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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

There were flickers of red in the water, a tint the colour of blood He stood in the river, naked as a stone, and opened his hands and drew the water to his lips and tasted it He knew the tastes of the river well, its differences like moods, as after a storm when the earth washed down from the fields and the clay sediment left his mouth bone dry He gazed upstream at the horizon, at the evening sun and the evening sky, at the river He was cold and began to shake, and though it was the beginning of summer and the air was warm his lips turned a bright blue   A package wrapped in cloth came to a still against his stomach and he scooped it from the water and unwrapped a small baby, so dead that it seemed a doll, and strange though it was, he reparcelled the dead thing in the cloth and returned it to the river where he watched it go, turning his toes in the silt and stones, his feet hardened against the medley of sharp rocks that formed the riverbed He remembered the still hot corpses of the burnt out men in what was left of the church, expiring smoke from their chimney mouths and whistling like so many kettles His father smouldering among them   A larger body appeared in chase of the child Signs of torture riddled the chest and face of the man, who was dead and naked He took hold of the body and waded through the river with it wrapped intimate in his thick arms and lifted it onto the rocks and laid it down He sat facing the water and waved the flies from the dead man’s pulpy face There followed another man, spilling over himself in the shallow breaks, reaching out a hand – it looked like He caught the second man, but he was also dead and he dragged him clear of the current and left him in the company of his fellow corpse Their black and bloody faces twinned by bruising

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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poetry

September 2014

Breath-Manifester & Drones

Ned Denny

poetry

September 2014

Breath-Manifester   Each bared morning is a swell time to die, Leaving the town’s ornate maze for the level...

Art

February 2016

'Look at me, I said to the glass in a whisper, a breath.'

Alice Hattrick

Art

February 2016

Listen to her. She is telling you about her adolescence. She is telling you about one particular ‘bender’ that...

Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

 

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