share


The Disappearance

A yellow veil dropped down at evening,

and when it lifted everyone was gone.

Good mothers fled their young for parts unknown—

no ‘fall dwindle’ but a stillborn spring.

Hive beetles and wax moths came not near.

 

Collapse, disorder, all these words were said,

while nursery rhymes and jingles went unsung.

Come witch hour, the old red telephone rang:

You had noticed that if you moved, you bled.

I was your keeper, sleeping through my watch.

 

Infection wraps itself around your bones

and whispers you all kinds of bad advice

about the fragile strangeness of a life.

Your body now a hive whose bees have flown.

Husband! Call them back.


ABOUT THE CONTRIBUTOR

Dana Goodyear, a staff writer at The New Yorker, teaches at the University of Southern California and is the author of two collections of poetry. Her nonfiction début, Anything That Moves: Renegade Chefs, Fearless Eaters, and the Making of a New American Food Culture, was published in November, 2013, by Riverhead Books.



READ NEXT

Interview

September 2015

Interview with Patrick deWitt

Anthony Cummins

Interview

September 2015

Patrick deWitt’s new novel, Undermajordomo Minor, tells the story of Lucy, a bungling young man hired to assist a...

feature

July 2014

Another month, another year, another crisis: eleven years in Beirut

Paul Cochrane

feature

July 2014

Rumours of impending conflict can wreak a particular type of havoc. This is not as physically manifest as the...

poetry

January 2015

Why I'm Not a Great Lover

Clemens J. Setz

TR. Ross Benjamin

poetry

January 2015

Why I’m Not A Great Lover   The circumstances. The zeitgeist.   The inner uncertainty. The lack of belief...

 

Get our newsletter

 

* indicates required