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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

Standing on the doorstep of Will Self’s London home ahead of this interview, last August, I was quite terrified I had spent the previous ten days immersed in his hallucinatory fictional worlds, composed of seven novels, three novellas and countless short stories   Through these parallel and often overlapping fictions, Self has constructed a relentless critique of our institutional failings, hypocritical cultural mores and political inadequacies My fears, notwithstanding being intellectually dwarfed, were largely to do with the bridled madness of many of his writings Here was the writer who, over the years, had invented:   a man who wakes up with a vagina behind his left knee and has an affair with his (male) GP (Bull: A Farce); a parallel Earth, populated by hypersexual and exhibitionist apes, seen through the eyes of its most prominent experimental psychiatrists (Great Apes); the afterlife taking place in the purgatorial London district of ‘Dulston’, a suburb populated uniquely by senseless, chain-smoking dead people, haunted by their aborted foetuses and old neuroses, and living out the rest of infinity in dire office jobs (How the Dead Live); a post-apocalyptic London governed by a religion based on a cab driver named Dave’s rage-filled writings to his estranged son in the 2000s (The Book of Dave) And then there was the public figure – an acerbic satirist of towering intellect, a giant man of letters with famously little tolerance for fools By the time I rang on the doorbell, Will Self had, to my mind, transmogrified into The Fat Controller – the Mephistophelian anti-hero in My Idea of Fun – ready to tear me limb from limb for my idiotic questions and inadequate readings   My fears were unwarranted, of course Upon arrival, he made me a cup of tea and ushered me past Manglorian – a yap-happy Jack Russell – up the stairs into a study filled top to bottom with books, hundreds of post-it notes affixed to the walls in grid formation and a prominently placed photograph of Francis Bacon Languorously smoking a single roll-up in a cigarette holder, my host answered the questions put

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

fiction

April 2014

Chiral

Paul Currion

fiction

April 2014

I cough while the technician tinkers with the projector, although the two are not related, and I wonder why...

Interview

Issue No. 11

Interview with Alice Oswald

Max Porter

Interview

Issue No. 11

Alice Oswald is a British poet who lives in Devon with her family. Newspaper profiles will inevitably mention the...

feature

May 2012

Film: Palestine Festival of Literature

Omar Robert Hamilton

feature

May 2012

Resistance needs to be recorded. Resistance needs symbols: ideas that can travel faster than speech, last longer than memory....

 

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