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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

‘Not my name I live on the streets of an era in which saying one’s name is a cause for suspicion The name I bear today may not recognise me tomorrow So I do not bind my face to a particular name’ João Gilberto Noll   This is how it begins When it seems as if it’s all over Staring at the ground without blinking, I notice a piece of damp earth that seems like it’s in the wrong place I pick it up with both hands and without really knowing why, I put the fistful of damp earth that’s in the wrong place in my pocket, and decide to walk until I know where I’m trying to get to Maybe to a place where this bit of earth fits I pass by a neighbour’s house, knock on the door, and while I’m waiting for them to answer, I notice the outline of a perfect rectangle on the ground where a doormat has been removed Without really knowing why, other than the strong smell that seems to be coming from it, I push the outline of the mat further down into the tightly packed earth and exchange the damp earth in my pockets for a dry clump I fill both pockets again and depart, as if I’ve just left a message I go up a hill I dig a hole to leave the dry earth in and take a bit of quartz stone which, I don’t know if you know, is the most common stone on our planet and can be used to make many things: soap, toothpaste, sandpaper, optic fibres, watches, radios, ashtrays, even cheap jewellery I don’t want to do anything with this stone, I just want to carry it I pick up the stone which also smells of damp earth and don’t look back For reasons not worth mentioning, I move on Some would say: I depart But I say: I split I arrive at the border between my city and the next

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

fiction

April 2013

Popular Mechanics

Gareth Dickson

fiction

April 2013

In simple terms, the process of combustion creates energy that is converted into motion. The ignition by the spark...

feature

May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

feature

May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

Interview

Issue No. 1

Interview with Mai-Thu Perret

Timothée Chaillou

Interview

Issue No. 1

Swiss artist Mai-Thu Perret’s ongoing, fourteen year-old project The Crystal Frontier is a multi-disciplinary fiction chronicling the lives of...

 

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