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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

It would’ve been easier if she hadn’t been known For the chickens But she was famous for these white, Undappled hens, which she’d bring to Perquín to sell On weekends The mayor’s chickens, they were called, As if her husband would ever want them (regal though They were), elegant as the egrets that are still Left to wander the presidential palace in Panama City By the time it happened, the buildings had gathered up The evening to form a landscape, and the streets grown Rancid, like oblong containers from the kind of potluck, In a dank small town, that people will choose to attend Out of boredom, and call a world  Her son was staying In San Salvador to study, and so she was alone                                                  They came for her, and her Box of hens, in three military vehicles, the passengers Disguised as radicals It would be different if they hadn’t Been so quiet They arrested her She was accused of Standing with guerrillas, Vesta at her hearth, in her slacks And a dead son’s blazer, like a queen expatriate In tenuous provinces And her crime was simple, she was The Mother of Intellectuals, the ideal accomplice It’s noted among us that this was recorded in mediocre Spelling, in a functionary’s awkward Palmer hand, As mader de intelectos [sic], a piece of wood, then, Made of the intellect To make her an idea Of accomplishment — it would’ve be different if they Hadn’t been so quiet Soon, some women Who stood outside the barracks — the ones who Ordinarily might jump to buy white chickens — turned When they heard her singing and heard her ringing Her keys against the walls, as if her room were full Of open doors, as if her greatest urgency should be That the room should leave to meet the evening Slowly they turned her body into a torso Then it was A floor Rarely do rooms like these have hands

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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Art

June 2015

Sisterhood

Chelsea Hogue

Art

June 2015

A woman appears onscreen. Her hair is short. While the film is black and white, by the colour gradations...

poetry

April 2014

Lives of the Saints

Luke Neima

poetry

April 2014

‘I’m tending to this dead tree,’ he tells me. Last time he was rolling the hard rocks down into...

poetry

February 2011

Mainly about Roth

Aidan Cottrell Boyce

poetry

February 2011

From the start he was thrown in at the deep-end when the head keeper just handed him a pail...

 

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