conversation lasted as long as ‘the drawn out laughter of all these years’, as Fogwill would say   I remember that I always talked to Roberto like we’d known each other all our lives He was living with his wife Carolina López and their son Lautaro at 17, Carrer del Lloro (Parrot Street), and kept a little work space at no 21 At no 19 was the butcher’s where he got the inspiration for the memorable poem ‘Among Flies’: ‘Trojan poets / Now that nothing that might have been yours / Exists / Neither temples nor gardens / Nor poetry / You’re free / Admirable Trojan poets’   He didn’t have a telephone and his post box was at no 441, where he hear if he’d picked up some regional prize; the of these was from San Sebastián at the end of 1996 for the story ‘Sensini’, a masterpiece The value of that prize was really a very modest amount but Carolina and Roberto, who were living off

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Art

May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

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Interview

June 2014

Diane Williams: Two Stories and an Interview

Harriet Pittard

Interview

June 2014

Editor’s Note: By way of an introduction, we’ve included two previously unpublished stories by Diane Williams, ‘Beauty, Love and...

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Issue No. 1

(Un)timely considerations on old and current issues

Donatien Grau

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Issue No. 1

Criticism has not been doing well lately. The London Review of Books, Europe’s biggest-selling literary publication, would no longer...

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October 2011

The White Review No.3 Editorial

The Editors

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October 2011

In the course of putting three issues of The White Review together, the editors have been presented with the...

 

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