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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

Towards the beginning of Brother in Ice, the debut novel by Catalan artist Alicia Kopf, is a photograph of the American explorer Frederick Cook arriving at the North Pole in 1908 The image, captured in the midst of a snowstorm, is blurred and the vista it discloses is of a heroic mission rendered distinctly uncertain, as limp as the flag that the man on the right attempts half-heartedly to hold up for the moment the shutter clicks On the opposite page, we read: ‘What does such a conquest represent and how is it, in turn, represented?’ The question (which exposes masculinity and conquest alike as fragile constructs) is one which this book insistently wrestles with It might be further rephrased as: ‘What is the relationship between narrative form and a history of conquest, and how might female experience figure in and as the fissure between them?’   The triangulation of personal and artistic life is the central premise of Kopf’s book, which is digressive in structure and subject matter Its intersecting arcs and tentative ruminations are perhaps most closely allied with those of the essay (with ‘the combination of exactitude and evasion’ which Brian Dillon identifies as typical of the genre) It is composed of research notes about Arctic exploration, fictional meanders on the life of a female artist, diary entries on the precarity of hopping from one creative job to another (and one elusive man to another), and illustrations that endlessly refigure how an icy landscape appears to the photographic eye Kopf’s text meditates on this question of perception, and how it relates to female creativity, as well as to the difficulties of rendering her brother’s autism legible (or illegible) on the page – taking the more typically autofictional elements of the book a little off their designated map   Kopf is interested in charting the unknown: in the impulse that sends men to the other ends of the earth; in the fragility of photography as documentary evidence and in its intimate relation to the autobiographical; and in what a fragmentary narrative technique might expose about the larger aims of plotting female

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

poetry

April 2017

Two Poems

Fady Joudah

poetry

April 2017

EUROPA AND THE BULL   The boat was loaded on a truck. The truck took me to the border....

poetry

January 2015

dear angélica

Angélica Freitas

TR. Hilary Kaplan

poetry

January 2015

dear angélica   dear angélica I can’t make it I got stuck in the elevator between the ninth and...

Interview

January 2013

Interview with Kalle Lasn

Huw Lemmey

Interview

January 2013

Reinventing a political culture is a difficult task to set oneself; political aesthetics develop alongside political movements, and tracing...

 

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