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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

To kiss you should not involve such fear of imprecision I shouldn’t mind about the gallery attendant He is not staring That’s not what his torch and lanyard is for   I have seen at least four people holding hands already and I’m only just out of the revolving doors They weren’t unpeeling to the root To kiss you should not feel like anything other than embellishment They, people, loads of people, have staged kiss-ins at Sainsbury’s and in Southbank cafés precisely in solidarity with my freedom to kiss you They kissed en masse on Valentine’s Day with a hashtag and everything When that historian shot himself in Notre Dame two years ago, when Larousse dictionary mooted changing the definition of marriage, he was not thinking of me tarrying in this gallery gift shop, flicking postcards and studiously not-looking at you Larousse dictionary’s colophon is a woman blowing at a dandelion clock Have I used colophon correctly? Where are you   Dandelion comes from the French dent-de-lion, lion’s teeth   I am not biding my time   A lion would not baulk at kissing you, toothily   The French for dandelion is pissenlit This translates, broadly, as wet the bed I will wait   I could kiss you lightly, the side of your face, as if putting out a fire The gallery attendant is not looking at us I have spotted another couple kissing, a boy and a girl, like it was nothing, like they didn’t have to think about lions   When you puff at a dandelion clock, puff at its puff, it looks like you’re blowing a kiss   To kiss you would be plotlessness, and nothing like falling   The gallery attendant is not sizing up our haircuts In fact he’s looking the other way   The move was mine to make,   all gallery-hushed and happy as I reached for you   and   RIGHT   LET’S                                                                                

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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Issue No. 6

The White Review No. 6 Editorial

The Editors

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Issue No. 6

By the looks of it, not much has changed for The White Review. This new edition, like its predecessors,...

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August 2013

The Ghosts of Place

Dylan Trigg

feature

August 2013

 ‘So I turned around for an instant to look at what my field of vision onto the sea had...

Art

September 2016

Sitting, scrawling, playing

Emily Gosling

Art

September 2016

Amidst the drills and concrete, white walls and big names of London’s Cork Street stands a new gallery, Nahmad Projects,...

 

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