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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



Articles Available Online


The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

I We were a couple of minutes late for the panel we’d hoped to attend The doors were closed and there was a surly-looking man standing guard next to a sign that read ‘Complet’ – ‘Full’ No more room A stubby line of six or so people had formed behind him   ‘Vous êtes là pour “Je est un autre”?’ we asked   ‘Yes,’ the guard replied ‘Is it really full?’   ‘Yes,’ he said   ‘And for members of the press?’ I brandished my pass, appealing to the guard’s sense of professionalism and media savvy   ‘C’est complet’   My friend Elisabeth and I had travelled from Paris to Brittany to check out the Etonnants Voyageurs (Astonishing Travellers) literary festival in Saint Malo, created by Michel Le Bris in 1990 Every year, around sixty writers converge there to celebrate well, what exactly we’re not sure, but it’s got something to do with travel literature, francophone literature, and Russians In 2009, when I was researching a piece on the French literary milieu, all anyone could talk about was this festival and the movement associated with it: littérature-monde   ‘French literature is opening outward,’ I was told ‘Just look at the success of the Etonnants Voyageurs festival’ This was all the encouragement I needed to book a spot on the TGV to the 2010 edition, which was dedicated to Russian literature, Haitian literature, and the theme of the organisers’ new book, Je est un autre – I is Other Of all the literary festivals in France – and there are hundreds – this one is the most political, and the most controversial This is in part because Le Bris and Jean Rouaud were the major voices behind a 2007 manifesto, ‘Pour une littérature-monde en français’ (Towards a World Literature in French), which ran in Le Monde and was followed by an anthology of the same title   Signed by forty-four writers including JMG Le Clézio, Tahar Ben Jelloun, Maryse Condé, Nancy Huston, and Edouard Glissant, the manifesto’s argument was twofold: first, that French literature ought not to be divided into ‘French’ (for work produced by writers born in France) and ‘francophone’ (read: those

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Art

May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

READ NEXT

Art

September 2015

Sightlines: James Turrell

Gareth Evans

Art

September 2015

For, and in memory of, Jules Wright   Approach   It is a pleasure too rarely realised to venture...

fiction

January 2016

Dimples

Eka Kurniawan

TR. Annie Tucker

fiction

January 2016

Moments ago, the woman with the lovely dimples had been shivering, utterly ravaged by the evening, but now her...

poetry

May 2017

Two Poems

Vala Thorodds

poetry

May 2017

THROUGH FLIGHT   For a moment we are borne into the air and then down.   It is there, behind...

 

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