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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

After sex that night, which was at best perfunctory, I lay on my back on top of the duvet with my knees drawn up to my chest, like I’d seen Maude do in The Big Lebowski Owen was in the bathroom and I could tell from the sporadic muffled yelps that he was tweezing his nose hair   ‘Gravity,’ I said aloud I’d read about gravity-assisted conception, how to give the swimmers a better chance Owen was the one who cooed over babies, so I assumed he would applaud my initiative   I was right Three weeks later, I waited nervously on a deckchair in our small garden, while Owen checked the pregnancy test One blue line meant no hCG hormone, no baby Two blue lines meant baby Of course it was two I knew even before Owen burst through the patio doors, holding the pee-stick triumphantly in the air, a wide grin on his face I just knew I stood up and we gripped each other tightly   ‘This moment,’ he said, to me, to the cluster of cells in my uterus, ‘this moment we will remember forever’   Owen knelt to kiss my stomach and when he raised his face to me there was a look in his eyes that I hadn’t seen before It may have been wonder Or excitement Or something else     Week 12   When I arrived home after work, Owen was in the narrow galley kitchen rinsing salad with filtered water and blackening two tuna steaks on a griddle   ‘To get rid of the bugs,’ he said, as he served up pieces of desiccated fish with a side of damp lettuce I was finally hungry again and could have murdered a rare steak with blue cheese sauce, but I guessed Owen would rather I went hungry than let me eat bloodied meat and unpasteurised cheese He poured a glass of wine and a glass of milk and we sat down at the small table   ‘I checked the book today,’ he said He’d spent the last few weeks reading What To Expect When You’re Expecting and regaling me with facts about the developments in my womb He

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

poetry

August 2013

Poem from fortune: animal spiral

Sarah Lariviere

poetry

August 2013

xi. inside friend friend is not the landscape: to turn into the water wears and deposits rock, time friend,...

Prize Entry

April 2017

Two Adventures

Ari Braverman

Prize Entry

April 2017

I. A Cosmopolitan Avenue   …where a girl pretends the whole city is dead. She is too old for...

fiction

January 2014

To Kill a Dog

Samanta Schweblin

TR. Brendan Lanctot

fiction

January 2014

The Mole says: name, and I answer. I waited for him at the indicated location and he picked me...

 

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