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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

She saw her father at Smith’s By accident She was paying the heat bill After paying the heat bill, she deposited some of the money he had given her for rent As she walked out of Aisle 6 near the cereal, she saw him His eyes were looking up, searching for something But she saw him She decided that when he turned his gaze towards Captain Crunch he couldn’t possibly see her Walking past him quietly, she snuck out of his view Her father was wearing a black sweater and black jogging pants He looked scrawny and not like her father Whenever she saw her father, her heart ached Especially from a distance, from a place where he couldn’t reciprocate her gaze   Her father had suffered extensively during his sixty years of existence Since arriving in the States in his thirties, he had worked for the poultry factory for nearly thirty years, and when he retired he was penniless, not from gambling, but from poor money management After all, her father never had a high school education He dropped out of school when he was 15 to join the Army, fighting against the communists and Viet Cong When the war ended, no one wanted to hire him, especially those from the North, moving South after the evasion He was a white sheet of paper that no one wanted So her father worked for a truck company that transported fruits and vegetables from the highlands of Vietnam into the cities He transported goods from Ha Giang, Lao Cai, Quang Ninh, and even from Dalat He transported Japanese plums, Asian pears, etc Domestic market was his expertise   For three weeks now, she hadn’t spoken to him Despite sharing the same bedroom and same bed, she hadn’t technically spoken to him She had purposefully been avoiding him She hid under the bedsheets in the late morning, concealing her face beneath a mask of fabric Sometimes the fabric clung to her nose and for moments she felt suffocated as if a cat had been sitting on her face and inhaling

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

poetry

June 2011

Testament: Two Poems

Connie Voisine

poetry

June 2011

Testament What’s the difference? You might wear it out touching, touching, not buying. Like a snail on a stick,...

fiction

August 2013

Foxy

Siân Melangell Dafydd

fiction

August 2013

If you don’t want to lose your eyes, grab them by the veins sticking out of their behinds and...

Interview

May 2012

Interview with Jonathan Safran Foer

Jacques Testard

Interview

May 2012

Much has been written about the precocity and talent of Jonathan Safran Foer, whose debut novel Everything is Illuminated...

 

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