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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

The last poem in Holly Pester’s first collection COMIC TIMING (Granta, 2021) is called ‘Villette’; it shares its title with Charlotte Brontë’s 1853 novel about Lucy Snowe, an impoverished and extremely truculent governess Pester’s book is divided into four theatrical acts, and this poem closes Act 4: although, strictly speaking, the collection ends with the coda ‘Heavy ending’, ‘Villette’ is the last thing that happens before the actors make their bow In it, the voice of the speaker and the actions of Brontë’s protagonist are unified, like two film reels playing simultaneously: ‘In the novel Villette,’ it begins, ‘either I or Lucy Snowe live and work in a girls’ school that either she or I found in a small French town’ The poem continues, explaining that I / Lucy have recently suffered a romantic disappointment with Dr Graham, their ‘heavy and imaginative crush’, and resolve to bury his letters, which they have invested with a ‘devotional adoration’ The poem ends in an ecstasy of submission:   In this gesture / in my gesture, Lucy Snowe rejects the possibility of possessing the letter She applies / I apply a fantastical value to the letter The letter passes into an earthed state of absence I use / Lucy uses burial as a way to disown the letter and to refuse being privately subjected by the letter She instead / I instead ecstatically ritualise her poverty / my poverty, and her otherness / my otherness to ownership of objects, and evacuate the self into love   VILLETTE, although well received at the time of its publication, disappeared from the mainstream literary consciousness soon after, and remained mostly ignored for the best part of a century In 1970, Kate Millett offered a radical reading of the novel in SEXUAL POLITICS that drew on earlier understandings (notably Virginia Woolf’s) of it as a proto-feminist text Lucy, for Millett, is a study in the effects of a ‘male-supremacist society’ upon a woman’s psyche: ‘She is bitter and she is honest; a neurotic revolutionary full of conflict, back-sliding, anger, terrible self-doubt, and an unconquerable determination to win through’   Later

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

fiction

Issue No. 1

From the Town

Desmond Hogan

fiction

Issue No. 1

In the grape hyacinth blue jersey – yellow strip at V-neck, blue tie, navy trousers of Kinsale Community School,...

Interview

Issue No. 11

Interview with Philippe Parreno

Ben Eastham

Interview

Issue No. 11

It is the standard procedure, when visiting someone in central Paris, to ask in advance for the door code...

fiction

March 2015

Wedding Watcher

Helle Helle

TR. Martin Aitken

fiction

March 2015

I strayed into the church on an impulse. It was a mistake to get off the bus in the...

 

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