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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

The cat’s paws brush through the letterbox, looking for some jellied meat or an opening in the family Cat pushes a letter through the door The letter marked JH Ottessa, dead brother of mine My brother’s bedsheets still warm-sweaty My brother’s paw prints dented into the doormat Rain water falls heavy from the gutter makes me look up, makes me remember what day it is what time it is I call my little girl’s name Annette A        eh Annette A        eh voice through the wall, and the echo of her name, Annette, from the other side Her face screwed up fingers in ears not to have to hear, Annette, all the damn half-hour of the morning of all the days to be playing up the day of the funeral day late for church day   But a child can grieve, let the child be grieving, let the child        be   Eight years old were you brother? And I a bit older I see you running down the street, a sun-blazed strip lined with flowers begging for water, petals blown-out hearts It was a day with corn, heavily spiced and salted Smoke and charcoal Nice Heat beating a path into our bones, our brows wet You had a rug tied round your neck with garden twine, lying out in the sun charge up charge up, before flying off, past the street light, past the telephone wire, past the aeroplane Almost choked yourself to death I stretched out a hand to you, hooked onto a gate latch – the lynch mob’s latest victim, to save you from a strangling You hit my hand away And again Something in your eyes said this isn’t a game But I pulled you up pulled up out of the fire, that time, my hand melting into yours   The church is cold Warmed with bodies, they sitting on they heels        huh        sitting in the dirt        huh        rocking on they legs, mouth open moans we perform the wailing of the milk, divide up the ashes, and return to our        leaking gutters   You were fifteen you were fine, then acting strange

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

feature

October 2012

Film: Palestinian Airlines

Eddie Wrey

feature

October 2012

    Palestinian Airlines Produced and Directed by Eddie Wrey Co-produced and translated by Max Wrey Co-edited by Rye...

Interview

Issue No. 1

Interview with Mai-Thu Perret

Timothée Chaillou

Interview

Issue No. 1

Swiss artist Mai-Thu Perret’s ongoing, fourteen year-old project The Crystal Frontier is a multi-disciplinary fiction chronicling the lives of...

Interview

April 2012

Interview with Grant Gee

Evan Harris

Interview

April 2012

As the theatre is relit and the credits roll on Grant Gee’s latest film, Patience (After Sebald), an essay on...

 

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