The White Review No. 33 features interviews with writer Siri Hustvedt and feminist scholar Sara Ahmed. The issue includes new fiction by Gina Apostol,...
There is a certain kind of American novelist of the late twentieth century whose fiction fetishises plant names. The...
The titular work of Sadie Benning’s solo exhibition ‘Sleep Rock’ at Camden Arts Centre takes its name from two images...
‘We are poor passing facts / warned by that to give / each figure in the photograph / his...
In Louis Henderson’s film I build my language with rocks (2017), veins of handwritten Haitian Creole spread across a...
I’ve often wondered how high finance has ended up so closely involved with the earnestly ethical practice of documentary...
Imagine a small fishing village on the edge of the world. Its inhabitants are progressive and content. The surroundings...
In total four kids die during the course of Permanent Green Light (2018), Dennis Cooper and Zac Farley’s second...
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