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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

The Dentist’s Chair       I dreamt of the dentist’s chair, that it wore a smart pair of formica trousers and leant itself back in smiling delight when you sat into it, wanting for nothing but the pallid creases in the backs of your knees, and a bead of sweat to follow the seam, implying that the only viable way to this is through your teeth   And before we left and walked out between the narrow grin of two tall buildings we began crying with happiness at the X-ray of your teeth, bleached out and nailed to a light-box on the wall ­– how they’d never been asked for their impression on matters until he took the alginate mould, just decaying stoically in your mouth’s dark, but how on the wall they wailed   And now when I turn back to look at you on the street, I see how the brightness of the X-ray has impressed upon my eye and it is present as the tulips flirting on a canvas mount above the dentist’s head, as an extra tooth behind the upper row that is nudged with a tongue’s nervousness, as someone else’s contented child quietly enjoying the just macaroni and butter at the end of the kitchen table as you get on with the chores   But here the dream’s smile began to get a little wan and my own teeth began feeling ratty and the surgery was becoming something we had only remote knowledge of – like the toxic passage of carcinogens chancing their way past your teeth through your knees, and this could be a language the dentist’s chair speaks       Sky Pavilion       We trust the power lines to run forever overhead to cover our intimacies and itineraries: taxes and car stereos   schools that double as evacuation halls a man who will dutifully come to fix the wires when we don’t see him there is always one like him to call   Just before the envelope is torn in a village some miles down a boy is testing his voice on the comfy confine of his childhood bedroom letting himself fester for the first time   He

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

feature

February 2011

Novelty and revolt: why there is no such thing as a Twitter revolution

Nadia Khomami

feature

February 2011

The world is seeing an increase in the use of social media as a tool for mobilisation and protest....

poetry

June 2015

Hotel

Mónica de la Torre

poetry

June 2015

Hotel   The housekeeper has children living in town with her but her husband and relatives are in Somalia....

feature

Issue No. 20

Editorial

The Editors

feature

Issue No. 20

    As a bookish schoolchild in Galilee, the Palestinian poet Mahmoud Darwish was invited to compose, and read...

 

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