Mailing List


Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

 I am bound more to my sentences the more you batter at me to follow you – William Carlos Williams, ‘January’   A new train set changed the living room into her playground Just a little engine and two cars, red and green, going around the metal track, but the little girl imagined more, because the trains followed the curves, stayed on the track, and kept circling and going, going Her father sat beside her on the floor, like her, beaming      A very long line of freight trains took a long time to pass She knew it would come to an end, and was patient at the railroad crossing The cars of many colours – yellow, red, green – lumbered by, boxes on wheels, while the train’s lonesome whistle kept calling, Here I come, here I am, here I go      Freight trains, at all times of day and night, wailed through hundreds of small towns, just a gas station, a luncheonette, maybe a beauty parlour, towns undone by human failure and natural disaster, flood, drought, towns with no product but the wind blowing      Her toy train rounded an old track               Estranged mountains bulged under the sky, the big sky, the endless sky Anyway, no one could see an end to it, which reassured her, since so much seemed to be coming to an end It felt that way      But it seemed impossible – the universe dropping off, ending, there would be an end, and then there would be nothing, a no more, a vacuum of no more Her imagination couldn’t let her go there               A jumble of metal and tires, grease stains, goop, the shop looked a big mess The guts of cars, tools, scattered all over the floor, but he knew where everything was He’d say to his wife, ‘I know where it all is, just don’t touch anything’ His place was like the back of his hand, and he was just as attached to it      Folks brought in their cars and trucks for fixing Dented, broken down, crashed The fixer-uppers The ‘keep ‘em going until I get some money’ cars Junkers The shit that happened to their rides, to them,

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

feature

September 2014

Paris at Night

Matthew Beaumont

feature

September 2014

The picturesque lightshow that, once the sun has set, takes place on the hour, every hour, when the Eiffel...

Interview

September 2013

Interview with Max Neumann

TR. Andrea Scrima

Joachim Sartorius

Interview

September 2013

‘It’s as though you’d like to speak, but have no language.’ These are the words chosen by German painter...

poetry

April 2014

Lives of the Saints

Luke Neima

poetry

April 2014

‘I’m tending to this dead tree,’ he tells me. Last time he was rolling the hard rocks down into...

 

Get our newsletter

 

* indicates required