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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

It’s harder to leave your burning home after you’ve spent so much time cleaning its floors Watching those baseboards char should be enough to make any good woman lie back in bed and let it happen The fact that I got up and hauled Angela out with me is proof enough of my selfishness   The years with her father before the fire—when I still had my figure and the energy to walk about, the will and ability to be moved—passed with such seeming ease, but the truth of those days and the trouble they held is lost in the archives of memory’s drunken catalog Its delicate, age-soaked pages stay with me like an old phone book packed and moved out of some sentimental urge   If anyone has found an adequate response to that fiction of chemical and circumstance which is love, it is my Angela Even when she was a girl, she squirmed out of my grasp and kissed the kitchen table instead She was barely toddling and would force me with pleads and screaming to spend hours on the bridge over the county road, tucking flowers between its wooden slats   She shrank into a child’s malaise when they demolished the old post office The workers had dumped the remnants of the structure and covered it with a few buckets of sand, and she wept and reached for it This wasn’t her usual brand of sadness, the kind she had when her blanket was tumbling in the dryer and she could only watch from her crib, a few sweet tears on her cheek At the pile, she was hysterical I let her down and she stumbled toward it, tripping over her feet, grinding dirt into her hands and face, ruining her play clothes She kicked and crawled, wailing, scrabbling at the pile until finally her fingers found purchase She took hold and leaned back with her full weight, wrenching a brick free and inspiring a plume of dirt A man walking down the road stopped and stared She cleared the brick from the pile, covered it with her body, and was asleep

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

fiction

September 2011

Celesteville's Burning

Andrew Gallix

fiction

September 2011

            Zut, zut, zut, zut.             – Marcel Proust, A la recherche du temps...

poetry

Issue No. 2

Portraits of Pierre Reverdy and Three Poems

Sam Gordon

poetry

Issue No. 2

ANDRÉ BRETON The most memorable thing about our meetings [around 1919-1920] was the almost complete bareness of the room in...

poetry

January 2013

Three Poems from Strawberry Aftertaste/ Ostateczny Smak Truskawek

Genowefa Jakubowska-Fijałkowska

TR. Marek Kazmierski

poetry

January 2013

  * * * zieleń jest zielona   z rana przymrozki   czujesz to w ziemi   w białej...

 

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