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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



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The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

Once upon a time, Dad would begin, I think, focusing on the road, there was a man called Watt Watt was an alchemist An alchemist is a? Dad wanted me to have the definition by heart Someone who, through belief, hard work and persistence, turns the ordinary into the extraordinary I knew the rhythm of it I don’t think I quite knew what belief, hard work or persistence were; extraordinary I probably had some sense of Allegory was still a long way off   Watt was a good man, there was no doubt about that But he didn’t always seem it Often he would be so absorbed in his work that he could go days, even weeks, without seeing his family His mother was sick and bedridden His wife was stooped and bent from scrubbing the floor, washing the clothes, milking the cows And his son, his only son, clothed in rags, missed him terribly But Watt knew, Dad would say, that when his son grew up, he would come to understand how important his work was, the true wealth it had brought them, and would forgive him   It happened without warning One night, after a long day’s work, when Watt was tidying up his laboratory, he went to pick up a certain block of lead which he’d been experimenting on, when a terrific pain shot up his arm His body was thrown across the dark room in a spray of sparks, as though an anvil had been struck   When he came to, he found himself lying flat on his back on the cold stone floor The block of lead, which sat on the big oak table, glowed a strange orange colour and the air around it flowed like water Watt, brave man, stood up and reached again for the lead and again the pain shot through his arm and again a splash and flurry of sparks and his body again shuddered with the force   When he came to once again he once again stood up and one again touched the block of metal Once again the same sharp pain, the same shaking, as

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

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May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

READ NEXT

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July 2013

Love Dog

Masha Tupitsyn

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July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping...

poetry

June 2017

Austrian Murder Case

Phoebe Power

poetry

June 2017

At the Konditorei   Close, warm, and humming with the relaxed sounds of post- midday Kaffee-Kuchen. The  cakes are...

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January 2014

Afterword: The Death of the Translator

George Szirtes

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January 2014

1. The translator meets himself emerging from his lover’s bedroom. So much for fidelity, he thinks. 2. Je est...

 

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