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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

Wow it’s so still Isn’t it eerie Oh yes So calm Everything’s still That’s right Look at the rowers – look at how fast the rowers are going Ominous – yes, like the calm before the storm If you like Look at the rowers! Two long boats and bodies – rowers – like rungs or something Like notches or rungs – or struts or bolts – something The sound of the machine drying the bathmat behind me in front of you, very low – a good machine Time to leave you to it pretty much Handwriting, here and there – little notes, as you go along, things not to forget They move me actually Along with the photo on your travel pass, they move me   I didn’t put on my hat even though it’s as cold as forever and the hat’s right there in my bag at the bottom My mascara came away in the night and for that hat to look any good requires a little recent eye adornment – I realise that And I didn’t say anything, not a word, about the creature beneath the water No mention of the monster The flowers are lovely instead, especially the roses Oh yes, you say They’re high enough that I don’t see Mary getting out of her car I don’t have to see her any more, walking by and going into her house – it’s nice actually   Would it be a scaly monster with a tremendous tail I wonder, or something wraithlike with straggly wings? Will it, in other words, be something dredged or something fallen? A decision doesn’t fix because the day is actually more nuanced than at first appeared – and anyway, I don’t know where exactly, but there is something shifting and suddenly the whole scene is quite altered And yet, for all the world, it appears perfectly composed As if hovering in fact The whole vista hovers   Some kind of trick, obviously I could remain like this all day I expect, and not get any closer to working it out   It wouldn’t be a big deal – the monster’s

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

poetry

September 2016

Two Poems

Sun Yung Shin

poetry

September 2016

  Autoclonography   for performance   In 1998, scientists in South Korea claimed to have successfully cloned a human...

Art

November 2012

Film: Difficulties in Impression Management

Patrick Goddard

Art

November 2012

Difficulties in Impression Management, 2012 Running time 13’09”

poetry

June 2011

Testament: Two Poems

Connie Voisine

poetry

June 2011

Testament What’s the difference? You might wear it out touching, touching, not buying. Like a snail on a stick,...

 

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