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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

The Professor stormed into the brothel’s reception hall in the evening and kicked away our singing radio It flew through the air, slammed against the wall, and shattered to pieces on the cracked floor It ended the music, ‘One Love’, to which Roseline and I danced, holding hands as we cavorted around the floor, our hips and backsides jiggling He’d been away since morning, giving us a bit of liberty to play around As he scanned the cash register, checking customer ledgers, I shrank like a burnt plastic bag, horrified But Roseline looked unscathed, wearing an I-don’t-care expression as her mouth worked on her chewing gum She crossed her arms on her chest, sitting on the torn couch and staring at The Professor   ‘Abigail and Roseline, you are both fools,’ he roared, pointing two middle fingers at us ‘You haven’t made any money since morning, and you’re making so much noise What a total waste of employees!’   ‘Sir, we’ve b-been waiting for customers to come,’ I said ‘But we haven’t seen any men Sorry, sir’   ‘Shut your mouth, Abigail Why does this brothel make money only when I’m around to service our female customers? How many men have you satisfied today? Answer me now, fools!’   ‘Stop calling us fools,’ Roseline yelled, frowning, her red lips sparkling under the white bulb ‘We made plenty of money for you yesterday, and now you’ve broken my precious radio’   I cringed at Roseline’s audacity She’d done this job for eight years, and I hoped she wouldn’t lose it There was no job elsewhere in this shabby city of Lagos   The Professor tramped across the floor towards her, huffing ‘Look here, Roseline, if you dare talk to me like that again, the devil in me will roast you dead’   ‘I don’t fear your powerless devil,’ she said, springing to her feet and pointing at his face ‘Oh, you thought I would melt in the corner because of you? Think Again’   I was the one melting in a corner instead I hoped The Professor wouldn’t slap her face as usual or push her into the street so that she became homeless   I scuttled towards

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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Interview

March 2011

Interview with DBC Pierre

Ben Eastham

Interview

March 2011

DBC Pierre first came to the attention of the world with the publication of Vernon God Little in 2003. This...

Interview

Issue No. 12

Interview with Douglas Coupland

Tom Overton

Interview

Issue No. 12

Douglas Coupland likes crowdsourcing. I should know, because he crowdsourced me shortly after the first part of this interview....

fiction

Issue No. 14

Beetle

Joanna Kavenna

fiction

Issue No. 14

SKITAFLIT, DAY 49   704 Dawn Breaks above the grey-dusted grey-fronted houses 903 Well the office is looking just...

 

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