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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

The Anglo-American commentariat is full of lofty egos Pankaj Mishra has developed a reputation as their great deflater ‘Watch This Man’, the writer’s much-discussed 2011 London Review of Books essay on historian Niall Ferguson’s Civilisation, opens with an unflattering comparison of the author to The Great Gatsby’s Tom Buchanan, an old-monied bore (‘and boor’) who bemoans the demise of the white race, zips through the historian’s past admissions to being a ‘fully paid-up member of the neo-imperialist gang’, and ends with an observation that rings like a warning: ‘His next move shouldn’t be missed’ Ferguson threatened to sue: ‘I am owed, I repeat, an apology’ In ‘Fascist Mysticism’, his 2018 review of Jordan Peterson’s 12 Rules for Life – a book, Mishra writes, that shuttles between life advice (‘stand up straight’; ‘tidy your room’) and metaphysical machismo (‘consciousness is symbolically masculine and has been since the start of time’) – Mishra places Peterson in a broader European lineage of nineteenth-century ‘intellectual quacks’ who traded in ‘right-wing pieties seductively mythologised for our lost generations’ Peterson fired off a rant on Twitter In the introduction to his newest book, Bland Fanatics, Mishra writes that the former journalist Boris Johnson – now lauded by some as an icon who demonstrates the heights to which those in Britain’s Fourth Estate can ascend (to say nothing of the pre-existing proximity to power and privilege that stalks the profession) – makes, along with Donald Trump, a duo of ‘blond bullies perched atop the world’s greatest democracies’ It may be fun to poke and prod at these pompous opinionators choking on their own self-regard, each endlessly prevaricating newspaper column taking them further from the self-understanding they purport to command But the consequences of these men’s inability to understand the world they have tried to shape in their image have been disastrous ‘The barbarians’, Mishra writes, ‘were never at the gate; they have been ruling us from some time’   These essays are among the sixteen featured in Bland Fanatics, which compiles some of Mishra’s

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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poetry

Issue No. 13

Watermen

Holly Pester

poetry

Issue No. 13

It’s Saturday and two men arrive at the door in the uniform. Thames Water. We’re checking the whole street,...

feature

July 2012

Ways of Submission

Saskia Vogel

feature

July 2012

On a pale marble fountain in Dubrovnik, I posed. I pretended I too was a stone figure, water gushing...

feature

Issue No. 2

The End of Francophonie: The Politics of French Literature

Lauren Elkin

feature

Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed...

 

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