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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

Rivers Solomon’s SORROWLAND is a gothic horror tale that shows how injustices imposed on Black Americans change us Sweeping and expansive in its ambition, it’s a novel that crosses genres and ideas, resulting in something darkly enchanting and oddly salient SORROWLAND is anchored by an intriguing central character: Vern, a young woman who is haunted and on the run after leaving a Black separatist cult She is 19, and pregnant; the father of the child is the leader of the cult She hides out in a nearby forest, where she gives birth to twins, Howling and Feral As the plot unfolds, Vern is hounded by the US government, individuals connected to the cult and supernatural creatures A mysterious fungus is growing inside of her, resulting in a slow metamorphosis that is intertwined with the past She finds herself fleeing from it all    The significance of Cain, the base of the cult and the compound where Vern grows up, is an analogy for ideas of Black liberation Cain is a cocoon of sorts, a shelter fashioned from movements such as the Black Panthers to tackle the injustices of slavery, racism and inherited trauma Its founders intended to make a world free from the influence of white society, specifically designed to facilitate Black independence Removed from the functions of capitalism, Cain fosters Black cultures while protecting its people Its inhabitants rely on their own ingenuity for survival and live off the land Its children are named after great historical figures such as Harriet, Malcolm and Martin There are no policemen in Cain, Solomon’s nod to the growing call for abolition in modern times But there is a flaw in its ideology: it is suffocated by an archaic Christian influence Girls are not educated in the same way boys are, queerness is considered a major problem created by white men Women are encouraged to submit to their husbands and heterosexuality is the norm Solomon does a fine job in animating the repressive elements of Cain, spotlighting an inherent problem shared by movements that claim to have a solution for human survival: it

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

poetry

January 2016

Sex-Desert

Galina Rymbu

TR. Joan Brooks

poetry

January 2016

I’m screaming lying alone in this settlement     everything empty only emptiness sex – is a desert  ...

feature

Issue No. 2

Three Poets and the World

Caleb Klaces

feature

Issue No. 2

In 1925, aged 20, the Hungarian poet Attila József was expelled from the University of Szeged for a radical...

fiction

November 2016

The Miserablist

Anne Boyer

fiction

November 2016

This vision was strongly nebulous, an indeterminate but bold reaction only because it was so much like one of...

 

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