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Oradour-sur-Glane: Reflections on the Culture of Memorial in Europe

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April 2012

Will Stone

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April 2012

Que nos caravanes s’avancent Vers ce lieu marqué par le sang Une plaie au coeur de la France Y rappelle à l’indifférence Le massacre...

Interview

April 2012

Interview with Grant Gee

Evan Harris

Interview

April 2012

As the theatre is relit and the credits roll on Grant Gee’s latest film, Patience (After Sebald), an essay on...

Art

April 2012

Ryan Trecartin: The Real Internet is Inside You

Patrick Langley

Art

April 2012

 ‘What’s that buzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzing?’ Marshall McLuhan   1: Your Original Is Having A Complete Human Change Meltdown Makeover   It’s...

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Issue No. 4

The White Review No. 4 Editorial

The Editors

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Issue No. 4

We live in interesting times. A few years ago, with little warning and for reasons obscure to all but...

Interview

Issue No. 4

Interview with Ahdaf Soueif

Jacques Testard

Interview

Issue No. 4

In 1999, Ahdaf Soueif’s second novel, The Map of Love, was shortlisted for the Booker Prize, eventually losing out...

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Issue No. 4

Tibetan Kitsch

Evan Harris

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Issue No. 4

I first glimpsed the Potala Palace behind the bending legs of a prostitute. She swayed, obscuring a vista of...

The Land Art of Julie Brook

Art

Issue No. 4

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession of inhospitable locations, creating sculptures...

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February 2012

Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer...

Art

February 2012

Awst & Walther: A Lexicon of Questions

Francesca Gavin

Art

February 2012

Awst & Walther are a husband and wife team who create multi-disciplinary art works which range from building a...

The Common Sense Cosmos

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January 2012

Ned Beauman

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January 2012

Worthwhile philosophy is like building matchstick galleons. When Lewis says that all possible worlds are just as real as this one, or Chalmers says...

 

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