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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

Brian Ed waited outside the ration house Merlijn took his time coming to the door, and opened it slowly Brian Ed raised his hand and waved Merlijn smiled an embarrassed smile and held up four fingers   ‘No rations until four o’clock, Brian Ed’   ‘Yes,’ said Brian Ed He didn’t leave ‘How are you today?’   ‘Oh,’ said Merlijn, his hand on the doorknob ‘I’m well, Brian Ed Thank you for asking’   They stood in silence Brian Ed shrugged All courtesies escaped him His everyday pack squeezed his neck and tore at his shoulders Inside were the children’s book, the old orange balloon – now deflated – that had once read Welcome Refugee!, and the four heavy stones he carried without knowing why, each the size of a baby’s head   ‘Well,’ said Merlijn, patting Brian Ed on the hand ‘See you at four, then’ Brian Ed thrust a long foot forward ‘No,’ he said ‘How is the weather? No snow will come? No avalanche time?’   Merlijn smiled He stepped out of the house and closed the door behind him ‘Brian Ed,’ he said, ‘are you hungry? Can I offer you a peach?’ He cupped his hand as if the peach were already there and held it up to Brian Ed’s mouth ‘Summer is coming Sun The peaches are good No avalanche Let’s walk’   He wasn’t hungry, but it was his own fault if Merlijn thought he was He only ever came to Merlijn for his ration – of food, of clothing, of wood Never had he come for company, not to Merlijn, not to anyone, not once since the poison curtain of war had dropped and travel home had become impossible He’d never dreamed it would last three years Three years was as long as some lives He hadn’t prepared and he hadn’t adjusted He hadn’t learned the words Instead, he’d gone dull in the comfortable glow of the golden cone   Brian Ed followed Merlijn up the hill to the orchard, where peaches and cherries and pears hung huge from their trees, pulsing and oozing like the separate chambers of one metastasising heart This wild growth was one of

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

fiction

Issue No. 12

A Samurai Watches the Sun Rise in Acapulco

Álvaro Enrigue

TR. Rahul Bery

fiction

Issue No. 12

To Miquel   I possess my death. She is in my hands and within the spirals of my inner...

fiction

Issue No. 5

Sent

Joshua Cohen

fiction

Issue No. 5

These women lived in hope, they lived for the future as if they were every one of them already...

feature

June 2012

Nothing Here Now But The Recordings: Listening to William Burroughs

Charlie Fox

feature

June 2012

About a month ago I was in Berlin. Every night I had a very strange dream. I was watching...

 

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