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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

Consider the exclamation mark Medieval in origin, this blink of ink has a gift for controversy A single point can signal a moment of joy or incredulity Use two or more, though, and risk being dismissed as shrill or shouty, especially if you are a woman   Feminist thinker and independent scholar Sara Ahmed has written 11 books, but her latest, Complaint! (2021), is the only one to employ an exclamation in its title Yet to immerse oneself in her body of work – which includes several public lectures, seminars and workshops – is to feel an intensification of everyday experience Her works are all attuned to affect, wilful subjects, and the phenomenology of trying to make yourself heard while living in a marked body: as an ‘unhappy queer’,’ a ‘melancholic migrant’, a woman and/or person of colour As Ahmed wrote in What’s the Use? On the Uses of Use (2019), ‘Sometimes, I feel like I am an exclamation point, as if in being I am shrieking’   In that book, a roving work of phenomenology, she examines ‘use as technique’ by closely examining a constellation of things, including an empty tube of toothpaste, a postbox, an arm and Jeremy Bentham’s desiccated body She shows how utilitarianism was historically used to shape the subjectivities of those deemed least desirable and most disposable – the poor, the incarcerated, the orphaned and the unhoused   What’s the Use? is the final book in a trilogy that began with The Promise of Happiness (2010), which looks at the regulatory uses of happiness, followed by Willful Subjects (2014), which valorises ‘wilfulness’ – a disposition towards disobedience, or to be ‘what gets in the way of what is on the way’ – as a way for feminists and minority groups to assert agency In its own way, each of her books tracks, with forensic care and attention, the peristalsis of power: what feeds it, what impedes it, what lubricates its sinuous passage through the halls of institutions and everyday life Bodies, for Ahmed, are a locus of feminist investigation Having an ‘out of skin’ experience – being at odds with the

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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Interview

July 2012

Interview with David Harvey

Matt Mahon

Interview

July 2012

David Harvey is rare among Left academics: his work is as much appreciated by anarchists and the Occupy movement...

Art

July 2014

(holes)

Alice Hattrick

Kristina Buch

Art

July 2014

There are many ways to make sense of the world, through language, speech and text, but also the senses...

Interview

February 2011

Interview with David Vann

Marissa Cox

Interview

February 2011

I am a little apprehensive about meeting David Vann for the first time. His father committed suicide when David...

 

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