Mailing List


Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



Articles Available Online


The Last Redoubt

feature

November 2014

Scott Esposito

feature

November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

feature

February 2014

Another Way of Thinking

Scott Esposito

feature

February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

Others have it worse, have had, will always ‘We,’ though, own the record now for largest building collapse   A double you could call it Work with it Live with it Others far away die (and live) with the daily probability of car bombs, bus bombs, persons exploding in the neighbourhood They experience bombs from the sky and the earth, and are exhausted and homeless, and watch their children wasted by hunger, maimed, lost; and can’t keep in touch with friends to get help, join forces, or mourn And can have scarcely a thought except for today’s survival Scarcely a thought period For example, that history is what hurts Thought must seem like a leisure activity for those whose survival is in doubt Like reading   And so, what is my experience worth, displaced from a lower Manhattan loft for three weeks by air quality and marginal restrictions and shock?   What use is my experience? What do I make of it, putting it together? A form it may take in what we make A half-recalled remark someone made about a very long sentence or two of mine   A memory bears me from inside myself perhaps an hour and a half beyond that first clear sight from the parking lot across the street from our old six-storey brick building eight blocks from the shining north tower of the World Trade Centre abstractly, palpably burning, and a few minutes later the south which from my angle with scarcely a sliver of space between the two seemed to catch fire from the north; and carries me beyond several things I did thereafter during an extended moment of unusual dimensions (a structure also of some outside and inside project encompassing me) such as shut my absent neighbours’ fourth- and fifth-floor wide-open windows that I’d noticed from where I stood at five minutes of nine across the street C thinking floors, height, sky, fire, distance, closeness, passengers, and a ‘thought’ that the plane, which I had not seen, was gone into that hole it had made (that I could see) shaped by subtraction – while with me in the

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

feature

September 2012

Scott Esposito

feature

September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Art

May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

READ NEXT

Art

June 2015

Sisterhood

Chelsea Hogue

Art

June 2015

A woman appears onscreen. Her hair is short. While the film is black and white, by the colour gradations...

Interview

November 2011

Interview with Margaret Jull Costa

Sam Gordon

Interview

November 2011

On first impressions, this interview with Margaret Jull Costa, happening as it did – for the most part –...

feature

March 2015

Plastic Words

Tom Overton

feature

March 2015

Plastic Words was a six-week series of thirteen events which described itself as ‘mining the contested space between contemporary...

 

Get our newsletter

 

* indicates required