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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



Articles Available Online


The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

feature

February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

A pale three-quarter moon lit up the state highway at two in the morning The road connected the province of Taranto to Bari, and at that time of night it was usually deserted As it ran north, the road oscillated, aligning with and diverging from an imaginary axis, leaving behind it olive groves and vineyards and short rows of industrial sheds that resembled aeroplane hangars At kilometre marker 38, a service station appeared It was the last one for a while, and aside from the self-service pumps, vending machines serving coffee and cold food had recently been installed To promote the new attractions, the owner had installed a sky dancer on the roof of the auto repair shop One of those puppets that stand 15 feet tall, pumped up by powerful motorised fans   The inflatable barker fluttered in the empty air and would continue to do so until the morning light More than anything else, it made one think of a restless ghost   After passing that strange apparition the countryside ran on, flat and unvarying for miles It was almost like moving through the desert Then, in the distance, a sizzling tiara marked the city Beyond the guardrail, in contrast, lay untilled fields, fruit trees, and a few country houses nicely concealed by hedges Through those expanses moved nocturnal animals   Tawny owls traced long slanting lines through the air Gliding, they waited to flap their wings until they were just inches from the ground so that insects, terrified by the sudden tempest of shrubs and dead leaves, would rush out into the open, sealing their own fates A cricket, perched on a jasmine leaf, extended its antennae unevenly And, all around, impalpably, like a vast tide suspended in the air, a fleet of moths moved in the polarised light of the celestial vault   Unchanged over millions of years, the tiny, fuzzy-winged creatures were one with the formula that ensured their stability in flight Tied to the moon’s invisible thread, they were scouring the territory in their thousands, swaying from side to side to dodge the attacks of birds of prey Then, as had

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Art

May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

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Interview

February 2015

Interview with Eddie Peake

Lily Le Brun

Interview

February 2015

Like many people, I had seen Eddie Peake’s penis long before I met the artist himself. For several years...

Interview

Issue No. 13

Interview with Michel Faber

Anna Aslanyan

Interview

Issue No. 13

MICHEL FABER’S RANGE OF SUBJECTS – from child abuse to drug abuse, from avant-garde music to leaking houses – is as...

poetry

June 2016

from GERMINAL

Chloe Stopa-Hunt

poetry

June 2016

  1. Waste-Gold   These songs are waste-gold a matter of passing time together as we wait for night...

 

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