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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

My father believed the sea to be covetous: a pleading dog that would lap at you adoringly, sidling up the beach to dawdle hungrily round your ankles He said not to trust its sidelong ways, because when he was out in his fishing boat during a storm, the sea became a hound that could shake the whole world in its teeth Out there, he had heard the entire ocean howl like the bereaved He had seen waves bigger than a church standing atop a church and believed there is nothing you can do in the face of such demands   Father believed the sea to be a jealous god, hungry for sacrifice, but I think it is something blanker and simpler than that I would say that to meet the sea is to look into the face of God and find it faceless But nobody talks to me anymore, so I keep such thoughts to myself   From here at my place by the fire in our small house, I can hear the waves on the beach, and the rhythm of the sea is soothing to me It comforts me like the rub of butter, like the click of my sister Margie’s knitting needles, as she huddles in her black dress making endless tiny clothes for the new baby, unspooling her threads unto infinity   *   It used to be that when the wind roared and the sea boiled like a bubbling pot, snapping at sailing boats, threatening to swallow them whole, we would go to pull the lifeboat out The women of our village would run to the shore and heave on ropes to drag the boat down the beach, hearing the rubble rubble of the wooden hull as we hauled it over pebbles, the men onboard holding up their oars and jeering down at us And the rumbling roll and then the sweet perfect crash as it swung down the shingle and into the ocean blue green grey purple gold and sometimes black and sometimes silver   Usually, when the men went out – my father and brother among them – we would head

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

fiction

March 2017

Initiation

Guadalupe Nettel

TR. Rosalind Harvey

fiction

March 2017

Aside from its absence of windows, my apartment is a mausoleum which bestows an epic dimension upon the important...

poetry

September 2011

Nigel

Patrick Langley

poetry

September 2011

Jamie sat alone at the edge of the dance floor and wondered how long it would be until Nigel...

fiction

March 2012

Swimming Home

Deborah Levy

fiction

March 2012

‘Each morning in every family, men, women and children, if they have nothing better to do, tell each other their...

 

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