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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

At the bottom of the garden, my mother and a woman dressed like Barbara Hepworth argue over a sculpture of my birth,   if the bronze plinth should be horizontal or vertical, the right shade of blue for the umbilical cord   Hepworth adds a curl of hair with a toothbrush, pats down the clay like a pony   My mother sticks her chisel in, disappointed in the arrangement of her legs, if she had her way   the sculpture would include a dancing fountain and hum like a refrigerator, full of roses, a sundial and a coat of arms,   her snacks, soft drinks and wine Instead the sculpture stands in the April shadows of overgrown gorse,   one arm in the air like the chimney of the defunct engine house where my father   worked in the summer of ’85, where copper wires crawled in beneath the sea – no messages   But what about the father? Hepworth asks Oh, he wasn’t involved, my mother says   Hepworth rolls her eyes, the whites of her eyeballs like a cliff face, the grey of her overalls   like a gun She begins to sing: Don’t turn your back on me, baby   Blues like the sulky one in a rainbow Blues like your favourite moon   With so many conflicting opinions, a therapist had warned the sculpture of my birth of this moment   and offered some advice: be lucid Talk to the older generations as if talking to the sea   Keep a list of all their errors, like those lists you’ll keep of all the things you eat while falling in love:   roast beef, feta cheese, champagne bon bons, shish taouk, french fries and wild grass   Keep a list of all the places where you’ll no longer have to be a sculpture or a birth: the backseat of a servees on Rue Sursock,   a minibus across the Asian Minor, the heart-shaped swimming pool of Le Club Militaire   Even Hepworth will not be able to capture the light as it falls over your face on a Red Sea bottomless boat —   the fishes kissing the glass, the moon flirting with the sky, only hinting at its evening plans   My mother interrupts: Aren’t the blues a bit obvious? The woman who once refused a pedicure   on her wedding day – who said if she wanted her toenails in a different colour she’d slam them in

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

fiction

January 2015

Shishosetsu...

Minae Mizumura

TR. Juliet Winters Carpenter

fiction

January 2015

This is an excerpt from the novel published in Japanese as Shishosetsu from left to right (私小説 from left...

Interview

Issue No. 12

Interview with Yvonne Rainer

Orit Gat

Interview

Issue No. 12

TWO DAYS BEFORE WE WERE SCHEDULED TO MEET, Yvonne Rainer walked into the gallery I was looking after for...

Art

September 2011

Interview with Marnie Weber

Timothée Chaillou

Art

September 2011

Los Angeles-based artist Marnie Weber has spent her career weaving music, performance, collage, photography and performance together into her...

 

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