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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

If you look into infinity what do you see? Your backside!  –Tristan Tzara   The drug-addict, drunk, wife-shooter and writer William Burroughs used to tell a story about a man who teaches his anus to talk The orifice eventually takes over his life and kills him Wildlife can be as least as weird as the imagination of Burroughs Consider the Crown of Thorns starfish Instead of a head it has an anus on the top of its body, while its mouth – a round hole equipped with inward-pointing teeth at the centre of the radiating arms – is in the middle of its underside   This positioning is less unusual than you might think Having a mouth underneath and an anus on top is ideal if you want to eat crud on the seafloor, and this is how the ancestors of the Crown of Thorns started out Many of its distant cousins, among them starfish and sea cucumbers, still pursue that lifestyle (On the abyssal plains, the so-called desert of the deep sea floor, large herds of sea cucumbers are constantly grazing on the detritus that has fallen from above They are the night-soil men of the deep in a holothurian heaven) Unlike these animals, however, the Crown of Thorns is no longer a scavenger, having acquired a taste for living flesh Dressed in brilliant shades of purple, blue, orange red, white and grey and with anything from seven to twenty-three (but usually about fifteen) rays around a central dome, it bristles with poisonous spikes – a submarine version of Pinhead, the extradimensional being in the horror film Hellraiser   Many creatures in the garden of earthly delights that is a tropical coral reef have more charm than the Crown of Thorns (Pfeffer’s Flamboyant Cuttlefish, which turn itself startling hues of purple and pink at will while posturing like an actor in Noh theatre, is one of my favourites) But few are more compulsively unsettling than the Crown of Thorns, and few are as like us in their power to consume and destroy once they set to work   The claim

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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fiction

September 2012

Sarah Palin Night

Agustín Fernández Mallo

TR. Michael McDevitt

fiction

September 2012

It was a Sunday afternoon, siesta time: my phone buzzed in my pocket. ‘Is this Agustín Fernández Mallo?’ ‘Yes,...

Prize Entry

Issue No. 20

The Refugee

Kristen Gleason

Prize Entry

Issue No. 20

Brian Ed waited outside the ration house. Merlijn took his time coming to the door, and opened it slowly....

Art

June 2013

Ghosts and Relics: The Haunting Avant-Garde

John Douglas Millar

Art

June 2013

‘The avant-garde can’t be ignored, so to ignore it – as most humanist British novelists do – is the...

 

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