Mailing List


Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

There’s a clarity to Audre Lorde’s writing that becomes most apparent when you are presented with a collection of her work Plainly written and devoid of the distractions of punctuation, her poetry is a series of questions and answers, of memories and musings Lorde’s prose, meanwhile, is easy to understand without feeling easy – there’s a sense that despite the lack of smoke and mirrors, we still need to work to understand exactly what she is saying Lorde’s work is not a series of straightforward proposals for a feminist utopia, or simple ideas about queer people assimilating into the mainstream Instead, her essays swing between lyrical musings about race, class, gender and sexuality, and bold statements of fact, backed up by evidence from her own academic research, and that of her peers   Lorde’s writing is unapologetic about being forthright; essays begin with phrases such as ‘There are many kinds of power, used and unused, acknowledged or otherwise’, and ‘Black feminism is not white feminism in blackface’ However, mid-essay, a  sentence like ‘I am thankful that one of my children is male, since that helps keep me honest’ will appear, challenging even the most feminist of her readers This is not socialism or feminism for the classroom, but an acknowledgement that speaking the truth, even if it jars, must be at the heart of our politics In her introduction to Your Silence Will Not Protect You, the academic Sara Ahmed reminds us of Lorde’s famous statement that ‘revolution is a process, not a one-time event’; truly understanding Audre Lorde’s writing is also a process, and the more of it we are given, the easier it becomes   Perhaps this is an obvious observation to make, but it’s an important one It hasn’t always been easy to access Lorde’s ideas: a full collection of Lorde’s poetry and prose has not been available in Britain until now Her writing has largely been absorbed not as a full body of work, but through a series of social justice memes and one-line quotes found in the keynotes of feminist conferences This fact is quoted on the jacket

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

Interview

Issue No. 8

Interview with Sophie Calle

Timothée Chaillou

Interview

Issue No. 8

Sophie Calle is France’s most celebrated conceptual artist. Her highly autobiographical, multi-disciplinary work combines the confessional and the cerebral,...

feature

April 2017

Everywhere and Nowhere

Vahni Capildeo

feature

April 2017

Part of my reluctance to write on citizenship is that as a poet, a worker in delicate, would-be-truthful language,...

fiction

October 2014

The Trace

Forrest Gander

fiction

October 2014

 La Esmeralda, Mexico   She knocked on the bathroom door.   ‘Can I come in to shower?’   ‘En...

 

Get our newsletter

 

* indicates required