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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

‘All of our myths come out of looking at the stars and finding a metaphor for them’, says Ocean Vuong, interviewed in The White Review No32 Speaking about Asian American literature, Vuong explains how the oral tradition has shaped his writing, and discusses myth-making as a powerful tool to help imagine, and build, alternate futures   New legends, and the reinvigoration of the old, appear throughout this issue as a means of countering stereotype, critiquing the present and passing knowledge on   Rebecca Liu’s essay ‘So You Have an Asian Mother’ contends with the representation of the Asian mother in fiction by examining the ‘tiger mom’ trope Familial myth underpins Shane Jones’s story ‘Young Forest’, which immerses the reader in a brother’s psychological quest to rescue a sibling who has escaped into the woods In ‘The Understory’, an extract from a forthcoming novel by Saneh Sangsuk, translated from Thai by Mui Poopoksakul, a monk relays legends to villagers around a fire His stories are ornamented and crafted through retellings; they alter with each repetition, haunted by the decline of the forest and changes inflicted on rural communities, reaching for a new moral each time   For their experimental translation project ‘Ovid Void’, Maria Stepanova and Eugene Ostashevsky return to Ovid’s poetry of exile, written after the Roman poet was banished to modern-day Romania Stepanova began ‘paraphrasing’ Ovid’s melancholy verses in Russian while snowed-in at a winter cabin Ostashevsky continued the process, adapting Stepanova’s translations into English As the material passes through hands and languages, it speaks to many of the concerns of the day: isolation, censorship, climatic change   ‘The Chicken’ by RZ Baschir, winner of The White Review Short Story Prize 2021, sponsored by RCW, is a dark folktale in which women are treated as sexual livestock Irenosen Okojie’s surreal fiction also twists and shifts the world as we know it; in an interview she discusses migration, memory and her determination to seek new literary forms Replete with time-travelling monks and women who transform into liquorice, Okojie’s stories, like Baschir’s, are unsettling folktales about modern life   Issue 32 also includes poetry by Raymond de Borja, James Giddings and Kandace Siobhan Walker, the

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

poetry

September 2016

Two Poems

Sun Yung Shin

poetry

September 2016

  Autoclonography   for performance   In 1998, scientists in South Korea claimed to have successfully cloned a human...

Prize Entry

April 2015

Posman

Nick Mulgrew

Prize Entry

April 2015

After a while you memorise the steps. You read the addresses and your calves just know, hey. They just...

Interview

December 2013

Interview with Tess Jaray

Lily Le Brun

Interview

December 2013

In the light-filled rooms of The Piper Gallery is a painting show that features no paint. Brought together by...

 

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