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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

& we say to her what have you done with our kin that you swallowed? & she says that was ages ago, you’ve drunk them by now — Danez Smith, ‘dream where every black person is standing by the ocean’   The atoms of those people who were thrown overboard are out there in the ocean even today — Christina Sharpe, In The Wake: On Blackness and Being   of / water / rains & / dead — M NourbeSe Philip, Zong! #5   The beaches of Benin are empty From Cotonou to Ouidah I have never seen beaches so empty before From the windows of our minivan, the coastline is a wide expanse of sand beginning just beyond the road, on and on, and then water Palm trees here and there, but emptiness, mostly Nobody, no livestock, just sand As for us, we are eight women and we have just arrived Three of us – myself included – flew in from London, with the five others coming in from the States All of us have flown in from winter It is January, and on our first full day together, our bare skin re-colouring in the light, we ask the driver to take us to a restaurant for lunch We are seeking the kind of seafood of which we are all so starved, and when our dishes arrive they don’t disappoint Each platter careens with fried plantain, grilled fish, yam, rice, and prawns so large they’re not prawns any more but gambas, instead Gambas or langoustines or crayfish or crawfish, depending on which of us is speaking, or who cares to know the difference Whatever any of it is called, we resolve that we would like to return to eat it again, here, at this terraced balcony from which we watch the sea The restaurant sits on a beach that is vacant as far as our sight can reach There is a mutedness to the expanse of the sand, and though it looks no different now than it would at any other time, the staff tell us that yesterday a boy drowned nearby   The beaches of Benin

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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Interview

November 2015

Interview with Dor Guez

Helen Mackreath

Interview

November 2015

Dor Guez, artist, scholar, photographer, archivist, wants to avoid being classified, but it’s difficult not to fall into the...

poetry

Issue No. 3

Cousin Alice

Medbh McGuckian

poetry

Issue No. 3

Your mountain is robed in sombre rifle green And one of its greener fields is suddenly Black with rooks....

feature

May 2015

In the Light of Ras Tafari

Anna Della Subin

feature

May 2015

‘A STRANGE NEW FISH EMITS A BLINDING GREEN LIGHT’, the article in National Geographic announced. Off the coast of...

 

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