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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

 I Two moments in May May 2, 2011 The novelists Siri Hustvedt and Céline Curiol are giving a talk at Shakespeare and Company in Paris The shop is filled to bursting, and the audience spills onto the sidewalk outside The topic of their discussion, they announce, is the ‘strange bias against fiction in general and fiction by women in particular’ Men don’t read books by women, they lament; women’s writing seems only to appeal to other women ‘Would you have written the same book if you were a man?’ Curiol reports having been asked on numerous occasions The question, she implies, has become so banal as hardly to be worth answering: ‘Yes, no, maybe,’ she says Both authors dismiss the idea that men write as men, and women write as women ‘Novels do not have a gender,’ says Curiol One audience member, an emissary from the French feminist group La Barbe (‘The Beard’) berates them, quite aggressively, for turning literature into a battlefield Hustvedt protests: ‘You’ve misunderstood entirely what we were trying to say’ Meanwhile the bookshop’s owner, Sylvia Whitman, shakes her head in bafflement as she’s asked to account for the actual ratio of male to female authors on the shop’s shelves   May 20, 2011 I’m at an academic conference in Paris A graduate student gives a paper on a novel about partition by the Pakistani writer Bapsi Sidhwa, making what seems to me to be an innocuous yet perceptive argument on the vexing ways in which gender and colonialism intersect in the novel During the discussion period, the student is dressed down by the two (female) faculty members chairing the panel ‘Do you really think Sidhwa has anything to say about partition that’s different from Salman Rushdie just because she’s a woman?’ The student is silent ‘Don’t work only on women’s writing,’ one professor, a placid blond with an immobile page boy haircut counsels her ‘That goes for all of you,’ she says ‘It’s been done, and by people much older than you It’s over Find something else to work on’   I’m gobsmacked I’ve just defended my PhD on British women’s

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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feature

February 2012

Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

Rose McLaren

feature

February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer...

feature

September 2014

Paris at Night

Matthew Beaumont

feature

September 2014

The picturesque lightshow that, once the sun has set, takes place on the hour, every hour, when the Eiffel...

poetry

April 2017

Two Poems

Fady Joudah

poetry

April 2017

EUROPA AND THE BULL   The boat was loaded on a truck. The truck took me to the border....

 

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