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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

My job during the war was to administer beatings This didn’t make me better than anyone else, particularly not the people I beat To ensure that I never forgot this, I was periodically beaten myself I, Laura Grimsey, a White, beaten quite roughly but within official boundaries by a Brown A team of Browns was retained expressly for this purpose: to beat the beaters   I celebrated my two-year work anniversary the week the war circus arrived This was by chance also the ten-year anniversary of the war effort itself The economy was soaring To celebrate in a traditional manner, the Bureau had received a shipment of commemorative tin helmets and tin flasks, and at the entrance to the war circus’s big top tent, spectators were handed tiny tin keyrings fashioned in the shape of a nuclear warhead with every circus programme Whites and Browns flocked to the war circus together, flush with anniversary bonuses and promotions In tribute to the unsinkable camaraderie of our army, the Whites and Browns bought each other pails of popcorn from the clown shuffling between the stands with a plastic tube of fluffy kernels braced like a sandbag across her shoulders   #   The War Machine Speaks with a Liquorice Tongue   Immigration, boy Can’t fault the Browns, far better off as they were loping through deserts and savannahs Hunting that big game under their own God-given sun Unafraid of what sails down from the sky But here we are Here we are We can only get on with it Come together, all of us patriots White Brown No matter We know our bombs the way we know our lovers The Annabelle The Betsy The Claudette In the armament factories we bellow out love songs Hands percuss metal shells We forget whose voice is White Whose Brown We’re lucky to have steady jobs What’s more, bonuses Britain Britain First Britain first  

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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Interview

July 2013

Interview with Paul Muldoon

Alice Whitwham

Interview

July 2013

A major figure in English-language poetry for decades, Paul Muldoon has enjoyed one of the most successful careers of...

Interview

April 2017

Interview with Mark Greif

Daniel Cohen

Interview

April 2017

Since 2004, when his work started to appear in n+1, the magazine he co-founded, Mark Greif has taken contemporary...

Interview

September 2015

Interview with Katrina Palmer

Jamie Sutcliffe

Interview

September 2015

G.W.F. Hegel isn’t looking too good. With an afternoon of student tutorials to attend at the School of Sculpture...

 

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