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On Work: Roundtable

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Issue No. 21

The Editors

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Issue No. 21

In 2013 we encountered a pamphlet-sized book published by n+1 called No Regrets. It contained a series of conversations between different groups of women...

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March 2018

Editorial

The Editors

Feature

March 2018

During his interview with Claudia Rankine in this issue, Kayo Chingonyi raises the subject of what role the arts...

There is no better distillation of the rich history of this sceptred isle than the English country house Foxgrove Hall is one such example In 1732, Edgar Lakeland constructed the estate with a fortune accrued from business dealings in the West Indies Upon his marriage to the daughter of a prominent landowner in Barbados, he returned to England to manage the investments from his newly-acquired landholdings The house itself sits on a 300 hectare estate of pristine parkland on the southern border of Gloucestershire Approaching from the north drive, one cannot help but admire the building’s imposing facade, constructed entirely from locally-quarried stone Large Corinthian pilasters support an elaborately stuccoed portico emblazoned with the family’s coat of arms: typical flourishes of Yorkshire-born architect John Carr The main hall, painstakingly preserved by Lakeland’s descendants, remains one of the finest examples of the architecture of the period Visitors to Foxgrove can expect to enjoy an unparalleled collection of Baroque art, and must be sure to drop by for a spot of tea at the café in the Kitchen Gardens   Extract from The Treasure Houses of England by Jonathan S Bailey, (Oxford: Oxford University Press, 1963)   I am delighted to inform you that your application for the position of Writer in Residence at Foxgrove Hall has been accepted Your proposed exploration of historic connections between the Caribbean and the English countryside was met with much interest by the judging panel We look forward to welcoming you to Foxgrove in the summer   Extract from letter to Ms Cecilia Braithwaite, from the Office of the Director of Public Engagement, English Heritage archives   *   9 June   Everything about this place feels unreal The house, the people, even my view From the window by  my desk, I can see the sweeping slope of lawn that falls onto the southern terrace The grass is the acid green of those sweets I used to love What were they called? They were all sour and made your mouth pucker up – Toxic Waste And the weather is glorious A real Indian summer, Mr

Contributor

August 2014

The Editors

Contributor

August 2014

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September 2017

On The White Review Anthology

The Editors

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September 2017

Valentine’s Day 2010, Brooklyn: an intern at the Paris Review skips his shift as an undocumented worker at an...

Editorial

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Issue No. 20

The Editors

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Issue No. 20

    As a bookish schoolchild in Galilee, the Palestinian poet Mahmoud Darwish was invited to compose, and read in public, a poem marking...

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Issue No. 19

Editorial

The Editors

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Issue No. 19

‘A crisis becomes a crisis when the white male body is affected,’ writes the philosopher Rosi Braidotti, interviewed in...

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Issue No. 18

Editorial

The Editors

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Issue No. 18

This is the editorial from the eighteenth print issue of The White Review, available to buy here.    In 1991...

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Issue No. 17

Editorial

The Editors

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Issue No. 17

An Englishman, a Frenchman and an Irishman set up a magazine in London in 2010. This sounds like the...

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Issue No. 16

Editorial

The Editors

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Issue No. 16

The political and internet activist Eli Pariser coined the term ‘Filter Bubble’ in 2011 to describe how we have...

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Issue No. 15

Editorial

The Editors

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Issue No. 15

In The Art of the Publisher, Roberto Calasso suggests that publishing is something approaching an art form, whereby ‘all...

Editorial

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Issue No. 14

The Editors

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Issue No. 14

Having several issues ago announced that we would no longer be writing our own editorials, the editors’ (ultimately inevitable) failure to organise a replacement,...
Editorial

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Issue No. 10

The Editors

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Issue No. 10

This tenth editorial will be our last. Back in February 2011, on launching the magazine, we grandiosely stated that we were ‘creating a space for...
The White Review No. 9 Editorial

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Issue No. 9

The Editors

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Issue No. 9

This ninth print issue of The White Review is characterised by little more than the continuation of the principles we have set out in...
The White Review No. 8 Editorial

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Issue No. 8

The Editors

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Issue No. 8

The manifesto of art collective Bruce High Quality foundation, the subject of an essay by Legacy Russell in this issue, states its intention to...
The White Review No. 7 Editorial

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Issue No. 7

The Editors

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Issue No. 7

A few issues back we grandiosely stated ‘that it is more important now than ever to provide a forum for expression and debate’. This...
The White Review No. 6 Editorial

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Issue No. 6

The Editors

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Issue No. 6

By the looks of it, not much has changed for The White Review. This new edition, like its predecessors, features the customary blend of...
The White Review No. 5 Editorial

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Issue No. 5

The Editors

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Issue No. 5

One of the two editors of The White Review recently committed a faux pas by reacting with undisguised and indeed excessive envy to the revelation...
The White Review No. 4 Editorial

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Issue No. 4

The Editors

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Issue No. 4

We live in interesting times. A few years ago, with little warning and for reasons obscure to all but a few, an economic system...
The White Review No.3 Editorial

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October 2011

The Editors

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October 2011

In the course of putting three issues of The White Review together, the editors have been presented with the problems they were previously so...
Editorial: a thousand witnesses are better than conscience

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July 2011

The Editors

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July 2011

The closure of any newspaper is a cause for sadness in any country that prides itself, as Britain does, on its possession of a...

READ NEXT

poetry

Issue No. 3

Cousin Alice

Medbh McGuckian

poetry

Issue No. 3

Your mountain is robed in sombre rifle green And one of its greener fields is suddenly Black with rooks....

Art

March 2013

Beyond the Mainstream and into the Digital

Vid Simoniti

Art

March 2013

Claire Bishop. Everywhere I go, some curator or artist wants to be rid of this turbulent critic.   In 2006...

feature

April 2012

Oradour-sur-Glane: Reflections on the Culture of Memorial in Europe

Will Stone

feature

April 2012

Que nos caravanes s’avancent Vers ce lieu marqué par le sang Une plaie au coeur de la France Y...

 

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