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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

The White Book feels as if it is being whispered: each paragraph seems to come from some deep and interior place Han Kang wrote it whilst living in Warsaw, though in the book the city is never named explicitly Instead it is only a white city, white for its snow and white for its stone ruins In an interview with Granta, Kang said that when writing this book, she imagined her prematurely dead sister had lived and visited the city ‘in my place’   Photographs are interspersed throughout In some, a woman appears, her face obscured by shadow In others, only her hands are visible She holds a child’s gown She holds a pebble-like object covered in salt The photographs are of white objects, but in contrast to the white pages, they are startlingly grey The specks and splashes of whiteness are surrounded by shadow The woman seems trapped in darkness Who is this woman supposed to represent? The narrator? The ghost of the sister? The novelist Kang? All or none of the above?  The literal answer is that they are photographs of a performance by Kang, shot by the photographer Choi Jinhyuk But within the pages, they seem to carry the spirit of characters — and the novelist herself   The text is a loose collection of thoughts, scenes, and images Few are longer than a page They are gathered into three sections — ‘I’, ‘She’, and ‘All Whiteness’ ‘I’ follows the narrator considering the colour white and describes her sister’s passing ‘She’ imagines the sister’s life Some subsections describe what the sister might have done—having an X-ray, finding a pebble, attempting to befriend a dog Others contemplate white things—seagulls, a dead butterfly, a lace curtain   Both ‘I’ and ‘She’ are pensive and slightly sorrowful At first, this similarity is disorienting: it is hard to see where one perspective ends and the other begins Slowly, the reader realises that this muddling is the point The concern of the narrator is not whether the sister would have been a vastly different person, but what it means to replace one life with another Her mother would not have

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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fiction

Issue No. 1

From the Town

Desmond Hogan

fiction

Issue No. 1

In the grape hyacinth blue jersey – yellow strip at V-neck, blue tie, navy trousers of Kinsale Community School,...

Art

August 2013

The External World

David OReilly

Art

August 2013

  The External World from David OReilly.   BASIC ANIMATION AESTHETICS   For the purposes of talking about animation,...

poetry

June 2013

Major Organs

Melissa Lee-Houghton

poetry

June 2013

When they take my brain out of its casing it will be fluorescent and the mortuary assistant will have...

 

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