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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

We are crowded into the medium-sized piazza before the sanctuary of Montevergine There is no town or village; it sits alone near the top of an isolated mountain A narrow road leads up to the sanctuary walls, which rise seamlessly from the sheer limestone incline The buildings are simple: just a few square blocks tucked behind a rectangular bell tower and a tall, narrow church They are uniformly pale, and at this time of year, in bitter winter, sit like dirty butter pats under a dusting of snow The snow also covers the barren scrub of one of Italy’s wildest regions, Basilicata, which unfurls with dreary panache in the valley one thousand metres below I am early and the cold drains the blood from my hands, rushes it into my cheeks and to the end of my nose I’m even early enough to catch a candle seller so old that she seems to be made of stone She is tiny and she sits against the wall She is rotund only because she is wrapped in so many layers of blanket What appears to be a blue pillow is tied to her head She clutches her brightly-painted candles as though she doesn’t really want to sell them, as though she’d rather donate them all to the Madonna that everyone is here to worship When she realises that my real purpose is not to buy them, but to talk to her, she refuses to utter another word and looks angrily at the ground   The old woman is selling candles because today is Candlemas This is the official end of Christmas and the day on which candles are blessed in Christian churches all over the world Candlemas is the oldest Marian ritual and one of the earliest to appear in the written sources[1]   ***   Despite its imposing history, this celebration does not appear to be an entirely serious event All over the piazza small groups are arriving Most of them come from Naples, which lies sixty kilometres to the east of Montevergine A lot of people carry unrecognisable instruments; many of

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

fiction

Issue No. 5

Sent

Joshua Cohen

fiction

Issue No. 5

These women lived in hope, they lived for the future as if they were every one of them already...

poetry

June 2017

Austrian Murder Case

Phoebe Power

poetry

June 2017

At the Konditorei   Close, warm, and humming with the relaxed sounds of post- midday Kaffee-Kuchen. The  cakes are...

poetry

August 2013

Poem from fortune: animal spiral

Sarah Lariviere

poetry

August 2013

xi. inside friend friend is not the landscape: to turn into the water wears and deposits rock, time friend,...

 

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