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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

The four Chinese student activists of Yeng Pway Ngon’s Unrest were revolutionaries only for a moment; in the three decades that the novel spans, they struggle with what it means to become ordinary people Guoliang and Weikang grow up in southern Malaysia amid the brutality of the violent post-war struggle by the Malayan Communist Party against British rule On the outskirts of the new villages where the colonial government has sequestered their families, the boys witness British soldiers leaning the bodies of Communist guerrillas against a fence ‘like suckling pigs ready to be roasted’ They attend a Chinese-language school in Singapore, where they learn the principles of revolution along with literacy, and join a radical student group with their classmates, the beautiful Ziqin and her political mentor and lover, Daming When the police attempt to ban leftist student organisations, they march in the streets, chanting ‘Unity is Strength’, even as the police beat them with truncheons and fire tear gas to disperse them, one girl ‘choking so hard as she sang, she sounded like she was weeping’ But in Malaysia and Singapore, the other side wins The last handful of Communist guerillas, isolated and decimated by a successful counterinsurgency, wandered out of the jungle in 1998 In Singapore, the Cambridge-educated lawyer Lee Kwan Yew came into power on the backs of the student movement, and then, once in full control, subjected his former allies to harassment and imprisonment   For Yeng’s characters, life goes on Daming and Ziqin plan to emigrate to the People’s Republic of China, but once in Hong Kong, they get cold feet Daming becomes a philanderer, a capitalist, and a devoted hypocrite ‘Those students were going too far The government had to deal with them,’ he says of the PLA firing on the 1989 student demonstrations in Tiananmen Square Expelled from university, Guoliang struggles to make ends meet in Singapore Weikang is arrested by the secret police, who stamp his identity card with an indelible mark indicating that he is a radical Unable to find employment in Singapore, he emigrates to China, where his foreign roots make him a

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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Interview

December 2016

Interview with Caragh Thuring

Harry Thorne

Interview

December 2016

When I first visited Caragh Thuring in her east London studio, there was an old man lurking in the...

Interview

February 2013

Interview with Wayne Koestenbaum

Charlie Fox

Interview

February 2013

Perhaps what’s gathered here is not an interview at all. Precisely what it is, we’ll think about in a...

feature

July 2012

Theatre's Arab Turn

Tanjil Rashid

feature

July 2012

Apart from the odd Shakespearean exception, from Othello the Moor of Venice to the Merchant of Venice’s marginal Moroccan...

 

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