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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

The day Mama threw a cooking stick at Kagonya was a November day so hot that the ripened bananas hanging on sisal rope from the kitchen roof were beginning to turn black Mama had been sitting on a low stool staring at the sufuria as the pumpkin leaves boiled off their green, humming along to Cha Kutumaini Sina on the radio Baby, two years old, sucked on Mama’s sagging left breast I was bent over our blue bucket, washing utensils because the duty rota on the wall said it was my turn   Our maid Kagonya had arrived with Mama in the clove of the season, when the heat shimmered on the tarmac road We heard a knock on the front door that we scurried to open because it was about Christmas time and we knew Mama would be carrying a box full of Zesta jam and Tropicana chapati flour and maybe even orange Treetop juice   Kagonya had fit in so neatly, at first Like a slip stitch, she hemmed herself into our lives and patched up our torn She got to work, teaching us to save mango seeds, peeling the skin of nduma tubers so thinly and smoothening out our loose She worked like clockwork, waking at four in the morning, moving noiselessly through every chore But then something changed Her interactions with Mama became eggshell brittle, leading to a moment when everything cracked   *   Because he slept on the sofa in the sitting room, my brother Kuka was the first to overhear our parents’ plans of moving house Baaba, a secondary school teacher, had received a transfer letter from the Teachers Service Commission His new posting was in Kakamega and we were to move into a big blue house in Amalemba with a toilet inside and a bathtub even   ‘I heard Baaba describe it I swear, Bible red!’ Kuka licked the tip of his index finger then raised it to the sky ‘Haki our new house is not small and weepy, like this one It has a veranda, three bedrooms and a small garden’   I nodded excitedly Everything Kuka overheard always came

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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fiction

March 2017

Slogans

Maria Sudayeva

TR. Antoine Volodine

TR. Jeffrey Zuckerman

fiction

March 2017

A Few Words on Maria Sudayeva   Slogans is a strange, extraordinary book: it describes a universe of total...

Interview

Issue No. 1

Interview with Manfred Mohr

Alice Hattrick

Interview

Issue No. 1

Lines of varying thickness rotate on black. On the screen beside, tilted away from the first, is a slide...

Interview

May 2011

Interview with Desmond Hogan

Ben Eastham

Jacques Testard

Interview

May 2011

Desmond Hogan is probably the most famous Irish writer you’ve never heard of. In the early 1980s, with numerous...

 

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