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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

Giulio the singing fascist came to pick me up from the little airport in his Jeep He made sure to come round and hold my door open from the outside Giulio was best known in Spura for his powerful bass voice and the persistent rumours that he went out looking for illegal immigrants in the Tuscan hills We made a point of not asking him about his beliefs because he was the only neighbour under sixty with whom my Grandmother had not yet argued He saw it as his duty as a Christian to help her with tasks that required lifting and driving My grandfather had always done such things for her We rattled away from the dusty airstrip, to join the autostrada I had seen it so many times from the vantage of Spura’s walls that I always thought of the roads as rivulets of magma spreading out across the plain We passed half-finished tennis courts and artisanal handbag depots, punctuated by the occasional red-brown jogger Two millennia ago, Hannibal had routed the Romans nearby, hiding his army in the forest and sending out men to light fires that made them look farther away than they really were Many here still felt themselves closer to Etruria than Rome, which explained the numerous local restaurants named after Hannibal’s favourite elephant, Surus As he drove with one hand and gesticulated with the other, Giulio told me about his battle with Communist mayor of Spura, who objected to him taking groups of Finnish hunters up into the hills without all the proper licenses He was still adding to his collection of antique rifles and offered to take me along next time he went to shoot the wild boar He apologised that he could not let me have a try myself, as it had been so long since I last fired a gun The only dangerous boar, if you could follow a trail like Giulio, were the mothers, who tended to be unpredictable and instinctively violent More wolves had been coming into Italy from Slovenia and found this region to

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

fiction

November 2011

Sheepskin

Olivia Heal

fiction

November 2011

The first I noticed was your thumbnails, large, round and flat, like two plates. They were marked with yellowed...

Art

June 2015

Photo London

Art

June 2015

From May 21-24, London’s Somerset House hosted the inaugural edition of London’s new international photography fair, Photo London.  ...

fiction

January 2016

Eight Minutes and Nineteen Seconds

Georgi Gospodinov

TR. Angela Rodel

fiction

January 2016

The minute you start reading this, the sun may already have gone out, but you won’t know it yet....

 

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