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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

It is commonly agreed that desire is a self-perpetuating rather than substantive thing Everyone from George Bernard Shaw to Nietzsche to the Buddha himself has commented on the dissatisfaction inherent in obtaining what we want Desire is, we are told, an endlessly hungry beast, and to feed it is only to stoke its appetite If desire is itself mercurial and shifting, womanly desire is considered a particularly unreal quantity ‘The man’s desire is for the woman; but the woman’s desire is rarely other than for the desire of the man,’ said Coleridge, and this assumption is seen everywhere in art and in life, in woman as subject, woman as muse, woman as vessel   Desire always exists for its own sake, leading to nothing, meaning nothing, then But womanly desire is not even for its own sake It is for the sake of others The only desire women are supposed to feel is the desire to satiate the desires of men   This being our history, woman’s proactive desire being a relatively recent concept, there is often an absence of definition when we attempt to discuss it Can we talk about what woman’s desire is, rather than what it is not? Fire Sermon, this thrilling, maddening debut novel by acclaimed short story author Jamie Quatro, tries to do that   Fire Sermon sees Maggie Ellman – a devoutly religious mother of two, married to the dopily, blandly loyal Thomas – sort through the ecstasy and eventual grief of an adulterous relationship with James, a poet Maggie’s affair is largely emotional at first, a lengthy email correspondence exciting her need for intellectual play and earnest discussion of Christian faith with a fellow believer, neither of which are possible with Thomas   There follow painfully, arousingly repressed meetings, at a conference in Nashville and then in New York, and finally, a single night of intemperate sex in a hotel room in Chicago Fire Sermon is concerned with the aftermath of this night, with Maggie’s need to set the act into a religious framework, and the effect this catastrophic submission to desire has upon her belief in marriage and in

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

feature

July 2012

Theatre's Arab Turn

Tanjil Rashid

feature

July 2012

Apart from the odd Shakespearean exception, from Othello the Moor of Venice to the Merchant of Venice’s marginal Moroccan...

feature

May 2016

Cinema on the Page

Jonathan Gibbs

feature

May 2016

Film is a bully. It wants to make its viewers feel, and it has the tools to do so....

Art

Issue No. 7

Pyramid Schemes: Reading the Shard

Lawrence Lek

Art

Issue No. 7

These sketches were created to illustrate an essay by Lawrence Lek in The White Review No. 7, ‘Pyramid Schemes:...

 

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