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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

I   All the real niggas are dead or in prison We are elaborating gently We are gooey in the middle The distance between those twin possibilities is Cartesian We know they will kill us, in small & flagrant ways Still, we follow breadcrumbs & hope for a dignified annihilation Slippery as newborn calves, we glisten We are fighting for the inalienable right to be ugly & still have an open casket We are loud about our pain & the world hates us for it We kill with the blunt instrument of kindness       II   Some people are born possessive nouns Some people leave & others stay Amal with the soft earlobes, the suppressed lisp Raspberry milkshakes at the park The skin on her knees like wild chanterelles foraged at dawn Recall the violet of her mood ring Forever stuck on the colour of asphyxiation We are suspicious of purple, Jarman wrote, it has a hollow bombast We found his words in the clammy belly of a Hampstead charity shop  His purple was exhibitionism, Hendrix, impish Prince, imperial tyranny, smut, the smell of Alexander the Great’s piss, luxury, a violation of decent taste Always, a passage Some people are drawn to the dusk of other interpretations Easter Funk Failure Christian repentance in violet robes Away from our cluttered sadness, Jarman wields his cane, bent like a prophet-in-waiting We are gassed up & drunk off our own subjectivity Terminally disappointed the way babygirls raised on prophets & rappers are bound to be Both die young & leave behind poor imitations We refuse to destroy ourselves to give meaning to your Order        III   During that inching hour just before Iftar, the holiest month was ushered in by IM chat sessions & notification alerts She moved to Cairo just in time for the revolution Like clockwork There we go again Blackness as centripetal force, as timekeeping beyond time, as magpie collation, as marooned miscellany, as an inventory under siege, as a mad ting, a wahala, a junoon, a reverie of blue-veined jinns, as a crush of meaning, a sodden map, a

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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feature

April 2013

Félix Fénéon, Bomb-Thrower

Tom McCarthy

feature

April 2013

Editors’ Note: On 25 April 2013, novelist Tom McCarthy announced the winner of the first annual White Review Short...

Interview

August 2016

Interview with Daniel Sinsel

Rosanna Mclaughlin

Interview

August 2016

In the decade after leaving Chelsea School of Art in 2002, Daniel Sinsel made a name for himself with...

fiction

January 2017

Peace

Patrick Cottrell

fiction

January 2017

Every morning as I walk to school through the dark blue decrepit world, I feel like I’m coming down...

 

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