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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

It was not only avoiding thoughts of home that helped the good sniper to carry out his mission as he lay on the roof of a building in Tulkarem It was not only the disconnection from his mother, that not thinking about her constituted a kind of rest for him Sniper number two, Hai-Ad Gonen, had given him a bit of cocaine earlier, and Dael could already feel its blessed effects Dael Gruber, who all the guys in the army and in civilian life called Gruber due to the difficulty in pronouncing the two vowels one after the other, was regarded by his friends as a sensitive sniper with a delicate soul And indeed, he was an example to contradict what people generally say about snipers in armies, that they detach themselves from feelings and simply say to themselves, ‘Someone has to do the job,’ and execute their task with cold-blooded composure   This was a sweeping generalisation, and it didn’t apply to Dael Dael went for it in a big way, in other words he shot to kill, otherwise it wouldn’t have worked for him It’s a question of psychological makeup Sometimes it was a little hard for him to shoot at a concrete target, but then he concentrated and took targets from his life instead and set them up in his imagination in the place of the wanted man In many cases he imagined the father of Moran Eliot, his girlfriend when he was at the end of the eleventh grade, when she was at the end of the twelfth grade   Moran Eliot was his first love It lasted for June–July–August and half of September Moran was his first, but he wasn’t her first, and she said that after the first it didn’t matter anymore what number he was It ended badly between them, and with hindsight he didn’t care Her father was in his sights because he threw Dael out of the house in the most humiliating way, after Moran didn’t want to see him and called him a

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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Interview

January 2017

Interview with David Thomson

Leo Robson

Interview

January 2017

David Thomson — the author of dozens of books, including an account of Scott’s expedition to the Antarctic and...

Interview

February 2014

Interview with Lisa Dwan

Rosie Clarke

Interview

February 2014

In a city where even the night sky is a dull, starless grey, immersion in absolute darkness is a...

fiction

March 2017

Initiation

Guadalupe Nettel

TR. Rosalind Harvey

fiction

March 2017

Aside from its absence of windows, my apartment is a mausoleum which bestows an epic dimension upon the important...

 

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