share


Work Study

The work takes her to Amsterdam, L.A. & Seoul.

Or else, it’s work in the studio with the old toilet

bowls stuffed with soil and seedlings, cold light

streaks each morning early, the school playground

crashing up next door. A recurrent cat. It’s true she

works most days, the routine becoming normality,

just work. This, her office, her desk. Here’s the most

recent, what she’s been working on for weeks now

– months? – existing before it’s itself, bleeding

paint. So, how does it work, then – I mean,

physicalities, substance shift, where daily work

turns to more than just that? The brush pots,

clippings, tinted tea mugs, dead colour worked into

wall creases, packages marked ‘sold’ stacked by

thick catalogues webbed in dust; out of, I’d almost

call it junk, the whole works, it is made – the work.


ABOUT THE CONTRIBUTOR

lives in London. Her poetry explores image-making and materiality, and has appeared in various magazines, journals and anthologies. She works as the poetry editorial assistant at Faber & Faber.

READ NEXT

feature

May 2011

Short Cuts

Charles Boyle

feature

May 2011

1.. Whatever it is that the literature department of Arts Council England (ACE) is for, it can’t be for...

Interview

May 2015

Interview with Maggie Nelson

Jess Cotton

Interview

May 2015

Nothing, it seems, falls outside Maggie Nelson’s field of inquiry. The author of four books of poetry and five...

feature

Issue No. 7

Bracketing the World: Reading Poetry through Neuroscience

James Wilkes

feature

Issue No. 7

The anechoic chamber at University College London has the clutter of a space shared by many people: styrofoam cups,...

 

Get our newsletter

 

* indicates required