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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



Articles Available Online


The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

‘The interior of a pocket is hidden away’, writes Francis Whorrall-Campbell in the speculative manifesto ‘Pocket Theory’, a response to Ursula K Le Guin’s 1986 essay ‘The Carrier Bag Theory of Fiction’ ‘Tucked inside we might find weird lives and weird literature’ Secretive, suggestive, intimate: the pocket, Whorrall-Campbell argues, is a fitting home for chimerical, hard-to-define narratives   Issue 33 of The White Review contains a number of slippery and illuminating subjects, from the inner cosmos of the sleeping psyche to the murky world of inheritance ‘The Dream Laboratory of Nicolae Vaschide’, an extract from Mircea Cărtărescu’s surrealist novel Solenoid (2015), translated from the Romanian by Sean Cotter, describes the hallucinogenic awakening of a child prodigy who becomes a psychologist and dream scientist ‘His thoughts, until then unsettled and cold like crystal vials, now burst open’, Cărtărescu writes, ‘the way a lily bud bursts, arching and turning in a brilliant efflorescence’ In an interview with Noga Arikha, the author Siri Hustvedt discusses her polymathic practice, the problems with mind- body dualism and her experiences of working across literature and the sciences ‘Let Them Know by Signs’, an essay by Rosa Campbell and Taushif Kara, traces the strange histories and causes of the conspiracy theory, from the Kenyan belief that British colonisers were stealing the blood of Africans to strengthen anaemic Europeans, to QAnon and Pizzagate   ‘There’s a family tree that my uncle was able to recover,’ Ariel Saramandi writes in the ‘The Inheritors’ ‘Some of the branches were drawn to look like fingers; at my great-grandfather’s name there’s an amputation, a cut to mark the place where whiteness ends’ ‘The Inheritors’ combines essay and fiction to piece together an account of land dispossession in Mauritius, where Creole heirs were routinely cut off and land documents buried in archives or destroyed The weight of inheritance is also explored in Gina Apostol’s new fiction ‘The Court Case’, in which a flamboyant mother chases after a lost family estate in the Philippines In Brazilian writer Itamar Vieira Junior’s excerpt from the novel ‘Crooked Plow’, translated from the Portuguese by Johnny Lorenz, two young sisters raid

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Art

May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

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poetry

February 2013

Redacted, Redacted

Les Kay

poetry

February 2013

Here the censorship, which you’ve taught yourself, is self-inflicted (low sugar, low fat); it begins with the swinging shadow...

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Issue No. 5

The White Review No. 5 Editorial

The Editors

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Issue No. 5

One of the two editors of The White Review recently committed a faux pas by reacting with undisguised and indeed...

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Issue No. 1

On the Notoriously Overrated Powers of Voice in Fiction or How To Fail At Talking To Pretty Girls

D. W. Wilson

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Issue No. 1

On a Tuesday afternoon in July, not too long ago, a friend of mine struck a pose imitating a...

 

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