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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

When I was fifteen I took my two little cousins into town and had them wait outside the tattoo parlour while a woman with blue hair pierced my belly button with a big red ruby that pooled inside like a roving eye They were crying when I emerged I was hardly able to breathe for fear of the pain On the way home on the bus, Amy sang Karma Chameleon and Simone looked out of the window at time passing as though watching life being silently obliterated I remember my belly looked so white and soft lying down with the jewellery like a well of fresh blood collecting I thought it quite beautiful though it often snagged on my jeans My girlfriend had once rooted the ruby out with her tongue; the next morning had stung When we found a baby kicking in there I had to take the jewellery out as my teenage belly stretched Having that metal inside my body had been as good as a wound My girlfriend and I had wounds to nurse, they comforted, they reassured; while they healed there was a warm place inside devoted to new cells and plasma After the birth, my belly was  a waste of space, a forlorn temple with no jewel or way in I couldn’t accept the tender map of pain left imprinted on my belly when my baby was born I would trace the stubborn, soft pulse of a network of trails in my deep skin with my fingers, willing and willing them to recede Nobody touched my belly then, not for a decade My belly was women’s business My belly was the place a baby once lived If I was carrion my belly would be the first flesh to peck and rip– my most vulnerable part– silvery white in sunlight, nobody’s prize The little nick of a piercing scar reminds

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

fiction

June 2016

Beast

Paul Kingsnorth

fiction

June 2016

I stood in the river up to my knees and the river was cold. The water filled my boots...

Interview

May 2012

Interview with Jonathan Safran Foer

Jacques Testard

Interview

May 2012

Much has been written about the precocity and talent of Jonathan Safran Foer, whose debut novel Everything is Illuminated...

poetry

January 2015

Diana's Tree

Alejandra Pizarnik

TR. Yvette Siegert

poetry

January 2015

Diana’s Tree, Alejandra Pizarnik’s fourth collection, was published in 1962, when the poet was barely 26 years old. Named after...

 

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