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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

ESCAPE AT RED ROCKS   I am the colour of the outside, a stillness moving like a winter tide, a new shoreline in formation, a marshland waterlogged – soggy ground needs time to dry it out –   but time as sea wind not calendar, the time found inside spaces stretching out and over like skin on a drum is a resonance, a wave that submerges the entire rock, not chiseling or scratching at one area only, not just a mind to impress upon   but a flattened and silken self all bound into the support of the water, head rising up then down to find my breath     DIVINATION AT HIGH WATER   Small birds dip on the tide, one instant silver, next dark as shadow and, seep-into-it, disappear again in the glint of sun on the wave; and turning under into the crust of water, taking on edges and then reversing, then – flicker –   there is no need to carry a narrative high on my shoulders as the light makes me another story, touching distance huge as the earth’s arc,   no collapse of form or dissolution, but an alteration, a submission to the sky and then, for a moment, enlarged as wide as a firmament, my body, a long afternoon of rain, becomes thunder     PORTENT IN THE HIGH WOODS   The men sit before the hearth, spit words into flames Some thing is coming over the mountains, along forest tracks and past the stream   They know this as he saw it in a dream, heard horses’ hooves stick in sandy mud, saw in his sleep a shadow in the high wood, long-lined like a tree but swerving down the path like a torrent   He says this out loud Men lean inwards, look east across lead-lined windows, terraced gardens, sodden topiary to feathery fog, the flood   And in woods, at a fire-pit in the grove, twigs are laid on the centre-stone, a mist swirls then scatters as oaks creak and crack, cloudy droplets skulk like rainclouds over the earth   At their hearth, the men cackle, scramble for spears and swords Across mountains, in the estuary, the thick tide is far and out Lithe winds ride in over the valley One man licks his lips to taste the salt   *   In the grove, weary bodies rest on the sound of the mist, which crunches  now like the rock that

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

poetry

September 2011

The Cinematographer, a 42-year-old man named Miyagawa, aimed his camera directly at the sun, which at first probably seemed like a bad idea

Michael Earl Craig

poetry

September 2011

Last night Kurosawa’s woodcutter strode through the forest, his axe on his shoulder. Intense sunlight stabbed and sparkled and...

Interview

October 2013

Interview with Chris Petit

Hannah Gregory

Interview

October 2013

Chris Petit likes driving. Most of his films, from his first Radio On (1979), to London Orbital (with Iain...

fiction

March 2017

A Table is a Table

Peter Bichsel

TR. Lydia Davis

fiction

March 2017

I want to tell a story about an old man, a man who no longer says a word, has...

 

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