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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

Looking back at Harmondsworth as he left, after 52 days inside, Amir was struck by how isolated the detention centre seemed Set back from the A4, it runs along the northern boundary wall of Heathrow, separated from the road by a car park and shielded from view by a line of houses and trees ‘The location is such that nobody can see you,’ he told me, a year after his release ‘This is how they make you feel cut off’   A year and a half ago I was scrolling aimlessly on the internet when I came across a simple website called ‘Detained Voices’, consisting of a series of short quotations from people who were being detained in ‘immigration removal centres’ in the UK Reading these disturbing fragments of testimony started me on a path that eventually put me opposite Amir in a Costa coffee shop in Stratford, as he told me about life in Harmondsworth   As I’ve learnt more about immigration detention I have become increasingly mystified by the place it occupies in our national discourse A set of nine prison-like buildings dotted around the country, these immigration removal centres are a recent phenomenon, yet already feel like part of the national furniture Harmondsworth, the first purpose-built immigration detention centre in the UK, was constructed in 1970 on the fringes of Heathrow, the country’s largest airport It had a capacity of 44 Over the eighties and nineties more and more facilities popped up around the country, until a burst of building under New Labour after the millennium brought the total number of places in these centres to just over 4,000 today   I became obsessed with the history of detention and with the building of Harmondsworth itself Rebuilt and expanded in 2001, it is now the largest detention centre in Europe I know which architectural practice designed the building (HLM Architects), who manufactured the heavy iron security doors (Lloyd Worrel Ironmongery), how much the retrofitted sprinkler system cost (£17 million) and who provided the toilets lacking in ligature points (The Plumb Centre) I learnt what ligature points are I learnt about the seven

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

fiction

Issue No. 2

Cafédämmerung

Joshua Cohen

fiction

Issue No. 2

It was even worse in Prague [than in Cuba]. The only reason they got upset with me — I was...

Interview

January 2017

Interview with Barbara T. Smith

Ciara Moloney

Interview

January 2017

Californian artist Barbara T. Smith (b. 1931) is something of a performance art legend. It was in the 1960s...

Art

July 2014

Operation Paperclip

Naomi Pearce

Patrick Goddard

Art

July 2014

‘I began at this point to feel that politics was not something “out there” but something “in here” and of...

 

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