Mailing List


Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

Sir Gawain and the Green Knight is a tricky poem, in the literal sense that it’s full of tricks: a rug repeatedly pulled out from under you, a magician smirking and holding up a card that you cannot entirely be sure was yours Written sometime in the late fourteenth-century by an unknown author, the poem tells the story of a ‘crystemas gomen’ (a ‘Christmas game’, in midlands-dialect Middle English) between its titular characters The Green Knight allows Sir Gawain, King Arthur’s nephew, one blow with an axe; one year later, the Knight will return the blow Gawain’s blow strikes off the Knight’s head, but the green figure simply picks up his head and rides away, telling Gawain to seek him out in the mysterious Green Chapel – location unknown – next Christmas Most of the poem deals with Gawain’s journey to find the Green Knight, particularly in the long section Gawain spends at Hautdesert, a noble castle where he is hosted by the mysterious Lord and Lady Bertilak But the poem opens with the splendour of Camelot at the height of its power and youth, before Lancelot meets Queen Guenever, before the Holy Grail, before the dark will come and swallow King Arthur’s court The poem tells us:   such glaumande gle glorious to here dere dyn vpon day daunsyng on nyȝtes al watz hap vpon heȝe in hallez and chambrez with lordez and ladies as leuest him þoȝt   The hubbub of their humour was heavenly to hear: pleasant dialogue by day and dancing after dusk, so the house and its hall were lit with happiness and lords and ladies were luminous with joy1   In the poem, Camelot burns so bright that if you can bear to turn your gaze from the merry light, you can almost see the waiting shadow it casts But in David Lowery’s 2021 film adaptation, The Green Knight, we meet a very different court Gone is the colour and cheer, and King Arthur and Queen Guenever are weary and sickly The Round Table is made from austere, milky

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

poetry

January 2016

Sex-Desert

Galina Rymbu

TR. Joan Brooks

poetry

January 2016

I’m screaming lying alone in this settlement     everything empty only emptiness sex – is a desert  ...

Prize Entry

Issue No. 20

The Refugee

Kristen Gleason

Prize Entry

Issue No. 20

Brian Ed waited outside the ration house. Merlijn took his time coming to the door, and opened it slowly....

feature

October 2013

Enjoy His Symptoms?

Michael Sayeau

feature

October 2013

We lack the philosophers that we require for an era marked by agitation and occupation. From the UK student...

 

Get our newsletter

 

* indicates required