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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

On a pale marble fountain in Dubrovnik, I posed I pretended I too was a stone figure, water gushing from my smooth, full breasts A focal point in a crowded square of coffee drinkers and nuns, radiating from within I couldn’t wait for my vision of a woman to emerge In my grandmother’s wooded garden, I wore my red plaid dress backwards, playing at having a bust, three buttons undone My collarbones would be something beautiful, I knew Like me, my friends rehearsed womanhood One friend would lead me to her mother’s closet and pull out the silks and laces for us to wear Another drew a brassiere, stockings and garters on her Barbie doll Barbie and Ken slept naked I pressed them together and held them still I imagined this cool, dry embrace was the path to ecstasy The hair jarred me out of this fantasy I was dreaming in the dusk of a blanket fort, my arm behind my head Springing from my underarm was crooked, pale brown wire I felt too old for my t-shirt – painted birds in puffed, bright colours If I ignored the strands, would they disappear? My first menstruation came on Easter Sunday And the next at Christmas Then again at Easter, Christmas and in some years at high summer I felt connected to something great, God or otherwise, yet wanted nothing to do with the blood I wanted only to be an effigy Now, I tried to will it away I thought the dry time between bleeding meant I was succeeding ** My father and I hiked up the hill behind our house, past where the fires burned, past the horse stalls, past the fire roads and to the strip mall where I took karate lessons I felt strong, free, free again Free as one can only feel in suburban Los Angeles when one realises it is possible to live without a car I loved my breasts, small, nonetheless there, my strong legs The way the fabric clung to me, the yellow dust and sweat on my skin My

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

fiction

November 2011

Sheepskin

Olivia Heal

fiction

November 2011

The first I noticed was your thumbnails, large, round and flat, like two plates. They were marked with yellowed...

feature

September 2013

For All Mankind: A Brief Cultural History of the Moon

Henry Little

feature

September 2013

For almost the entirety of man’s recorded 50,000-year history the moon has been unattainable. Alternately a heavenly body, the...

poetry

September 2011

The Moon over Timna

Rikudah Potash

TR. Michael Casper

poetry

September 2011

In a copper house Lived the new moon, The new moon Of Timna. In a copper coat With a...

 

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