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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

On a distinctly drizzly Wednesday evening in February a friend of mine looked at me and said: ‘Only those who risk reaching too far, find out how far they can reach’ My first thought was ‘why is it that my friends speak in epigrams?’ followed by the rather acid judgement that this particular friend had just reached too far, and was about to discover quite how uncomfortable risking too much can be   My friend (whose real name I’ve chosen not to reveal, but let’s pick one at random and refer to him as Bill) was, if not drunk, certainly very, very relaxed, especially considering the situation The previous day had been a gloriously sunny one, London’s cruel annual spring joke – raising hopes before dashing them with a summer of drizzle I had certainly fallen for it, and in a greatly optimistic mood sent Bill a chirpy text message congratulating him on having his work published in the first edition of what was clearly going to become a literary review magazine of international scope and seriousness My message read (and this is important): ‘I’m afraid I’m busy tonight but it looks like I’ll see you tomorrow (I’ve just met the editor [of said magazine] and saw your name on the list of contributors)’   To this fairly innocuous message, I received the response: ‘Oh sweet Jesus’   Blind to the motive behind the panic I questioned his reaction The only response I received was: ‘Good god, the odds!!’   Now, call me naïve, but this did not start alarm bells ringing Nor did the fact that Bill was uncharacteristically quiet throughout the brief time we stayed at the launch Perhaps he was nervous about his piece, I thought, before considering his general confidence in his writing, and deciding that this was unlikely Maybe he was humbled by the hundreds of hipsters who were squeezed into the long, narrow room He had, after all, previously described himself as standing lemon-like amongst hipsters who were ‘all swaying to music only they could hear’

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

Art

May 2012

Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows,...

Art

March 2015

The Mask

Roger Caillois

TR. Jeffrey Stuker

Art

March 2015

Here I offer some reflections and several facts potentially useful for a phenomenology of the mask. Needless to say,...

Interview

Issue No. 1

Interview with Tim Walker

Karl Smith

Interview

Issue No. 1

‘I’m not so motivated by fashion and brands,’ explains Tim Walker – one of the world’s leading fashion photographers....

 

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