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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

‘Where are my shoes?’   Alana is threading her way through New Year party detritus, coming towards him Wallace tries not to stare at her legs: muscles shifting smoothly over the schematic correctness of tendon and bone    Positively Vitruvian, dah-ling, drawls Sober Cynthia, who is the only version of his ex-wife his Therapized® brain can now produce Probably the representation is inaccurate, though a version of Sober Cynthia did exist off and on, during their long, often painful marriage, mainly coinciding with the times when they tried to get pregnant During these times, Cynthia maintained her own body with the fervour of a racehorse breeder, which in turn, strangely, excited Wallace – the hormone injections, the chart with days marked, temperatures recorded A glimpse into some private, increasingly guarded realm    I never liked that woman, says the Therapization® of Wallace’s mother, Xueling – all that remains after a month’s worth of sessions with the technician, who had unspooled memories from Wallace’s chip, snipping at cortisol spikes Refining them into Memory™ I’m glad she’s out of your life As he watches this version of her in his mind’s eye, its ribcage buckles and a miniature version of his stepfather, Beale, appears, growing from Xueling’s side like a benign tumour The Beale-Therapization® waves, yelling squeakily: Women? Who needs ‘em! An avalanche of potential – that’s what you are, my boy    Hate to disappoint you, Beale, he thinks, but the avalanche has long since rumbled down the hill, taking out some unfortunate skiers Atop Mount Wallace, everything is still and cold Even staring at Alana’s legs – the legs of his best friend David’s wife – that staring’s not even for the right reasons; the classic reasons, shall we say: old perv, sweet young thing, et cetera Instead, in this dim New Year light, her legs seem to embody something more, some awesome untapped reserve of kinetic energy All that life left to her, and she has chosen to let David – only two years younger than Wallace, soon to be 63 – into it    An a-va-lanche, the Beale-part squeaks It’s what he used

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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Interview

July 2015

Interview with Sarah Manguso

Catherine Carberry

Interview

July 2015

There’s a certain barometer of a writer’s achievement that urban readers know well: did this book cause me to...

Art

May 2013

On the Margins

Sean Smith

Art

May 2013

Interview

January 2015

Interview with Magdalena Tulli

TR. Bill Johnston

Grzegorz Jankowicz

Interview

January 2015

This interview appeared in Po co jest sztuka? (What Is Art For?), a 2013 collection of interviews with Polish...

 

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