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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

Listen to her She is telling you about her adolescence She is telling you about one particular ‘bender’ that lasted three days I was getting blacked out again in the morning, she says Smoking cigarettes Nine hours in her mum’s garden, unable to stand up It disturbed her for a long time She felt sick every time she thought about it, not because she could remember it, but because she couldn’t She could only recreate it That was the only time I wished that I was dead With survival comes loss – loss of sight, of time, of your sense of self She didn’t know what she had or hadn’t done when black out drunk, could never say because she lost so much time She was there but didn’t see it happen   Anita Harris would call her a ‘have-not’ girl Adolescent girls are made to embody society’s fears and hopes for the future, and as such are judged on their capacity for self-invention Adolescent girls are expected to make good choices for themselves As Harris writes in Future Girl, they have become ‘a focus for the construction of an ideal late modern subject who is self-making, resilient, and flexible’ Not everyone can be a ‘can-do’ girl, a good Future Girl Not all young women are ‘killing it’   The woman speaking in Jordan Baseman’s Blackout, on view at TAP in Southend-on-Sea, was a ‘have-not’ girl: she drank until she blacked out, was promiscuous and deceitful, and had no regard for her health or her safety She says she didn’t do anything for five years, that now she feels in-between: matured from her problem with alcohol and yet ‘behind’ everyone else She knows some things She thought her problem with alcohol set her apart from other people That it made her ‘interesting’ – she was living in a different way to everyone else She had chosen it But she was a girl who made bad choices, consumed the wrong substances and abused her body She was not, in other words, self-making, resilient or flexible in the ‘right’ way A have-not girl is a

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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poetry

November 2014

Like Rabbits

Bethan Roberts

poetry

November 2014

When my husband unrolled the back door of the brewery’s lorry and hoisted first one cage, then another, onto...

Interview

January 2017

Interview with Barbara T. Smith

Ciara Moloney

Interview

January 2017

Californian artist Barbara T. Smith (b. 1931) is something of a performance art legend. It was in the 1960s...

Art

July 2012

Interview with Ben Rivers

Alice Hattrick

Art

July 2012

Ben Rivers is an artist who makes films. Two Years at Sea, his first feature-length film, was released to...

 

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