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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

In Antal Szerb’s The Incurable, the eccentric millionaire Peter Rarely steps into the dining car of a train steaming through the Scottish Highlands and sees Tom Maclean, the writer, in a corner scribbling away ‘I’m not disturbing you?’ he asks, taking the empty seat opposite him ‘You certainly are’ Tom replies, ‘Please stay and disturb me some more It would be a real kindness You see, at least while I’m talking to you, I won’t be working Sir, the amount I have to do is intolerable I’m fed up with myself, absolutely fed up I’ve just been to Scotland for a bit of rest I tell you – I was there for a month – in that time I translated a novel from the French, wrote two essays and a novella, eight sketches, six book reviews, ten longer articles and I’ve still got two radio talks waiting to be done’ ‘But why the devil do you work so hard?’ Peter asks ‘For a living, my dear sir, to make a living’ As Tom is so busy he doesn’t even have the time to read a book for its own sake, Peter decides to grant him a thousand pounds a year on condition he gives up writing entirely, a proposition Tom wholeheartedly accepts A month goes by, during which Tom gives vent to his desires: he goes fishing, walking, learns foreign languages – and yet feels unnervingly restless, to the point that when he visits his sister’s family one afternoon and finds his nephew Freddy itching to go off to a football match, but unable to do so because he needs to finish an essay on Shakespeare and Milton, Tom writes the essay for him Having failed to keep his end of the bargain, Tom calls on Peter to renege on their agreement, ‘I’m terribly sorry,’ he says, ‘but I really have no choice in the matter’ ‘But haven’t you been happy without your writing?’ Peter asks ‘No, sir It’s just no good If you threw me in prison I’d write in blood on my underwear,

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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Interview

January 2016

Interview with Tor Ulven

Cecilie Schram Hoel

Alf van der Hagen

TR. Benjamin Mier-Cruz

Interview

January 2016

Tor Ulven gave this interview, his last, a year and a half before he died, leaving behind a language...

feature

February 2015

Greece and the Poetics of Crisis

Joshua Barley

feature

February 2015

On the Aegean island of Skyros, in the Carnival period immediately preceding Lent, a more ancient ritual takes place....

poetry

January 2013

Three Poems from Strawberry Aftertaste/ Ostateczny Smak Truskawek

Genowefa Jakubowska-Fijałkowska

TR. Marek Kazmierski

poetry

January 2013

  * * * zieleń jest zielona   z rana przymrozki   czujesz to w ziemi   w białej...

 

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