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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

The Rabbis   As the purple light of evening descended, women sang blessings over silver candelabra, and a group of rabbis gathered in the shul to discuss the story of Abraham and Isaac One rabbi, who owned only a single shirt with a blackened collar, began a commentary: As Abraham led Isaac up to Mt Moriah for the sacrifice, the rabbi contended, the two of them suddenly heard a sound Neither could identify the sound or its source, if it were high or low, soft or shrill, coming from beneath the ground, or up in the sky Isaac asked his father, What is this sound? And Abraham replied, That is the sound of God’s justice unfolding across the earth Lo, the Lord himself infuses it with His blessing as he sits beneath a pomegranate tree Isaac disagreed, but kept silent Later, the rabbi continued, he spoke of his own interpretation of the sound, founded on an alternative view of God’s judgment as the proliferation of chaos, as an animal howl, as a disturbance beneath the street, and as the grinding of the spheres, rattling past on unequal tracks And in fact, as Rabbi Mendel of Kotzk suggested, the rabbi continued, it is not the Lord, but the mortal King Saul, Israel’s first king, who sits beneath the pomegranate tree, weeping into his hands for the kingdom he ruled so briefly and jealously, and with so much confusion In Isaac’s old age, the rabbi concluded, King David came to him to sing the psalms, which he had just composed Isaac had gone blind, but when David sang, he saw suddenly an image of his own son Jacob wrestling an angel in a parking lot Isaac had had, in his lifetime, dozens of wives, and had fathered hundreds of children, but he dreamed of only one woman, and behind his eyes he swam again between her thighs like a fluorescent eel weaving between the pink coral, breathing in again the smell of seaweed, the emanation of life

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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feature

Issue No. 17

Ada Kaleh

Alexander Christie-Miller

feature

Issue No. 17

When King Carol II of Romania set foot on the tiny Danubian island of Ada Kaleh on 4 May...

poetry

June 2015

Hotel

Mónica de la Torre

poetry

June 2015

Hotel   The housekeeper has children living in town with her but her husband and relatives are in Somalia....

feature

March 2013

Heroines

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking...

 

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