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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

‘World finance had, in 2008, a near-death experience’   The words belong to a partner of a renowned international law firm The partner was standing at the podium, looking over a sea of bearded faces within which bobbed a scattering of men and women without any facial hair, some of whom (those from firms that were days away from collapsing) were jotting down every word as if the speech were a newly unearthed Gospel The partner was trying his best to kill time before the introductory speaker showed up It was already 08:30 and he had yet to arrive The partner therefore ad-libbed into the dark sea, praying that nobody was really listening to what he was saying   The introductory speaker – a Revenue Recognition Analyst for the redundantly named Halal Islamic Bank (HIB) – reached the office of the renowned international law firm at 08:32, two minutes after the time he was supposed to have started the address for the Gillette-sponsored Islamic Banking Roadshow He was late because this was his first time at that particular law firm’s offices and the blue GPS-dot on his mobile phone had been bouncing about erratically in the City which had led him to take a taxi, which should have been faster than walking but wasn’t His face was covered in a film of sweat, lubricating his nose and making his glasses slide down The woman who greeted him at the reception was pretty, then, until he pushed them back up She gave him a concerned look, then checked him off the list and opened the little glass gate that led to the elevators The elevator mirrors confirmed what he had feared ever since he got into the taxi: his left underarm was covered in sweat   He had a tendency to sweat profusely, so much so that it would seep through not only his undershirt, but also his shirt and in extreme cases such as today, even his jacket The reason his right armpit was dry was because he had received a Botox®-injection to stop the sweating three days ago They had called it an injection,

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

feature

October 2012

Crown of Thorns Starfish

Caspar Henderson

feature

October 2012

If you look into infinity what do you see? Your backside!  –Tristan Tzara   The drug-addict, drunk, wife-shooter and...

poetry

March 2017

Two Poems

Uljana Wolf

TR. Sophie Seita

poetry

March 2017

Mittens   winter came, stretched its frames, wove misty threads into the damp   wood. fogged windows, we didn’t...

fiction

April 2013

The Taxidermist

Olivia Heal

fiction

April 2013

I did not want to walk. The day was dull. But imperative or impulsion pushed me out, onto the...

 

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