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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

Ruth held out her gloved hands to Clarisse, wiggled her latex-coated fingers ‘No risk,’ she said, pointing to the paper mask she’d found at a hardware store She felt like an astronaut She waved a hand in the air as entreaty to the standoff, but Clarisse stood still behind her screen door, a certain determination glowing in her eyes   ‘You’re my one friend on the planet,’ Clarisse said ‘But social distancing means social distancing’   Ruth might have expected as much Clarisse was the kind of germ freak who never allowed shoes in her house, who tucked hand sanitiser in her bra at bars It was on all the news channels now, the way they were all supposed to shelter in place, and Ruth should have known She felt corrected, as a small child might have She heard a noise from her stomach that sounded like a plunger being forced down a clog   And the truth she’d keep in her own body: her throat tickled in a way she hoped was simply the manifestation of seasonal allergies, and she was holding a cough that so desperately wanted out She envisioned her bronchial tubes as tiny balloons, tied by clowns into the shapes of bulbous dogs She breathed deeply, willing them into good behaviour ‘Just one last Saturday coffee?’   Clarisse stepped aside from the door and back into her house, then reappeared holding the kind of folding chair she might have taken to a tailgate party ‘How ’bout we do this,’ she said, handing it through the door, and as Ruth unfolded the chair onto the porch, Clarisse sat down in her own hardwood foyer, criss-cross applesauce Ruth tried hard, so hard, not to look at Clarisse’s legs, because they were orange Ruth couldn’t decide whether it was a mistake – the wrong shade of pantyhose clashing with Clarisse’s natural skin colour, or a sudden inability on Clarisse’s part to match her stockings to any other element of clothing Either way, it was an indicator of some sort of slippage, which might be a problem, since Clarisse was just coming off a two-week stint of

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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fiction

September 2015

The Afternoon

Wolfgang Hilbig

TR. Isabel Fargo Cole

fiction

September 2015

Nothing new on Bahnhofstrasse! — These are the first words to occur to me upon arrival. With the word...

Art

March 2013

Beyond the Mainstream and into the Digital

Vid Simoniti

Art

March 2013

Claire Bishop. Everywhere I go, some curator or artist wants to be rid of this turbulent critic.   In 2006...

fiction

January 2017

Oh You

Keller Easterling

fiction

January 2017

You won’t be able to do it. It is a call, and it is something you only know how...

 

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