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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

I did not want to walk The day was dull But imperative or impulsion pushed me out, onto the road Whether to turn left, or to turn right, I did not know Left, to the north, had once been a favoured path, but I could hear the weather beating hard on the corner there, and turned then to the right I took the sheltered way In the cold air the shapes of the island, hillshapes, streamsshapes, rockshapes appeared bared to me, undiluted My thoughts that day were clear and hard as those shapes Marred only by a waking dream that had not left me at dawn There were but two bounds to my being One hard, sheeny, as if carved of same landscape The other, the dreamscape At the hilt of the road sheep were being moved along, a collie at their heels The owner was following On seeing him a nervy grin repeated across my face I stood away to the side until the sheep passed and then stepped into the road to join him The boy stopped   Hello How a things? How a things? These your sheep? Half of them They’re some good-looking sheep Ah, they’re alright, surviving, like And you? How are you?   Alright Surviving, like   The conversation rhythmed unperturbed as if written already We had only to mime the words This was the way of provincial greeting, I remembered I bent to the dog, reached close and saw then its manky eye Wary, I jumped back He mumbled to it, a tongue not mine, snapped his fingers and the dog came to him It stretched its neck up close along the length of the boy’s outside leg meeting his index finger there, finger that fell meeting and stroking the short fur on the upperjaw, the muzzle   You’ll be down t’ pub after?     ***     We were sat on low stools at a low table   What’ll you have?    To invite an outsider to drink with him meant only one thing   To then invite another to join in, meant something quite else The latter, blue eyes, sallow skin, (a trait

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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Interview

August 2016

Interview with Brian Evenson

J. W. McCormack

Interview

August 2016

There are at least three Brian Evensons, all of them EXCEEDINGLY IMPROBABLE. First, there’s Brian Evenson, the prolific author of...

fiction

March 2017

Slogans

Maria Sudayeva

TR. Antoine Volodine

TR. Jeffrey Zuckerman

fiction

March 2017

A Few Words on Maria Sudayeva   Slogans is a strange, extraordinary book: it describes a universe of total...

feature

February 2014

Another Way of Thinking

Scott Esposito

feature

February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

 

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